1
00:00:23,106 --> 00:00:26,193
police radio chatter)
(indistinct
2
00:00:29,029 --> 00:00:31,615
OH. BOY, AM I GLAD
TO SEE YOU GUYS.
3
00:00:31,657 --> 00:00:35,995
WE ARE SORELY ILL-PREPARED
FOR THIS KIND OF DEAL.
4
00:00:36,036 --> 00:00:39,832
QUAIL HUNTER'S DOG FOUND HER
THIS MORNING AT 5:30.
5
00:00:39,874 --> 00:00:43,460
HUNTIN' QUAIL, BUT HE WAS.
WASN'T MEANT TO BE
6
00:00:43,502 --> 00:00:49,048
DO WE KNOW WHO SHE IS?
NOPE. LOOKS FAMILIAR, THOUGH,
SO I'M GUESSING LOCAL.
7
00:00:49,090 --> 00:00:51,844
PEOPLE SURE LOOK DIFFERENT
WHEN THEY'RE DEAD,
8
00:00:51,886 --> 00:00:53,261
THOUGH, DON'T THEY?
9
00:00:56,849 --> 00:00:59,685
THAT WOUND DOESN'T LOOK FATAL.
10
00:00:59,727 --> 00:01:02,730
THERE'S NO LIGATURE MARKS
ON THE NECK,
11
00:01:02,771 --> 00:01:05,357
SO SHE WASN'T STRANGLED OR HUNG.
GUMS ARE LIVID.
12
00:01:05,399 --> 00:01:07,234
EYES ARE HEMORRHAGED.
13
00:01:07,275 --> 00:01:11,071
SUFFOCATION.
MY BET IS IT'S A METH HEAD
FROM THE CITY
14
00:01:11,112 --> 00:01:14,074
COMIN' IN OFF THE INTERSTATE.
NO, HE'S A LOCAL.
15
00:01:14,115 --> 00:01:16,035
AND IT WAS AN ACCIDENT.
16
00:01:16,076 --> 00:01:19,747
HER KILLER DIDN'T INTEND HER
TO DIE THIS WAY.
HOW SO?
17
00:01:19,788 --> 00:01:22,666
SHE STILL HAS HER CLOTHES ON.
HER ABDUCTOR WAS TAKING HER
18
00:01:22,708 --> 00:01:25,084
THAT WAS QUIET AND PRIVATE
TO A LOCATION
19
00:01:25,126 --> 00:01:28,047
SO HE COULD UNDRESS HER
FOR A SEXUAL ASSAULT.
20
00:01:28,087 --> 00:01:30,257
SHE MADE TOO MUCH NOISE
AT THE WRONG MOMENT.
21
00:01:30,298 --> 00:01:33,010
AND SMOTHERED HER BY MISTAKE.
HE TRIED TO KEEP HER QUIET
22
00:01:33,052 --> 00:01:35,846
SO THEN HE DUMPS HER IN A SPOT
NO GOOD TO HIM NOW,
23
00:01:35,888 --> 00:01:37,848
ONLY A LOCAL WOULD KNOW.
24
00:01:37,890 --> 00:01:40,976
THANKS FOR WAITING.
SHE'S ALL YOURS.
25
00:01:49,234 --> 00:01:51,570
COULD BE GANGS OR DRUGS.
WHY SEXUAL MOTIVE?
26
00:01:51,612 --> 00:01:55,323
BY WHO--"SESAME STREET" CRIPS?
A DRUG TRADE SMOTHERING?
27
00:01:55,365 --> 00:01:58,035
IT ISN'T JUST BOYFRIEND TROUBLE.
THERE'S NOTHING TO SAY
28
00:01:58,077 --> 00:02:01,538
DOESN'T FEEL LIKE IT, THOUGH.
COULD BE BOYFRIEND TROUBLE.
29
00:02:01,580 --> 00:02:05,000
HE'S A CONSULTANT.
WHO IS THIS GUY?
30
00:02:05,042 --> 00:02:08,128
HE COMES AS PART OF THE PACKAGE.
YOU WANT CBI ASSISTANCE?
31
00:02:08,169 --> 00:02:10,005
CONSULTANT, HUH?
32
00:02:10,047 --> 00:02:12,716
WHAT, ARE YOU CLAIRVOYANT
OR SOME GIZMO?
33
00:02:12,758 --> 00:02:15,135
YOU GOT PSYCHIC POWERS?
34
00:02:15,176 --> 00:02:17,137
NO, NO POWERS.
HAD 'EM ONCE.
35
00:02:17,178 --> 00:02:20,057
I HAD 'EM, OBVIOUSLY.
I MEAN, I PRETENDED
36
00:02:20,099 --> 00:02:22,350
AS PSYCHIC POWERS.
NO SUCH THING
37
00:02:22,392 --> 00:02:25,145
(chuckles) SO WHAT IS IT
YOU DO, EXACTLY?
38
00:02:25,186 --> 00:02:28,231
ROCK PAPER SCISSORS?
YOU KNOW
39
00:02:28,273 --> 00:02:30,191
I DO.
40
00:02:30,233 --> 00:02:32,945
PLAY ME. ON THREE.
41
00:02:32,987 --> 00:02:34,154
ONE...
42
00:02:34,195 --> 00:02:35,030
TWO...
43
00:02:35,072 --> 00:02:36,991
THREE.
44
00:02:39,994 --> 00:02:42,997
ONE, TWO, THREE.
45
00:02:45,833 --> 00:02:48,209
ONE, TWO, THREE.
46
00:02:48,251 --> 00:02:51,130
ONE, TWO, THREE.
47
00:02:51,170 --> 00:02:53,590
ONE, TWO, THREE.
48
00:02:53,632 --> 00:02:57,803
ONE, TWO, THREE!
49
00:02:57,845 --> 00:03:04,267
♪♪
50
00:03:06,645 --> 00:03:10,315
(goat bleating)
51
00:03:14,778 --> 00:03:17,948
(bleating continues)
52
00:03:22,369 --> 00:03:24,538
GO INSIDE THE HOUSE.
53
00:03:24,579 --> 00:03:26,748
GET YOUR HOMEWORK STARTED.
GO DO YOUR HOMEWORK.
54
00:03:26,790 --> 00:03:29,084
GO. GO NOW.
55
00:03:31,252 --> 00:03:32,504
JOE?
56
00:03:32,546 --> 00:03:36,466
(dogs barking in distance)
57
00:03:39,636 --> 00:03:43,515
(birds calling)
58
00:03:50,564 --> 00:03:52,191
(car doors opening)
59
00:03:53,734 --> 00:03:55,819
MR. AND MRS. O'KEEFE?
