1
00:00:14,640 --> 00:00:17,017
(man groans) SELF ISN'T
SOMETHING YOU FIND.
2
00:00:17,058 --> 00:00:20,855
IT'S SOMETHING YOU CREATE.
(grunts)
3
00:00:20,896 --> 00:00:23,858
THE MORE PROGRESS YOU MAKE.
THE MORE ACTION YOU TAKE,
4
00:00:23,899 --> 00:00:26,944
(siren wails in distance)
5
00:00:26,986 --> 00:00:29,112
SELF ISN'T SOMETHING YOU FIND.
6
00:00:29,154 --> 00:00:31,156
(grunts)
7
00:00:31,198 --> 00:00:33,575
IT'S SOMETHING YOU CREATE.
8
00:00:33,617 --> 00:00:35,953
THE MORE ACTION YOU TAKE,
9
00:00:35,995 --> 00:00:39,080
THE MORE PROGRESS YOU MAKE.
10
00:00:39,122 --> 00:00:43,460
SELF ISN'T SOMETHING YOU FIND.
(pants)
11
00:00:43,502 --> 00:00:46,171
IT'S SOMETHING YOU CREATE.
(grunts)
12
00:00:46,213 --> 00:00:51,802
THE MORE PROGRESS YOU MAKE.
THE MORE ACTION YOU TAKE,
13
00:00:51,844 --> 00:00:54,513
SELF ISN'T SOMETHING YOU FIND.
(strained voice)
14
00:00:54,555 --> 00:00:56,056
IT'S SOMETHING YOU CREATE.
15
00:00:58,851 --> 00:01:03,522
(scanner beeps)
16
00:01:03,564 --> 00:01:05,566
SHE'S, UM...
(sneezes)
17
00:01:05,607 --> 00:01:07,526
ALLERGIC TO PERFUME.
18
00:01:07,568 --> 00:01:09,987
(scoffs)
IT'S... IT'S A GOOD GUESS.
SHE JUST SNEEZED.
19
00:01:10,029 --> 00:01:12,907
SHE'S HAVING AN AFFAIR.
NEXT?
20
00:01:12,948 --> 00:01:14,950
HOLD ON. HAVING AN AFFAIR?
(lowered voice)
21
00:01:14,992 --> 00:01:16,660
YOU MADE THAT UP.
22
00:01:16,702 --> 00:01:19,955
NOT AT ALL. IF YOU LOOK CLOSELY,
SHE HAS A VERY PECULIAR...
23
00:01:19,997 --> 00:01:23,417
...THE MORE PROGRESS YOU MAKE.
(grunts)
24
00:01:23,458 --> 00:01:25,502
MY ATTITUDE TOWARDS LIFE
(strained voice)
25
00:01:25,544 --> 00:01:29,048
LIFE'S ATTITUDE TOWARDS ME.
DETERMINES
26
00:01:29,088 --> 00:01:31,759
YOU GOT A JOB TO DO,
YOU DO IT RIGHT.
27
00:01:31,800 --> 00:01:33,010
STOP.
28
00:01:33,052 --> 00:01:35,637
IN THE AIR NOW.
PUT YOUR HANDS
29
00:01:35,679 --> 00:01:38,306
OUT OF IT, WHY DON'T YOU?
OH. MAKE A FEDERAL CASE
30
00:01:38,348 --> 00:01:42,019
DROP IT. DROP THE BLANKET.
YOUR HANDS, SIR. BOTH HANDS.
31
00:01:42,061 --> 00:01:43,896
THAT'S GRATITUDE FOR YOU.
32
00:01:43,938 --> 00:01:46,607
HEY! PUT YOUR HANDS
ABOVE YOUR HEAD!
33
00:01:46,648 --> 00:01:49,484
AND THIS IS HOW I'M TREATED?
I BRING YOU A GIFT,
34
00:01:49,526 --> 00:01:51,111
WHAT GIFT?
35
00:01:51,152 --> 00:01:53,530
I DRAGGED, UH, THREE BLOCKS.
36
00:01:53,572 --> 00:01:55,783
JANE...
37
00:01:57,117 --> 00:01:59,119
PUPILS ARE DILATED.
38
00:01:59,160 --> 00:02:01,121
ARE YOU ON DRUGS,
MISTER, UH...
39
00:02:01,162 --> 00:02:04,499
RESNICK. CARL RESNICK.
I DON'T DO DRUGS.
40
00:02:04,541 --> 00:02:07,628
STEADY AS A ROCK
STEADY PULSE.
CRACK IS WHACK.
41
00:02:07,669 --> 00:02:11,214
FOR SOMEONE THAT DRAGGED
A BODY THREE BLOCKS.
HEY.
42
00:02:11,256 --> 00:02:13,592
LET ME HANDLE THIS, JANE.
I'LL DO IT.
43
00:02:13,634 --> 00:02:16,637
SO THIS IS A GIFT, HUH? IS THAT
WHY YOU BROUGHT HER HERE TO US?
44
00:02:16,678 --> 00:02:19,514
HER? THEM.
45
00:02:19,556 --> 00:02:21,308
THERE'S MORE THAN ONE?
46
00:02:21,349 --> 00:02:24,394
IT'S A WHOLE BAGFUL, FELLA.
WHAT DO YOU NEED, GLASSES?
47
00:02:24,436 --> 00:02:26,521
A BAGFUL OF WHAT?
48
00:02:26,563 --> 00:02:28,565
POTATOES.
49
00:02:28,607 --> 00:02:30,109
POTATOES.
50
00:02:30,150 --> 00:02:32,694
I'M SUPPOSED TO DELIVER THEM
TO THE POLICE.
51
00:02:32,736 --> 00:02:35,906
HE'S A PERFECT SUBJECT.
YOU ARE THE POLICE, RIGHT?
NEAR ENOUGH.
52
00:02:35,948 --> 00:02:38,993
FOR IMPLANTING A SUGGESTION.
HE'S HYPNOTIZED.
SUBJECT?
53
00:02:44,999 --> 00:02:47,208
OH.
54
00:02:50,337 --> 00:02:56,510
♪♪
55
00:02:57,469 --> 00:02:58,971
HE'S LYING.
IS HE?
56
00:02:59,013 --> 00:03:01,598
OH, GIVEN THAT THE GIRL
HE DRAGGED IN HERE DEAD
57
00:03:01,640 --> 00:03:04,601
IS NOT ACTUALLY A BAG OF SPUDS
LIKE HE SAYS, THEN YEAH.
58
00:03:04,643 --> 00:03:06,645
WELL, IT'S NOT LYING
IF HE BELIEVES IT.
59
00:03:06,687 --> 00:03:08,563
OKAY.
60
00:03:08,605 --> 00:03:09,940
THANK YOU.
61
00:03:15,236 --> 00:03:17,114
SO, CARL,
62
00:03:17,156 --> 00:03:19,533
A BAG OF POTATOES TO THE POLICE?
WHY WOULD YOU BRING
63
00:03:19,574 --> 00:03:21,493
UH, I-I DON'T--I-I CA--
64
00:03:21,535 --> 00:03:23,495
POTATOES TO COPS?
65
00:03:23,537 --> 00:03:27,624
POTATOES. NOT DOUGHNUTS,
BUT POTATOES.
66
00:03:27,666 --> 00:03:29,501
DID SOMEONE TELL YOU
TO DO IT?
67
00:03:29,543 --> 00:03:31,670
WHO?
YES! YES.
68
00:03:31,712 --> 00:03:33,296
UH...
69
00:03:33,338 --> 00:03:34,882
(sighs) I CAN'T REMEMBER.
70
00:03:34,923 --> 00:03:36,299
TRY.
71
00:03:36,341 --> 00:03:37,801
I'M TRYING.
72
00:03:37,843 --> 00:03:40,554
WHAT IF I TOLD YOU
IT WASN'T POTATOES?
73
00:03:40,595 --> 00:03:43,765
THAT IN FACT, IT WAS A DEAD GIRL
YOU WERE DRAGGING AROUND?
74
00:03:43,807 --> 00:03:46,143
A TWISTED SENSE OF HUMOR.
YOU HAVE
75
00:03:48,520 --> 00:03:51,190
WHAT DO YOU SEE THERE?
HERE'S PROOF, CARL.
76
00:03:53,692 --> 00:03:55,443
POTATOES.
77
00:03:57,779 --> 00:03:59,990
NOPE. JUST HYPNOTIZED.
HE IS CRAZY.
78
00:04:00,032 --> 00:04:01,575
OH, COME ON.
79
00:04:01,616 --> 00:04:04,912
TO CONNECT TO THE IMAGINATION
HYPNOSIS IS JUST A WAY
80
00:04:04,953 --> 00:04:06,914
THE CONSCIOUS MIND.
RATHER THAN
81
00:04:06,955 --> 00:04:08,999
THE MIND WILL ACCEPT WHATEVER
THE IMAGINATION CREATES,
82
00:04:09,041 --> 00:04:10,834
HOWEVER BIZARRE.
83
00:04:10,876 --> 00:04:14,046
HYPNOTISM IS WHAT YOU USE
AGAINST MY EXPLICIT ORDERS
84
00:04:14,088 --> 00:04:16,173
TO TELL THE TRUTH.
TO GET WITNESSES
85
00:04:16,215 --> 00:04:17,758
IT'S A LITTLE DIFFERENT THAN
CONVINCING SOMEBODY
86
00:04:17,799 --> 00:04:20,219
A SACK OF VEGETABLES.
THAT A DEAD GIRL IS
87
00:04:20,260 --> 00:04:23,638
DIFFERENT IN SCALE.
HE'S IN A TRANCE OR ANYTHING.
WELL, HE DOESN'T LOOK LIKE
88
00:04:23,680 --> 00:04:26,641
HYPNOTIZED HIM TO STOP SMOKING.
NEITHER DID MINELLI WHEN I
89
00:04:26,683 --> 00:04:30,062
EXCEPT INSIDE THE SUGGESTION.
THE SUBJECT ACTS NORMALLY
90
00:04:30,104 --> 00:04:31,563
CARL'S SUGGESTION IS
91
00:04:31,605 --> 00:04:33,565
VERY POWERFUL HALLUCINATION
TO HAVE THIS
92
00:04:33,607 --> 00:04:35,567
AND TO FORGET WHO DID THIS.
93
00:04:35,609 --> 00:04:38,570
WHOEVER HYPNOTIZED HIM,
I GOTTA SAY... GOOD.
94
00:04:38,612 --> 00:04:41,615
GOOD ENOUGH TO HYPNOTIZE CARL
INTO KILLING A GIRL?
95
00:04:41,656 --> 00:04:44,201
ON WHETHER DEEP DOWN,
WELL, THAT DEPENDS
96
00:04:44,243 --> 00:04:46,870
CARL REALLY WANTED
TO KILL A GIRL.
97
00:04:46,912 --> 00:04:48,538
BUT HE'S HYPNOTIZED.
98
00:04:48,580 --> 00:04:51,541
UH, NO SUGGESTION IN THE WORLD
CAN MAKE YOU DO SOMETHING
99
00:04:51,583 --> 00:04:54,586
AGAINST YOUR MORAL CHARACTER,
AGAINST YOUR TRUE WILL.
100
00:04:54,628 --> 00:04:57,464
A HYPNOTIZED SAINT IS
STILL A SAINT.
101
00:04:57,505 --> 00:04:59,340
NOT THAT HE'S A SAINT.
102
00:04:59,382 --> 00:05:02,010
HE CAN BE HYPNOTIZED TO KILL.
UH, SO IF CARL'S A KILLER,
103
00:05:02,052 --> 00:05:07,474
THE GIRL AND FRAMED CARL FOR IT.
OTHERWISE THE HYPNOTIST KILLED
OTHERWISE...
104
00:05:07,515 --> 00:05:09,517
(cell phone rings)
105
00:05:13,021 --> 00:05:14,564
RIGSBY.
106
00:05:14,606 --> 00:05:17,567
WHAT DID WE FIND OUT ABOUT HIM?
SO IS CARL A KILLER?
107
00:05:17,609 --> 00:05:20,612
AND YOU KNOW THIS HOW?
HE SELLS CARS, BOATS,
STUFF LIKE THAT.
108
00:05:20,654 --> 00:05:22,697
HE'S VERY WELL-MANNERED,
WELL,
109
00:05:22,739 --> 00:05:24,616
A LITTLE OVER-GROOMED,
110
00:05:24,658 --> 00:05:26,409
TOO BADLY DRESSED
TO BE GAY,
111
00:05:26,451 --> 00:05:28,078
SO SALESMAN.
112
00:05:28,120 --> 00:05:30,080
HE WORKS A DEALERSHIP
OVER ON FULTON.
