1
00:00:29,196 --> 00:00:32,449
(three gunshots)
2
00:00:38,079 --> 00:00:41,834
FEMALE, CAUCASIAN, 32 YEARS OLD.
WE'VE GOT CLAIRE WOLCOTT--
3
00:00:41,876 --> 00:00:43,836
SHE WAS FOUND SHOT TO DEATH
IN HER ROOM.
4
00:00:43,878 --> 00:00:46,254
HER HUSBAND'S GOT FRIENDS
AT THE GOVERNOR'S OFFICE,
5
00:00:46,296 --> 00:00:48,256
SO HE CALLED IN SOME FAVORS.
6
00:00:48,298 --> 00:00:51,259
TO BE KEPT DISCREET AND LOW-KEY.
HE WANTS THE INVESTIGATION
7
00:00:51,301 --> 00:00:54,179
AND HIS PRIORITY IS DISCRETION?
HIS WIFE GETS MURDERED
8
00:00:54,221 --> 00:00:56,431
(man speaks indistinctly)
9
00:00:59,100 --> 00:01:00,936
OH. OKAY.
10
00:01:00,978 --> 00:01:05,273
YEP, MRS. WOLCOTT WAS CHEATING
ON MR. WOLCOTT...
11
00:01:05,315 --> 00:01:07,484
WHICH MAKES MR. WOLCOTT
SUSPECT NUMBER ONE.
12
00:01:07,526 --> 00:01:11,279
NUMBER TWO. NUMBER ONE WOULD BE
MRS. WOLCOTT'S MYSTERY LOVER.
13
00:01:11,321 --> 00:01:12,990
THE ROOM WAS REGISTERED
14
00:01:13,032 --> 00:01:16,159
IN CLAIRE WOLCOTT'S NAME,
SO NO HELP THERE.
15
00:01:16,201 --> 00:01:20,998
AND GUESTS HEARD THREE GUNSHOTS,
AT 2:24 A.M., HOTEL STAFF
16
00:01:21,040 --> 00:01:23,918
WHERE THEY WERE COMING FROM.
BUT THEY DIDN'T KNOW
17
00:01:23,959 --> 00:01:27,963
THEY COME HERE AND CALL 9-1-1.
15, 20 MINUTES LATER,
18
00:01:28,005 --> 00:01:30,507
WHOA. FOUND A SHELL.
19
00:01:30,549 --> 00:01:33,052
AND ANOTHER.
LOOKS LIKE A 9-MILLIMETER.
20
00:01:33,092 --> 00:01:34,845
MARK 'EM FOR FORENSICS.
21
00:01:34,887 --> 00:01:37,973
BECAUSE?
SO THE LOVER DIDN'T DO IT.
22
00:01:38,015 --> 00:01:40,183
THE, UH, SHELL CASING THINGS
23
00:01:40,225 --> 00:01:44,605
WAS ACROSS THE ROOM HERE.
INDICATE THE SHOOTER
24
00:01:44,646 --> 00:01:47,482
HE OR SHE STEPPED IN
FROM OUTSIDE
25
00:01:47,524 --> 00:01:49,317
AND STARTED BLASTING AWAY.
26
00:01:49,359 --> 00:01:52,112
IF THE LOVER HAD DONE IT, HE'D
HAVE BEEN CLOSER TO THE VICTIM,
27
00:01:52,153 --> 00:01:55,115
AND HE WOULDN'T HAVE HAD
TO SHOOT AS MANY TIMES.
28
00:01:55,156 --> 00:01:58,535
AND LOOK. CIRCULAR,
29
00:01:58,577 --> 00:02:00,412
WHICH MEANS A VERTICAL DRIP
30
00:02:00,454 --> 00:02:02,873
RIGHT HERE, BLEEDING. RIGHT?
FROM SOMEONE STANDING
31
00:02:02,915 --> 00:02:05,333
NOT SPATTER FROM THE VICTIM.
32
00:02:05,375 --> 00:02:07,502
YOU'RE A FORENSICS EXPERT NOW?
33
00:02:07,544 --> 00:02:10,965
SO CLAIRE AND MYSTERY LOVER
ARE ASLEEP.
34
00:02:11,006 --> 00:02:13,842
THROUGH THE OPEN DOOR,
SOMEONE COMES IN
35
00:02:13,884 --> 00:02:16,845
POOR LOVER IS WOKEN BY A BULLET,
SHOOTS THEM, LEAVES.
36
00:02:16,887 --> 00:02:19,640
CLAIRE DEAD NEXT TO HIM.
AAH! FREAKS OUT.
37
00:02:19,681 --> 00:02:22,392
BUT NOBODY COMES RIGHT AWAY.
38
00:02:22,434 --> 00:02:24,394
ONLY SLIGHTLY WOUNDED,
MYSTERY LOVER, WHO IS
39
00:02:24,436 --> 00:02:28,065
THE BEST THING TO DO IS JUST...
GETS TO THINKING MAYBE
40
00:02:28,107 --> 00:02:31,068
SLIP AWAY, OUT HERE.
41
00:02:31,110 --> 00:02:33,236
YOU TWO FINISH UP HERE.
(Lisbon)
42
00:02:33,278 --> 00:02:35,030
(Rigsby) YES, BOSS.
43
00:02:54,299 --> 00:02:56,510
HERE.
44
00:03:12,067 --> 00:03:13,944
THERE YOU GO.
45
00:03:16,780 --> 00:03:18,907
CLEAN ONE.
46
00:03:24,663 --> 00:03:26,957
ANYTHING ELSE?
47
00:03:26,999 --> 00:03:28,375
NO.
48
00:03:34,048 --> 00:03:36,800
"DOC LADY."
49
00:03:39,178 --> 00:03:42,931
THE SILVER CADDY ARRIVED
LAST NIGHT AT 2:31.
50
00:03:42,973 --> 00:03:45,100
SEVEN AND A HALF MINUTES
AH. THAT'S ABOUT
51
00:03:45,142 --> 00:03:47,978
NAME AND ROOM NUMBER?
AFTER THE SHOOTING
TOOK PLACE.
52
00:03:51,899 --> 00:03:54,275
(knocks on door)
53
00:03:55,694 --> 00:03:58,113
OPEN IT.
54
00:04:09,249 --> 00:04:11,168
PSST.
55
00:04:24,598 --> 00:04:26,558
(knocks on wall)
56
00:04:26,600 --> 00:04:30,104
HEY. WAKE UP.
(gasps) OH, MY GOD.
WHO ARE YOU?
57
00:04:30,145 --> 00:04:32,355
IT'S ALL RIGHT, MA'AM.
WE'RE CBI.
58
00:04:32,397 --> 00:04:35,609
WE NEED TO TALK TO YOU, SIR.
WHAT'S THIS ABOUT?
59
00:04:35,650 --> 00:04:38,695
TAKE A WILD GUESS.
PUT YOUR HANDS IN THE AIR.
60
00:04:38,737 --> 00:04:42,574
I'M NOT UNDER ARREST, AM I?
OKAY. I'M, UH,
61
00:04:42,616 --> 00:04:44,993
'CAUSE I'VE DONE NOTHING WRONG.
62
00:04:45,035 --> 00:04:47,412
PANTS ON. WE'LL TALK AFTER.
63
00:04:52,292 --> 00:04:58,966
♪♪
64
00:05:00,425 --> 00:05:03,344
(indistinct conversations)
65
00:05:08,349 --> 00:05:12,104
(man) THIS IS KEVIN HAIGHTLY,
(knock on door)
RESORT MANAGER.
66
00:05:12,146 --> 00:05:15,649
HI. UM, I KNOW WE CAN'T EXPECT
TO GET THE ROOM BACK,
67
00:05:15,690 --> 00:05:18,652
BE OPEN FOR USE, DO YOU THINK?
BUT WHEN MIGHT THE WALKWAY
68
00:05:18,693 --> 00:05:21,571
THAT DEPENDS ON WHEN FORENSICS
IS DONE. WE'LL LET YOU KNOW.
69
00:05:21,613 --> 00:05:23,740
OKAY. THANKS.
70
00:05:23,782 --> 00:05:28,203
SO WE LIT A FIRE AND MADE LOVE.
IT WAS A COLD NIGHT,
71
00:05:28,245 --> 00:05:30,705
WE WENT TO SLEEP AFTERWARDS,
AND SUDDENLY THERE WAS,
72
00:05:30,747 --> 00:05:33,250
LIKE, A SHARP PAIN AND BANG!
I WAKE UP,
73
00:05:33,292 --> 00:05:35,502
AND THERE'S BLOOD EVERYWHERE
AND I'M SHOT IN THE ARM
74
00:05:35,543 --> 00:05:38,463
YOU DIDN'T SEE WHO DID IT?
YOU KNOW, I FREAKED.
AND CLAIRE'S DEAD.
75
00:05:38,505 --> 00:05:39,965
WHY'D YOU LEAVE?
NO.
76
00:05:40,007 --> 00:05:41,591
I COULDN'T HELP HER,
CLAIRE WAS DEAD.
77
00:05:41,633 --> 00:05:45,179
AND I COULDN'T HELP YOU GUYS.
I DIDN'T SEE ANYTHING, SO...
78
00:05:45,220 --> 00:05:47,722
WHAT COULD I CONTRIBUTE?
YOU KNOW,
79
00:05:51,185 --> 00:05:52,894
SHE'S A MARRIED WOMAN.
80
00:05:52,936 --> 00:05:55,647
AND JILL RUBENSTEIN--
YEAH, WE KNOW THAT.
81
00:05:55,689 --> 00:05:58,733
WHAT'S YOUR CONNECTION
I MET HER IN THE PARKING LOT
WITH HER?
THE DOCTOR LADY?
82
00:05:58,775 --> 00:06:00,485
AND ASKED HER FOR HELP.
83
00:06:00,527 --> 00:06:02,445
TAKES YOU TO HER ROOM,
A COMPLETE STRANGER
84
00:06:02,487 --> 00:06:05,364
TREATS YOUR WOUND AND THEN HAS
SEXUAL INTERCOURSE WITH YOU?
85
00:06:05,406 --> 00:06:08,327
WHAT CAN I SAY? THE HIPPOCRATIC
OATH IS A BEAUTIFUL THING.
86
00:06:08,367 --> 00:06:10,369
HOW WELL DID YOU KNOW
CLAIRE WOLCOTT?
87
00:06:10,411 --> 00:06:12,371
UH, I DON'T REALLY KNOW HER
THAT WELL.
88
00:06:12,413 --> 00:06:13,832
I MET HER JUST A FEW WEEKS AGO.
89
00:06:13,874 --> 00:06:16,459
AND I PICKED HER UP.
SHE WAS AT A BAR,
90
00:06:16,501 --> 00:06:20,088
IS THAT WHAT HAPPENED
SINCE THEN, I'VE SEEN HER
OCCASIONALLY FOR SEX.
LAST NIGHT?
91
00:06:20,130 --> 00:06:22,632
YEAH. I CALLED AND ASKED HER
TO MEET ME FOR A DRINK.
92
00:06:22,674 --> 00:06:24,551
WE CAME HERE.
93
00:06:24,592 --> 00:06:27,679
KNOW YOU WERE HERE?
DID ANYBODY ELSE
NOBODY. JUST ME AND CLAIRE.
94
00:06:27,721 --> 00:06:29,681
AND HOW LONG HAD YOU
BEEN IN THE ROOM?
95
00:06:29,723 --> 00:06:32,351
UM, A FEW HOURS.
96
00:06:32,391 --> 00:06:35,562
I'D AGREED TO, UH, YOU KNOW,
STAY THE NIGHT.
97
00:06:35,603 --> 00:06:37,564
I WAS FOND OF CLAIRE,
98
00:06:37,605 --> 00:06:40,150
AND IT'S A LONG DRIVE HOME,
SO I STAYED.