60
00:03:55,861 --> 00:03:58,530
I'M AGENT TERESA LISBON,
61
00:03:58,572 --> 00:04:01,616
CALIFORNIA BUREAU
OF INVESTIGATION.
62
00:04:01,658 --> 00:04:05,204
WE'RE BRINGING BAD NEWS.
I'M SORRY.
63
00:04:05,245 --> 00:04:09,666
NO. (crying)
WE FOUND YOUR DAUGHTER MELANIE.
64
00:04:19,927 --> 00:04:23,180
(woman) OH, MY GOD.
65
00:04:23,222 --> 00:04:28,476
(speaking indistinctly)
66
00:04:28,518 --> 00:04:31,730
(crying continues)
67
00:04:31,772 --> 00:04:34,066
(woman) OH, NO!
68
00:04:44,743 --> 00:04:47,162
HI.
69
00:04:47,204 --> 00:04:48,956
WHO ARE YOU?
70
00:04:48,997 --> 00:04:53,001
MY NAME'S PATRICK JANE.
I'M WITH THE POLICE.
71
00:04:53,043 --> 00:04:55,670
IS THIS YOUR SISTER'S ROOM?
72
00:04:55,712 --> 00:04:57,923
YES.
73
00:05:02,970 --> 00:05:05,931
DID SOMEONE KILL MY SISTER?
74
00:05:05,973 --> 00:05:08,642
YES.
75
00:05:11,812 --> 00:05:14,481
OKAY.
76
00:05:14,522 --> 00:05:17,109
SHE DIDN'T COME HOME FROM WORK
THE NIGHT BEFORE LAST.
77
00:05:17,151 --> 00:05:19,694
SHE WAITRESSES
78
00:05:19,736 --> 00:05:22,530
AT THE SHAND CREEK
WINERY RESTAURANT.
79
00:05:22,572 --> 00:05:24,783
SHE WAS ON UNTIL 11:00.
80
00:05:24,825 --> 00:05:28,162
HER CAR IS STILL PARKED THERE
IN THE PARKING LOT.
81
00:05:28,203 --> 00:05:30,705
WE'RE ALWAYS ASLEEP
WHEN SHE COMES HOME.
82
00:05:30,747 --> 00:05:33,250
WE DIDN'T EVEN KNOW SHE WAS
MISSING UNTIL THE MORNING.
83
00:05:33,292 --> 00:05:36,253
AND NOBODY KNEW WHERE SHE WAS.
WE CALLED ALL HER FRIENDS,
84
00:05:36,295 --> 00:05:40,090
AFTER SHE LEFT WORK THAT NIGHT.
TO COLLEGE IN THE FALL.
SHE WAS ALL SET TO GO
NOBODY'D SEEN HER
85
00:05:40,132 --> 00:05:42,092
A SOFTBALL SCHOLARSHIP
SHE WON
86
00:05:42,134 --> 00:05:44,719
AT, UM, U.C.L.A.
87
00:05:44,761 --> 00:05:47,555
WE WERE WORRIED ABOUT HER
GOING DOWN TO LOS ANGELES,
88
00:05:47,597 --> 00:05:50,225
BECAUSE YOU READ ABOUT
ALL THE CRIME.
89
00:05:52,227 --> 00:05:54,562
DID THEY DO ANYTHING TO HER?
90
00:05:54,604 --> 00:05:59,067
SHE WAS FULLY CLOTHED.
DOESN'T APPEAR SO.
91
00:05:59,109 --> 00:06:02,612
(sniffling) WHY WOULD ANYBODY
DO SOMETHING LIKE THAT?
92
00:06:02,654 --> 00:06:06,616
THAT POPS INTO THE MOTHER'S HEAD
OFTENTIMES, THE FIRST NAME
93
00:06:06,658 --> 00:06:08,076
IS THE GUILTY PARTY.
94
00:06:08,118 --> 00:06:10,411
JEALOUS BOYFRIENDS,
ANYTHING LIKE THAT?
95
00:06:10,453 --> 00:06:13,581
NO, NOTHING LIKE THAT.
NO.
96
00:06:13,623 --> 00:06:14,624
NOTHING?
97
00:06:14,666 --> 00:06:17,585
SHE WAS ALWAYS SHY OF BOYS.
98
00:06:17,627 --> 00:06:19,504
SHE WAS A GOOD GIRL.
(sniffling)
99
00:06:19,546 --> 00:06:23,675
SHE TOOK THE PURITY PLEDGE
IN NINTH GRADE,
100
00:06:23,717 --> 00:06:27,804
AND SHE STILL WEARS
THAT RING TODAY.
101
00:06:45,404 --> 00:06:48,158
TAKE THE POSTERS DOWN?
WHEN DID SHE
102
00:06:48,200 --> 00:06:50,744
AFTER CHRISTMAS.
WHO WAS ON THE POSTERS?
103
00:06:50,785 --> 00:06:53,621
BOYS WITH LONG HAIR
FROM THE TV.
104
00:06:53,663 --> 00:06:56,791
SHE DIDN'T LIKE 'EM ANYMORE?
105
00:06:56,833 --> 00:06:59,586
FOR LITTLE GIRLS.
SAID THEY WERE
106
00:07:01,504 --> 00:07:04,049
DO YOU KNOW WHO KILLED HER?
107
00:07:04,091 --> 00:07:05,550
NO.
108
00:07:35,914 --> 00:07:38,041
ARE YOU GONNA FIND OUT
WHO KILLED HER?
109
00:07:38,083 --> 00:07:40,085
ME AND MY COLLEAGUES
ARE GONNA TRY.
110
00:07:40,127 --> 00:07:41,461
HOW?
111
00:07:41,502 --> 00:07:45,006
LOOKING, LISTENING,
ASKING QUESTIONS.
112
00:07:45,048 --> 00:07:47,717
WHEN YOU FIND HIM,
WILL YOU TELL ME?
113
00:07:47,759 --> 00:07:49,719
SURE. WHY?
114
00:07:49,761 --> 00:07:53,473
NO REASON.
115
00:08:03,691 --> 00:08:04,859
(telephone rings)
116
00:08:04,901 --> 00:08:06,987
RIGSBY.
VAN PELT.
117
00:08:07,028 --> 00:08:10,907
THE SHERIFF'S DEPARTMENT THERE?
HEY, DID YOU GET THE FAX FROM
YES.
118
00:08:10,949 --> 00:08:13,576
Run the details through
the crime database,
119
00:08:13,618 --> 00:08:15,703
see if we get any matches.