113
00:05:30,122 --> 00:05:32,958
NOT EVEN A PARKING TICKET.
OH. DOES HE HAVE A RECORD?
114
00:05:33,000 --> 00:05:35,502
OBEYS AUTHORITY--
HE'S A GOOD BOY,
115
00:05:35,543 --> 00:05:38,213
A PERFECT SUBJECT
FOR A TRANCE.
116
00:05:38,255 --> 00:05:41,466
HE'S ALL SOFT AND SQUISHY
AND MALLEABLE.
117
00:05:41,508 --> 00:05:43,551
WITH A TRANCE OR WHATEVER?
WELL, CAN YOU FIX HIM
118
00:05:43,593 --> 00:05:45,179
MAKE HIM REMEMBER
WHAT HAPPENED?
119
00:05:45,220 --> 00:05:47,014
BUT WITHOUT KNOWING THE TRIGGER,
WELL, I COULD TRY,
120
00:05:47,055 --> 00:05:50,642
IT'LL BE LIKE YOU AND I PLAYING
MARCO POLO IN THE ATLANTIC.
121
00:05:50,684 --> 00:05:52,894
AND YOU GET ALL PRUNY.
IT'LL TAKE FOREVER,
122
00:05:52,936 --> 00:05:55,438
THE HYPNOTIST AND ASK HIM.
EASIER JUST TO FIND
123
00:05:55,480 --> 00:05:57,732
GOT AN I.D. ON THE VICTIM.
124
00:05:57,774 --> 00:05:59,693
HER FINGERPRINTS WERE ON FILE
WITH THE SCHOOL BOARD.
125
00:05:59,734 --> 00:06:02,029
SHE'S MARY BETH HENDRIX, 27.
126
00:06:02,070 --> 00:06:04,865
HER SISTER'S ON THE WAY
FROM THE AIRPORT NOW.
127
00:06:11,579 --> 00:06:14,833
YES. MM, THAT'S MARY BETH.
128
00:06:14,875 --> 00:06:17,211
SHE, UH...
129
00:06:17,252 --> 00:06:18,628
SOMEONE SHOT HER?
130
00:06:18,670 --> 00:06:22,132
GUNSHOT WOUND TO THE HEAD.
I'M SORRY.
131
00:06:22,174 --> 00:06:25,802
SHE DIED INSTANTLY.
THE CORONER SAYS
132
00:06:25,844 --> 00:06:28,596
I CAN'T BELIEVE IT.
(voice breaks)
133
00:06:28,638 --> 00:06:30,807
SHE WAS FINE WHEN I LEFT.
(sniffles)
134
00:06:30,849 --> 00:06:33,560
YOU LIVE TOGETHER?
135
00:06:33,601 --> 00:06:36,313
UM, YEAH.
136
00:06:36,355 --> 00:06:39,524
TWO COUNTRY GIRLS
IN THE BIG CITY.
137
00:06:39,566 --> 00:06:41,526
I DIDN'T WANT TO COME HERE,
138
00:06:41,568 --> 00:06:43,862
SHE'D TAKE CARE OF ME.
BUT MARY BETH SAID
139
00:06:43,904 --> 00:06:47,657
MM. THAT'S FUNNY, HUH?
(chuckles)
140
00:06:49,993 --> 00:06:52,204
LINDSAY?
141
00:06:52,246 --> 00:06:54,748
YOUR TRIP TO SAN FRANCISCO?
142
00:06:54,789 --> 00:06:58,168
JUST OVERNIGHT, FOR WORK.
YEAH. UM,
143
00:06:58,210 --> 00:07:00,337
I HAD JUST LANDED
WHEN YOU CALLED.
144
00:07:00,379 --> 00:07:03,340
MARY BETH'S AN ELEMENTARY SCHOOL
TEACHER, RIGHT?
145
00:07:03,382 --> 00:07:06,843
UM, SHE WAS, YEAH. BUT LAST YEAR
I GOT HER A JOB WHERE I WORK,
146
00:07:06,885 --> 00:07:09,388
AT THE MODEL LIFE CENTRE
DOWNTOWN.
147
00:07:09,428 --> 00:07:12,515
THE BOSS' ASSISTANT.
MARY BETH WAS
148
00:07:12,557 --> 00:07:14,517
AND I'M AN EVENT PLANNER.
149
00:07:14,559 --> 00:07:17,896
I HELP THE DOCTOR PLAN N.L.P.
SEMINARS AROUND THE COUNTRY.
150
00:07:17,938 --> 00:07:19,564
WHAT'S N.L.P.?
151
00:07:19,606 --> 00:07:21,191
NEURO-LINGUISTIC PROGRAMMING.
152
00:07:21,233 --> 00:07:23,610
UH, WELL, "SNEAKY WAYS
TO INFLUENCE PEOPLE"
153
00:07:23,651 --> 00:07:25,612
DOESN'T SOUND QUITE AS CATCHY.
154
00:07:25,653 --> 00:07:27,864
WELL, DR. DANIEL CHANGES LIVES.
155
00:07:27,906 --> 00:07:29,616
ROYSTON DANIEL?
156
00:07:29,657 --> 00:07:31,618
YES. HE'S THE BEST.
157
00:07:31,659 --> 00:07:32,827
UH-HUH.
158
00:07:32,869 --> 00:07:34,662
WHO'S ROYSTON DANIEL?
159
00:07:34,704 --> 00:07:36,497
DR. ROYSTON DANIEL IS
160
00:07:36,539 --> 00:07:39,334
PREEMINENT HYPNOTHERAPISTS.
ONE OF THE COUNTRY'S
161
00:07:43,922 --> 00:07:45,840
MARY BETH IS DEAD?
162
00:07:45,882 --> 00:07:48,676
OH, MY GOD.
163
00:07:48,718 --> 00:07:51,221
SURE.
YOU KNEW MARY BETH THEN?
164
00:07:51,263 --> 00:07:54,599
AT THE MODEL LIFE CENTRE.
I-I MET HER
165
00:07:54,641 --> 00:07:57,769
DR. DANIEL'S N.L.P. COURSE,
I'M TAKING
166
00:07:57,811 --> 00:07:59,980
BE A BETTER SALESMAN.
TO HELP ME
167
00:08:00,021 --> 00:08:02,983
DID YOU SPEND A LOT OF TIME
WITH MARY BETH?
168
00:08:03,024 --> 00:08:05,152
AT THE MONDAY CLASS...
169
00:08:05,193 --> 00:08:07,862
UH, I DIDN'T UNDERSTAND
THE EXERCISE.
170
00:08:07,904 --> 00:08:11,866
MARY BETH SPENT HER WHOLE LUNCH
EXPLAINING IT TO ME.
171
00:08:11,908 --> 00:08:13,493
SHE'S A GREAT TEACHER.
172
00:08:13,534 --> 00:08:15,203
PATIENT, YOU KNOW?
173
00:08:15,245 --> 00:08:17,580
EVEN WITH A DOPE LIKE ME.
174
00:08:17,622 --> 00:08:19,874
SO NOW DO YOU REMEMBER
WHO HYPNOTIZED YOU?
175
00:08:19,916 --> 00:08:23,086
I GOT NOTHING. I'M SORRY.
(scoffs and sniffles)
176
00:08:25,464 --> 00:08:27,674
(voice breaks) MARY BETH--
177
00:08:27,715 --> 00:08:29,634
WHAT HAPPENED TO HER?
178
00:08:29,676 --> 00:08:31,636
TAKE A LOOK AT DANIEL
WE SHOULD GO
179
00:08:31,678 --> 00:08:34,139
LET'S BRING CARL.
AND THIS MODEL LIFE CENTRE.
180
00:08:34,181 --> 00:08:38,268
WHERE THE HYPNOTISTS ARE.
UH, IT'S
WHAT FOR?
181
00:08:38,310 --> 00:08:41,521
OUR PRIME SUSPECT IN THIS.
CARL IS STILL
OH.
182
00:08:41,562 --> 00:08:43,523
WE CAN'T USE HIM AS BAIT.
183
00:08:43,564 --> 00:08:46,318
WELL, AS LONG AS WE DON'T
LOSE HIM OR BREAK HIM,
184
00:08:46,360 --> 00:08:48,653
THEN WHAT'S THE PROBLEM?
185
00:08:50,155 --> 00:08:52,532
(Rigsby sighs)
186
00:08:54,659 --> 00:08:58,830
FROM WHOEVER YOU WANT"--SCAM.
"GET WHAT YOU WANT
187
00:08:58,872 --> 00:09:00,832
NOT TO MENTION BAD GRAMMAR.
188
00:09:00,874 --> 00:09:03,543
NEURO-LINGUISTIC PROGRAMMING
IS NOT A SCAM.
189
00:09:03,584 --> 00:09:06,046
OF WILLPOWER AND PERSUASION
IT'S THE SCIENCE
190
00:09:06,087 --> 00:09:07,881
AND COMMUNICATING
MORE DEEPLY.
191
00:09:07,922 --> 00:09:10,925
YEAH, SCAM.
A WAY TO BETTER YOUR LIFE.
192
00:09:10,967 --> 00:09:13,678
BETTER YOUR LIFE.
A SCAM THAT CAN
193
00:09:13,720 --> 00:09:15,889
YOU TWO STAY HERE.
OOH, DEEP.
194
00:09:17,182 --> 00:09:18,517
(applause)
195
00:09:20,394 --> 00:09:22,270
GOOD AFTERNOON.
196
00:09:22,312 --> 00:09:23,771
DR. ROYSTON DANIEL,
MY NAME IS
197
00:09:23,813 --> 00:09:25,773
AND I'M GONNA TEACH YOU
198
00:09:25,815 --> 00:09:27,817
OF NEURO-LINGUISTIC PROGRAMMING.
THE SECRETS
199
00:09:27,859 --> 00:09:30,987
BELIEVE IN THE POWER OF TRANCE,
MANY OF YOU MAY NOT FULLY
200
00:09:31,029 --> 00:09:33,656
BUT I PROMISE, YOU WILL.
201
00:09:33,698 --> 00:09:37,827
THIS IS NOT THE MOMENT. I'M S--
EXCUSE ME, YOUNG MAN.
202
00:09:37,869 --> 00:09:39,454
WAKE.
203
00:09:42,123 --> 00:09:44,709
WHAT'S GOING ON?
204
00:09:44,751 --> 00:09:47,254
DR. DANIEL, WHAT HAPPENED?
205
00:09:47,295 --> 00:09:50,215
LADIES AND GENTLEMEN, A ROUND
OF APPLAUSE FOR MIKE HERE
206
00:09:50,257 --> 00:09:53,510
FOR BEING SUCH A GOOD SPORT.
207
00:09:59,182 --> 00:10:02,685
I AM DR. ROYSTON DANIEL.
AS YOU MAY KNOW,
208
00:10:05,772 --> 00:10:08,816
BECAUSE YOU WANT SOMETHING.
YOU'RE ALL HERE
209
00:10:08,858 --> 00:10:10,651
YOU WANT POWER
210
00:10:10,693 --> 00:10:13,613
YOU WANT LOVE, YOU WANT--
OR YOU WANT MONEY,
211
00:10:13,654 --> 00:10:15,782
I-I WANT A QUICK WORD WITH YOU
PRIVATELY.
212
00:10:15,823 --> 00:10:18,368
(chuckles) I'M IN THE MIDDLE
OF SOMETHING RIGHT NOW.
213
00:10:18,410 --> 00:10:20,078
OH, IT'S VERY IMPORTANT.
IT'S ABOUT YOUR BOAT.
214
00:10:20,120 --> 00:10:22,872
MY BOAT? I DON'T HAVE A BOAT.
215
00:10:22,914 --> 00:10:25,459
NO, IT'S ON FIRE.
216
00:10:25,500 --> 00:10:28,086
RICK, GET SECURITY,
WOULD YOU?
217
00:10:28,128 --> 00:10:31,131
LOOK, SIR, I DON'T KNOW WHAT--
(Lisbon) SIR?
218
00:10:31,172 --> 00:10:33,550
YOUR ASSISTANT MARY BETH
HAS BEEN MURDERED.
219
00:10:35,718 --> 00:10:37,178
BUREAU OF INVESTIGATION.
CALIFORNIA
220
00:10:37,220 --> 00:10:39,514
WE'D LIKE TO SPEAK WITH YOU.
221
00:10:39,556 --> 00:10:42,225
TO EXCUSE ME, FOLKS.
YOU'RE GONNA HAVE
222
00:10:42,267 --> 00:10:44,185
UM, MY ASSOCIATE,
MR. RICK TIEGLER,
223
00:10:44,227 --> 00:10:45,645
WILL CONDUCT THE SEMINAR
FROM HERE ON IN.