99
00:06:40,192 --> 00:06:43,486
YOUR NORMAL PROCEDURE?
I DON'T NORMALLY DO THAT.
NO? WHAT--WHAT'S
100
00:06:43,528 --> 00:06:46,489
DEPENDS ON THE TYPE OF WOMAN.
AFTER LOVEMAKING?
101
00:06:46,531 --> 00:06:50,660
DOWN TO A SCIENCE.
SO YOU'VE GOT IT
I'M GOOD AT WHAT I DO.
102
00:06:50,702 --> 00:06:54,539
AND WHAT IS IT THAT YOU DO?
OKAY, MR. FRICKE,
103
00:06:54,581 --> 00:06:56,375
I'M A PICKUP ARTIST.
104
00:06:56,415 --> 00:06:57,834
MM.
105
00:06:57,876 --> 00:07:00,712
A, UH, WOMAN WHISPERER,
IF YOU WILL.
106
00:07:00,754 --> 00:07:02,923
THAT'S YOUR PROFESSION?
A PICKUP ARTIST--
107
00:07:02,964 --> 00:07:06,134
(scoffs) YOU SOUND LIKE MY MOM.
108
00:07:06,176 --> 00:07:08,387
UM, IT'S MORE OF A TOTAL
LIFESTYLE KIND OF THING.
109
00:07:08,427 --> 00:07:12,015
YOU KNOW? I-I PRACTICE MY ART,
OF COURSE. THAT'S MY PASSION.
110
00:07:12,057 --> 00:07:15,269
BUT I TEACH AND I BLOG ALSO,
111
00:07:15,310 --> 00:07:17,520
UM, CONDUCT SEMINARS, WORKSHOPS,
THAT SORT OF THING.
112
00:07:17,562 --> 00:07:19,773
IS THAT GOOD MONEY?
NOT BAD.
113
00:07:19,814 --> 00:07:23,610
FROM THE WOMEN YOU PICK UP?
AND DO YOU TAKE MONEY
SOMETIMES, WHEN I NEED TO.
114
00:07:23,651 --> 00:07:26,654
FROM CLAIRE WOLCOTT?
DID YOU TAKE MONEY
115
00:07:26,696 --> 00:07:28,489
I WAS FOND OF CLAIRE.
NO. NO. LIKE I SAY,
116
00:07:28,531 --> 00:07:30,825
UM, I PLANNED TO SEE HER AGAIN.
117
00:07:30,867 --> 00:07:34,413
YOU REALLY ONLY WANT TO MONETIZE
AS AN EXIT STRATEGY.
118
00:07:34,454 --> 00:07:37,165
PAUL, IS YOUR MOTHER
STILL ALIVE?
119
00:07:37,207 --> 00:07:39,542
I KNOW WHERE YOU'RE GOING
WITH THIS, DR. FREUD,
120
00:07:39,584 --> 00:07:41,920
AND, UH, YOU'RE WRONG.
121
00:07:41,962 --> 00:07:44,131
MY MOM'S DEAD, AS IT GOES,
122
00:07:44,172 --> 00:07:46,967
BUT, UH, I LOVED HER DEARLY,
AND SHE LOVED ME.
123
00:07:47,008 --> 00:07:50,387
ABOUT YOUR MOTHER?
WHO SAID ANYTHING
124
00:07:50,429 --> 00:07:52,472
YOU JUST DID.
NO, I DIDN'T.
125
00:07:52,513 --> 00:07:54,975
YES, YOU DID.
DIDN'T.
126
00:07:55,016 --> 00:07:58,270
WHAT ARE YOU TALKING ABOUT?
JUST PLAYING WITH YOU, PAUL.
(laughs) I'M JUST KIDDING.
127
00:07:58,312 --> 00:07:59,646
JUST KIDDING, MUCKING AROUND.
128
00:07:59,687 --> 00:08:01,315
YEAH. ARE WE DONE HERE?
129
00:08:01,356 --> 00:08:03,817
DO YOU KNOW WHO KILLED CLAIRE?
130
00:08:03,858 --> 00:08:05,652
NO.
131
00:08:05,693 --> 00:08:07,279
INTERESTING.
132
00:08:07,321 --> 00:08:09,614
HE'S EITHER A HABITUAL LIAR
TELLING THE TRUTH
133
00:08:09,656 --> 00:08:12,492
OR HE'S AN HONEST MAN LYING.
134
00:08:12,533 --> 00:08:14,619
DO YOU KEEP A LIST
OF YOUR PICKUPS?
135
00:08:14,661 --> 00:08:19,291
I, UH, I HAVE 'EM HERE.
YEAH, OF COURSE.
136
00:08:19,333 --> 00:08:22,502
AND A 1 TO 10 GRADING SYSTEM.
NAMES, NUMBERS
137
00:08:22,543 --> 00:08:24,712
NICE. SOMETHING TO SHOW
YOUR GRANDKIDS.
138
00:08:24,754 --> 00:08:27,674
WE'RE GONNA NEED YOU TO FORWARD
A COPY OF THAT LIST TO US.
139
00:08:27,715 --> 00:08:29,301
OH. YEAH, SURE.
140
00:08:29,343 --> 00:08:32,637
WHAT, YOU THINK MAYBE THIS WAS
A JEALOUS EX-LOVER?
141
00:08:32,679 --> 00:08:34,597
COULD BE.
142
00:08:34,639 --> 00:08:37,892
WOW.
143
00:08:37,934 --> 00:08:40,520
I SAY WE BRING HIM IN ANYWAY,
FOR CREEPINESS.
144
00:08:40,561 --> 00:08:42,939
A CRIMINAL OFFENSE, BUT ISN'T.
WHICH SHOULD BE
145
00:08:42,981 --> 00:08:46,151
HE COULD HAVE SHOT HER, THEN
SHOT HIMSELF TO COVER IT UP.
146
00:08:46,193 --> 00:08:49,321
HE DIDN'T HAVE THE GUN ON HIM,
AND THE LOCAL P.D. SEARCHED
(Rigsby) HE SIMPLY COULD HAVE
SHOT HER AND LEFT.
147
00:08:49,363 --> 00:08:53,241
AND FOUND NOTHING. HE'S CLEAN.
TRYING TO KILL HIM, NOT HER.
EVERY INCH OF THIS PLACE
MAYBE SOMEONE'S
148
00:08:53,283 --> 00:08:55,618
THE ROOM WAS REGISTERED
NOT LIKELY.
149
00:08:55,660 --> 00:08:59,331
WHAT WAS SHE THINKING?
NO ONE ELSE KNEW HE WAS THERE.
IN CLAIRE WOLCOTT'S NAME.
150
00:08:59,373 --> 00:09:01,541
SHE WAS SO BEAUTIFUL,
AND HE'S SO... CREEPY.
151
00:09:01,582 --> 00:09:04,503
WAS HOT, TOO. HOW DOES HE DO IT?
YEAH, THAT DR. RUBENSTEIN
152
00:09:04,544 --> 00:09:06,505
A BASIC UNDERSTANDING
ALL YOU NEED IS
153
00:09:06,546 --> 00:09:08,507
OF THE EVOLUTIONARY PSYCHOLOGY
OF WOMEN,
154
00:09:08,548 --> 00:09:09,883
AND FEARLESSLY APPLIED.
RIGOROUSLY
155
00:09:09,924 --> 00:09:11,885
WHAT BUTTONS TO PRESS.
YOU GOTTA KNOW
156
00:09:11,926 --> 00:09:15,305
LIKE WE'RE TOASTERS?
LIKE MEN DON'T HAVE BUTTONS,
TOO?
157
00:09:15,347 --> 00:09:16,681
MEN ARE LIKE TOASTERS.
158
00:09:16,723 --> 00:09:19,726
LIKE, UH, ACCORDIONS.
WOMEN--A LITTLE MORE
159
00:09:24,314 --> 00:09:27,608
I THOUGHT THAT WAS
A COMPLIMENT.
160
00:09:27,650 --> 00:09:28,985
MR. WOLCOTT?
161
00:09:29,027 --> 00:09:32,613
I'M SO SORRY FOR YOUR LOSS.
THANK YOU FOR COMING.
162
00:09:32,655 --> 00:09:34,574
THE EFFECTS YOU REQUESTED--
163
00:09:34,615 --> 00:09:36,410
PHOTOS, VIDEO OF CLAIRE.
164
00:09:36,451 --> 00:09:38,453
WE'LL RETURN THIS TO YOU
AS SOON AS POSSIBLE.
165
00:09:39,662 --> 00:09:40,872
I WAS JUST UPSTAIRS
166
00:09:40,914 --> 00:09:42,623
SPEAKING WITH MY FRIEND
THE ATTORNEY GENERAL,
167
00:09:42,665 --> 00:09:44,084
THAT I WILL NOT REST
AND I TOLD HIM
168
00:09:44,125 --> 00:09:46,253
UNTIL THE MAN WHO DID THIS
IS BROUGHT TO JUSTICE.
169
00:09:46,294 --> 00:09:47,962
I WILL NOT REST.
170
00:09:48,004 --> 00:09:50,882
I KNOW I CAN EXPECT THE SAME
FROM YOU AND YOUR PEOPLE.
I ASSURE YOU
171
00:09:50,924 --> 00:09:56,930
THIS UNIT DOES THE BEST WE CAN
WITH EVERY CASE WE RUN. CHO?
172
00:09:58,973 --> 00:10:00,267
IF IT'S CONVENIENT,
173
00:10:00,308 --> 00:10:03,478
TO ASK YOU A FEW QUESTIONS.
AGENT CHO WOULD LIKE
174
00:10:06,940 --> 00:10:08,775
HI.
175
00:10:13,572 --> 00:10:16,866
WHEN DID YOU SPEAK
TO YOUR WIFE LAST?
176
00:10:16,908 --> 00:10:18,868
I WAS IN SAN FRANCISCO
ON A BUSINESS DINNER.
177
00:10:18,910 --> 00:10:20,870
I CALLED CLAIRE
AROUND MIDDAY,
178
00:10:20,912 --> 00:10:23,415
BE STAYING IN TOWN THAT NIGHT.
TOLD HER I'LL PROBABLY
179
00:10:23,457 --> 00:10:25,666
I DID.
STAY THE NIGHT IN TOWN?
DID YOU?
180
00:10:25,708 --> 00:10:28,669
DID SHE SAY WHERE SHE WAS GOING
OR WHO SHE WAS MEETING?
181
00:10:28,711 --> 00:10:31,672
NO, BUT I DIDN'T ASK.
SO YOU DIDN'T KNOW
SHE WAS AT THE SPA?
182
00:10:31,714 --> 00:10:34,342
I WOULDN'T EXPECT TO KNOW.
183
00:10:34,384 --> 00:10:38,430
SHE OFTEN WENT UP THERE
WHO HELD A GRUDGE AGAINST HER?
CAN YOU THINK OF ANYONE
ON A WHIM.
184
00:10:38,472 --> 00:10:40,807
NO. NO, SHE WAS, UM...
HARMLESS.
185
00:10:40,848 --> 00:10:43,893
SHE'S FROM BACK EAST.
THAT MIGHT BE IN ANY TROUBLE?
ANY FRIENDS OR FAMILY
186
00:10:43,935 --> 00:10:46,896
SHE DOESN'T HAVE ANY FAMILY
OR FRIENDS OUT HERE.
187
00:10:46,938 --> 00:10:50,233
TENNIS AND SHE WENT TO THE SPAS.
SHE SHOPPED AND SHE PLAYED
188
00:10:50,275 --> 00:10:53,194
NO ONE WOULD HAVE
ANY MOTIVES...
189
00:10:53,236 --> 00:10:54,779
YES?
190
00:10:56,656 --> 00:10:59,284
AN ASSISTANT LAST MONTH.