WILL DO.
Okay, Van Pelt?
120
00:08:15,745 --> 00:08:19,333
BOSS, I FINISHED THE BUDGET
REPORTS HERE LIKE YOU SAID.
121
00:08:19,374 --> 00:08:24,129
Why don't I drive down there,
I'LL CALL YOU IF I NEED YOU.
NO, YOU STAY THERE. LOOK,
give you guys a hand?
122
00:08:24,171 --> 00:08:26,756
SHE HAS A LOVER--SOMEONE SHE MET
AROUND CHRISTMAS AT A FAIR.
123
00:08:26,798 --> 00:08:29,426
HE'S EITHER TOO OLD, TOO CLOSELY
RELATED OR TOO VILLAINOUS
124
00:08:29,468 --> 00:08:33,013
TO TELL HER FOLKS ABOUT.
I'D BET ON VILLAINY,
125
00:08:33,054 --> 00:08:36,016
EXPLAINS WHY SHE WASN'T
WEARING A PURITY RING.
AND HIS FIRST NAME
STARTS WITH AN "H."
126
00:08:36,057 --> 00:08:37,976
IT IS THE DAMNDEST THING.
YOU KNOW,
127
00:08:38,018 --> 00:08:40,645
I WAS AT THE SHAND CREEK
THAT NIGHT ON A CALL
128
00:08:40,687 --> 00:08:43,982
'ROUND ABOUT THE SAME TIME
THAT GIRL WAS TAKEN.
129
00:08:44,024 --> 00:08:46,567
A DRUNK WOULDN'T PAY HIS CHECK.
THAT IS THE DAMNDEST THING.
130
00:08:46,609 --> 00:08:49,404
THAT MIGHT BE USEFUL?
YOU NOTICE ANYTHING
131
00:08:49,446 --> 00:08:51,323
OH, FOR CRYIN' OUT LOUD.
132
00:08:51,365 --> 00:08:54,701
YEAH, WHEN I GOT THERE,
I SAW A BLACK TRUCK,
133
00:08:54,742 --> 00:08:57,662
OF THE OTHER END OF THAT LOT
FULL-SIZE, TAKING OFF OUT
134
00:08:57,704 --> 00:08:59,580
GOIN' WAY TOO FAST...
135
00:08:59,622 --> 00:09:01,291
(siren wails)
136
00:09:01,333 --> 00:09:02,625
(car door shuts)
137
00:09:02,667 --> 00:09:05,337
HE'S INSIDE.
138
00:09:05,379 --> 00:09:07,922
NEARLY WENT AFTER HIM, TOO,
YOU KNOW?
139
00:09:07,964 --> 00:09:09,966
WHAT TIME WAS THAT?
140
00:09:10,008 --> 00:09:12,760
UH, A QUARTER TO 12:00.
141
00:09:12,802 --> 00:09:14,762
HAVE THESE WOODS BEEN CHECKED?
142
00:09:14,804 --> 00:09:17,224
NOT TO SPEAK OF.
143
00:09:17,265 --> 00:09:19,726
A FEW MAN-HOURS INTO THAT.
YOU MIGHT WANT TO PUT
144
00:09:19,767 --> 00:09:21,061
UH-HUH.
145
00:09:23,604 --> 00:09:26,274
THAT'S HER CAR RIGHT THERE.
THAT, UH,
146
00:09:26,316 --> 00:09:29,027
YOU WANT TO TAKE IT?
147
00:09:29,069 --> 00:09:32,239
SHE WORKED FOR US FOR...
THREE SUMMERS IN A ROW.
148
00:09:32,280 --> 00:09:34,241
LOVELY GIRL.
149
00:09:34,282 --> 00:09:37,202
THIS IS GOOD.
150
00:09:37,244 --> 00:09:38,995
IT'S UNBELIEVABLE.
YES, IT IS.
151
00:09:39,037 --> 00:09:42,749
I WAS PRACTICALLY RIGHT THERE.
AND FROM THE PARKING LOT.
152
00:09:42,790 --> 00:09:45,252
MM-HMM.
I CAN'T EVEN THINK ABOUT IT.
153
00:09:45,293 --> 00:09:47,212
TRY THIS.
154
00:09:47,254 --> 00:09:50,424
THIS ONE'S REALLY GOOD.
NO, I WON'T.
155
00:09:50,465 --> 00:09:52,717
TO YOUR KNOWLEDGE, DID MELANIE
EVER HAVE ANY INCIDENTS
156
00:09:52,759 --> 00:09:54,511
WITH DISGRUNTLED COWORKERS,
MMM.
MAYBE...
157
00:09:54,553 --> 00:09:56,263
NO.
BOYFRIEND PROBLEMS?
158
00:09:56,304 --> 00:09:59,266
MMM, THIS ONE IS REALLY GOOD.
CARDAMOM?
159
00:09:59,307 --> 00:10:02,852
YES, AND CARAWAY.
MMM, AND A LOT OF BUTTER.
160
00:10:02,894 --> 00:10:04,645
SHH.
(chuckles)
161
00:10:04,687 --> 00:10:06,064
NO, THERE'S NO SHAME IN IT.
A LOT OF BUTTER.
162
00:10:06,106 --> 00:10:08,858
THAT'S THE GREAT THING
ABOUT FOOD.
163
00:10:08,900 --> 00:10:13,405
IT'S INDULGENCE AND NECESSITY
ALL IN ONE.
WHAT TIME DID MELANIE
LEAVE WORK THAT NIGHT?
164
00:10:13,447 --> 00:10:16,450
I KNOW SHE TOOK OFF FIRST,
WE NEED TO KNOW EXACTLY.
TO BUILD A TIME LINE,
WELL,
165
00:10:16,491 --> 00:10:19,119
HER TIME CARD TO BE EXACT.
BUT I'D HAVE TO CHECK
166
00:10:19,160 --> 00:10:21,621
HEY, IT WASN'T ME, BY THE WAY.
167
00:10:21,662 --> 00:10:24,291
I HAVE A STAFF OF 20
THAT'LL TELL YOU
168
00:10:24,332 --> 00:10:27,502
THE KITCHEN IS TO TAKE A LEAK
THE ONLY TIME I EVER LEAVE
169
00:10:27,544 --> 00:10:29,837
(chuckles) SAD BUT TRUE.
OR YELL AT A CUSTOMER.
170
00:10:29,879 --> 00:10:31,839
SO THIS IS THE, UH,
THE KITCHEN.
171
00:10:31,881 --> 00:10:33,841
THIS IS THE MAIN PREP AREA,
172
00:10:33,883 --> 00:10:36,719
AND THIS IS WHERE
THE MAGIC HAPPENS.