224
00:10:45,686 --> 00:10:47,522
TO SEE YOU AGAIN SOON.
I HOPE
225
00:10:56,990 --> 00:10:59,200
OKAY. GOOD. UH...
226
00:10:59,242 --> 00:11:01,202
AS DR. DANIEL HAS SHOWN,
227
00:11:01,244 --> 00:11:03,663
TRANCE IS INCREDIBLY POWERFUL.
228
00:11:03,704 --> 00:11:05,290
WE'RE GONNA TEACH YOU
229
00:11:05,332 --> 00:11:08,543
HOW TO UNLEASH THAT POWER
FOR YOURSELVES.
230
00:11:08,585 --> 00:11:09,919
LET'S START BY RELAXING
231
00:11:09,961 --> 00:11:12,172
BREATHING EXERCISES.
WITH A FEW SIMPLE
232
00:11:12,213 --> 00:11:15,133
HOW TO SUPERCHARGE YOUR LIFE.
THEN WE'RE GONNA SHOW YOU
233
00:11:15,175 --> 00:11:18,136
HOW DOES THAT SOUND?!
HOW DOES THAT SOUND?
234
00:11:29,772 --> 00:11:31,149
HI, DR. DANIEL.
235
00:11:31,191 --> 00:11:33,652
CARL, IS THIS THE MAN
WHO HYPNOTIZED YOU?
236
00:11:33,692 --> 00:11:36,530
HEY.
LET'S HAVE A LOOK
AT THOSE EYES.
237
00:11:36,571 --> 00:11:39,073
JANE. DO YOU KNOW THIS MAN?
238
00:11:39,115 --> 00:11:42,701
WELL, HIS FACE IS FAMILIAR.
IS HE ONE OF MY STUDENTS?
239
00:11:42,743 --> 00:11:45,330
MM...
240
00:11:45,372 --> 00:11:46,665
NO.
241
00:11:46,705 --> 00:11:48,707
RIGSBY, SPEAK TO DR. DANIEL.
TAKE JANE WITH YOU.
242
00:11:48,749 --> 00:11:51,670
GO BACK TO THE SEMINAR.
CARL AND I ARE GONNA
243
00:11:51,710 --> 00:11:54,881
HE WON'T GET LOST OR BROKEN.
THAT WAY, I KNOW
244
00:11:54,922 --> 00:11:57,050
YES, THIS WAY.
CAN WE USE YOUR OFFICE?
245
00:12:00,554 --> 00:12:02,639
I'LL CATCH UP.
246
00:12:18,405 --> 00:12:20,031
THIS IS TERRIBLE.
247
00:12:20,073 --> 00:12:21,740
POOR GIRL.
248
00:12:21,782 --> 00:12:25,537
SHE DIDN'T COME IN THIS MORNING.
I HAD A BAD FEELING WHEN
249
00:12:25,579 --> 00:12:27,539
IT'S NOT LIKE HER
TO DISAPPEAR.
250
00:12:27,581 --> 00:12:29,123
DID SHE HAVE ANY, UH, PR--
251
00:12:29,165 --> 00:12:30,667
PROBLEMS LATELY?
252
00:12:30,709 --> 00:12:34,128
WHO MIGHT WANNA HURT HER?
BAD BREAKUP? ANYBODY
253
00:12:34,170 --> 00:12:35,630
UM, I-I WOULDN'T KNOW.
254
00:12:35,672 --> 00:12:37,632
MARY BETH'S PERSONAL LIFE
WAS HER OWN.
255
00:12:37,674 --> 00:12:40,635
BY CARL RESNICK OUT THERE.
SHE WAS BROUGHT IN TO US
256
00:12:40,677 --> 00:12:43,888
SHE WAS A BIG BAG OF POTATOES.
HE WAS HYPNOTIZED TO THINK
HMM. STRONG STUFF.
257
00:12:43,930 --> 00:12:46,474
THAT'S AN OLD SHOT. (chuckles)
258
00:12:47,934 --> 00:12:49,810
WHO COULD HAVE DONE THAT?
259
00:12:49,852 --> 00:12:51,896
OH, VERY FEW PEOPLE
HAVE THE TALENT
260
00:12:51,938 --> 00:12:55,233
OTHER THAN YOU, OF COURSE.
THAT POWERFUL. VERY FEW.
TO CREATE A TRANCE
261
00:12:55,275 --> 00:12:56,775
HMM.
262
00:13:02,031 --> 00:13:05,619
OH. WAIT NOW. YOU THINK
I KILLED MARY BETH?
263
00:13:05,660 --> 00:13:08,913
DID YOU?
WELL, MAYBE I NEED
A LAWYER HERE.
264
00:13:08,955 --> 00:13:11,291
I WOULDN'T HAVE A CLUE.
MAYBE.
265
00:13:11,332 --> 00:13:14,919
IS HE GONNA NEED A LAWYER?
UH, DR. DANIEL, TELL US
ABOUT YOUR STUDENTS.
RIGSBY,
266
00:13:14,961 --> 00:13:18,005
UH, WHAT KIND OF PEOPLE WANT
TO GET WHATEVER THEY WANT
267
00:13:18,047 --> 00:13:21,175
TO MAKE THEIR LIFE BETTER?
WHO--WHO WOULDN'T WANT
FROM WHOEVER THEY WANT?
268
00:13:21,217 --> 00:13:22,885
USING TRANCE AS A TOOL,
269
00:13:22,927 --> 00:13:26,431
FROM INSOMNIACS, SOCCER MOMS,
N.L.P. CAN HELP EVERYONE
270
00:13:26,473 --> 00:13:29,850
SMOKERS, THE WEIGHT-CHALLENGED.
TO HIGH-POWERED EXECUTIVES,
271
00:13:29,892 --> 00:13:32,312
TO IMPROVE HIS LIFE.
ANYONE WHO WANTS
272
00:13:32,353 --> 00:13:34,314
AND CONTROL THE LIVES OF OTHERS?
273
00:13:34,355 --> 00:13:37,858
SOME OF MY STUDENTS WANT TO SELL
TO THEIR CUSTOMERS BETTER
274
00:13:37,900 --> 00:13:40,612
OR MAKE PEOPLE LIKE
AND RESPECT THEM.
275
00:13:40,654 --> 00:13:43,030
THERE'S NOTHING WRONG
WITH THAT. RIGHT?
276
00:13:43,072 --> 00:13:44,991
(scoffs)
(knock on door)
277
00:13:45,032 --> 00:13:46,618
(door opens)
278
00:13:48,035 --> 00:13:49,912
OH. EXCUSE ME.
279
00:13:49,954 --> 00:13:52,290
I JUST HAVE THE FILES
UH, ROYSTON,
280
00:13:52,332 --> 00:13:54,417
FOR THE, UH, ADVANCE WORK
281
00:13:54,459 --> 00:13:57,337
IN SAN FRANCISCO.
FOR THE SEMINAR
LINDSAY, YOU CAME IN.
282
00:13:57,378 --> 00:14:00,381
TO KEEP BUSY, YOU KNOW?
YEAH. I JUST HAD
283
00:14:00,423 --> 00:14:03,259
WELL, THANKS. BUT YOU DON'T
BELONG HERE. NOT TODAY.
284
00:14:03,301 --> 00:14:05,512
WHATEVER THIS IS CAN WAIT.
IT'S NOT IMPORTANT.
285
00:14:05,553 --> 00:14:07,263
WHAT?
286
00:14:07,305 --> 00:14:10,558
I'M, UH, OTHERWISE OCCUPIED,
AS YOU CAN SEE.
287
00:14:10,600 --> 00:14:12,560
GO HOME. GRIEVE.
288
00:14:12,602 --> 00:14:14,562
DON'T WORRY ABOUT US.
WE'LL SURVIVE.
289
00:14:14,604 --> 00:14:16,523
TAKE CARE OF YOU.
290
00:14:16,564 --> 00:14:18,399
RIGHT.
291
00:14:18,441 --> 00:14:20,276
SORRY. THIS WAS, UH...
292
00:14:20,318 --> 00:14:22,111
IT WAS A BAD IDEA.
293
00:14:22,153 --> 00:14:23,571
SORRY.
294
00:14:23,613 --> 00:14:24,864
I'M SORRY.
295
00:14:30,995 --> 00:14:33,623
"TAKE CARE OF YOU"--
296
00:14:33,665 --> 00:14:36,000
THAT'S THE SMOOTHEST BLOWOFF
I'VE HEARD ALL DAY.
297
00:14:38,545 --> 00:14:41,130
I HAVE A QUESTION FOR YOU GUYS--
ARE YOU FEELING IT?
298
00:14:41,172 --> 00:14:42,632
(audience) YES!
299
00:14:42,674 --> 00:14:44,551
ARE YOU FEELING IT?
(audience) YEAH!
300
00:14:44,592 --> 00:14:46,219
ARE YOU GUYS FEELING IT?
301
00:14:46,260 --> 00:14:48,095
YEAH!
302
00:14:48,137 --> 00:14:50,473
TO YOU GUYS INDIVIDUALLY, OKAY?
ALL RIGHT. NOW I'M GONNA TALK
303
00:14:50,515 --> 00:14:53,727
AND I MAY ASK ONE OR TWO OF YOU
TO COME UP ON STAGE AND HELP ME.
304
00:14:53,768 --> 00:14:56,604
WOULD YOU DO THAT? WOULD YOU
COME ON STAGE AND HELP ME?
(audience) YEAH!
305
00:14:56,646 --> 00:14:59,733
WHAT ARE YOU DOING HERE?
WHAT DO YOU WANT ME
TO DO HERE?
306
00:14:59,774 --> 00:15:02,943
THOUGHT YOU WERE SOMEONE ELSE.
UH, I'M SORRY. I ACTUALLY
307
00:15:02,985 --> 00:15:05,655
I'LL BE RIGHT BACK.
(Lisbon) SIR?
308
00:15:05,697 --> 00:15:07,365
(locks handcuffs)
309
00:15:11,035 --> 00:15:12,746
MR. TIEGLER!
310
00:15:12,787 --> 00:15:14,873
STOP!
311
00:15:14,914 --> 00:15:18,167
MR. TIEGLER!
312
00:15:18,209 --> 00:15:24,799
(both grunting)
313
00:15:24,841 --> 00:15:27,677
DIDN'T LIKE THE CLASS?
CUFFS.
314
00:15:27,719 --> 00:15:31,013
(pants) LOOKS LIKE I CAUGHT
THE MYSTERY HYPNOTIST.
315
00:15:31,055 --> 00:15:33,808
FROM WHO YOU WANT.
GOT WHAT YOU WANT
316
00:15:33,850 --> 00:15:36,603
N.L.P. STUFF SEEMS TO WORK.
317
00:15:36,644 --> 00:15:39,272
COME ON. BUDDY, COME ON.
318
00:15:39,313 --> 00:15:40,899
COME ON, MAN. LET'S GO.
319
00:15:40,940 --> 00:15:43,276
(grunts)
320
00:15:46,987 --> 00:15:48,782
LET'S TALK ABOUT YOUR JOB.
OKAY.
321
00:15:48,823 --> 00:15:51,033
AGENT RIGSBY ASKED AROUND
AT THE CENTER.
322
00:15:51,075 --> 00:15:56,330
DR. DANIEL'S NUMBER ONE GUY.
EVERYONE SAYS YOU'RE
I'M PROUD TO ASSIST
DR. DANIEL.
323
00:15:56,372 --> 00:15:58,541
THAT'S WHAT THE MODEL LIFE
I'M GOOD AT WHAT I DO.
324
00:15:58,583 --> 00:16:02,545
IF ANYONE COULD PUT THE HEX
ON CARL RESNICK, IT'S YOU.
IS ALL ABOUT.
325
00:16:02,587 --> 00:16:05,214
II WOULDN'T SAY THAT. NO.
326
00:16:05,256 --> 00:16:08,050
DID YOU EVER TRY YOUR STUFF
ON MARY BETH HENDRIX?
327
00:16:08,092 --> 00:16:10,052
I'M NOT TALKING ABOUT HER
EITHER.
328
00:16:10,094 --> 00:16:13,598
ARE YOU A DRINKER, RICK?
WOULD YOU LIKE ONE NOW?
329
00:16:13,640 --> 00:16:15,349
ARE YOU OFFERING?
330
00:16:15,391 --> 00:16:17,351
NO.
331
00:16:17,393 --> 00:16:20,354
I'M JUST UNDER A LOT OF STRESS.
I'M NOT A DRUNK.
332
00:16:20,396 --> 00:16:22,732
I UNDERSTAND. WERE YOU DRUNK
WHEN YOU KILLED MARY BETH?
333
00:16:22,774 --> 00:16:25,109
THAT'S RIGHT. YOU DIDN'T.