I RECALL SHE FIRED
191
00:10:59,326 --> 00:11:00,868
CAUGHT HER STEALING JEWELRY.
192
00:11:00,910 --> 00:11:03,497
I BELIEVE SHE WAS
PRESSING CHARGES.
NAME?
193
00:11:03,538 --> 00:11:07,375
MY PEOPLE WILL HAVE HER DETAILS.
NATALIE... SOMETHING.
194
00:11:10,587 --> 00:11:13,672
ON THE NIGHT OF HER MURDER,
ARE YOU AWARE THAT
195
00:11:13,714 --> 00:11:15,674
YOUR WIFE WAS MEETING
A LOVER?
196
00:11:15,716 --> 00:11:17,385
YES.
197
00:11:17,427 --> 00:11:20,597
THE LOCAL AUTHORITIES TOLD ME
THEY SUSPECTED AS MUCH.
198
00:11:20,639 --> 00:11:23,682
DID YOU KNOW SHE HAD A LOVER?
PRIOR TO HER DEATH, I MEAN?
199
00:11:23,724 --> 00:11:27,646
NO. DO YOU HAVE A NAME?
I MEAN, IS HE A SUSPECT?
HE'S NOT A SUSPECT.
WE HAVE A NAME.
200
00:11:27,686 --> 00:11:29,189
WHO IS HE?
I'M NOT AT LIBERTY TO SAY.
201
00:11:29,230 --> 00:11:31,191
I WANT HIS NAME.
YOU CAN'T HAVE IT.
202
00:11:31,232 --> 00:11:32,609
ARE YOU SURE, AGENT CHO?
203
00:11:32,651 --> 00:11:34,611
BECAUSE I CAN MAKE
ONE PHONE CALL,
204
00:11:34,653 --> 00:11:37,280
AND YOUR CAREER IS TOAST.
THAT'S IMPRESSIVE.
205
00:11:37,322 --> 00:11:39,199
WITH ONE CALL IS A PIZZA.
THE BEST I CAN GET
206
00:11:39,240 --> 00:11:40,617
YOU WERE AT IN SAN FRANCISCO,
NOW THIS BUSINESS DINNER
207
00:11:40,659 --> 00:11:43,620
WHAT'S THE TIMING ON THAT,
AND WHO ELSE WAS THERE?
208
00:11:43,662 --> 00:11:45,997
TIMES, NAMES AND NUMBERS.
MY PEOPLE CAN GIVE YOU
209
00:11:46,039 --> 00:11:47,541
WE'RE DONE HERE.
210
00:11:50,210 --> 00:11:53,505
THANKS FOR YOUR COOPERATION.
211
00:11:57,676 --> 00:11:59,219
(speaks inaudibly)
212
00:12:04,098 --> 00:12:06,393
(Van Pelt) WOLCOTT'S WIFE
WAS SO PRETTY.
213
00:12:08,436 --> 00:12:11,272
WHAT DO YOU SEE?
214
00:12:11,314 --> 00:12:13,274
(sighs deeply)
215
00:12:13,316 --> 00:12:15,402
NICE SHOES, LONELINESS.
216
00:12:17,153 --> 00:12:18,655
WHERE WE GOING?
217
00:12:24,244 --> 00:12:26,162
(knocks on door)
218
00:12:29,832 --> 00:12:30,417
NATALIE EDREAU?
219
00:12:30,458 --> 00:12:32,544
YES?
220
00:12:32,586 --> 00:12:37,131
LOOK, I ALREADY TOLD THE COPS
WE'RE WITH THE CBI.
CAN WE COME IN?
221
00:12:37,173 --> 00:12:40,343
BY "BITCH," ARE YOU REFERRING
I DIDN'T STEAL ANYTHING
TO CLAIRE WOLCOTT?
FROM THAT BITCH.
222
00:12:40,385 --> 00:12:41,928
YEAH. SO?
UH...
223
00:12:41,969 --> 00:12:44,264
SHE WAS MURDERED
LAST NIGHT.
224
00:12:53,981 --> 00:12:57,193
HOW LONG DID YOU WORK
FOR CLAIRE WOLCOTT?
225
00:12:57,235 --> 00:12:59,654
TILL SHE TURNED PSYCHO.
ABOUT A YEAR...
226
00:12:59,696 --> 00:13:02,282
SHE CLAIMED THAT YOU STOLE
JEWELRY FROM HER.
227
00:13:02,323 --> 00:13:04,743
I DIDN'T STEAL ANYTHING.
YEAH. SHE WAS WRONG.
228
00:13:04,783 --> 00:13:07,078
CLAIRE PRESSED CHARGES
AGAINST YOU.
229
00:13:07,120 --> 00:13:10,624
EXCUSE ME, ARE YOU TRYING TO SAY
HOW'D THAT MAKE YOU FEEL?
THAT I KILLED HER?
230
00:13:10,665 --> 00:13:14,127
THIS IS REALLY STUPID.
(scoffs) OH, MY GOD.
DO YOU OWN A GUN, NATALIE?
231
00:13:14,168 --> 00:13:19,549
WHERE WERE YOU LAST NIGHT?
AND, NO, I DIDN'T KILL CLAIRE.
UM, NO, I DON'T OWN A GUN.
232
00:13:19,591 --> 00:13:22,927
ROOMMATE TILL ABOUT 9:00 OR SO.
I WAS HANGING OUT WITH MY
233
00:13:22,969 --> 00:13:25,804
THEN, UH, THEN I WENT OUT
FOR DINNER.
234
00:13:25,846 --> 00:13:28,433
WHAT'D YOU HAVE?
FOR DINNER?
235
00:13:28,475 --> 00:13:32,646
WHAT DOES THAT HAVE TO DO
WITH ANYTHING?
236
00:13:32,687 --> 00:13:34,981
THE CHOPPED SALAD
AT PASTUCCI'S.
237
00:13:35,022 --> 00:13:36,815
AH. YES.
238
00:13:36,857 --> 00:13:39,569
ON THIS SIDE OF THE ROOM
THERE'S SOMETHING
239
00:13:39,611 --> 00:13:42,572
NOTHING. THERE'S NOTHING.
YOU DON'T WANT US TO FIND.
WHAT IS THAT?
240
00:13:42,614 --> 00:13:46,326
LOOK ME IN THE EYE
AND SAY THAT.
241
00:13:46,367 --> 00:13:48,328
WHATEVER. SEARCH ALL YOU WANT.
242
00:13:48,369 --> 00:13:51,247
YOU'RE NOT VERY TIDY.
MEH. TOO MUCH STUFF.
243
00:13:51,289 --> 00:13:53,832
GOOD IN BED I EXPECT, YEAH?
(scoffs)
244
00:13:53,874 --> 00:13:55,918
MAKE GOOD LOVERS.
MESSY WOMEN
245
00:13:55,960 --> 00:13:58,087
CAN I HOLD YOUR HAND?
I--
246
00:13:58,129 --> 00:13:59,422
SHUSH.
247
00:14:13,561 --> 00:14:15,854
HMM...
248
00:14:15,896 --> 00:14:17,982
(clears throat)
249
00:14:20,318 --> 00:14:22,570
(humming)
250
00:14:28,284 --> 00:14:29,577
CAMERA.
251
00:14:31,037 --> 00:14:32,955
OKAY, THOSE ARE PERSONAL,
SO--
OOH.
252
00:14:40,129 --> 00:14:42,340
UH-HUH.
IS IT...
253
00:14:42,382 --> 00:14:46,845
AND HER LOVER PAUL FRICKE...
CLAIRE WOLCOTT
254
00:14:46,886 --> 00:14:50,515
BEFORE THE MURDER. (chuckles)
TIME-STAMPED TWO HOURS
255
00:14:58,439 --> 00:15:00,941
THESE ARE THE PHOTOS WE PULLED
FROM YOUR DIGITAL CAMERA.
256
00:15:00,983 --> 00:15:03,944
A COUPLE HOURS AFTER THESE WERE
TAKEN, CLAIRE WOLCOTT WAS DEAD.
THAT DOESN'T PROVE ANYTHING.
257
00:15:03,986 --> 00:15:06,322
YOU WERE CLOSE BY WHEN SHE DIED.
OPPORTUNITY AND MOTIVE.
258
00:15:06,364 --> 00:15:10,201
SHE LAID ON YOU DIES WITH HER.
AND THE THEFT CHARGE
A GARBAGE CHARGE ANYWAY.
THAT WAS
259
00:15:10,243 --> 00:15:12,537
NO?
I WASN'T WORRIED ABOUT THAT.
260
00:15:12,579 --> 00:15:14,121
YOU DIDN'T STEAL JEWELRY
FROM HER?
NO.
261
00:15:14,163 --> 00:15:16,833
PLEASE. SHE DRESSED LIKE
A MORMON CALL GIRL.
262
00:15:16,875 --> 00:15:20,545
YOU WORE HER JEWELRY.
I DIDN'T ASK IF
I WOULDN'T WANT HER JEWELRY
IF YOU PAID ME.
263
00:15:20,587 --> 00:15:22,922
I ASKED IF YOU STOLE IT.
NO, I DIDN'T.
264
00:15:22,963 --> 00:15:25,091
PHOTOGRAPHING HER?
WHY WERE YOU
265
00:15:25,132 --> 00:15:27,761
NOW THINK THIS THROUGH, NATALIE.
WE'RE INVESTIGATING MURDER.
266
00:15:27,802 --> 00:15:30,304
AN EXPLANATION FOR THESE
IF YOU HAVE
267
00:15:30,346 --> 00:15:32,139
THAT DOESN'T INVOLVE
KILLING HER,
268
00:15:32,181 --> 00:15:34,141
GET YOURSELF OFF THE HOOK.
YOU SHOULD TELL US,
I THOUGHT
269
00:15:34,183 --> 00:15:35,810
HER HUSBAND ABOUT THE AFFAIR,
IF I THREATENED TO TELL
270
00:15:35,852 --> 00:15:38,145
THEN SHE WOULD DROP
THE THEFT CHARGES.
271
00:15:38,187 --> 00:15:41,315
SHE WAS HAVING AN AFFAIR?
HOW DO YOU KNOW
THAT'S WHAT THE PICTURES
ARE FOR.
272
00:15:41,357 --> 00:15:44,068
IT WAS OBVIOUS. SHE KEPT SENDING
ME OUT TO BUY MEN'S GIFTS.
273
00:15:44,110 --> 00:15:45,945
WATCHES AND TIES.
YOU KNOW, LIKE,
274
00:15:45,986 --> 00:15:48,448
HER HUSBAND. I'M NOT AN IDIOT.
I KNEW IT WASN'T FOR
275
00:15:48,489 --> 00:15:52,410
YOU CONFRONTED HER ABOUT IT?
I DIDN'T CONFRONT HER ABOUT IT.
WHAT DID CLAIRE SAY WHEN
276
00:15:52,452 --> 00:15:55,037
SHE LEFT WITH THAT FLUGLY GUY
BEFORE I GOT THE CHANCE.
277
00:15:55,079 --> 00:15:57,164
WHY NOT?
PROBABLY WOULDN'T HAVE
WORKED ANYWAY.
278
00:15:57,206 --> 00:16:01,001
IS, LIKE, SUPER CONTROLLING,
BECAUSE KEITH WOLCOTT
279
00:16:01,043 --> 00:16:02,754
ESPECIALLY ABOUT MONEY.
280
00:16:02,796 --> 00:16:05,715
HIS WIFE WAS SLEEPING AROUND.
HE PROBABLY KNEW ALL ALONG
281
00:16:11,596 --> 00:16:13,932
(telephone rings in background)
282
00:16:13,973 --> 00:16:16,559
WHAT'S THE VERDICT?
I'M NOT LIKING HER FOR THIS.