OW!
173
00:10:36,761 --> 00:10:39,598
HEY! ATTENTION, RANDALL!
PAY IT!
174
00:10:39,639 --> 00:10:41,808
MY OFFICE IS THIS WAY.
175
00:10:41,849 --> 00:10:45,312
THIS IS A GO. THIS IS A GO.
ALL RIGHT.
176
00:10:47,272 --> 00:10:49,690
SHE WAS BY NO MEANS
A GIFTED SERVER.
177
00:10:49,732 --> 00:10:52,986
THAT'S WHAT WE CALLED HER,
"BETTY BUTTERFINGERS,"
178
00:10:53,027 --> 00:10:55,863
BUT SHE HAD A GOOD SPIRIT.
179
00:10:58,116 --> 00:11:00,201
SHE LEFT AT 11:25.
180
00:11:05,332 --> 00:11:07,041
(mouths words)
GOOD NIGHT.
181
00:11:07,083 --> 00:11:09,127
SHE WENT OUT THAT DOOR,
182
00:11:09,169 --> 00:11:11,963
AND THAT'S THE LAST
WE SAW OF HER.
183
00:11:12,005 --> 00:11:14,757
IT'S ALL RESERVATIONS,
I ASSUME?
184
00:11:14,799 --> 00:11:16,551
CREDIT CARDS?
185
00:11:16,593 --> 00:11:19,137
I CAN GET YOU A FULL LIST.
YES.
GREAT.
186
00:11:19,179 --> 00:11:21,680
OH, RAQUEL, COME IN.
THESE PEOPLE ARE HERE
187
00:11:21,722 --> 00:11:24,518
WHAT HAPPENED TO POOR MELANIE.
TO HELP FIND OUT
188
00:11:24,559 --> 00:11:26,603
OKAY. GOOD.
189
00:11:28,605 --> 00:11:31,690
YOU AND SHE WERE GOOD FRIENDS,
WEREN'T YOU?
190
00:11:31,732 --> 00:11:34,861
NOT REALLY. SHE WAS OKAY.
191
00:11:34,902 --> 00:11:36,196
OH.
192
00:11:36,237 --> 00:11:38,906
'CAUSE ON HER WALL AT HOME,
193
00:11:38,948 --> 00:11:42,661
OF YOU AND HER TOGETHER.
SHE HAS A PICTURE
194
00:11:42,701 --> 00:11:45,622
THAT'S WEIRD, HUH?
195
00:11:45,664 --> 00:11:48,749
A PICTURE OF ME AND HER, MA'AM.
I DON'T KNOW WHY SHE HAS
196
00:11:48,791 --> 00:11:50,751
A SECRET CRUSH ON ME.
MAYBE SHE HAS
197
00:11:50,793 --> 00:11:53,046
WHAT'S HER BOYFRIEND'S NAME?
I DON'T KNOW.
198
00:11:53,087 --> 00:11:56,257
SHE DOESN'T HAVE A BOYFRIEND.
THAT'S HER THING, RIGHT?
199
00:11:56,299 --> 00:11:58,843
SHE CUT OUT OF THE PICTURE?
SO WHO WAS IT THAT
PURITY. NO BOYS.
200
00:11:58,885 --> 00:12:01,262
YOU WERE THERE.
I DON'T KNOW, SIR.
201
00:12:01,304 --> 00:12:03,973
IT WAS CHRISTMAS.
I WAS HIGH.
202
00:12:04,015 --> 00:12:07,810
A MURDER INVESTIGATION.
RAQUEL, THIS IS
203
00:12:07,852 --> 00:12:10,938
WHO DID THIS, YOU'LL DO TIME.
IF YOU PROTECT SOMEONE
204
00:12:10,980 --> 00:12:12,940
I'M SORRY, MA'AM.
I CAN'T HELP YOU.
205
00:12:12,982 --> 00:12:16,194
I WOULD IF I COULD.
SWEAR TO GOD.
206
00:12:16,236 --> 00:12:17,904
THANK YOU.
207
00:12:20,198 --> 00:12:22,701
(lowered voice) CAR'S CLEAN.
208
00:12:22,741 --> 00:12:24,661
HAVE A CHAT WITH RAQUEL,
WHY DON'T YOU?
209
00:12:24,703 --> 00:12:27,288
THE CREDIT CARD RECEIPTS.
I'M GONNA GO CHECK
210
00:12:27,330 --> 00:12:29,666
GIVE ME A MINUTE WITH HER.
(whispering)
OKAY.
211
00:12:29,708 --> 00:12:33,378
A SUPER LOW THRESHOLD.
SHE'S GOT
NO. NOPE.
212
00:12:33,420 --> 00:12:35,963
JUST STAND IN THE DOORWAY,
PRETEND YOU'RE MAKING
213
00:12:36,005 --> 00:12:38,425
A PHONE CALL FOR A MOMENT.
AND IT'S UNPROFESSIONAL.
NO. IT'S ILLEGAL
214
00:12:38,466 --> 00:12:40,594
TO STAND IN THE DOORWAY.
THAT'S WHY I NEED YOU
215
00:12:40,635 --> 00:12:42,679
ONE MINUTE.
216
00:12:50,019 --> 00:12:53,273
RAQUEL, LOOK AT ME.
217
00:12:53,314 --> 00:12:56,401
BEFORE YOU FALL ASLEEP TONIGHT,
WHILE YOU'RE LYING IN YOUR BED
218
00:12:56,443 --> 00:12:58,653
DRIFTING OFF INTO SLEEP,
RELAXING AND SLOWLY
219
00:12:58,695 --> 00:13:00,655
I WANT YOU TO THINK OF ME.
220
00:13:00,697 --> 00:13:03,032
THINK OF ME AND IMAGINE
THAT YOU CAN FLY.
221
00:13:03,074 --> 00:13:04,618
YOU'RE WEIGHTLESS.
IMAGINE THAT
222
00:13:04,659 --> 00:13:07,621
INTO THE AIR IF YOU WANT TO,
YOU CAN FLOAT GENTLY
223
00:13:07,662 --> 00:13:09,623
SAFE AND CALM AND SERENE.
224
00:13:09,664 --> 00:13:12,751
AND LEAVE ALL YOUR BURDENS
YOU CAN FLY AWAY
225
00:13:12,791 --> 00:13:16,045
AND FEARS BEHIND YOU.
AND WORRIES
226
00:13:16,087 --> 00:13:20,049
WHAT A NICE FEELING IT IS.