I DIDN'T.
334
00:16:25,151 --> 00:16:26,986
BUT IF SOMETHING HAPPENED
WHEN YOU WERE DRUNK,
335
00:16:27,027 --> 00:16:29,113
DIMINISHED CAPACITY.
THAT MEANS YOU HAD
336
00:16:29,155 --> 00:16:32,116
IT MEANS YOU'RE NOT RESPONSIBLE
LIKE YOU NORMALLY WOULD BE.
YEAH?
337
00:16:32,158 --> 00:16:33,117
YEAH.
338
00:16:34,661 --> 00:16:36,830
YEAH, I KNOW THAT.
339
00:16:36,871 --> 00:16:38,873
WELL, IS THAT HOW IT WAS?
340
00:16:38,915 --> 00:16:42,418
I DON'T REALLY KNOW.
MAYBE, UH,
341
00:16:42,460 --> 00:16:44,545
TELL ME WHAT HAPPENED.
342
00:16:44,587 --> 00:16:47,882
YESTERDAY I-I KIND OF
ASKED MARY BETH OUT.
343
00:16:47,924 --> 00:16:50,677
SHE SAID NO.
344
00:16:50,718 --> 00:16:52,846
ACTUALLY, SHE SAID NO WAY...
345
00:16:52,887 --> 00:16:54,555
IN HELL.
346
00:16:54,597 --> 00:16:58,601
MAYBE WENT TO A BAR TO FORGET.
SO LAST NIGHT YOU WERE MAD,
347
00:16:58,643 --> 00:17:02,146
HOISTED A FEW. DOZEN.
YEAH, I-I KIND OF
348
00:17:02,188 --> 00:17:04,148
BUT I MEAN, COME ON.
349
00:17:04,190 --> 00:17:07,276
MM-HMM.
LET OFF A LITTLE STEAM, RIGHT?
EVERY--EVERYBODY NEEDS TO
350
00:17:07,318 --> 00:17:09,654
I-I LASTED TILL ABOUT 1:00,
351
00:17:09,696 --> 00:17:11,614
AND THEN I...
352
00:17:11,656 --> 00:17:14,951
I KIND OF BLACKED OUT.
353
00:17:14,993 --> 00:17:18,454
AND THEN WHEN I WOKE UP,
354
00:17:18,496 --> 00:17:22,291
IN MARY BETH'S LIVING ROOM.
IT WAS 5:00 A.M. AND I WAS
355
00:17:22,333 --> 00:17:26,128
I WAS STANDING OVER
HER BODY...
356
00:17:26,170 --> 00:17:28,088
AND I WAS HOLDING A GUN.
357
00:17:28,130 --> 00:17:30,591
I COULD SMELL THE POWDER,
BUT...
358
00:17:30,633 --> 00:17:33,011
I WAS JUST STANDING THERE,
359
00:17:33,052 --> 00:17:36,222
AS CALM AS COULD BE.
360
00:17:36,263 --> 00:17:37,807
SO YOU KILLED HER?
361
00:17:41,978 --> 00:17:43,604
YEAH, I-I GUESS I DID.
362
00:17:43,646 --> 00:17:46,024
I'M--I'M NOT RESPONSIBLE.
BUT LIKE YOU SAID,
363
00:17:46,065 --> 00:17:48,651
AND AFTER YOU KILLED HER,
THAT'S WHEN YOU DECIDED
364
00:17:48,693 --> 00:17:50,987
TO FRAME CARL RESNICK?
TO USE YOUR SKILLS
365
00:17:51,029 --> 00:17:52,864
IN A TRANCE EXERCISE,
WE'D BEEN PARTNERS
366
00:17:52,906 --> 00:17:55,783
AND I'D--I'D PUT HIM UNDER
A COUPLE OF TIMES.
367
00:17:55,825 --> 00:17:57,994
IT JUST GETS EASIER,
AFTER THAT,
368
00:17:58,036 --> 00:17:59,996
WITH SOMEONE LIKE CARL.
ESPECIALLY
369
00:18:00,038 --> 00:18:02,665
HE'S SUCH A CREAM PUFF.
370
00:18:02,707 --> 00:18:04,667
WHAT DID YOU THINK
WOULD HAPPEN
371
00:18:04,709 --> 00:18:07,670
WHEN CARL DRAGGED A MURDERED
GIRL'S BODY TO THE COPS?
372
00:18:07,712 --> 00:18:11,090
GETTING OUT OF THERE ALIVE?
DID YOU THINK CARL WAS
373
00:18:11,131 --> 00:18:12,967
WELL...
374
00:18:13,009 --> 00:18:16,554
THE MURDER OF MARY BETH HENDRIX.
RICK, WE'RE CHARGING YOU WITH
375
00:18:16,596 --> 00:18:19,098
STAY PUT.
REALLY?
376
00:18:19,139 --> 00:18:21,350
REALLY.
377
00:18:23,728 --> 00:18:25,271
(door opens)
378
00:18:25,312 --> 00:18:27,189
BE WITH YOU IN JUST A SEC.
379
00:18:29,067 --> 00:18:30,985
OH, HEY, BOSS.
380
00:18:31,027 --> 00:18:33,029
TIEGLER'S PLACE YET?
HAS CHO SEARCHED
381
00:18:33,071 --> 00:18:34,655
HE'S GETTING A WARRANT NOW.
382
00:18:34,697 --> 00:18:37,199
WITH THE STUDENT INTERVIEWS.
I JUST FINISHED UP
383
00:18:37,241 --> 00:18:40,494
TEACHERS TO GO, BUT, UH,
YEAH, A COUPLE MORE
HOW'S IT GOING HERE?
384
00:18:40,536 --> 00:18:44,206
SO FAR NOBODY KNOWS ANYTHING
ABOUT MARY BETH OR TIEGLER.
RICK KILLED MARY BETH.
I CAN'T BELIEVE
385
00:18:44,248 --> 00:18:46,042
DO YOU THINK DR. DANIEL
386
00:18:46,084 --> 00:18:48,586
TO MAKE DONATIONS IN HER NAME?
WILL SET UP A PLACE
387
00:18:48,628 --> 00:18:51,839
A CHARITY FOR A SCHOOL
WOULD BE GOOD.
HE'S STILL HERE?
388
00:18:51,881 --> 00:18:54,926
YEAH.
I'VE BEEN HELPING AGENT RIGSBY
PARSE THE SUB MODALITIES
389
00:18:54,968 --> 00:18:57,637
TRANSLATING THEIR DOUBLE-TALK--
LANGUAGE PATTERNS.
OF THE TEACHERS'
390
00:18:57,678 --> 00:18:59,931
"REFRAMING," "PACING,"
391
00:18:59,973 --> 00:19:02,141
"REPRESENTATIONAL SYSTEMS."
UH,
392
00:19:02,182 --> 00:19:04,685
OF WHAT THESE GUYS SAY.
I DON'T GET HALF
393
00:19:04,727 --> 00:19:06,562
WHAT ARE YOU DOING?
394
00:19:06,604 --> 00:19:09,482
WHAT? UH, NOTHING.
395
00:19:09,523 --> 00:19:11,776
ARE YOU MIMICKING ME?
396
00:19:11,818 --> 00:19:14,779
IT'S CALLED MODELING. YOU, UH,
MODEL YOURSELF ON YOUR SUBJECT.
397
00:19:14,821 --> 00:19:18,324
SUBJECT? YOU'RE NOT TRYING
THIS N.L.P. CRAP ON ME.
398
00:19:18,365 --> 00:19:20,242
(laughs) NO. SORT OF.
399
00:19:20,284 --> 00:19:23,537
YOU SAID THIS WOULD
ESTABLISH A RAPPORT.
WELL, IT NEEDS WORK.
400
00:19:23,579 --> 00:19:26,332
I'M GOING BACK TO THE OFFICE.
401
00:19:26,373 --> 00:19:29,669
WHEN YOU'RE DONE. (laughs)
COME AND SEE ME
402
00:19:29,710 --> 00:19:31,921
THIS N.L.P. STUFF WORKS AT ALL.
I DON'T BELIEVE
403
00:19:31,963 --> 00:19:34,590
(snaps fingers) YOU WILL.
404
00:19:42,515 --> 00:19:44,558
NO PINEAPPLE ON THIS ONE.
405
00:19:44,600 --> 00:19:46,060
MMM.
406
00:19:46,102 --> 00:19:48,146
OH, NO, THANKS.
YOU HAVE TO.
407
00:19:48,187 --> 00:19:51,149
MM.
THE CASE IS CLOSED.
IT'S TRADITION.
408
00:19:51,190 --> 00:19:53,943
THERE'S NO MM ON THIS ONE.
MM?
409
00:19:53,985 --> 00:19:56,529
AN HOUR AGO, WE FOUND THE GUN
THAT KILLED MARY BETH
410
00:19:56,570 --> 00:19:59,157
WITH TIEGLER'S PRINTS ON IT.
IN TIEGLER'S APARTMENT
411
00:19:59,198 --> 00:20:01,617
PLUS, YOU KNOW,
THE CONFESSION.
412
00:20:01,659 --> 00:20:04,453
DIDN'T RICK TIEGLER'S BLACKOUT
STRIKE YOU AS WEIRD?
413
00:20:04,495 --> 00:20:07,123
BLACKED OUT. HE KILLED SOMEONE.
WELL, HE GOT DRUNK. HE
414
00:20:07,165 --> 00:20:09,667
(chuckles) I'M KIDDING.
WHO HASN'T BEEN THERE?
415
00:20:09,709 --> 00:20:11,669
OF A DRUNKEN STUPOR
TIEGLER CAME OUT
416
00:20:11,711 --> 00:20:14,047
STANDING UPRIGHT OVER A BODY
417
00:20:14,088 --> 00:20:16,632
INSTEAD OF FACEDOWN
IN A POOL OF VOMIT.
418
00:20:16,674 --> 00:20:19,343
IT SOUNDS MORE LIKE A TRANCE
THAN A BLACKOUT.
419
00:20:19,385 --> 00:20:21,512
SOMEBODY HYPNOTIZED TIEGLER
INTO KILLING MARY BETH
420
00:20:21,554 --> 00:20:23,514
AND HYPNOTIZING CARL?
421
00:20:23,556 --> 00:20:25,516
IT'S POSSIBLE.
422
00:20:25,558 --> 00:20:28,978
I DIDN'T EAT ALL THIS CHEESE
AND GREASE FOR NOTHING.
423
00:20:29,020 --> 00:20:31,105
THIS CASED IS CLOSED.
424
00:20:31,147 --> 00:20:33,691
YOU'RE JUST SEEING SUGGESTION
EVERYWHERE, JANE.
425
00:20:33,733 --> 00:20:36,527
YOU'RE TOO SUGGESTIBLE.
MM.
426
00:20:36,569 --> 00:20:39,864
OF A CONTROL FREAK FOR THAT?
OH, RIGHT, TOO MUCH
HMM. POT MEET KETTLE.
KETTLE, POT.
427
00:20:42,783 --> 00:20:44,618
HI. AGENT LISBON,
428
00:20:44,660 --> 00:20:48,288
I'M, UH, HERE FOR MY SISTER'S
EFFECTS FROM OUR APARTMENT.
429
00:20:48,330 --> 00:20:51,167
AGENT RIGSBY'LL HELP YOU.
THANK YOU.
430
00:20:51,209 --> 00:20:53,044
MISS HENDRIX, QUICK QUESTION.
431
00:20:53,086 --> 00:20:56,047
JANE.
DO YOU BELIEVE RICK TIEGLER
KILLED YOUR SISTER?
432
00:20:56,089 --> 00:21:00,342
ACTUALLY, UH, I KINDA DON'T.
433
00:21:00,384 --> 00:21:01,761
HOW DID YOU KNOW?
434
00:21:01,802 --> 00:21:04,471
COME TO MY OFFICE?
WHY DON'T YOU
435
00:21:04,513 --> 00:21:07,975
IT'S OKAY. IT'S FINE.
I-I'M SO SORRY.
436
00:21:08,017 --> 00:21:09,977
CONTROL FREAK.
437
00:21:11,562 --> 00:21:13,773
TO BE BOTHERING YOU GUYS.
I'M SO SORRY
438
00:21:13,814 --> 00:21:15,191
I...
439
00:21:15,233 --> 00:21:17,568
YOUR CONCERN, LINDSAY?
WHAT EXACTLY IS
440
00:21:17,610 --> 00:21:19,737
IT'S BEEN NAGGING AT ME,
YEAH, IT'S JUST--
441
00:21:19,779 --> 00:21:23,490
BUT, UM, DID, UM, DID RICK SAY
HOW HE GOT INTO OUR APARTMENT?