283
00:16:16,601 --> 00:16:18,561
BUT WE SHOULD TALK
TO THE ROOMMATE,
284
00:16:18,603 --> 00:16:19,979
(groans)
MAKE SURE HER ALIBI
STANDS UP.
285
00:16:20,020 --> 00:16:22,816
ON THE OTHER HAND--
THE HUSBAND,
286
00:16:22,857 --> 00:16:26,778
IN SAN FRAN WAS KOSHER.
HIS BUSINESS DINNER
ABOUT HIS WIFE'S AFFAIRS.
HE IS THE TYPE TO KNOW
287
00:16:26,820 --> 00:16:29,572
COULDN'T HAVE MADE IT BACK
TO CALISTOGA TO KILL HER.
HE'S ALSO THE TYPE
288
00:16:29,614 --> 00:16:32,533
HIT MEN AREN'T CHEAP,
THAT'LL HIRE OTHER PEOPLE
TO DO HIS DIRTY WORK.
YES. HE IS.
289
00:16:32,575 --> 00:16:36,120
INTO MR. WOLCOTT'S FINANCES.
TAKE CREDIT CARDS.
AND THEY DON'T
I'LL LOOK
290
00:16:36,162 --> 00:16:39,248
(Patrick) BORING.
OKAY, MR. ENTERTAINMENT.
WHAT DO YOU WANT TO DO?
291
00:16:41,584 --> 00:16:43,544
TO THE CRIME SCENE.
I WANNA GO BACK
292
00:16:43,586 --> 00:16:46,506
SOMETHING THAT JUST ISN'T RIGHT.
THAT HOTEL ROOM--THERE IS
293
00:16:48,675 --> 00:16:51,970
HEY.
294
00:16:52,011 --> 00:16:53,429
YOU'RE UP.
295
00:16:53,471 --> 00:16:55,014
GREAT.
296
00:16:55,055 --> 00:16:56,307
(sighs)
297
00:16:58,142 --> 00:17:01,103
NOT QUITE RIGHT.
SOMETHING'S
298
00:17:04,524 --> 00:17:09,111
DON'T TAKE TOO LONG.
I'M HUNGRY.
299
00:17:12,949 --> 00:17:14,826
(door locks)
300
00:17:25,461 --> 00:17:28,047
LET'S GO EAT.
301
00:17:28,088 --> 00:17:31,009
(door locks)
302
00:17:31,050 --> 00:17:32,802
(door creaks)
303
00:17:32,844 --> 00:17:34,512
(door locks)
304
00:17:36,848 --> 00:17:39,183
SO... IS THERE ANY NEWS?
GOOD TO SEE YOU AGAIN.
305
00:17:39,225 --> 00:17:41,185
THE OWNER KEEPS ASKING ME
306
00:17:41,227 --> 00:17:43,688
TO REOPEN THE VILLA.
WHEN WE'LL BE ABLE
307
00:17:43,730 --> 00:17:45,940
WE'RE HERE FOR LUNCH.
NO NEWS.
308
00:17:45,982 --> 00:17:47,608
OH. ABSOLUTELY. UM...
309
00:17:47,650 --> 00:17:48,985
ONE MOMENT.
310
00:17:53,031 --> 00:17:55,366
(both speaking inaudibly)
311
00:17:55,408 --> 00:17:57,326
OH, LOOK WHO'S HERE.
312
00:17:57,368 --> 00:17:59,037
AH, JUST THE MAN.
313
00:17:59,078 --> 00:18:01,664
I NEED TO ASK HIM.
I HAVE A QUESTION
314
00:18:01,706 --> 00:18:05,376
RIGHT THIS WAY.
315
00:18:08,046 --> 00:18:10,339
THANK YOU.
(Jane) OH. THANK YOU.
316
00:18:10,381 --> 00:18:12,967
(chair scrapes ground)
317
00:18:15,595 --> 00:18:18,305
(both speaking indistinctly)
318
00:18:18,347 --> 00:18:20,975
(water gurgling)
319
00:18:21,017 --> 00:18:23,477
KATIE?
320
00:18:23,519 --> 00:18:26,814
FRESH DRINKS, OKAY?
TABLE FOUR NEEDS
321
00:18:26,856 --> 00:18:28,399
YES, SIR.
322
00:18:36,866 --> 00:18:38,576
HEY!
323
00:18:38,618 --> 00:18:41,370
MY OLD FRIENDS FROM THE CBI.
COME, HAVE A SEAT.
324
00:18:46,834 --> 00:18:48,878
SURPRISED TO SEE YOU
BACK HERE SO SOON.
325
00:18:48,920 --> 00:18:51,213
IT'S MY NUMBER ONE
HUNTING GROUND,
326
00:18:51,255 --> 00:18:53,173
MY KIND OF WOMEN--
LOADED WITH
327
00:18:53,215 --> 00:18:56,844
BEAUTIFUL, RICH, MARRIED
AND UNHAPPY.
328
00:18:56,886 --> 00:18:58,429
SO YOU SPECIALIZE?
329
00:18:58,471 --> 00:19:00,180
SURE. YEAH.
330
00:19:00,222 --> 00:19:03,684
YOUNG SINGLES ARE THE REAL TEST.
SOME GUYS WILL TELL YA HOT,
331
00:19:03,726 --> 00:19:06,145
BUT I'M NOT IN THIS TO WIN
A POINTS CONTEST, YOU KNOW?
332
00:19:06,186 --> 00:19:08,689
YOU GET FROM THE OLDER LADIES.
PLUS, I LIKE THE GRATITUDE
333
00:19:08,731 --> 00:19:10,691
THAT YOU WERE CLOSE TO.
A WOMAN DIED--A WOMAN
334
00:19:10,733 --> 00:19:14,988
YEAH, I HAVE FEELINGS.
DOESN'T THAT GIVE YOU PAUSE?
SURE IT DOES.
335
00:19:15,029 --> 00:19:17,073
THIS GUNSHOT WOUND?
BUT HAVING
336
00:19:17,115 --> 00:19:19,033
GENIUS OPENER.
AN OPENER?
337
00:19:19,075 --> 00:19:23,162
YOU USE TO START A CONVERSATION.
YOU KNOW, A PROP OR A LINE
338
00:19:23,203 --> 00:19:26,791
YOU CAN'T JUST GO UP AND SAY,
"HEY, WHAT'S YOUR NAME?"
NO?
339
00:19:26,833 --> 00:19:28,584
DUH.
340
00:19:28,626 --> 00:19:31,378
SO HOW DO YOU DO IT EXACTLY?
YOU KNOW, PICK UP WOMEN.
341
00:19:31,420 --> 00:19:34,007
NEED SOME HELP, HUH?
NO. NO.
342
00:19:34,048 --> 00:19:37,010
BIG HANDSOME DUDE LIKE YOU?
I GOT A FEW BASIC TECHNIQUES
343
00:19:37,051 --> 00:19:39,553
THAT WILL TURN YOU INTO
A FREAKIN' SEX MACHINE.
344
00:19:39,595 --> 00:19:41,097
A MACHINE.
345
00:19:41,139 --> 00:19:43,766
TO BE A MACHINE SO MUCH.
WELL, I'M NOT LOOKING
346
00:19:43,808 --> 00:19:46,769
WHEN YOU'RE SCORING
RELATIONSHIP KIND OF GUY.
I'M MORE OF A STEADY
347
00:19:46,811 --> 00:19:49,188
WITH A DIFFERENT SUPER FOX
EVERY NIGHT,
348
00:19:49,229 --> 00:19:50,982
A RELATIONSHIP FOR?
WHAT DO YOU WANT
349
00:19:51,024 --> 00:19:52,984
DO YOU EVER FALL IN LOVE
350
00:19:53,026 --> 00:19:57,196
NEVER.
WITH ANY OF THESE DIFFERENT
SUPER FOXES YOU SCORE WITH?
351
00:19:57,237 --> 00:19:59,032
WHO CAN'T GET LAID.
LOVE IS FOR GUYS
352
00:19:59,073 --> 00:20:00,491
OH.
353
00:20:00,533 --> 00:20:02,576
YOUR BASIC TECHNIQUE?
SO, UH, WHAT'S
354
00:20:02,618 --> 00:20:06,122
OH, THERE'S A THOUSAND WAYS
TO SEDUCE A WOMAN.
355
00:20:06,164 --> 00:20:08,624
OF WORKABLE SYSTEMS.
ALL KINDS
356
00:20:08,666 --> 00:20:11,961
BUT THEY ALL BOIL DOWN
TO THREE WORDS--
357
00:20:12,003 --> 00:20:15,756
"CONTEMPT," "CONTROL,"
"EXCITEMENT."
358
00:20:15,798 --> 00:20:18,134
"CONTEMPT," "CONTROL,"
"E-EXCITEMENT"?
359
00:20:21,804 --> 00:20:24,682
THAT DON'T NEED OR WANT THEM.
WOMEN WANT MEN
360
00:20:24,724 --> 00:20:27,434
THEY WANT TO BE TOLD
WHAT TO DO,
361
00:20:27,476 --> 00:20:29,770
AND THEY WANT EDGE,
ADVENTURE, DRAMA.
362
00:20:29,812 --> 00:20:31,313
WHATEVER YOU WANNA CALL IT.
363
00:20:31,355 --> 00:20:33,858
PRESENT THAT PACKAGE TO THEM,
AND THEY WILL BITE.
364
00:20:33,900 --> 00:20:35,026
GUARANTEED.
365
00:20:35,068 --> 00:20:37,070
OUCH.
366
00:20:37,111 --> 00:20:39,697
(Paul) SERIOUSLY, WHEN YOU HAVE
ONE UNDER YOUR SPELL,
367
00:20:39,739 --> 00:20:42,033
THEN YOU GET UP AND LEAVE.
368
00:20:42,075 --> 00:20:43,576
L-LEAVE? BUT--
369
00:20:43,617 --> 00:20:45,870
NO, NO, NO, NO. YOU LEAVE.
TRUST ME.
370
00:20:45,912 --> 00:20:48,622
SHE'LL TEAR YOUR CLOTHES OFF.
NEXT TIME SHE SEES YOU,
371
00:20:48,664 --> 00:20:50,041
GUARANTEED.
372
00:20:50,083 --> 00:20:53,002
EXCUSE ME?
WHAT'S GOING ON WITH YOU TWO?
373
00:20:53,044 --> 00:20:55,088
YOU GOT SOMETHING GOING ON?
YOU AND KATIE HERE.
374
00:20:55,129 --> 00:20:56,839
NO.
NO.
375
00:20:59,508 --> 00:21:01,135
JUST ASKIN'.
376
00:21:05,514 --> 00:21:10,103
I USED TO LET HER SLEEP WITH ME
ONCE IN A WHILE. THAT'S ALL.
377
00:21:10,144 --> 00:21:12,855
NO, YOU HAD FEELINGS
FOR HER.
378
00:21:12,897 --> 00:21:16,067
MAYBE A LITTLE. SURE.
(scoffs) YEARS AGO,
379
00:21:16,109 --> 00:21:20,029
YOU KNOW, BEFORE I GOT
MY MOJO WORKING.
HMM.
380
00:21:21,321 --> 00:21:23,241
THANKS FOR TALKING
TO US, PAUL.
381
00:21:23,282 --> 00:21:26,119
(mouths word)
OH, YOU HAD ONE MORE QUESTION
382
00:21:26,160 --> 00:21:28,204
AH! YES, THAT'S RIGHT.
THANK YOU. I FORGOT
YOU WANTED TO ASK.
383
00:21:28,246 --> 00:21:30,831
UH, THE NIGHT THAT YOU WERE
SLEEPING WITH CLAIRE,
384
00:21:30,873 --> 00:21:33,042
WAS THE PATIO DOOR
OPEN OR CLOSED?
385
00:21:33,084 --> 00:21:35,461
UH... CLOSED, I THINK.
386
00:21:35,502 --> 00:21:37,546
THANK YOU.