IMAGINE THAT--
227
00:13:20,091 --> 00:13:22,677
NEXT TIME YOU SEE ME,
WHEN I SAY HELLO,
228
00:13:22,719 --> 00:13:25,096
THAT GOOD FEELING,
YOU'LL REMEMBER
229
00:13:25,138 --> 00:13:27,098
TO TELL ME THE TRUTH,
AND YOU'LL WANT
230
00:13:27,140 --> 00:13:29,392
BECAUSE WHEN YOU DO TELL
THE TRUTH, YOU'LL FEEL
231
00:13:29,434 --> 00:13:31,770
THAT A HEAVY WEIGHT HAS BEEN
LIFTED FROM YOUR SHOULDERS.
232
00:13:31,810 --> 00:13:34,147
I'LL SAY HELLO, AND YOU WILL
FEEL AS LIGHT AS A FEATHER,
233
00:13:34,188 --> 00:13:36,149
FLOATING ON AIR.
AS IF YOU WERE
234
00:13:36,190 --> 00:13:37,525
A MOMENT, THINK ABOUT THAT
WHY DON'T YOU SIT HERE
235
00:13:37,567 --> 00:13:39,068
BEFORE YOU GO BACK TO WORK?
236
00:13:41,571 --> 00:13:43,281
WHATEVER.
237
00:13:43,323 --> 00:13:47,285
YOUR FRIEND'S CRAZY.
CAN I GO NOW?
238
00:13:47,327 --> 00:13:48,827
YES.
239
00:13:54,375 --> 00:13:56,919
WORKED ON THE CHICKEN.
240
00:13:56,961 --> 00:13:58,546
RIGHT.
241
00:14:01,048 --> 00:14:03,384
MAYBE THAT'S A CLUE.
242
00:14:03,426 --> 00:14:05,428
"SORRY"?
243
00:14:10,809 --> 00:14:11,768
HMM?
244
00:14:11,810 --> 00:14:13,603
TAKE IT TO THE LAB.
245
00:14:13,645 --> 00:14:16,063
I-I GOT A BETTER IDEA.
WHOA, WHOA, WAIT.
246
00:14:16,105 --> 00:14:18,358
UM, SETTLE DOWN NOW, EVERYONE.
SETTLE DOWN.
247
00:14:18,399 --> 00:14:20,151
THESE ARE AGENTS
248
00:14:20,193 --> 00:14:21,152
OF THE CALIFORNIA BUREAU
OF INVESTIGATION.
249
00:14:21,194 --> 00:14:22,696
THEY WANT TO TALK
TO YOU A MOMENT.
250
00:14:22,737 --> 00:14:24,739
THERE'S NOTHING
TO WORRY ABOUT.
251
00:14:26,240 --> 00:14:28,660
WE NEED YOUR HELP.
252
00:14:28,702 --> 00:14:30,537
WILL YOU HELP US?
253
00:14:30,578 --> 00:14:32,706
(all) YES.
254
00:14:32,747 --> 00:14:34,915
WE KNOW THE IDENTITY
OF MELANIE'S KILLER.
255
00:14:34,957 --> 00:14:40,004
THE MURDERER OF THAT POOR GIRL
IS IN THIS ROOM.
256
00:14:40,046 --> 00:14:42,923
THIS NOTE...
257
00:14:42,965 --> 00:14:44,801
WAS FOUND IN MELANIE'S LOCKER.
258
00:14:44,843 --> 00:14:49,723
WE HAVE STRONG REASON TO BELIEVE
THAT WHOEVER WROTE THIS NOTE
259
00:14:49,764 --> 00:14:51,432
IS THE KILLER.
260
00:14:51,474 --> 00:14:55,729
YES, UNLUCKILY FOR THAT PERSON,
MY COLLEAGUE,
261
00:14:55,770 --> 00:14:59,232
THE BUREAU'S CHIEF GRAPHOLOGIST.
AGENT CHO HERE, IS
262
00:14:59,273 --> 00:15:03,110
EACH ONE OF YOU WILL BE GIVING
US A SAMPLE OF YOUR HANDWRITING,
263
00:15:03,152 --> 00:15:06,740
LEFT AND RIGHT-HANDED.
264
00:15:06,781 --> 00:15:07,907
CHO WILL EXAMINE THESE SAMPLES
265
00:15:07,948 --> 00:15:10,201
AND DETERMINE WHICH OF YOU
LEFT THIS NOTE.
266
00:15:10,243 --> 00:15:12,245
WHICH OF YOU IS THE KILLER?
267
00:15:14,121 --> 00:15:16,416
OH! (gasps) OH!
(woman)
268
00:15:16,457 --> 00:15:18,418
(murmuring)
RANDALL?
269
00:15:18,459 --> 00:15:21,295
(man) BACK IT UP.
DON'T CROWD HIM.
270
00:15:21,337 --> 00:15:22,672
(woman) RANDALL?
271
00:15:22,714 --> 00:15:24,131
VOILà.
272
00:15:24,173 --> 00:15:26,092
(woman) LET HIM BREATHE.
RANDALL?
273
00:15:31,723 --> 00:15:35,142
TO SAY "SORRY" TO MELANIE?
RANDALL, WHY DID YOU WANT
274
00:15:35,184 --> 00:15:37,353
I DIDN'T KILL HER.
I DIDN'T SAY THAT YOU DID.
275
00:15:37,395 --> 00:15:40,273
I ASKED WHY YOU WANTED
TO SAY "SORRY" TO HER.
276
00:15:40,314 --> 00:15:42,108
YOUR TIME CARD AND YOUR BOSS
277
00:15:42,149 --> 00:15:45,486
TEN MINUTES BEFORE MELANIE.
SAY YOU LEFT WORK
278
00:15:45,528 --> 00:15:49,699
THE PARKING LOT, RIGHT? RIGHT?
YOU WAITED FOR HER IN
279
00:15:49,741 --> 00:15:53,160
FOR SOMEONE. YOU WAITED FOR HER.
THERE'S NO LAW AGAINST WAITING
280
00:15:53,202 --> 00:15:56,122
I JUST WANTED TO SPEAK TO HER.
NOTHING WRONG WITH THAT.
281
00:15:56,163 --> 00:15:59,584
YOU WANTED TO SPEAK TO HER.
THEN WHAT HAPPENED?
282
00:15:59,626 --> 00:16:03,963
"HEY, MELANIE, WHAT'S UP?"
(sighs) I WAS LIKE,
283
00:16:04,004 --> 00:16:07,508
SHE DIDN'T LEAVE.
AND WE TALKED.