442
00:21:23,532 --> 00:21:24,742
NO.
443
00:21:24,784 --> 00:21:26,786
HE SAID HE WAS BLACKED OUT.
WHY?
444
00:21:26,827 --> 00:21:29,956
SHE REALLY DISLIKED HIM.
MARY BETH--
445
00:21:29,997 --> 00:21:33,626
DISLIKED HIM. I CAN'T IMAGINE
I MEAN, REALLY, REALLY
446
00:21:33,667 --> 00:21:36,629
SHE WOULD JUST OPEN THE DOOR
AND LET HIM INTO OUR PLACE.
WELL, HE COULDN'T HAVE
BROKEN IN.
447
00:21:36,670 --> 00:21:39,924
THE FRONT DOOR WAS UNDAMAGED.
THE B.F.S. REPORT SAYS
448
00:21:39,966 --> 00:21:43,136
I DON'T GET IT. I MEAN, WE HAD
A DEAD BOLT AND A PEEPHOLE.
449
00:21:43,177 --> 00:21:46,222
WAS ALL SECURITY-CONSCIOUS
MARY BETH
450
00:21:46,264 --> 00:21:48,849
SHE AND DR. DANIEL?
EVER SINCE SHE AND ROYSTON
GOT MUGGED.
451
00:21:48,891 --> 00:21:51,351
YEAH, WHEN HE TOOK HER TO MAUI
FOR THE WEEKEND.
452
00:21:51,393 --> 00:21:54,814
SHE AND DR. DANIEL WERE DATING?
SOME KIDS--THEY MUGGED THEM.
IT WAS--IT WAS AWFUL.
453
00:21:54,855 --> 00:21:58,442
I THOUGHT HE TOLD YOU.
FOR SIX MONTHS NOW.
454
00:21:58,484 --> 00:22:02,947
AND VOILà.
455
00:22:02,989 --> 00:22:06,159
YEAH.
WOULD YOU EXCUSE US
FOR A MINUTE?
456
00:22:10,746 --> 00:22:13,124
DANIEL TOLD US MARY BETH WAS
JUST HIS ASSISTANT.
457
00:22:13,166 --> 00:22:16,543
HE DIDN'T KNOW ANYTHING
ABOUT HER PRIVATE LIFE.
SO DANIEL LIED TO US. WHY?
458
00:22:16,585 --> 00:22:19,421
WELL, EMBARRASSMENT,
FEAR, PRIVACY...
GUILT MAYBE.
459
00:22:19,463 --> 00:22:21,590
IT'S PROBABLY NOTHING,
BUT IT IS A LOOSE END.
460
00:22:21,632 --> 00:22:23,592
THAT TIEGLER'S DEFENSE ATTORNEY
COULD HANG US WITH.
461
00:22:23,634 --> 00:22:25,594
GO PICK UP DANIEL.
WE BETTER
462
00:22:25,636 --> 00:22:28,639
SOME CASE-CLOSED PIZZA CALORIES.
IF WE WALK, YOU COULD BURN
463
00:22:28,681 --> 00:22:30,390
(chuckles) CUTE.
464
00:22:30,432 --> 00:22:32,392
AND FIND OUT EVERYTHING
GO INSIDE
465
00:22:32,434 --> 00:22:35,479
OKAY.
ABOUT HER SISTER'S RELATIONSHIP
WITH DANIEL.
466
00:22:35,521 --> 00:22:37,481
I WANT YOU TO TELL ME
HEY, LINDSAY.
467
00:22:37,523 --> 00:22:40,651
STARTED DATING DR. DANIEL.
EXACTLY WHEN MARY BETH
468
00:22:40,693 --> 00:22:43,237
WOULD NEVER HURT MARY BETH,
NO, UM, ROYSTON
469
00:22:43,279 --> 00:22:46,240
IF THAT'S WHAT YOU'RE THINKING.
NOT IN A MILLION YEARS,
470
00:22:46,282 --> 00:22:47,992
I REALLY AM QUITE BUSY,
YOU KNOW.
471
00:22:48,034 --> 00:22:50,536
WE'LL HAVE YOU BACK HERE
VERY SOON, DOCTOR.
472
00:22:50,577 --> 00:22:53,622
IF YOU COULD JUST TELL ME
WHAT THIS IS ABOUT...
JUST A FEW QUESTIONS.
THAT'S ALL.
473
00:22:53,664 --> 00:22:55,666
A FEW QUESTIONS ABOUT WHAT?
YES,
474
00:22:55,708 --> 00:22:58,627
I WON'T BE THE ONE ASKING.
I'M NOT SURE, SIR.
475
00:22:58,669 --> 00:23:02,380
OH, COME ON, AGENT.
JUST A HINT.
476
00:23:02,422 --> 00:23:05,676
YOU KNOW, YOU'RE FAR TOO PRETTY
TO BE SO SOLEMN.
477
00:23:07,385 --> 00:23:10,597
OF THE PRETTY GIRL.
AH, THE CURSE
478
00:23:10,639 --> 00:23:13,600
YOU'VE BEEN TOLD YOU'RE GORGEOUS
SINCE YOU WERE 12 YEARS OLD,
479
00:23:13,642 --> 00:23:16,812
AND NOW YOU CAN'T BEAR TO HEAR
WHAT MOST WOMEN LONG FOR.
480
00:23:16,854 --> 00:23:18,814
I HAVE A JOB TO DO.
THAT'S ALL.
481
00:23:18,856 --> 00:23:21,399
ARE YOU REALLY THAT TOUGH?
I DIDN'T THINK SO.
482
00:23:21,441 --> 00:23:23,401
ANYTHING ABOUT ME.
YOU DON'T KNOW
483
00:23:23,443 --> 00:23:24,611
NO?
NO.
484
00:23:24,653 --> 00:23:27,531
YOU'RE AMBITIOUS,
485
00:23:27,573 --> 00:23:29,533
YOU'LL LET ANYONE SEE.
MORE THAN
486
00:23:29,575 --> 00:23:31,869
A GIRL FROM NOWHERESVILLE
DESPERATE TO MAKE IT BIG,
487
00:23:31,911 --> 00:23:35,081
BUT YOU WORRY THAT YOU'LL ALWAYS
BE SMALL TOWN, SMALL-TIME,
488
00:23:35,122 --> 00:23:37,083
YOU HAVEN'T GOT WHAT IT TAKES,
489
00:23:37,124 --> 00:23:41,170
DOWN TO EVERYTHING BUT THIS JOB.
AND THAT'S WHY YOU'RE SO SHUT
490
00:23:41,212 --> 00:23:43,547
DR. DANIEL?
491
00:23:43,589 --> 00:23:46,092
NO OFFENSE, BUT I'VE BEEN
WORKING WITH PATRICK JANE
492
00:23:46,133 --> 00:23:48,761
FOR NINE MONTHS NOW.
493
00:23:48,802 --> 00:23:50,846
YOU WANT TO GET
UNDER MY SKIN?
494
00:23:50,888 --> 00:23:54,641
TO UP YOU'RE GAME. SHALL WE?
YOU'RE GONNA HAVE
495
00:23:59,355 --> 00:24:01,315
I'LL TELL YOU AGAIN,
AGENT CHO.
496
00:24:01,357 --> 00:24:03,692
I WASN'T SLEEPING
WITH MY ASSISTANT.
497
00:24:03,734 --> 00:24:05,945
THE ASSISTANT'S SISTER SAYS
DIFFERENT, DOCTOR.
498
00:24:05,986 --> 00:24:08,614
OR MISLED SOMEHOW.
THEN SHE'S LYING
499
00:24:08,655 --> 00:24:11,617
DIDN'T GO TO PARIS FOR A WEEK?
IN NOVEMBER, THE TWO OF YOU
500
00:24:11,658 --> 00:24:15,162
I TRAVEL EXTENSIVELY, TEACHING.
ON BUSINESS, YES.
501
00:24:15,204 --> 00:24:17,873
FOR 23 MINUTES NOW.
THE SAME STORY
502
00:24:17,915 --> 00:24:19,583
MAYBE HE'S TELLING THE TRUTH.
503
00:24:19,625 --> 00:24:22,460
MAYBE IT'S LINDSAY HENDRIX
WHO'S LYING.
504
00:24:22,502 --> 00:24:26,464
NO, THIS ONE'S LYING. NOTICE HOW
HE CAN'T BREAK EYE CONTACT?
505
00:24:26,506 --> 00:24:30,386
I CAME HERE OUT OF COURTESY.
LOOK, AGENT CHO,
I'LL GET THE TRUTH
OUT OF HIM.
506
00:24:30,428 --> 00:24:32,638
NOW IF THERE'S NOTHING NEW,
I'D LIKE TO GO.
507
00:24:32,679 --> 00:24:36,976
SURE.
HEY, CHO. MAY I?
508
00:24:37,017 --> 00:24:38,978
DR. DANIEL, TELL THE TRUTH.
509
00:24:39,019 --> 00:24:40,854
YOU'LL FEEL BETTER.
TRUST ME.
510
00:24:40,896 --> 00:24:44,066
I'D LIKE TO GO NOW.
511
00:24:44,108 --> 00:24:46,652
RIGSBY, HEY!
(grunts)
512
00:24:46,693 --> 00:24:47,987
WHOA!
513
00:24:48,028 --> 00:24:50,906
ALL RIGHT, ALL RIGHT,
WE WERE TOGETHER.
514
00:24:50,948 --> 00:24:53,867
SINCE SEPTEMBER, OKAY?
WE'D BEEN DATING
IT FEELS BETTER, DOESN'T IT?
515
00:24:53,909 --> 00:24:57,079
YOU BROKE MY NOSE,
YOU CRAZY BASTARD.
(Lisbon) AGENT RIGSBY, OUTSIDE.
COME ON.
516
00:24:58,956 --> 00:25:01,917
GUN AND BADGE.
THIS IS RIDICULOUS.
DUDE, I'M FINE.
517
00:25:01,959 --> 00:25:03,919
NOW!
BOSS, COME ON. I--
518
00:25:03,961 --> 00:25:07,505
UNDERSTAND WHAT YOU JUST DID?
DAMN IT, WAYNE. DO YOU
(sighs)
519
00:25:09,758 --> 00:25:11,260
OH, DEAR.
520
00:25:11,302 --> 00:25:12,636
(Lisbon) I KNOW.
521
00:25:12,678 --> 00:25:15,513
NO. NO, THIS.
522
00:25:15,555 --> 00:25:18,100
NO. NO WAY.
523
00:25:18,142 --> 00:25:20,060
HE'S BEEN HYPNOTIZED.
YEAH, AFRAID SO.
524
00:25:22,355 --> 00:25:24,231
OH, DEAR.
525
00:25:26,275 --> 00:25:28,361
MM-HMM.
OH, I'VE BEEN HYPNOTIZED,
HAVE I?
526
00:25:28,402 --> 00:25:30,570
DO EMBARRASSING THINGS,
YOU'RE GONNA MAKE ME
527
00:25:30,612 --> 00:25:33,573
YOU WANNA BE LIKE TINA TURNER?
PRETEND LIKE I'M TINA TURNER
OR SOMETHING?
528
00:25:33,615 --> 00:25:35,742
I'M NOT HYPNOTIZED.
N--JANE, TRUST ME.
529
00:25:35,784 --> 00:25:38,245
I FEEL FINE, TOTALLY NORMAL.
530
00:25:38,287 --> 00:25:41,123
NORMALLY YOU DON'T BREAK
THE NOSES OF SUSPECTS.
WHAT--WHAT ARE YOU
TALKING ABOUT?
531
00:25:41,165 --> 00:25:44,377
I JUST QUESTIONED THE GUY.
532
00:25:44,418 --> 00:25:47,171
(lowered voice) DO YOU THINK
THIS COULD BE PSYCHOLOGICAL?
533
00:25:47,213 --> 00:25:50,674
NO, HYPNOSIS. THAT'S ALL.
SOME SORT OF PSYCHOTIC BREAK?
534
00:25:50,716 --> 00:25:53,427
I THOUGHT YOU COULDN'T
HYPNOTIZE SOMEBODY
535
00:25:53,469 --> 00:25:55,929
RIGSBY HAS A BRUTAL STREAK.
AGAINST THIS MORAL CHARACTER.
536
00:25:55,971 --> 00:25:58,057
IF YOU DIDN'T KNOW,
NOW YOU KNOW.
537
00:25:58,098 --> 00:26:00,309
IT'S NOT AN UNCOMMON TRAIT
538
00:26:00,351 --> 00:26:03,396
TO GO INTO POLICE WORK.
IN THOSE THAT CHOOSE
I'M CALLING A SHRINK ANYWAY.