387
00:21:39,924 --> 00:21:41,759
NOW I'M REALLY HUNGRY.
388
00:21:41,801 --> 00:21:44,095
YEP.
DRIVE-THRU.
389
00:21:44,137 --> 00:21:46,055
YOU THINK FRICKE'S RIGHT?
390
00:21:46,097 --> 00:21:48,057
WAS THE DOOR CLOSED? YES.
391
00:21:48,099 --> 00:21:50,059
IT WAS A COLD NIGHT.
THEY LIT A FIRE.
392
00:21:50,101 --> 00:21:52,145
LEAVE THE DOOR OPEN?
WHY WOULD THEY
393
00:21:52,186 --> 00:21:55,148
100% WRONG.
ABOUT HOW TO DEAL WITH WOMEN.
NO, I MEAN, IS HE RIGHT
394
00:21:55,189 --> 00:21:57,150
UNLESS, OF COURSE, YOU WANNA
HAVE A LOT OF CASUAL SEX
395
00:21:57,191 --> 00:21:58,985
WITH TOTAL STRANGERS.
THEN HE'S RIGHT.
396
00:21:59,026 --> 00:22:01,320
(telephone ringing)
397
00:22:01,361 --> 00:22:03,948
WHEN DID YOU FIRST MEET
PAUL FRICKE?
398
00:22:03,990 --> 00:22:06,325
AT A WINE TASTING EVENT
A FRIEND WAS THROWING.
399
00:22:06,366 --> 00:22:09,495
AND HOW LONG WERE YOU AND HE
ROMANTICALLY INVOLVED?
UM...
400
00:22:09,536 --> 00:22:11,998
THREE, MAYBE FOUR HOURS.
401
00:22:16,627 --> 00:22:18,504
(all speaking indistinctly)
402
00:22:20,339 --> 00:22:22,716
SO YOU DIDN'T KNOW
PAUL FRICKE
403
00:22:22,758 --> 00:22:26,720
TO SPEND THE NIGHT WITH HIM?
PRIOR TO AGREEING
(chuckles) NO.
404
00:22:26,762 --> 00:22:30,308
SPOKEN TO HIM SINCE?
AND YOU HAVEN'T
405
00:22:30,348 --> 00:22:33,644
WHAT ATTRACTED YOU TO HIM
IN THE FIRST PLACE?
406
00:22:33,686 --> 00:22:34,645
FOUR TIMES?
407
00:22:34,687 --> 00:22:37,315
(chuckles)
408
00:22:37,397 --> 00:22:41,194
PAUL FRICKE IN THE FIRST PLACE?
WHAT EXACTLY ATTRACTED YOU TO
409
00:22:41,235 --> 00:22:44,322
I DON'T KNOW. I GUESS THERE WAS
JUST SOMETHING ABOUT HIM.
410
00:22:44,362 --> 00:22:46,949
AT ALL HURT OR ANGRY
AND WERE YOU
411
00:22:46,991 --> 00:22:48,951
WHEN THE RELATIONSHIP ENDED?
412
00:22:48,993 --> 00:22:51,411
MM, NO. I WAS DISAPPOINTED
MORE THAN ANYTHING.
413
00:22:51,453 --> 00:22:54,081
WE HAD A WONDERFUL TIME
TOGETHER.
414
00:22:54,123 --> 00:22:56,583
THANK YOU FOR YOUR TIME.
415
00:22:56,625 --> 00:23:01,047
OH, YOU'LL, UM, YOU'LL TELL HIM
"HELLO" FOR ME, WON'T YOU?
YES.
416
00:23:04,717 --> 00:23:07,053
ANY POTENTIAL SUSPECTS?
HEY, HOW'S IT GOING?
417
00:23:07,094 --> 00:23:09,263
NOPE. I'M BRINGING IN
THE REST TOMORROW.
418
00:23:09,305 --> 00:23:11,057
THERE'S MORE?
419
00:23:11,098 --> 00:23:13,059
THIS IS JUST "A" THROUGH "M."
HOW'S IT GOING WITH YOU?
420
00:23:13,100 --> 00:23:15,686
NO UNUSUAL TRANSACTIONS
FOR MR. WOLCOTT,
421
00:23:15,728 --> 00:23:17,688
BUT THREE DAYS BEFORE
SHE WAS KILLED,
422
00:23:17,730 --> 00:23:19,690
MADE A $200,000 WITHDRAWAL
CLAIRE WOLCOTT
423
00:23:19,732 --> 00:23:21,692
OF A CASHIER'S CHECK,
IN THE FORM
424
00:23:21,734 --> 00:23:23,944
MADE OUT TO NONE OTHER
THAN PAUL FRICKE.
425
00:23:23,986 --> 00:23:25,946
HERE'S THE BEST PART--
ACCORDING TO THE BANK,
426
00:23:25,988 --> 00:23:28,115
KEITH WOLCOTT SET UP THE ACCOUNT
SO HE'D BE NOTIFIED
427
00:23:28,157 --> 00:23:30,117
WHENEVER A LARGE TRANSACTION
TOOK PLACE.
428
00:23:30,159 --> 00:23:33,120
MEANING THAT WOLCOTT HAD TO HAVE
KNOWN ABOUT THE 200 GRAND.
429
00:23:33,162 --> 00:23:34,247
(sighs)
EXACTLY.
430
00:23:34,288 --> 00:23:35,873
NICE WORK.
THANKS.
431
00:23:35,915 --> 00:23:37,875
(indistinct conversations)
432
00:23:37,917 --> 00:23:40,586
UH... BRANDY?
433
00:23:40,627 --> 00:23:43,463
COME ON.
434
00:23:46,466 --> 00:23:48,886
(Keith, Southern accent) "DARN
IT, WOMAN!" SAID THE REDNECK.
435
00:23:48,928 --> 00:23:51,138
"AIN'T YOU NEVER SEEN
A GOAT BEFORE?"
(laughter)
436
00:23:51,180 --> 00:23:53,933
HE'S HANDLING HIS GRIEF WELL.
MM.
437
00:23:55,268 --> 00:23:57,353
EXCUSE ME, MR. WOLCOTT?
438
00:23:57,395 --> 00:23:58,854
NOW'S NOT A GOOD TIME.
439
00:23:58,896 --> 00:24:00,231
I'M SORRY TO INTRUDE.
440
00:24:00,273 --> 00:24:02,900
SOME FOLLOW-UP QUESTIONS
WE NEED TO ASK YOU
441
00:24:02,942 --> 00:24:06,486
I'LL BE HAPPY TO SPEAK WITH YOU
TOMORROW MORNING IN MY OFFICE.
YOUR PREVIOUS STATEMENT.
REGARDING
442
00:24:06,528 --> 00:24:10,366
I TOLD YOU--TOMORROW MORNING,
OH, THIS WON'T TAKE LONG.
MY OFFICE.
443
00:24:10,408 --> 00:24:13,077
VERY GOOD.
444
00:24:15,871 --> 00:24:19,083
MR. WOLCOTT, IT'S ABOUT
YOUR WIFE'S LOVER.
445
00:24:19,125 --> 00:24:21,961
THE $200,000 SHE GAVE HIM,
WE, UH, KNOW ABOUT
446
00:24:22,002 --> 00:24:23,963
THAT YOU KNOW ABOUT IT.
AND WE KNOW
447
00:24:24,004 --> 00:24:25,798
HOW DARE YOU.
448
00:24:25,839 --> 00:24:29,260
DID I DO SOMETHING DARING?
HOW DARE I?
449
00:24:29,302 --> 00:24:32,596
TO BE AFRAID OF YOU?
AM I SUPPOSED
450
00:24:32,638 --> 00:24:35,266
TO BE RESPECTFUL.
YOU'RE SUPPOSED
451
00:24:35,308 --> 00:24:37,768
RESPECTFUL? YOU CONTEMPTIBLE
LITTLE BUFFOON.
452
00:24:37,810 --> 00:24:39,353
YOUR WIFE JUST DIED,
453
00:24:39,395 --> 00:24:41,814
AND YOU'RE SWANNING AROUND
IN A MONKEY SUIT
454
00:24:41,855 --> 00:24:43,816
DRINKING PUNCH AND LAUGHING
WITH YOUR IDIOT FRIENDS,
455
00:24:43,857 --> 00:24:46,068
AND YOU WANT RESPECT?
456
00:24:46,110 --> 00:24:48,070
THERE'S YOUR RESPECT.
457
00:24:57,163 --> 00:24:59,623
(telephone ringing)
458
00:24:59,665 --> 00:25:01,959
WHAT?
459
00:25:02,001 --> 00:25:04,462
YOU KNOW DAMN WELL WHAT.
YOU ASSAULTED A MAN.
460
00:25:04,502 --> 00:25:07,423
OH, I JUST TWEAKED HIM
TECHNICALLY, THAT'S ASSAULT.
ON THE NOSE.
461
00:25:07,465 --> 00:25:09,883
TECHNICALLY, HE'S AN ASS.
HE DESERVED IT.
462
00:25:09,925 --> 00:25:11,969
YES, HE IS, BUT THIS IS NOT
A SCHOOL YARD.
463
00:25:12,011 --> 00:25:14,180
DO STUFF LIKE THAT.
YOU SIMPLY CANNOT
464
00:25:14,221 --> 00:25:16,182
I DID. I DID IT,
465
00:25:16,223 --> 00:25:19,018
AND THE SEAS DIDN'T BOIL
AND THE SKY DIDN'T FALL.
466
00:25:19,059 --> 00:25:21,354
THEY WILL SHORTLY.
467
00:25:21,395 --> 00:25:23,356
WOLCOTT IS ON HIS WAY DOWN HERE
WITH A $1,000-AN-HOUR LAWYER.
468
00:25:23,397 --> 00:25:25,816
A FORMAL APOLOGY,
IF YOU GIVE HIM
469
00:25:25,858 --> 00:25:28,194
HE SAYS HE'S WILLING TO DROP
THE WHOLE MATTER.
470
00:25:28,235 --> 00:25:30,988
HMM, LET ME THINK...
NO.
471
00:25:31,030 --> 00:25:33,699
BE REASONABLE FOR ONCE?
WOULD YOU PLEASE
472
00:25:33,740 --> 00:25:35,993
I'M BUSY.
RIGHT.
473
00:25:36,035 --> 00:25:39,038
I AM. I'M JUST THINKING
THAT, UH...
474
00:25:39,079 --> 00:25:41,415
HE'S GONNA DROP THE WHOLE MATTER
IN ANY CASE.
475
00:25:41,457 --> 00:25:44,168
I GUARANTEE IT.
OH, REALLY?
476
00:25:44,210 --> 00:25:46,462
HE'S A SHALLOW NARCISSIST.
IT'S ALL ABOUT IMAGE.
477
00:25:46,504 --> 00:25:50,548
MAKES HIM SEEM SMALL AND SILLY.
AND THIS WHOLE BUSINESS
478
00:25:50,590 --> 00:25:51,549
(exhales sharply)
479
00:25:51,591 --> 00:25:53,551
OOH! (laughs)
480
00:25:53,593 --> 00:25:57,306
(under breath) CONTEMPT,
CONTROL, EXCITEMENT.
481
00:25:57,348 --> 00:25:58,516
WHAT?
482
00:25:58,556 --> 00:26:00,226
NOTHING.
483
00:26:00,267 --> 00:26:02,728
THIS PLACE IS SO NICE.
484
00:26:02,769 --> 00:26:05,689
$800 A NIGHT, MINIMUM.
CAN YOU BELIEVE THAT?
485
00:26:05,731 --> 00:26:07,400
HUH.
486
00:26:07,441 --> 00:26:10,403
HELLO? WHAT, YOU'RE NOT
TALKING TO ME NOW?
487
00:26:10,444 --> 00:26:13,030
YOU BARELY SAID A WORD
THE WHOLE TIME.