284
00:16:07,550 --> 00:16:09,176
SHE--SHE WAS SMILING
AND LAUGHING,
285
00:16:09,218 --> 00:16:11,137
I WAS DOING PRETTY GOOD.
SO I FIGURED
286
00:16:11,178 --> 00:16:14,307
SO I MADE MY MOVE,
287
00:16:14,348 --> 00:16:17,226
SO INTO IT, WHICH WAS COOL,
AND, UM, SHE WASN'T
288
00:16:17,268 --> 00:16:19,938
WHOLE VIRGIN THING HAPPENING.
ONLY I KNOW SHE HAS THIS
289
00:16:19,979 --> 00:16:22,941
I JUST HAVE TO BE MORE...
SO I FIGURED THAT
290
00:16:22,982 --> 00:16:24,609
GOAL-ORIENTED.
291
00:16:24,651 --> 00:16:27,320
SHE WAS PRETTY UPSET,
292
00:16:27,361 --> 00:16:31,324
MISUNDERSTANDING, AND I LEFT.
SO I APOLOGIZED FOR ANY
BITCH!
293
00:16:31,365 --> 00:16:33,868
DROVE OFF, AND THAT WAS IT.
I GOT IN MY CAR, AND I
294
00:16:33,910 --> 00:16:37,288
SHE WOULD STILL BE MAD AT ME
ONLY I FELT LIKE MAYBE
295
00:16:37,330 --> 00:16:38,790
AND, LIKE, COMPLAIN.
296
00:16:38,832 --> 00:16:41,292
SO WHEN I GOT IN TO WORK
THIS MORNING,
297
00:16:41,334 --> 00:16:44,337
BEFORE I KNEW THAT SHE WAS
MISSING, I WROTE "SORRY,"
298
00:16:44,378 --> 00:16:46,756
AND I PUT IT IN HER LOCKER.
299
00:16:46,798 --> 00:16:49,258
IN THE PARKING LOT WITH HER?
HOW LONG WERE YOU
300
00:16:49,300 --> 00:16:52,971
TRY AND BE PRECISE.
FIVE MINUTES. SIX.
301
00:16:56,265 --> 00:16:59,393
RANDALL TRIED TO KISS MELANIE
BECAUSE HE THOUGHT
302
00:16:59,435 --> 00:17:01,771
IT WAS ON HIS ACCOUNT
THAT SHE DIDN'T LEAVE.
303
00:17:01,813 --> 00:17:04,148
SHE WAS MEETING SOMEBODY ELSE.
BUT IN FACT, SHE DIDN'T LEAVE
BECAUSE OF RANDALL.
304
00:17:04,190 --> 00:17:05,859
ARE WE GONNA SEE
RAQUEL AGAIN?
305
00:17:05,900 --> 00:17:08,402
SHE'S ON HER WAY IN NOW.
(cell phone rings)
306
00:17:09,320 --> 00:17:11,071
(ring)
HEY.
307
00:17:11,113 --> 00:17:14,158
Hey. I did the database search.
I'm e-mailing the results.
308
00:17:14,200 --> 00:17:17,453
I'M GONNA PUT YOU ON SPEAKER.
309
00:17:17,495 --> 00:17:20,122
It's not much. One pop for
the brand of silver tape
310
00:17:20,164 --> 00:17:23,167
FAIRFIELD--AN ABDUCTION CASE.
USED TWO MONTHS AGO IN
311
00:17:23,209 --> 00:17:25,795
Delores Sanchez, a female, 22,
WHAT HAPPENED?
312
00:17:25,837 --> 00:17:28,756
ABDUCTED AT A BUS STOP.
MIGRANT FARM LABORER
313
00:17:28,798 --> 00:17:31,676
SHE DOESN'T KNOW HOW.
SHE WAKES UP ON A BED
314
00:17:31,718 --> 00:17:34,053
in a motel room all tied up
in duct tape, unharmed.
315
00:17:34,094 --> 00:17:36,848
saw her abductors. No suspects.
The cleaners found her. Never
316
00:17:36,890 --> 00:17:39,350
FAIRFIELD P.D. CONCLUDED
IT WAS A DRUNKEN PRANK.
317
00:17:39,392 --> 00:17:41,227
THE COMPLAINANT SANCHEZ
LEFT TOWN,
318
00:17:41,268 --> 00:17:44,647
THIS IS VERY INTERESTING.
so the case kind
of drifted away.
319
00:17:44,689 --> 00:17:47,483
ON TANGENTS ALREADY.
LET'S KNOCK OFF
ANY OTHER CORRELATIONS?
320
00:17:47,525 --> 00:17:50,653
UH, YES, ACTUALLY. SANCHEZ IS
A REDHEAD LIKE O'KEEFE.
UH-HUH.
321
00:17:50,695 --> 00:17:53,155
IT'S A COMMON BRAND OF TAPE,
COOL DOWN.
322
00:17:53,197 --> 00:17:56,158
AND THERE'S A QUARTER MILLION
REDHEADED WOMEN IN CALIFORNIA.
323
00:17:56,200 --> 00:17:58,118
YEAH.
YEAH, YEAH, YOU'RE RIGHT.
324
00:17:58,160 --> 00:17:59,453
JUST SUPPOSING, FOR FUN,
325
00:17:59,495 --> 00:18:02,081
THAT IT WAS THE SAME GUY
DID BOTH CRIMES.
326
00:18:02,122 --> 00:18:04,876
HE KIDNAPS A REDHEADED GIRL,
TIES HER UP, TAKES HER
327
00:18:04,918 --> 00:18:07,962
AT HIS MERCY BUT DOES NOTHING.
TO A MOTEL ROOM, HAS HER
328
00:18:08,004 --> 00:18:10,048
ANOTHER REDHEADED GIRL,
MONTHS LATER, KIDNAPS
329
00:18:10,089 --> 00:18:12,050
IS NOT GOOD ENOUGH,
BUT HIS PLANNING
330
00:18:12,091 --> 00:18:14,468
AND HE KILLS HER IN A PANIC
TO KEEP HER QUIET.
331
00:18:14,510 --> 00:18:16,888
HE'S AN IDIOT?
WHAT DOES THAT SAY?
332
00:18:16,930 --> 00:18:19,098
AND HE'S CONFLICTED.
HE'S NEW TO THIS,
333
00:18:19,139 --> 00:18:21,100
TO DO TERRIBLE THINGS,
HE'S HUNGRY
334
00:18:21,141 --> 00:18:23,477
AND HIS FEAR TELL HIM NOT TO.