539
00:26:03,437 --> 00:26:05,398
DEEPLY HYPNOTIZED SUBJECTS
NO, WAIT.
540
00:26:05,439 --> 00:26:07,816
ARE VERY SUGGESTIBLE AND HAVE
VERY LITTLE INHIBITION.
541
00:26:07,858 --> 00:26:10,568
RIGSBY, DO ME A FAVOR.
CLOSE YOUR EYES.
542
00:26:12,779 --> 00:26:15,408
PLEASE.
543
00:26:15,449 --> 00:26:18,244
NOW RELAX. DON'T TELL ME,
BUT THINK ABOUT IT--
544
00:26:18,285 --> 00:26:21,830
WANT TO BE DOING RIGHT NOW.
THINK ABOUT WHAT YOU MOST
545
00:26:21,872 --> 00:26:26,335
YOU CAN DO ANYTHING YOU LIKE
IN THE WHOLE WORLD.
546
00:26:26,377 --> 00:26:29,004
WHAT ARE YOU GONNA DO?
547
00:26:32,508 --> 00:26:35,886
I WANT YOU TO OPEN YOUR EYES
AND DO IT.
548
00:26:35,928 --> 00:26:38,556
DO WHATEVER YOU LIKE.
549
00:26:38,596 --> 00:26:40,558
(scoffs)
550
00:26:42,309 --> 00:26:43,685
(chuckles)
551
00:26:51,818 --> 00:26:53,820
OH, YEAH. THAT'S WHAT
I'M TALKING ABOUT.
552
00:26:55,322 --> 00:26:58,200
HUH.
OKAY, HE'S HYPNOTIZED.
553
00:27:00,953 --> 00:27:02,371
WELL, UNHYPNOTIZE HIM.
554
00:27:02,413 --> 00:27:04,915
YOU SURE?
DO IT.
555
00:27:04,957 --> 00:27:07,126
I CAN'T.
556
00:27:07,167 --> 00:27:09,462
THE HYPNOTIST USES
A SPECIFIC TRIGGER
557
00:27:09,503 --> 00:27:11,464
TO INDUCE A TRANCE.
558
00:27:11,505 --> 00:27:14,300
UNLESS I KNOW THAT TRIGGER,
I CAN'T GET HIM OUT.
559
00:27:14,341 --> 00:27:16,385
WHERE DO YOU HAVE TO GO TO?
I HAVE TO GO.
560
00:27:16,427 --> 00:27:19,138
RIGSBY, NO.
I'LL SEE YOU LATER.
I CAN'T TELL YOU.
561
00:27:19,179 --> 00:27:23,016
HE'S NOT A GUINEA PIG.
NO, NO. THIS IS GOOD.
THIS IS VERY GOOD.
562
00:27:23,058 --> 00:27:26,103
RIGSBY, STAY HERE.
THAT'S AN ORDER.
I'M SORRY, BOSS.
I HAVE TO GO.
563
00:27:26,145 --> 00:27:29,106
HEY, RIGSBY, YOU CAN'T LEAVE.
YOU CAN'T. YOU'RE NOT WELL.
564
00:27:29,148 --> 00:27:31,150
CHO, STOP MESSING AROUND.
I'M FINE.
HEY!
565
00:27:31,191 --> 00:27:33,444
HE'LL LISTEN TO YOU.
TALK TO HIM, GRACE.
566
00:27:33,486 --> 00:27:34,861
RIGSBY.
567
00:27:37,948 --> 00:27:40,117
PLEASE STAY.
568
00:27:40,159 --> 00:27:41,285
PLEASE?
569
00:27:41,327 --> 00:27:43,329
OKAY.
570
00:27:43,370 --> 00:27:45,539
BUT NOT FOR LONG.
571
00:27:45,581 --> 00:27:47,541
COME ON. COME SIT WITH ME.
572
00:27:47,583 --> 00:27:49,126
OKAY.
573
00:27:52,087 --> 00:27:54,256
(Patrick) RIGSBY DIDN'T TALK
TO TIEGLER, DID HE?
574
00:27:54,298 --> 00:27:58,010
SO TIEGLER DIDN'T DO THIS. MAYBE
HE DIDN'T KILL MARY BETH EITHER.
NOPE.
575
00:27:58,051 --> 00:27:59,803
IT LOOKS LIKE YOU'RE RIGHT.
576
00:27:59,845 --> 00:28:02,640
OH.
IN A TRANCE BY THE REAL KILLER
RICK TIEGLER WAS PUT
577
00:28:02,680 --> 00:28:05,601
AND THOUGHT HE JUST BLACKED OUT.
AND THE SAME PERSON
PUT RIGSBY UNDER.
578
00:28:05,643 --> 00:28:08,103
EVERYBODY RIGSBY INTERVIEWED
WE NEED TO QUESTION
579
00:28:08,145 --> 00:28:11,649
AND ANYONE ELSE HE TALKED TO.
AT THE N.L.P. CENTER
IT HAS TO BE DR. DANIEL,
RIGHT?
580
00:28:11,731 --> 00:28:14,901
SLEEPING WITH THE VICTIM.
AND PLUS HE LIED ABOUT
WITH THE CHOPS TO DO THIS.
HE'S THE ONLY ONE
581
00:28:14,943 --> 00:28:17,488
WHY WOULD HE WANT RIGSBY
NO, NO, NO. WHOA, WHOA.
582
00:28:17,530 --> 00:28:20,240
ANYONE ELSE WANT RIGSBY
ALTHOUGH WHY WOULD
TO SMACK HIS OWN FACE
INTO A TABLE?
583
00:28:20,282 --> 00:28:23,577
TO SMACK DANIEL'S FACE
OF THE FACE INTO THE TABLE--
INTO THE TABLE?
MY GUESS? THE SMACKING
584
00:28:23,619 --> 00:28:26,079
OF A DEEPER HYPNOTIC COMMAND.
UNINTENDED SIDE EFFECT
585
00:28:26,121 --> 00:28:28,666
COMMAND TO DO WHAT?
THERE'S THE RUB.
586
00:28:28,706 --> 00:28:31,460
LET'S FIND OUT.
587
00:28:35,297 --> 00:28:38,800
I DO NOT NEED THIS
RIGHT NOW.
588
00:28:38,842 --> 00:28:40,802
JANE'S OFF DOING HIS THING?
589
00:28:40,844 --> 00:28:43,180
YES, AND I SHOULD BE WITH HIM.
WHAT THE HELL HAPPENED?
590
00:28:43,222 --> 00:28:45,265
TIEGLER GOT OFF ON BAIL
JUST LIKE THAT?
591
00:28:45,307 --> 00:28:47,184
NO RECORD AND HE'S NOT
A FLIGHT RISK.
592
00:28:47,226 --> 00:28:49,895
HE SET THE BAIL AT $50,000.
PLUS, IT'S JUDGE MILTON.
593
00:28:49,936 --> 00:28:53,315
$50,000 FOR AN ACCESSORY
TO MURDER CHARGE?
WELL, THAT'S THE THING.
594
00:28:53,357 --> 00:28:56,318
A DEAL?
A.D.A. DROPPED IT
TO OBSTRUCTION.
595
00:28:56,360 --> 00:28:57,819
I WAS NOT CONSULTED.
596
00:28:57,861 --> 00:28:59,821
ME NEITHER. TIEGLER FOUND
SOME JUICE SOMEWHERE.
597
00:28:59,863 --> 00:29:02,824
FROM HORTON & FLEER, WHOLE NINE.
GOT A DEFENSE ATTORNEY
598
00:29:02,866 --> 00:29:05,327
ABOUT TIEGLER'S BAIL.
FIND OUT
ALL RIGHT.
599
00:29:05,369 --> 00:29:07,162
HELLO, AGENTS.
600
00:29:07,204 --> 00:29:10,290
WALKING FREE IN THE WORLD?
NICE DAY, HUH, TO BE
601
00:29:12,376 --> 00:29:13,960
YOU NEED SUPERVISION.
602
00:29:14,002 --> 00:29:16,422
WE THINK YOU MIGHT HAVE
BEEN HYPNOTIZED
603
00:29:16,463 --> 00:29:19,258
BY MARY BETH'S KILLER.
REALLY? THAT'S YOUR PLAY?
604
00:29:19,299 --> 00:29:21,843
YOU COULD BE IN DANGER, SIR.
YOU'RE THE DANGER, LADY.
605
00:29:21,885 --> 00:29:23,845
A MARBLE STAIRCASE.
YOU THREW ME DOWN
606
00:29:23,887 --> 00:29:26,432
NO, THANKS.
LOOK AT THIS BRUISE.
607
00:29:26,473 --> 00:29:29,476
MR. TIEGLER, WHAT IF I'M RIGHT?
WHAT IF YOU WERE HYPNOTIZED TO
608
00:29:29,518 --> 00:29:32,312
TAKE THE BLAME FOR MARY BETH'S
MURDER, AND THE KILLER
609
00:29:32,354 --> 00:29:35,899
IS STILL OUT THERE? THAT WOULD
MAKE YOU A LOOSE END, RIGHT?
TRY ANYTHING, WON'T YOU,
YOU COPS WILL
610
00:29:35,941 --> 00:29:37,901
TO MAKE ME DOUBT MYSELF?
YOU AND MY MOTHER.
611
00:29:37,943 --> 00:29:41,196
WELL, IT'S NOT GONNA WORK.
I'M LIVING THE MODEL LIFE.
612
00:29:41,238 --> 00:29:43,449
YOU HAVE A VERY GOOD DAY,
AGENT LISBON,
613
00:29:43,490 --> 00:29:46,326
AND TRY NOT TO BRUISE ANYONE.
614
00:29:46,368 --> 00:29:49,079
TIEGLER DIDN'T POST IT.
(Cho) TIEGLER'S BOND?
615
00:29:49,121 --> 00:29:51,707
THE MODEL LIFE CENTRE,
INCORPORATED.
WHO DID?
616
00:29:51,749 --> 00:29:52,916
YEP.
REALLY?
617
00:29:52,958 --> 00:29:54,501
OKAY.
LOOK INTO IT.
618
00:29:54,543 --> 00:29:56,670
I GOTTA GET BACK.
619
00:29:56,712 --> 00:29:58,922
ALL RIGHT.
620
00:29:58,964 --> 00:30:00,924
(Van Pelt) WHY ARE WE HERE?
621
00:30:00,966 --> 00:30:04,094
I WANTED TO BRING HIM SOMEWHERE
WHERE HE FELT SAFE, RELAXED,
622
00:30:04,136 --> 00:30:07,013
SOMETHING THAT BROUGHT HIM
BACK TO HIS CHILDHOOD,
623
00:30:07,055 --> 00:30:09,015
BEFORE HE STARTED
GETTING HURT.
624
00:30:09,057 --> 00:30:11,017
YEAH, HURT BY WHO?
HURT BY WHO?
625
00:30:11,059 --> 00:30:13,729
UH, NONE OF MY BUSINESS.
WELL, WHOEVER.
626
00:30:13,771 --> 00:30:15,731
HERE WE ARE.
627
00:30:15,773 --> 00:30:17,274
PLEASE, HAVE A SEAT.
628
00:30:20,360 --> 00:30:23,947
(sighs) NOBODY HURT ME, OKAY?
JANE, DON'T UPSET HIM.
629
00:30:23,989 --> 00:30:25,907
I KNOW WHAT I'M DOING.
(sighs)
630
00:30:25,949 --> 00:30:28,494
ON THIS HYPNOSIS KICK?
ARE YOU STILL
631
00:30:28,535 --> 00:30:32,748
RIGSBY, I'M GONNA HAVE TO
ASK YOU TO TRUST ME, OKAY?
I'M TELLING YOU, YOU'RE WRONG.
632
00:30:32,790 --> 00:30:36,669
TRY AND TRUST ME. I'M GONNA
HELP YOU BREAK THIS TRANCE.
633
00:30:36,710 --> 00:30:39,338
NO ONE'S GONNA HURT YOU,
OKAY?
634
00:30:39,379 --> 00:30:41,340
TO YOUR NORMAL SELF.
BRING YOU BACK
635
00:30:41,381 --> 00:30:44,343
YOU'D LIKE THAT,
WOULDN'T YOU?
636
00:30:44,384 --> 00:30:46,679
MAYBE SO.
YOU'VE GOT IT WRONG.
637
00:30:46,720 --> 00:30:51,183
I MEAN, EVERYBODY MAKES
MISTAKES, DON'T THEY?
638
00:30:51,224 --> 00:30:53,018
THAT'S LIFE, HUH?
639
00:30:53,059 --> 00:30:55,228
UPS AND DOWNS.
640
00:30:55,270 --> 00:30:57,397
LOOK AT THOSE SWINGS...