488
00:26:13,072 --> 00:26:16,033
I'LL TALK TO YOU WHEN YOU HAVE
SOMETHING INTERESTING TO SAY.
489
00:26:16,075 --> 00:26:18,952
FINE. BE A JERK.
490
00:26:18,994 --> 00:26:22,580
I'D GO IN, BUT I'D HAVE
TO KEEP MY INJURY DRY.
491
00:26:22,622 --> 00:26:24,791
GUNSHOT WOUND.
492
00:26:24,833 --> 00:26:27,169
UH, YOU'RE NOT IN ANY DANGER.
DON'T WORRY.
493
00:26:27,211 --> 00:26:29,296
NOT A FIGHTER.
I'M A LOVER,
494
00:26:32,216 --> 00:26:35,135
OH, NOT YOU GUYS AGAIN.
495
00:26:35,177 --> 00:26:38,055
THE OLD MAGIC NOT WORKING
SO GOOD TODAY, HUH?
496
00:26:38,097 --> 00:26:39,681
JUST LIKE BASEBALL.
497
00:26:39,723 --> 00:26:41,850
EVEN IN THE MAJOR LEAGUES,
MOST OF THE TIME,
498
00:26:41,892 --> 00:26:45,396
YOU, UH, SWING AND YOU MISS.
GOTTA KEEP ON SWINGING.
499
00:26:45,438 --> 00:26:46,980
I HIT ON TEN WOMEN
A DAY.
500
00:26:47,022 --> 00:26:48,982
SEXUAL INTERCOURSE
I'M GOING TO HAVE
501
00:26:49,024 --> 00:26:50,734
THAT IS GROSS.
WITH AT LEAST ONE OF THEM.
502
00:26:50,776 --> 00:26:53,070
SHE'S INTRIGUED BY ME,
THIS ONE.
503
00:26:53,112 --> 00:26:55,739
SHE'S JUST TOO PROUD
TO ADMIT IT.
504
00:26:55,781 --> 00:26:57,908
YEAH, GET YOUR SHOES ON, ROMEO.
505
00:27:02,580 --> 00:27:03,830
HEY.
506
00:27:03,872 --> 00:27:05,832
FOCUS ON THE SHOES.
507
00:27:05,874 --> 00:27:07,834
I DIDN'T NOTICE BEFORE.
YOU KNOW,
508
00:27:07,876 --> 00:27:10,087
YOU'RE NOT BAD-LOOKIN'.
509
00:27:10,129 --> 00:27:12,089
ARE A BIT TOO WIDE,
SHOULDERS
510
00:27:12,131 --> 00:27:13,924
OTHERWISE, PRETTY NICE.
BUT, UH,
511
00:27:13,966 --> 00:27:16,760
YOU'RE TRYING TO HIT ON ME?
YOU'RE KIDDING, RIGHT?
512
00:27:16,802 --> 00:27:19,763
WOULDN'T WANT TO HIT ON YOU?
WHAT MAN IN HIS RIGHT MIND
513
00:27:19,805 --> 00:27:21,140
OKAY, LEAVE HER ALONE.
514
00:27:21,181 --> 00:27:22,766
GET IN THE CAR.
515
00:27:25,227 --> 00:27:26,686
I'M SORRY.
516
00:27:26,728 --> 00:27:29,731
MY COLLEAGUE, AGENT JANE,
REFUSES TO APOLOGIZE.
517
00:27:29,773 --> 00:27:32,859
TO SEE YOU IN COURT.
HE SAYS HE'S HAPPY
518
00:27:32,901 --> 00:27:34,861
AND YOU REFUSE
TO TALK TO US,
519
00:27:34,903 --> 00:27:36,989
SO I CAN'T RULE YOU OUT
AS A SUSPECT.
520
00:27:37,030 --> 00:27:40,075
I'M AFRAID THIS IS GONNA
MAKE A BIT OF A MESS.
KEITH, I SUGGEST--
521
00:27:40,117 --> 00:27:41,910
I HAVE NOTHING TO HIDE.
NO, NO.
522
00:27:43,245 --> 00:27:45,747
WHAT DO YOU WANNA KNOW?
523
00:27:45,789 --> 00:27:48,666
WIFE'S AFFAIR WITH PAUL FRICKE?
WHAT DO YOU KNOW ABOUT YOUR
524
00:27:48,708 --> 00:27:50,752
I KNEW CLAIRE WAS HAVING
AN AFFAIR
525
00:27:50,794 --> 00:27:53,005
AND I KNEW ABOUT THE MONEY
WITH THIS FRICKE PERSON,
526
00:27:53,046 --> 00:27:55,382
THEN WHY DID YOU DENY IT?
SHE WAS GONNA GIVE HIM.
527
00:27:55,424 --> 00:28:00,179
ONE LIKES TO ADMIT, NOW, IS IT?
IT'S NOT THE SORT OF THING
528
00:28:00,220 --> 00:28:02,764
AND I KNEW IT WOULD MAKE ME
A SUSPECT,
529
00:28:02,806 --> 00:28:05,392
DID YOU CONFRONT HER
ABOUT FRICKE?
AND THAT WOULD BE TEDIOUS.
530
00:28:05,434 --> 00:28:08,937
NO. I STOPPED THE CHECK
IMMEDIATELY, OF COURSE.
531
00:28:08,979 --> 00:28:11,773
AND THAT WAS THE END OF IT?
YOU WEREN'T ANGRY?
532
00:28:11,815 --> 00:28:13,733
NOT AT ALL. I WAS HAPPY.
533
00:28:13,775 --> 00:28:16,028
I WANTED TO DIVORCE HER
FOR AGES.
534
00:28:16,069 --> 00:28:18,155
WHY?
535
00:28:18,197 --> 00:28:20,407
SHE'D BECOME IRRITATING.
536
00:28:20,449 --> 00:28:22,451
THE COST OF DIVORCE
ALWAYS DETERRED ME,
537
00:28:22,493 --> 00:28:24,411
BUT HER INFIDELITY
WITH FRICKE
538
00:28:24,453 --> 00:28:27,039
CUT THE PAYOUT SHE'D RECEIVE
IN HALF.
539
00:28:27,080 --> 00:28:29,124
NOW IF CLAIRE HAD LIVED,
COME MONDAY,
540
00:28:29,166 --> 00:28:31,168
FOR A NASTY SURPRISE.
SHE'D BE IN
541
00:28:31,210 --> 00:28:33,795
I WAS ALL SET TO SERVE HER
WITH DIVORCE PAPERS.
542
00:28:33,837 --> 00:28:36,173
SHE STOOD TO GET A BIG SUM.
EVEN CUCKOLDED,
543
00:28:36,215 --> 00:28:38,258
RICH MAN LIKE YOURSELF--
544
00:28:38,300 --> 00:28:40,511
A LOT OF MONEY, DIDN'T IT?
HER DEATH SAVED YOU
545
00:28:40,553 --> 00:28:42,888
YES, IT DID.
546
00:28:42,929 --> 00:28:45,516
BUT MONEY ISN'T EVERYTHING,
IS IT?
547
00:28:47,434 --> 00:28:51,771
I'M SORRY SHE'S DEAD--
TRULY SORRY.
548
00:28:51,813 --> 00:28:57,027
BUT EVERY CLOUD, AS THEY SAY.
549
00:28:57,069 --> 00:28:59,988
WE'RE DONE HERE.
WELL, I BELIEVE
550
00:29:00,030 --> 00:29:01,823
SEEMS SO.
551
00:29:01,865 --> 00:29:04,201
THE ATTORNEY GENERAL SHORTLY
YOU'LL BE HEARING FROM
552
00:29:04,243 --> 00:29:06,078
REGARDING MR. JANE'S CONDUCT.
553
00:29:06,119 --> 00:29:07,580
OH, I DOUBT IT.
554
00:29:07,621 --> 00:29:10,165
REALLY?
555
00:29:10,207 --> 00:29:12,167
WHEN YOU'VE THOUGHT
ABOUT IT,
556
00:29:12,209 --> 00:29:15,170
MAKES YOU SEEM SMALL AND SILLY,
YOU'LL SEE THAT THIS BUSINESS
557
00:29:15,212 --> 00:29:16,922
THE WHOLE MATTER.
AND YOU'LL DROP
558
00:29:26,223 --> 00:29:27,807
YOU MISLED US, PAUL.
559
00:29:27,849 --> 00:29:30,185
YOU WERE GOING TO TAKE MONEY
FROM CLAIRE.
560
00:29:30,227 --> 00:29:32,187
BUT I DIDN'T, DID I?
561
00:29:32,229 --> 00:29:34,189
A BUSINESS ASSOCIATE OF MINE
562
00:29:34,231 --> 00:29:36,149
IS OPENING UP A NEW CLUB
HERE IN TOWN.
563
00:29:36,191 --> 00:29:38,611
HE, UH, OFFERED ME A ROLE
AS PARTIAL OWNER
564
00:29:38,652 --> 00:29:41,614
A SHARE OF THE BUILDING COSTS.
IF I COULD COME UP WITH
565
00:29:41,655 --> 00:29:44,824
AND?
CLAIRE WAS GENEROUS ENOUGH
TO OFFER ME A LOAN.
566
00:29:44,866 --> 00:29:47,411
JUST A COUPLE DAYS AGO
I WENT TO DEPOSIT IT
567
00:29:47,453 --> 00:29:50,748
THAT MUST HAVE BEEN
DISAPPOINTING.
AND WAS TOLD THAT THE CHECK
HAD BEEN STOPPED.
568
00:29:50,789 --> 00:29:53,125
WHAT DID CLAIRE SAY?
SHE SAID IT MUST BE
A MISTAKE,
569
00:29:53,166 --> 00:29:55,127
DID YOU BELIEVE HER?
AND SHE'D TAKE CARE OF IT
MONDAY.
570
00:29:55,168 --> 00:29:57,087
DOESN'T REALLY MATTER.
571
00:29:57,129 --> 00:30:01,133
NO, I DON'T.
YOU KNOW WHAT THE BEST PART
ABOUT BEING ME IS?
572
00:30:01,174 --> 00:30:03,969
OF RICH, NEEDY WOMEN OUT THERE
THERE ARE LITERALLY DOZENS
573
00:30:04,010 --> 00:30:08,181
THAT, UH, I COULD GO TO
FOR FINANCIAL HELP.
574
00:30:08,223 --> 00:30:10,517
I DIDN'T NEED CLAIRE'S MONEY.
(door opens)
575
00:30:10,559 --> 00:30:12,060
HEY.
576
00:30:12,102 --> 00:30:14,688
WITH KATIE THE WAITRESS?
UH, WHAT'S THE STORY
577
00:30:14,730 --> 00:30:17,149
I'M IN THE MIDDLE
OF SOMETHING.
578
00:30:17,190 --> 00:30:19,151
I WAS JUST THINKING.
OH. I'M SORRY.
579
00:30:19,192 --> 00:30:23,155
I HAD A THOUGHT.
BEAR WITH ME?
580
00:30:23,196 --> 00:30:24,281
SO, KATIE--TELL ME.
581
00:30:24,323 --> 00:30:26,074
NOTHING TO TELL.
582
00:30:26,116 --> 00:30:30,496
USED TO BE IF I, UH, DIDN'T
SCORE FOR WHATEVER REASON,
583
00:30:30,537 --> 00:30:33,457
I'D, UH, CALL HER
OFF THE BENCH.
584
00:30:33,499 --> 00:30:35,167
CAN'T SLEEP ALONE, HUH?
585
00:30:35,208 --> 00:30:39,171
SOME PEOPLE USE COCOA
AND A GOOD BOOK.
586
00:30:39,212 --> 00:30:40,964
I USE BEAUTIFUL WOMEN.