BUT HIS CONSCIENCE
335
00:18:23,519 --> 00:18:25,939
SO HE'S NOT YET GOING INTO THIS
WITH THE PROPER FOCUS
336
00:18:25,980 --> 00:18:28,190
AND STUFF GOES WRONG.
AND PLANNING,
337
00:18:28,232 --> 00:18:31,110
OR YOU'RE MAKING THAT UP,
338
00:18:31,151 --> 00:18:33,947
AND MELANIE WAS MURDERED
BY HER SECRET LOVER
339
00:18:33,988 --> 00:18:36,365
WE CAN BE FAIRLY CERTAIN
SHE WAS MEETING
340
00:18:36,407 --> 00:18:37,784
AT THE EXACT TIME
OF HER ABDUCTION.
341
00:18:37,825 --> 00:18:40,327
(Van Pelt) Excuse me.
I'm still here.
342
00:18:40,369 --> 00:18:44,874
What would you like me to do?
CALL ALL THE MOTELS WITHIN
10 MILES OF SHAND CREEK.
343
00:18:44,916 --> 00:18:47,877
A CASH BOOKING WHO DIDN'T SHOW
FIND ONE THAT HAD
344
00:18:47,919 --> 00:18:50,254
ON THE NIGHT OF THE MURDER.
THE SOLID LEADS FIRST.
NO, LET'S WORK
345
00:18:50,296 --> 00:18:52,924
THE FULL-SIZE BLACK TRUCKS
CROSS-CHECK ALL
346
00:18:52,966 --> 00:18:55,217
YES, MA'AM.
with known criminals
in the Napa area.
347
00:18:55,259 --> 00:18:57,177
LOOK, IF THE BOYFRIEND ANGLE
DOESN'T WORK,
348
00:18:57,219 --> 00:18:59,513
YOUR TRAINEE PSYCHOPATH, OKAY?
WE'LL LOOK AT
349
00:18:59,555 --> 00:19:03,183
OKAY.
SO I CAN'T TELL ANYTHING!
I DON'T KNOW ANYTHING,
350
00:19:03,225 --> 00:19:05,853
I TOLD THEM THAT. I TOLD YOU
I DON'T KNOW ANYTHING.
351
00:19:05,895 --> 00:19:08,648
HAS A SEAT, MISS GARCIA.
352
00:19:08,689 --> 00:19:10,024
THANKS.
353
00:19:13,235 --> 00:19:14,612
HELLO, RAQUEL.
354
00:19:19,617 --> 00:19:23,663
WITH HECTOR ROMEREZ.
MELANIE HAD A THING
355
00:19:23,704 --> 00:19:25,665
HE'S MY SECOND COUSIN.
356
00:19:25,706 --> 00:19:28,084
AT THE FAIR ONE TIME,
I WAS WITH HIM
357
00:19:28,126 --> 00:19:31,337
AND THEN THEY WERE LIKE BAM--
AND WE RAN INTO MELANIE,
358
00:19:31,378 --> 00:19:33,131
ROMEO AND JULIET.
359
00:19:33,172 --> 00:19:35,925
SHE WAS MEETING HIM THAT NIGHT.
360
00:19:35,967 --> 00:19:38,970
THE NIGHT SHE DIED.
YES.
361
00:19:39,012 --> 00:19:42,890
BECAUSE I'M AFRAID OF HIM.
AND I DIDN'T TELL YOU
362
00:19:42,932 --> 00:19:45,225
THE EIGHT BALL LOCOS?
363
00:19:45,267 --> 00:19:47,854
HE RUNS ALL THE DRUGS
IN VACAVILLE.
364
00:19:47,895 --> 00:19:50,230
AND HE'S HAD PEOPLE KILLED
FOR WAY LESS
365
00:19:50,272 --> 00:19:53,693
THAN JUST SNITCHIN' ON HIM
LIKE THIS, FOR REAL.
366
00:19:53,734 --> 00:19:56,320
(exhales deeply)
367
00:20:00,658 --> 00:20:02,409
THAT WAS FUNNY,
368
00:20:02,451 --> 00:20:04,578
THE WAY SHE GAVE HIM UP
SO EASILY LIKE THAT.
369
00:20:04,620 --> 00:20:06,080
YEAH, IT WAS.
370
00:20:06,122 --> 00:20:08,749
BUT YOU WERE RIGHT, HUH?
SECRET LOVER.
371
00:20:08,791 --> 00:20:11,169
ABOUT THE WHOLE RED HAIR
GUESS I WAS WRONG
372
00:20:11,210 --> 00:20:14,296
AND DUCT TAPE THING.
YOU HYPNOTIZED HER,
DIDN'T YOU?
373
00:20:14,338 --> 00:20:15,840
I CERTAINLY DID NOT.
374
00:20:17,466 --> 00:20:19,969
OKAY. NO.
375
00:20:20,011 --> 00:20:22,596
YES, I DID HYPNOTIZE HER,
BUT--
376
00:20:22,638 --> 00:20:25,224
IT'S UNPROFESSIONAL,
BUT NOTHING.
377
00:20:25,265 --> 00:20:28,435
THAT'S WHAT I TOLD HIM.
IT'S TOTALLY OUT-OF-BOUNDS.
AND IT'S ILLEGAL.
378
00:20:28,477 --> 00:20:31,438
I WAS GONNA SAY YOU HAD NOTHING
TO DO WITH IT, BUT HEY...
379
00:20:31,480 --> 00:20:33,440
YOU ALLOW HIM TO PULL
THAT STUFF AGAIN,
380
00:20:33,482 --> 00:20:36,235
AND YOU'LL BE SHOWING VISITORS
AROUND THE STATEHOUSE
381
00:20:36,276 --> 00:20:37,904
YES, MA'AM. UNDERSTOOD.
IN A STUPID HAT.
382
00:20:37,945 --> 00:20:40,198
RIGSBY, I GOT A HOT WARRANT
IN VACAVILLE.
383
00:20:40,239 --> 00:20:43,534
YES, BOSS. I'LL GET ROLLING.
in an hour, can't ya?
You can get there
384
00:20:43,576 --> 00:20:46,495
YES, BO--FOR A HOT WARRANT?
Bring Van Pelt.
385
00:20:46,537 --> 00:20:50,166
HEY, COME ON. LET'S GO.
still on the line?
Why are you
386
00:20:50,208 --> 00:20:52,210
WHAT?
387
00:20:52,251 --> 00:20:56,172
(rap music playing loudly)
388
00:21:06,933 --> 00:21:09,060
(woman) WELL, THEY DO HAVE
SIX FLAVORS, SWEETIE. LOOK.
389
00:21:09,102 --> 00:21:10,436
(child) OKAY.