641
00:30:57,439 --> 00:31:00,317
UP... AND DOWN.
642
00:31:00,359 --> 00:31:03,903
UP... AND DOWN.
643
00:31:03,945 --> 00:31:06,156
THAT'S LIFE.
644
00:31:06,198 --> 00:31:09,368
RELAX INTO IT.
645
00:31:09,409 --> 00:31:12,329
NOTHING TO WORRY ABOUT.
646
00:31:12,371 --> 00:31:16,416
UP... AND DOWN.
647
00:31:16,458 --> 00:31:20,295
UP... AND DOWN.
648
00:31:20,337 --> 00:31:22,381
UP...
649
00:31:22,422 --> 00:31:25,801
AND DOWN.
650
00:31:25,843 --> 00:31:29,137
HOW ARE YOU FEELING? GOOD?
651
00:31:29,179 --> 00:31:30,889
TINGLING IN YOUR HANDS?
652
00:31:30,930 --> 00:31:32,265
BUZZING?
653
00:31:32,307 --> 00:31:35,227
THAT'S GOOD.
TINGLING, I GUESS, A LITTLE.
654
00:31:35,268 --> 00:31:38,230
NOW YOU'RE WATCHING
THOSE SWINGS.
655
00:31:38,271 --> 00:31:41,400
UP... AND DOWN.
656
00:31:41,441 --> 00:31:44,611
UP... AND DOWN.
657
00:31:44,653 --> 00:31:48,407
LET YOURSELF DRIFT AWAY.
658
00:31:48,448 --> 00:31:52,035
FEEL THE TENSION RELEASE...
659
00:31:52,077 --> 00:31:55,330
WATCHING THE SWINGS.
660
00:31:55,372 --> 00:31:57,708
YOU'RE DOING IT
ALL ON YOUR OWN.
661
00:31:57,750 --> 00:32:00,043
THAT'S VERY GOOD.
662
00:32:00,085 --> 00:32:03,213
ALL ON YOUR OWN.
663
00:32:03,255 --> 00:32:06,216
(lowered voice) NOW I HAVE TO
FIND THE HYPNOTIC TRIGGER.
664
00:32:06,258 --> 00:32:10,679
IT COULD BE VISUAL, AUDITORY
OR PHYSICAL.
665
00:32:13,181 --> 00:32:15,308
WATCHING THE SWINGS.
666
00:32:29,364 --> 00:32:32,284
DEEP BREATHING.
DUDE, DON'T FEEL ME UP, MAN.
667
00:32:32,325 --> 00:32:34,828
BREATHE IN. FEEL THE BREATH.
668
00:32:34,870 --> 00:32:37,623
(inhales deeply)
FEEL THE BREATH OUT.
669
00:32:37,664 --> 00:32:40,083
IN...
670
00:32:40,125 --> 00:32:42,127
AND OUT.
671
00:32:42,168 --> 00:32:43,128
THAT'S GOOD.
672
00:32:43,169 --> 00:32:44,880
(cries) JANE, STOP.
673
00:32:44,922 --> 00:32:47,048
WHAT?
(panting) JUST...
674
00:32:47,090 --> 00:32:49,760
A SPLITTING HEADACHE. JUST...
JUST STOP. OKAY? I GOT
675
00:32:49,802 --> 00:32:52,721
STOP.
YOU'RE JUST BREATHING, RIGSBY.
JUST BREATHING.
676
00:32:52,763 --> 00:32:54,347
NO ONE IS HURTING YOU.
677
00:32:54,389 --> 00:32:57,309
Y-Y-YOU'RE HURTING ME. STOP IT!
NO, YOU--YOU ARE.
678
00:32:57,350 --> 00:32:59,311
PART OF THE SUGGESTION.
STOP DOING YOUR STUFF ON ME!
YOUR REACTION IS
679
00:32:59,352 --> 00:33:01,146
DEFENSE MECHANISM
IT'S A BUILT-IN
680
00:33:01,187 --> 00:33:03,774
TRYING TO HELP YOU.
RIGSBY, LET JANE HELP YOU.
TO STOP ME
681
00:33:03,816 --> 00:33:05,943
STOP. I-I'VE GOTTA GET TO...
682
00:33:05,984 --> 00:33:08,862
I'VE GOTTA GET OUT OF HERE.
I-I'VE GOTTA GO!
WAYNE! WAYNE, STOP!
683
00:33:08,904 --> 00:33:10,489
HE'S IN TOO DEEP.
684
00:33:10,530 --> 00:33:13,283
HE'LL PROBABLY HURT YOU.
IF YOU TRY TO STOP HIM,
685
00:33:13,325 --> 00:33:15,786
(brakes squeal)
(Jane) OH!
686
00:33:40,560 --> 00:33:42,020
HELLO, DR. DANIEL.
687
00:33:42,061 --> 00:33:44,022
THANK GOD YOU'RE HERE.
AGENT RIGSBY?
688
00:33:44,063 --> 00:33:45,440
HELP ME.
689
00:33:45,482 --> 00:33:47,985
SHUT UP, ROYSTON.
690
00:33:48,026 --> 00:33:50,988
WAYNE, THANK YOU FOR COMING.
THANK YOU FOR HELPING ME.
691
00:33:51,029 --> 00:33:52,990
WELL, I HAD TO COME.
I KNOW.
692
00:33:53,031 --> 00:33:54,992
I WANT YOU TO TELL ME
HEY, LINDSAY.
693
00:33:55,033 --> 00:33:58,036
STARTED DATING DR. DANIEL.
EXACTLY WHEN MARY BETH
694
00:33:58,077 --> 00:34:00,413
WOULD NEVER HURT MARY BETH,
NO, UH, UH, ROYSTON
695
00:34:00,455 --> 00:34:03,416
IF THAT'S WHAT YOU'RE THINKING.
NOT IN A MILLION YEARS.
696
00:34:03,458 --> 00:34:06,879
THIS IS JUST ROUTINE. RELAX.
WE'LL BE DONE IN NO TIME.
697
00:34:06,920 --> 00:34:09,840
I WILL. I'LL RELAX.
698
00:34:12,091 --> 00:34:14,970
I FEEL VERY RELAXED
WITH YOU, WAYNE.
699
00:34:15,012 --> 00:34:16,889
VERY SAFE.
700
00:34:16,930 --> 00:34:20,976
VERY SAFE AND RELAXED SITTING
NEXT TO YOU. (chuckles)
701
00:34:21,018 --> 00:34:24,771
I FEEL LIKE I COULD TELL YOU
ANYTHING... ANYTHING AT ALL.
702
00:34:24,813 --> 00:34:27,733
ABOUT DR. DANIEL.
LET ME TELL YOU
703
00:34:27,774 --> 00:34:31,110
I KNOW.
704
00:34:31,152 --> 00:34:32,738
AND DON'T WORRY.
705
00:34:32,779 --> 00:34:34,698
GONNA BE FINE NOW.
EVERYTHING'S
706
00:34:34,740 --> 00:34:36,366
AGENT RIGSBY.
707
00:34:36,408 --> 00:34:39,036
AGENT, I WANT YOU TO RELAX
AND LISTEN VERY CAREFULLY
708
00:34:39,077 --> 00:34:41,038
TO THE SOUND OF MY VOICE.
709
00:34:41,079 --> 00:34:43,248
YOU'VE GOT TO LISTEN TO ME,
FOR GOD SAKE!
710
00:34:43,289 --> 00:34:45,458
YOU'VE GOTTA--
711
00:34:45,500 --> 00:34:47,920
(panting)
712
00:34:49,462 --> 00:34:53,717
(Royston panting)
713
00:34:53,759 --> 00:34:56,177
(Royston grunts)
714
00:34:56,219 --> 00:34:58,638
I WAS SO IN LOVE WITH YOU,
715
00:34:58,680 --> 00:35:00,557
YOU ARROGANT BASTARD.
(sniffles)
716
00:35:00,599 --> 00:35:02,893
AND ALL YOU WANTED
WAS MARY BETH.
717
00:35:02,935 --> 00:35:04,603
THAT STUPID COW!
718
00:35:04,644 --> 00:35:07,606
I COULD FINALLY GET RID OF HER,
AND I THOUGHT THAT IF
719
00:35:07,647 --> 00:35:10,609
AND LOVE ME FOR WHO I AM!
THAT YOU WOULD SEE ME
720
00:35:10,650 --> 00:35:13,612
BUT YOU WERE IN SAN FRANCISCO
WHEN MARY BETH WAS MURDERED.
721
00:35:13,653 --> 00:35:15,614
YEAH, BUT THEY HAVE THESE THINGS
CALLED RENTAL CARS.
722
00:35:15,655 --> 00:35:17,616
THEN I DROVE UP THERE
AND I DID THE DEED,
723
00:35:17,657 --> 00:35:19,910
AND THEN I HYPNOTIZED
THAT SKEEZEBAG RICK
724
00:35:19,952 --> 00:35:21,912
TO TAKE THE BLAME FOR IT.
725
00:35:21,954 --> 00:35:24,081
GOT BACK JUST IN TIME
TO CATCH MY FLIGHT.
726
00:35:24,122 --> 00:35:26,083
AND THEN WHEN I GOT OFF
THE PLANE,
727
00:35:26,124 --> 00:35:28,085
I THOUGHT THAT ROYSTON AND I
WOULD FINALLY BE TOGETHER,
728
00:35:28,126 --> 00:35:30,336
FOR THE GIFTS THAT I HAVE.
THAT HE WOULD SEE ME
729
00:35:30,378 --> 00:35:32,338
NO, HE DIDN'T.
BUT HE DIDN'T SEE YOU.
730
00:35:32,380 --> 00:35:35,300
WHAT A MORON I WAS.
IT'S HARD WHEN THEY DON'T
SEE YOU.
731
00:35:35,341 --> 00:35:37,218
(voice breaks)
WHAT A MORON.
732
00:35:37,260 --> 00:35:40,055
AND YOU SAID TO ME,
I CAME TO YOU,
733
00:35:40,097 --> 00:35:44,142
WE'LL DO FINE WITHOUT YOU.
"OH, IT'S NOT IMPORTANT.
734
00:35:44,183 --> 00:35:46,103
GO HOME."
735
00:35:46,144 --> 00:35:47,520
DO YOU REMEMBER THAT?
736
00:35:47,562 --> 00:35:48,897
LOOK AT ME!
737
00:35:48,939 --> 00:35:51,900
AND I KNEW IN THAT MOMENT
738
00:35:51,942 --> 00:35:54,111
THAT YOU WOULD NEVER
LOVE ME.
739
00:35:54,152 --> 00:35:55,862
NEVER.
740
00:35:59,074 --> 00:36:02,119
SO NOW YOU'RE GONNA DIE.
(whimpers)
741
00:36:02,160 --> 00:36:03,954
RIGSBY...
742
00:36:03,996 --> 00:36:06,498
HE HURT ME.
743
00:36:06,539 --> 00:36:08,041
HE HURT ME, RIGSBY.
744
00:36:12,004 --> 00:36:13,839
(grunts)
745
00:36:13,880 --> 00:36:15,799
(laughs)
746
00:36:17,968 --> 00:36:20,303
YOU LOVE TO PROTECT WOMEN,
DON'T YOU?
747
00:36:20,345 --> 00:36:23,140
AT THAT RED-HAIRED AGENT.
I SAW HOW YOU LOOKED
748
00:36:23,181 --> 00:36:24,724
GRACE. HER NAME'S GRACE.
749
00:36:24,766 --> 00:36:28,478
WAYNE, I NEED YOUR PROTECTION
RIGHT NOW.
750
00:36:28,520 --> 00:36:30,522
WITH A SPECIAL JOB.
I NEED YOUR HELP
751
00:36:30,563 --> 00:36:33,900
YOU'LL HELP ME, WON'T YOU?
SURE. WHAT DO YOU
NEED ME TO DO?
752
00:36:33,942 --> 00:36:36,028
HELLO, RIGSBY.
I NEED YOU TO TAKE--
753
00:36:36,069 --> 00:36:37,612
HEY, IS THAT...
754
00:36:37,654 --> 00:36:40,991
VENUS OR MERCURY?
755
00:36:41,033 --> 00:36:43,994
BREAD CRUMBS. I HAD RIGSBY.
HANSEL AND GRETEL HAD
756
00:36:44,036 --> 00:36:45,871
I KNEW HE'D LEAD ME
TO THE GUILTY ONE,
757
00:36:45,912 --> 00:36:48,540
SO I PUT A TRACKING DEVICE
IN HIS POCKET.
758
00:36:51,501 --> 00:36:53,045
BINGO.
759
00:36:53,086 --> 00:36:54,462
SMART...