587
00:30:41,006 --> 00:30:43,967
(chuckles) SHE MUST HAVE BEEN
CRAZY ABOUT YOU
588
00:30:44,009 --> 00:30:46,553
TO PUT UP WITH A DEAL
LIKE THAT, HUH?
589
00:30:46,595 --> 00:30:48,514
I GUESS SO.
590
00:30:48,555 --> 00:30:50,974
DIFFICULT FOR HER NOW
TO WATCH YOU PICK UP
591
00:30:51,016 --> 00:30:54,060
A DIFFERENT BEAUTIFUL WOMAN
EVERY NIGHT.
592
00:30:54,102 --> 00:30:57,189
WELL, SURE, IT IS.
THAT'S NOT HOW IT IS
WITH ME AND KATIE.
593
00:30:57,230 --> 00:30:59,191
THAT MUCH IS CLEAR.
SHE LOVES YOU.
594
00:30:59,232 --> 00:31:01,193
MAYBE THAT'S WHAT THIS IS
ALL ABOUT.
595
00:31:01,234 --> 00:31:04,070
YOUR BEHAVIOR GOT TOO MUCH
FOR HER.
596
00:31:04,112 --> 00:31:06,990
KATIE HAS ABSOLUTELY NOTHING
TO DO WITH THIS.
597
00:31:07,032 --> 00:31:08,992
HOW CAN YOU BE SO SURE?
598
00:31:09,034 --> 00:31:12,412
SHE'S A GOOD PERSON.
I KNOW KATIE.
599
00:31:12,454 --> 00:31:14,373
SHE WOULD NEVER
HURT ANYONE.
600
00:31:14,414 --> 00:31:17,000
OKAY, GREAT.
601
00:31:17,042 --> 00:31:19,169
THANKS. YOU CAN GO.
(slaps table)
602
00:31:19,211 --> 00:31:22,047
NO.
AH, SORRY. I'M SORRY.
603
00:31:22,088 --> 00:31:25,509
WHEN AGENT CHO SAYS YOU CAN GO,
YOU CAN GO. NOT A MOMENT SOONER.
604
00:31:28,595 --> 00:31:30,514
JUST GIVE ME ONE SECOND.
605
00:31:33,308 --> 00:31:35,894
HEY, YOU CAN'T DISMISS
MY SUBJECTS LIKE THAT.
606
00:31:35,935 --> 00:31:37,896
AND I TOOK IT BACK.
OH, I KNOW,
607
00:31:37,937 --> 00:31:40,899
BESIDES, WE NEED HIM BACK
OUT THERE IN THE SADDLE.
608
00:31:40,940 --> 00:31:44,236
YOU WILL AGREE WITH ME 100%
WHEN I EXPLAIN MY THEORY,
609
00:31:44,277 --> 00:31:47,072
MY LITTLE PLAN.
610
00:31:47,113 --> 00:31:49,157
ANY GOOD CLOTHES?
DO YOU HAVE
611
00:31:49,199 --> 00:31:50,784
I'M WEARING THEM.
612
00:31:50,826 --> 00:31:54,705
UH, DO YOU HAVE ANYTHING
WITH A LITTLE MORE, UH...
613
00:31:54,747 --> 00:31:55,831
ZING?
614
00:31:55,873 --> 00:31:57,082
NO.
615
00:31:57,123 --> 00:31:59,125
OKAY.
616
00:31:59,167 --> 00:32:00,544
WELL...
617
00:32:00,586 --> 00:32:02,546
I'M GONNA HAVE TO
TAKE YOU SHOPPING,
618
00:32:02,588 --> 00:32:05,883
JUST YOU AND ME.
619
00:32:05,924 --> 00:32:07,843
I'LL WAIT FOR YOU.
620
00:32:07,885 --> 00:32:08,968
RIGHT HERE.
621
00:32:12,013 --> 00:32:14,015
(chuckles)
622
00:32:14,057 --> 00:32:17,060
SHOW ME HOW YOU MOVE IT ♪
(50 Cent) ♪ LITTLE MAMA,
623
00:32:17,102 --> 00:32:19,938
PUT YOUR BACK INTO IT ♪
♪ GO AHEAD,
624
00:32:19,979 --> 00:32:22,065
♪ DO YOUR THING LIKE THERE
AIN'T NOTHING TO IT ♪
625
00:32:22,107 --> 00:32:24,610
SH-SHAKE THAT ASS, GIRL ♪
♪ SHAKE,
626
00:32:24,651 --> 00:32:27,070
SHOW ME HOW YOU MOVE IT ♪
♪ LITTLE MAMA,
627
00:32:27,112 --> 00:32:29,322
PUT YOUR BACK INTO IT ♪
♪ GO AHEAD,
628
00:32:29,364 --> 00:32:31,909
THERE AIN'T NOTHIN' TO IT ♪
♪ DO YOUR THING LIKE
629
00:32:31,950 --> 00:32:35,036
♪ SHAKE, SH-SHAKE THAT ASS,
GIRL ♪
630
00:32:42,377 --> 00:32:44,003
I'M IN POSITION.
631
00:32:44,045 --> 00:32:48,091
(Patrick) Okay, look around
for a likely target.
WILL DO. HEY...
632
00:32:48,133 --> 00:32:50,135
Bourbon on the rocks.
Make it a double.
633
00:32:53,513 --> 00:32:56,433
indistinct conversations)
(laughter,
634
00:32:58,101 --> 00:33:00,061
(Patrick) Good.
THOSE TWO WILL DO,
I GUESS.
635
00:33:00,103 --> 00:33:02,481
Okay, now listen up.
636
00:33:02,522 --> 00:33:04,316
RELAX. I'M GONNA TALK YOU
RIGHT THROUGH THIS.
637
00:33:04,357 --> 00:33:08,737
TO BE CALM AND CONFIDENT.
KEEP IT SMOOTH. YOU HAVE
638
00:33:08,779 --> 00:33:11,490
YEAH, YOU TOLD ME THAT ALREADY.
I HAVE THE GENERAL IDEA.
639
00:33:11,531 --> 00:33:14,451
I'LL BE RIGHT WITH YOU.
HELLO, LADIES,
640
00:33:16,703 --> 00:33:19,456
START A TAB FOR ME, WOULD YOU?
ROOM 206. THAT'S FOR YOU.
641
00:33:19,498 --> 00:33:22,292
WHAT ARE YOUR NAMES? YOU FIRST.
HI. MY NAME'S KIMBALL.
642
00:33:22,334 --> 00:33:24,336
DARBY...
DARBY.
643
00:33:24,377 --> 00:33:28,047
SARA-BETH.
TELL ME ABOUT YOURSELVES.
HEY, SARA-BETH.
644
00:33:28,089 --> 00:33:29,174
UM...
645
00:33:29,215 --> 00:33:32,010
WHAT DO YOU WANNA KNOW?
(scoffs)
646
00:33:32,051 --> 00:33:35,806
WELL, IT'S NOT EXACTLY TEXTBOOK,
THAT WORKED? "HELLO, LADIES"?
BUT HE'S FIGURING IT OUT.
647
00:33:35,848 --> 00:33:38,433
THERE'S FRICKE.
HE'S KICKING IT OLD-SCHOOL.
648
00:33:38,475 --> 00:33:41,436
WHERE?
(Rigsby) LET ME SEE.
649
00:33:41,478 --> 00:33:44,564
WITH THE TWO BLONDES.
CHO, LOOK,
650
00:33:52,531 --> 00:33:54,992
I DON'T BELIEVE THIS GUY.
651
00:33:55,033 --> 00:33:58,286
I DO NOT UNDERSTAND WOMEN.
I GIVE UP.
652
00:33:58,328 --> 00:33:59,663
NEVER HAVE, NEVER WILL.
653
00:33:59,705 --> 00:34:01,665
SEEMS LIKE THE DUMBER
YOU TREAT THEM,
654
00:34:01,707 --> 00:34:05,502
THEY'RE DRUNK WOMEN.
THE BETTER THEY LIKE IT.
655
00:34:05,544 --> 00:34:08,296
YOU CAN'T GENERALIZE ALL WOMEN
(whispers) THIS IS YOUR FAULT.
IN GENERAL.
656
00:34:08,338 --> 00:34:10,382
I'M JUST SITTING HERE.
NO, IT'S NOT.
657
00:34:13,385 --> 00:34:17,347
YOU'VE WORKED A DOUBLE TODAY.
KATIE?
658
00:34:17,389 --> 00:34:21,142
AND HAVE A DRINK ON THE HOUSE?
THANKS, MR. H. THAT'D BE GOOD.
WHY DON'T YOU CLOCK OUT
659
00:34:21,184 --> 00:34:22,686
SURE.
660
00:34:27,190 --> 00:34:28,525
HERE WE GO.
661
00:34:28,567 --> 00:34:31,695
THIS IS WHERE WE BRING IT.
662
00:34:31,737 --> 00:34:34,489
PHASE TWO COMING UP.
ROGER THAT.
TIME FOR PHASE TWO.
663
00:34:34,531 --> 00:34:36,533
WHAT'S PHASE TWO?
664
00:34:36,575 --> 00:34:39,411
(whispering indistinctly)
665
00:34:43,248 --> 00:34:45,625
LET'S GO, SARA-BETH.
666
00:34:45,667 --> 00:34:48,045
WHAT DID HE SAY?
667
00:34:48,086 --> 00:34:50,964
(whispers indistinctly)
668
00:34:58,471 --> 00:35:00,640
(chuckles)
669
00:35:00,682 --> 00:35:02,434
WHAT DID HE SAY?
I DIDN'T HEAR.
670
00:35:02,475 --> 00:35:06,271
UH, HE SAID, UH...
671
00:35:07,940 --> 00:35:09,274
YOU DON'T WANNA KNOW.
672
00:35:13,528 --> 00:35:15,280
(Cho) Oh, well.
673
00:35:15,321 --> 00:35:16,907
STRUCK OUT, HUH?
674
00:35:16,949 --> 00:35:18,617
I BLEW IT, AS USUAL.
675
00:35:18,658 --> 00:35:20,911
I'M JUST UNLUCKY IN LOVE.
ALWAYS HAVE BEEN.
676
00:35:20,953 --> 00:35:23,038
I KNOW HOW THAT GOES.
677
00:35:23,080 --> 00:35:25,206
SAME STORY, HUH?
678
00:35:25,248 --> 00:35:29,294
SAME STORY.
679
00:35:30,921 --> 00:35:32,380
THAT GUY?
680
00:35:32,422 --> 00:35:34,049
HIM.
681
00:35:34,091 --> 00:35:36,342
BUT I'VE BEEN WATCHING HIM
YOU KNOW, NO OFFENSE,
682
00:35:36,384 --> 00:35:38,595
OPERATE THIS EVENING, AND HE
SEEMS LIKE KIND OF A CREEP.
683
00:35:38,637 --> 00:35:40,973
A PLAYER, NO DOUBT,
BUT A CREEP.
684
00:35:41,014 --> 00:35:43,349
THIS ISN'T WHO HE IS.
685
00:35:43,391 --> 00:35:44,977
WHEN WE WERE TOGETHER,
686
00:35:45,018 --> 00:35:47,687
HE WAS A SWEET, CARING,
GENEROUS MAN.
687
00:35:47,729 --> 00:35:49,689
THAT SCREWED IT UP.
IT WAS ME
688
00:35:49,731 --> 00:35:51,691
THIS TERRIBLE FIGHT,
AND WE HAD
689
00:35:51,733 --> 00:35:54,277
AND I SAID SOME MEAN THINGS.
690
00:35:54,319 --> 00:35:55,862
MEAN THINGS.
691
00:35:55,904 --> 00:36:00,366
TO PROVE ME WRONG, I GUESS.
ALL THIS IS AN ATTEMPT
692
00:36:00,408 --> 00:36:03,369
IF I HAD A WOMAN LIKE YOU
IN LOVE WITH ME,
693
00:36:03,411 --> 00:36:06,164
YOU COULD SAY WHATEVER YOU LIKE.
I WOULDN'T BE RUNNING AROUND.
694
00:36:06,205 --> 00:36:11,294
THAT'S NICE OF YOU TO SAY.
YOU KNOW WHAT WE NEED TO DO?
THANK YOU.
695
00:36:11,336 --> 00:36:15,048
LET HIM SEE YOU OUT AND ABOUT,
YOU NEED TO MAKE HIM JEALOUS.
696
00:36:15,090 --> 00:36:18,135
ARE YOU HITTING ON ME?
ENJOYING YOURSELF
WITH ANOTHER MAN.
697
00:36:18,176 --> 00:36:19,845
YES, I AM.
698
00:36:19,886 --> 00:36:22,472
(giggling)
IT'S A GOOD PLAN, ISN'T IT?
699
00:36:22,514 --> 00:36:25,266
LOOK AT HIM. LOOK AT HIM GO.
THE KID'S A NATURAL.
700
00:36:25,308 --> 00:36:28,937
NO BUSINESS LIKE CHO BUSINESS.
THE CHO.
701
00:36:28,979 --> 00:36:33,191
206.
702
00:36:33,232 --> 00:36:36,402
(lowered voice) HERE'S THE PLAN.
LET'S WALK RIGHT PAST HIM,
703
00:36:36,444 --> 00:36:39,322
WE'RE ON OUR WAY SOMEWHERE COOL.
LAUGHING AND SMILING LIKE
704
00:36:39,364 --> 00:36:41,449
AND THEN WHAT?
GET HIM THINKING.
705
00:36:41,491 --> 00:36:43,576
WE'LL THINK OF SOMETHING.
706
00:36:43,618 --> 00:36:46,705
(chuckles)
707
00:36:46,746 --> 00:36:48,915
ALL RIGHT. LET'S DO IT.
708
00:36:48,957 --> 00:36:50,625
AFTER YOU.
709
00:36:55,172 --> 00:36:58,091
(laughter)
710
00:37:11,354 --> 00:37:12,313
(laughs)
711
00:37:12,355 --> 00:37:13,481
(speaks indistinctly)
712
00:37:21,447 --> 00:37:23,408
OKAY, WE'RE IN THE ROOM.
713
00:37:23,449 --> 00:37:25,577
that's some nice work.
Hey, Cho,
714
00:37:25,618 --> 00:37:27,746
SO JUST SIT TIGHT.
VERY NICE WORK.
715
00:37:27,787 --> 00:37:29,622
IT'S GONNA TAKE LONG.
I DON'T THINK
YOU HOPE.
716
00:37:29,664 --> 00:37:31,917
WHO ARE YOU TALKING TO?
717
00:37:31,958 --> 00:37:34,044
MY COLLEAGUES.
718
00:37:34,086 --> 00:37:37,923
OKAY. WHO ARE THEY?
719
00:37:37,964 --> 00:37:40,008
I'M A STATE AGENT, MA'AM.
720
00:37:40,050 --> 00:37:41,885
AN UNDERCOVER OPERATION
WE'RE CONDUCTING
721
00:37:41,927 --> 00:37:43,803
THE WOLCOTT MURDER CASE.
REGARDING
722
00:37:43,845 --> 00:37:45,597
I-I DON'T UNDERSTAND.
723
00:37:45,638 --> 00:37:47,473
FOR THE DECEPTION.
I APOLOGIZE
724
00:37:47,515 --> 00:37:50,268
YOU MEAN... YOU'RE NOT...
YOU DON'T...
725
00:37:50,309 --> 00:37:52,104
NO, MA'AM.
726
00:37:52,145 --> 00:37:54,313
OH. (chuckles nervously)
727
00:37:54,355 --> 00:37:55,732
I'M SO EMBARRASSED.
728
00:37:55,774 --> 00:37:57,275
THAT'S UNDERSTANDABLE.
729
00:37:57,316 --> 00:38:00,528
(sobbing)
730
00:38:02,530 --> 00:38:04,032
I...
731
00:38:04,074 --> 00:38:08,870
NOTHING IS HAPPENING.
732
00:38:08,912 --> 00:38:11,248
YOU HAVE TO HAVE PATIENCE,
WOMAN.
733
00:38:11,289 --> 00:38:13,458
SHE JUST DOESN'T HAVE
ANY PATIENCE.
734
00:38:13,499 --> 00:38:17,087
I'M NOT TOUCHING THAT ONE.
735
00:38:18,296 --> 00:38:19,965
THERE.
736
00:38:33,686 --> 00:38:36,397
COME ON.
737
00:38:41,653 --> 00:38:43,280
(lock turns)
738
00:38:47,242 --> 00:38:49,244
DROP IT, HAIGHTLY.
DROP THE WEAPON.
739
00:38:52,164 --> 00:38:54,457
HANDS BEHIND YOUR BACK.
LET'S GO.
740
00:39:05,218 --> 00:39:07,428
HI.
741
00:39:09,014 --> 00:39:10,974
(Haightly) YOU SET ME UP.
742
00:39:11,016 --> 00:39:12,558
(Lisbon) YES, WE DID.
743
00:39:12,600 --> 00:39:15,061
HOW DID YOU KNOW
IT WAS ME?
744
00:39:15,103 --> 00:39:17,355
AH. IT WAS A COLD NIGHT.
745
00:39:17,396 --> 00:39:20,358
THE PATIO DOOR IN HIS ROOM
FRICKE TOLD US THAT
746
00:39:20,399 --> 00:39:22,986
WHEN HE WENT TO SLEEP,
WAS CLOSED
747
00:39:23,028 --> 00:39:25,322
OPEN THEM FROM THE OUTSIDE,
AND I CHECKED. YOU CAN'T
748
00:39:25,363 --> 00:39:27,406
WHICH MEANS THAT THE KILLER
MUST HAVE ENTERED
749
00:39:27,448 --> 00:39:32,162
WHICH REQUIRES A KEY.
BY THE MAIN DOOR,
750
00:39:32,204 --> 00:39:33,997
WHO HAS THE KEYS? STAFF.
751
00:39:34,039 --> 00:39:36,875
WANNA HURT CLAIRE WOLCOTT?
WHO ON THE STAFF WOULD
752
00:39:36,916 --> 00:39:39,085
I DON'T KNOW. NOBODY.
753
00:39:39,127 --> 00:39:41,046
WHO WOULD WANNA HURT
PAUL FRICKE?
754
00:39:43,506 --> 00:39:46,425
MAYBE YOU.
755
00:39:46,467 --> 00:39:49,304
BUT WHAT REASON WOULD YOU HAVE
FOR HATING PAUL FRICKE?
756
00:39:49,346 --> 00:39:53,016
SOMETHING TO DO WITH A WOMAN?
LET ME GUESS. UH,
757
00:39:53,058 --> 00:39:54,309
KATIE?
758
00:39:56,477 --> 00:39:58,813
'CAUSE HE USED AND ABUSED HER--
YOU HATED HIM
759
00:39:58,855 --> 00:40:01,358
THE WOMAN YOU LOVED.
760
00:40:01,440 --> 00:40:04,110
I'M NOT SORRY. HE'S DIRT.
761
00:40:04,152 --> 00:40:07,364
WITH THOSE OTHER WOMEN--
THE WAY HE CARRIED ON
762
00:40:07,405 --> 00:40:09,407
RUBBING KATIE'S NOSE IN IT.
763
00:40:09,448 --> 00:40:12,410
I NEVER WOULD HURT HER
LIKE HE DID.
764
00:40:15,038 --> 00:40:16,622
I WISH I HAD KILLED HIM.
765
00:40:16,664 --> 00:40:18,583
CLAIRE WOLCOTT INSTEAD.
BUT YOU KILLED
766
00:40:18,624 --> 00:40:21,753
I NEVER MEANT TO DO THAT.
I WANTED TO KILL FRICKE,
767
00:40:21,794 --> 00:40:25,506
NOT CLAIRE. BUT SHE SHOULDN'T
HAVE BEEN DOING WHAT SHE
768
00:40:25,548 --> 00:40:29,094
WAS DOING, SHOULD SHE? I MEAN,
IT'S NOT LIKE ANYBODY CARES.
769
00:40:29,135 --> 00:40:32,513
I CARE ABOUT CLAIRE WOLCOTT.
HER HUSBAND WAS GOING--
I CARE.
770
00:40:32,555 --> 00:40:35,934
THAT'S ENOUGH.
SHE WAS A LIVING PERSON.
771
00:40:35,975 --> 00:40:37,936
NO. YOU TOOK HER LIFE.
772
00:40:37,977 --> 00:40:41,564
I THINK HE SHOULD BE SORRY.
I-I JUST...
773
00:40:44,025 --> 00:40:45,360
YOU'RE RIGHT.
774
00:40:47,112 --> 00:40:50,156
WELL, DO YOU WANNA SAY IT?
775
00:40:53,743 --> 00:40:55,787
I'M SORRY.
776
00:40:57,330 --> 00:40:58,748
THANK YOU.
777
00:41:04,296 --> 00:41:06,672
I DON'T KNOW.
WHERE'S CHO?
778
00:41:06,714 --> 00:41:08,549
CALLED HIM A COUPLE TIMES.
NO ANSWER.
779
00:41:08,591 --> 00:41:11,469
I REALLY LOVE PAUL.
THE PROBLEM IS,
780
00:41:11,510 --> 00:41:14,472
AND I KNOW HOW HE'S BEEN,
I KNOW HOW HE SEEMS,
781
00:41:14,513 --> 00:41:17,183
THE END OF THE DAY,
BUT AT
782
00:41:17,225 --> 00:41:20,061
I REALLY WANNA BE WITH,
WHEN I THINK OF WHO
783
00:41:20,103 --> 00:41:21,438
IT'S HIM.
784
00:41:21,479 --> 00:41:25,608
THAT'S CRAZY, HUH?
785
00:41:25,650 --> 00:41:28,736
LOVE IS CRAZY,
I GUESS.
786
00:41:28,778 --> 00:41:30,405
NO, IT ISN'T.
787
00:41:30,447 --> 00:41:32,407
PSYCHIATRIC HELP.
YOU SHOULD SEEK
788
00:41:32,449 --> 00:41:34,533
(snorts, laughs)
789
00:41:37,495 --> 00:41:38,788
UGH.
790
00:41:49,590 --> 00:41:51,259
YOU MIND?
791
00:41:51,301 --> 00:41:52,593
NOT AT ALL.
792
00:41:55,096 --> 00:41:57,723
(sighs)
793
00:41:57,765 --> 00:41:59,309
ROUGH NIGHT?
794
00:41:59,351 --> 00:42:01,602
COUPLE GOOD PHONE NUMBERS.
AH, NOT BAD.
795
00:42:01,644 --> 00:42:04,063
HMM.
796
00:42:13,448 --> 00:42:17,285
YEP. TWO VERY TASTY NUMBERS.
797
00:42:23,333 --> 00:42:26,669
I WISH YOU'D STOP BEING
SO DAMN STUPID.
798
00:42:26,711 --> 00:42:29,297
OVER THERE THAT KNOWS YOU
YOU HAVE A GOOD WOMAN
799
00:42:29,339 --> 00:42:31,299
AND STILL LOVES YOU.
800
00:42:51,528 --> 00:42:53,488
EXCUSE ME.
801
00:42:53,530 --> 00:42:54,739
OH.
802
00:42:54,780 --> 00:42:56,491
YOU LOOKED KINDA LONELY.
803
00:42:56,533 --> 00:43:00,828
MY FRIEND AND I WERE WONDERING
IF YOU'D LIKE TO JOIN US.
804
00:43:00,870 --> 00:43:05,333
HI. UM... I'M SORRY.
I'M... I'M MARRIED.