760
00:36:54,504 --> 00:36:57,883
WHERE I HAVE THE GUN.
EXCEPT FOR THE PART
761
00:36:59,676 --> 00:37:01,887
OH, I HAVE A GUN, TOO.
LISBON?
762
00:37:01,928 --> 00:37:04,973
DROP THE WEAPON!
763
00:37:05,015 --> 00:37:06,933
SO PREDICTABLE.
764
00:37:06,975 --> 00:37:08,351
RICK!
765
00:37:08,393 --> 00:37:12,689
PUT THE GUN DOWN NOW.
(Rick) YOU SHOULD
766
00:37:12,731 --> 00:37:14,774
OH, FOR HEAVEN'S SAKE.
767
00:37:14,816 --> 00:37:16,693
DROP THE WEAPON,
AGENT LISBON.
768
00:37:16,735 --> 00:37:20,072
TIEGLER, THIS IS YOUR FIRST DAY
OUT ON BAIL. DON'T DO THIS.
769
00:37:20,113 --> 00:37:22,365
SHUT UP! I SAID DROP IT!
770
00:37:22,407 --> 00:37:24,951
BEST DO AS SHE SAYS.
771
00:37:30,665 --> 00:37:32,918
OH, I'M IMPRESSED, LINDSAY.
(Patrick)
772
00:37:35,170 --> 00:37:37,130
THERE'S NOT THREE PEOPLE
IN THE WORLD
773
00:37:37,172 --> 00:37:40,175
AN INDUCTION ON A COP.
THAT COULD'VE DONE
774
00:37:40,217 --> 00:37:43,178
HE WAS WITH DR. DANIEL AND CARL.
BUT RIGSBY'S GUARD WAS UP WHEN
775
00:37:43,220 --> 00:37:45,346
AND YOU?
776
00:37:45,388 --> 00:37:47,348
YOU JUST CREPT THROUGH
THE CRACKS,
777
00:37:47,390 --> 00:37:49,308
YOU SNEAKY LITTLE MOUSE.
778
00:37:49,350 --> 00:37:53,021
THE SPARKLING, VIVACIOUS ONE.
WELL, I WAS NEVER
779
00:37:53,063 --> 00:37:55,023
THAT WAS MARY BETH.
780
00:37:55,065 --> 00:37:58,026
AND ALL THE BOYS LOVED HER,
781
00:37:58,068 --> 00:37:59,945
NEVER ME...
782
00:37:59,986 --> 00:38:02,655
UNTIL I WENT TO WORK
FOR DR. DANIEL.
783
00:38:02,697 --> 00:38:05,575
THEN I REALIZED
I HAVE A TALENT
784
00:38:05,617 --> 00:38:07,160
PEOPLE'S UNCONSCIOUS.
FOR REACHING
785
00:38:07,202 --> 00:38:09,871
THEIR DEFENSES DOWN WITH ME.
PEOPLE LET
786
00:38:09,913 --> 00:38:11,915
THEY TRUST ME.
787
00:38:11,957 --> 00:38:15,085
I WAS WORTH SOMETHING.
FINALLY,
788
00:38:15,127 --> 00:38:18,088
FINALLY, I'M IN CONTROL.
789
00:38:18,130 --> 00:38:21,716
ARE YOU IN CONTROL NOW?
LOOK AROUND YOURSELF.
790
00:38:21,758 --> 00:38:24,094
ALL THESE PEOPLE HERE
HAVE TO DIE.
791
00:38:24,136 --> 00:38:27,430
THAT'S NOT CONTROL.
THAT'S MADNESS.
792
00:38:27,472 --> 00:38:31,059
A NERVOUS BREAKDOWN, LINDSAY.
YOU'RE HAVING
793
00:38:31,101 --> 00:38:32,644
YOU NEED HELP.
794
00:38:32,685 --> 00:38:34,980
WE CAN HELP YOU.
795
00:38:37,065 --> 00:38:38,984
IT'S BEAUTIFUL NIGHT
FOR A SWIM.
796
00:38:39,025 --> 00:38:41,027
DON'T YOU THINK?
797
00:38:41,069 --> 00:38:42,862
(whispers) YEAH.
798
00:38:42,904 --> 00:38:46,992
IS SO NICE TONIGHT.
THE OCEAN
799
00:38:47,033 --> 00:38:51,079
HEAR THE CRASH OF THE WAVES,
RIGSBY? IT'S PEACEFUL.
800
00:38:51,121 --> 00:38:54,082
IT'S NOT NICE, RIGSBY.
IT'S NOT THE OCEAN.
YEAH, IT'S NICE.
801
00:38:54,124 --> 00:38:57,085
(Lindsay) HEY, NOW WHY DON'T YOU
TAKE ROYSTON FOR A LITTLE SWIM?
802
00:38:57,127 --> 00:38:58,920
THAT DARK, BEAUTIFUL OCEAN.
SHOW HIM
803
00:38:58,962 --> 00:39:01,881
TAKE HIM FOR A SWIM.
THAT'S RIGHT.
804
00:39:01,923 --> 00:39:03,883
I LOVE NIGHT SWIMS.
DON'T YOU?
805
00:39:03,925 --> 00:39:06,303
STOP. RIGSBY, DON'T.
806
00:39:09,139 --> 00:39:10,807
RIGSBY, LISTEN TO ME.
807
00:39:10,849 --> 00:39:13,018
LISTEN TO MY VOICE.
808
00:39:13,059 --> 00:39:16,188
A SWIM? I THINK HE WANTS TO GO.
WHY DON'T YOU TAKE JANE FOR
809
00:39:16,229 --> 00:39:18,397
NO, NO, NO, NO. I-I-I-I-I DON'T
WANT TO. I DON'T WANNA GO!
(Lisbon) RIGSBY!
810
00:39:18,439 --> 00:39:21,359
LET'S GO SWIMMING, JANE.
(Rigsby) COME ON,
811
00:39:21,400 --> 00:39:25,363
NO, NO! IT'S--IT'S NOT WATER
DOWN THERE! IT'S CONCRETE!
THE WATER'S GORGEOUS.
(Lindsay)
812
00:39:25,404 --> 00:39:27,907
STOP, RIGSBY. STOP!
JUST LIKE YOU DO, RIGSBY.
MR. JANE LOVES TO SWIM,
813
00:39:27,949 --> 00:39:29,909
TAKE HIM OVER. HE WANTS TO GO.
YEAH, TAKE HIM FOR A SWIM.
814
00:39:29,951 --> 00:39:33,412
SHARK! THERE! SEE IT?
NO, RIGSBY! SHARK!
PUSH HIM OVER, RIGSBY.
815
00:39:33,454 --> 00:39:36,249
IT'S A GREAT WHITE.
SHARKS? WHERE?
816
00:39:36,291 --> 00:39:38,751
SHE'S LYING.
THERE'S NO SHARKS, RIGSBY.
THE WATER'S FINE.
817
00:39:38,793 --> 00:39:40,879
SHE WANTS YOU TO GET EATEN.
JUST TAKE HIM IN!
THROW HIM IN!
818
00:39:40,920 --> 00:39:43,006
WHO IS THIS WOMAN?
THROW HIM OVER.
THROW HIM OVER!
819
00:39:43,048 --> 00:39:45,383
(grunts)
DON'T--
820
00:39:45,424 --> 00:39:48,094
SHOULDER? AH, IT'S THE SHOULDER!
SHOULDER! WAIT! WAIT!
THROW HIM IN, RIGSBY!
821
00:39:48,136 --> 00:39:49,762
GUN! GUN!
DAMN IT! (grunts)
822
00:39:52,015 --> 00:39:55,768
(both grunting)
823
00:39:55,810 --> 00:39:57,145
(panting)
824
00:39:57,187 --> 00:39:58,980
YES. GUN. THANKS, RIGSBY.
825
00:39:59,022 --> 00:40:01,358
HAVE BEEN IN A TRANCE STATE.
YOU, MY FRIEND,
826
00:40:01,440 --> 00:40:03,735
GET OUTTA HERE.
OH, I'D LOVE TO.
827
00:40:03,776 --> 00:40:05,820
(Lindsay grunts)
COME ON.
828
00:40:05,862 --> 00:40:07,405
(pants) LET'S GO.
829
00:40:07,446 --> 00:40:11,034
(panting)
830
00:40:11,076 --> 00:40:13,078
JANE, WOULD YOU UNTIE HIM?
831
00:40:13,119 --> 00:40:14,620
COME ON.
832
00:40:21,002 --> 00:40:23,963
I JUST SUDDENLY CAME OUT OF IT
(Rigsby) I DON'T KNOW.
833
00:40:24,005 --> 00:40:26,591
AND THEN, UH, BOOM. JUST HAD
TO TAKE HER DOWN, YOU KNOW?
834
00:40:26,632 --> 00:40:28,885
YEAH, YOU TOOK DOWN
A 100-POUND WOMAN,
835
00:40:28,927 --> 00:40:32,013
WHAT DO YOU MEAN,
"IN THAT CONTEXT"?
BUT IN THAT CONTEXT,
YOU DID GOOD.
836
00:40:32,055 --> 00:40:34,849
LETTING HIMSELF GET HYPNOTIZED,
OH, IN THE CONTEXT OF SOMEONE
837
00:40:34,891 --> 00:40:38,103
NEARLY THROWING HIS COLLEAGUE
OFF A BUILDING
838
00:40:38,144 --> 00:40:40,188
TO OVERPOWER A SMALL CRAZY WOMAN
AND THEN FINALLY BEING ABLE
839
00:40:40,230 --> 00:40:44,067
TO RETRIEVE THE SITUATION--
YOU DID OKAY.
840
00:40:44,109 --> 00:40:46,444
OH, BE FAIR--A SMALL CRAZY WOMAN
WITH A GUN. A GUN IS A GUN.
841
00:40:46,485 --> 00:40:48,738
AND ANYONE CAN BE HYPNOTIZED.
SHE WAS VERY GOOD.
842
00:40:48,780 --> 00:40:50,656
VERY GOOD.
SEE?
843
00:40:50,698 --> 00:40:53,326
NOT AS GOOD AS ME, BUT CLOSE.
CLOSE-ISH.
844
00:40:53,368 --> 00:40:55,912
THE PROFESSIONAL STANDARDS UNIT
WHICH IS WHY
845
00:40:55,954 --> 00:40:59,082
FOR ASSAULTING DR. DANIEL.
HAS CLEARED YOU
846
00:40:59,124 --> 00:41:00,625
YOU WEREN'T YOURSELF.
847
00:41:02,460 --> 00:41:05,046
BUT HE IS NOW, RIGHT?
HIMSELF?
848
00:41:05,088 --> 00:41:06,339
COMPLETELY UNPROGRAMMED?
849
00:41:06,381 --> 00:41:07,924
YES, HE IS.
850
00:41:07,966 --> 00:41:10,427
LAST TWO DAYS ARE GONE,
851
00:41:10,468 --> 00:41:13,430
BUT OTHER THAN THAT,
I'M GOOD TO GO.
OH, SO YOU DON'T
REMEMBER ANYTHING
852
00:41:13,471 --> 00:41:15,265
FROM WHEN YOU WERE
HYPNOTIZED?
853
00:41:15,307 --> 00:41:17,225
BUT, NO, NOT REALLY.
FRAGMENTS,
854
00:41:17,267 --> 00:41:19,269
THANK GOODNESS, RIGHT?
(laughs)
855
00:41:19,311 --> 00:41:20,895
YEAH.
856
00:41:20,937 --> 00:41:24,399
DID I MAKE A FOOL OF MYSELF?
OH, LORD.
857
00:41:24,441 --> 00:41:28,111
I DIDN'T DO TINA TURNER, DID I?
CLUCK LIKE A CHICKEN?
858
00:41:28,153 --> 00:41:31,030
YOU WERE PERFECTLY NORMAL.
NO.
859
00:41:31,072 --> 00:41:32,824
OH. GOOD.
860
00:41:32,865 --> 00:41:35,034
THAT'S A RELIEF, EH?
(chuckles)
861
00:41:35,076 --> 00:41:36,995
(laughs) COWARD.
862
00:41:37,036 --> 00:41:38,288
WHAT?
863
00:41:38,330 --> 00:41:40,457
YOU HONESTLY DON'T REMEMBER IT?
864
00:41:40,498 --> 00:41:42,708
HE REMEMBERS.
DON'T REMEMBER WHAT?
865
00:41:42,750 --> 00:41:44,210
HE SO REMEMBERS.
866
00:41:44,252 --> 00:41:47,046
(chuckles) WHAT?
867
00:41:47,088 --> 00:41:48,673
IT'LL COME TO YOU.
868
00:41:53,386 --> 00:41:56,306
(scoffs)