390
00:21:10,477 --> 00:21:12,521
THERE'S STRAWBERRY.
391
00:21:12,563 --> 00:21:14,356
YOU LIKE THAT ONE?
392
00:21:14,398 --> 00:21:16,275
(chimes playing)
393
00:21:16,316 --> 00:21:20,362
♪♪
394
00:21:23,074 --> 00:21:26,619
WE HAVE A WARRANT! OPEN UP!
SHERIFF'S DEPARTMENT!
395
00:21:26,660 --> 00:21:28,287
(man) DON'T MOVE!
396
00:21:28,328 --> 00:21:31,040
(man) HE'S OUT! HE'S OUT!
(grunts)
397
00:21:38,214 --> 00:21:40,340
(chimes continue playing)
398
00:21:40,382 --> 00:21:42,384
(dog barking)
399
00:21:49,058 --> 00:21:52,186
(both grunt)
400
00:21:52,228 --> 00:21:53,938
(Lisbon) PUT YOUR RIGHT HAND
BEHIND YOUR BACK.
401
00:21:53,980 --> 00:21:56,482
(man) DON'T MOVE! DON'T MOVE!
GIVE ME YOUR HAND!
STOP RESISTING.
402
00:22:09,036 --> 00:22:12,790
police radio chatter)
(indistinct
403
00:22:12,832 --> 00:22:16,627
GUY DIDN'T KNOW WHAT HIT HIM.
BOOM. OUT OF NOWHERE.
404
00:22:16,669 --> 00:22:19,588
SO WHAT WERE YOU PLANNING TO DO
IF LISBON HADN'T STOPPED HIM?
405
00:22:19,630 --> 00:22:21,966
OH, I-I DIDN'T BOTHER
TO FORMULATE A PLAN.
406
00:22:22,008 --> 00:22:25,552
CHO, JANE, LET'S MOVE.
I-I KNEW SHE'D STOP HIM.
407
00:22:25,594 --> 00:22:27,888
YOU TWO FILL OUT THE PAPERWORK
WITH THE STATIES,
408
00:22:27,930 --> 00:22:31,851
THEN GO BACK TO SACRAMENTO,
HOLD THE FORT.
YES, BOSS.
409
00:22:34,561 --> 00:22:38,983
THE MURDER OF MELANIE O'KEEFE.
HECTOR, WE'RE INVESTIGATING
410
00:22:39,025 --> 00:22:42,153
DO YOU KNOW WHO SHE WAS?
411
00:22:42,195 --> 00:22:44,780
AND THEN STABBED TO DEATH
SHE WAS SUFFOCATED
412
00:22:44,822 --> 00:22:48,408
OF THE ROAD THREE NIGHTS AGO.
AND DUMPED ON THE SIDE
413
00:22:50,244 --> 00:22:52,496
WE KNOW YOU AND MELANIE
WERE LOVERS.
414
00:22:52,538 --> 00:22:54,665
WE KNOW YOU WERE PLANNING
TO MEET HER THAT NIGHT,
415
00:22:54,707 --> 00:22:57,210
IN THE SHAND CREEK PARKING LOT.
AND WE CAN PUT YOUR TRUCK
416
00:22:57,251 --> 00:23:00,129
TO CHARGE YOU WITH, HECTOR.
I'VE GOT ENOUGH
417
00:23:00,171 --> 00:23:04,466
W-WE JUST WANT TO KNOW
YOUR SIDE OF THE STORY.
418
00:23:04,508 --> 00:23:06,635
HOW'D YOU TWO MEET?
419
00:23:10,472 --> 00:23:14,768
OPRAH AND DR. PHIL HERE.
420
00:23:14,810 --> 00:23:18,522
I TOLD HER THIS IS HOW
IT WAS GOING TO END,
421
00:23:18,564 --> 00:23:21,441
ONLY IT WAS GOING
TO BE ME THAT DIED
422
00:23:21,483 --> 00:23:24,653
AND HER SITTING HERE
WITH DUMB COPS
423
00:23:24,695 --> 00:23:28,532
ASKING DUMB QUESTIONS.
424
00:23:28,574 --> 00:23:33,495
"WHY WAS A RESPECTABLE GIRL
LIKE YOU
425
00:23:33,537 --> 00:23:35,831
LIKE HECTOR ROMEREZ?"
WITH A THUG
426
00:23:35,873 --> 00:23:37,750
WHY WAS SHE?
427
00:23:37,791 --> 00:23:41,795
YOU WOULDN'T UNDERSTAND.
428
00:23:41,837 --> 00:23:44,631
SURE SHE WOULD.
429
00:23:44,673 --> 00:23:46,926
THE CHARM OF A VIOLENT MAN.
ALL WOMEN UNDERSTAND
430
00:23:46,967 --> 00:23:50,137
WHAT WE HAD WAS SPECIAL.
431
00:23:50,179 --> 00:23:53,140
LIKE A CAPTURED PRINCESS
MM. YOU MADE HER FEEL
432
00:23:53,182 --> 00:23:56,518
A SMALL TOWN CHOIR NERD.
INSTEAD OF
433
00:23:56,560 --> 00:23:58,771
AND SHE MADE YOU FEEL
LIKE A DASHING PIRATE
434
00:23:58,812 --> 00:24:00,773
INSTEAD OF WHAT YOU ARE--
435
00:24:00,814 --> 00:24:04,318
A BAD-TEMPERED PHARMACIST.
SORT OF
436
00:24:04,360 --> 00:24:06,404
FUNNY MAN.
437
00:24:06,444 --> 00:24:10,324
ESE, THOSE PIRATES BACK THEN,
438
00:24:10,366 --> 00:24:12,910
LIKE ANYBODY ELSE TODAY.
THEY WERE JUST BANGIN'
439
00:24:12,952 --> 00:24:16,330
IS EXACTLY WHAT I AM,
A PIRATE
440
00:24:16,372 --> 00:24:18,999
AND SHE WAS A PRINCESS.
441
00:24:19,041 --> 00:24:21,377
SHE WAS.
442
00:24:21,419 --> 00:24:23,212
WHAT HAPPENED THAT NIGHT?
443
00:24:25,547 --> 00:24:27,341
SUPPOSED TO MEET
WE WERE
444
00:24:27,383 --> 00:24:29,718
AT 11:30 AT THE RESTAURANT.
445
00:24:29,760 --> 00:24:31,971
I GOT THERE TEN MINUTES LATE,
446
00:24:32,012 --> 00:24:34,974
AND SHE HADN'T COME OUT YET.
447
00:24:35,015 --> 00:24:39,145
I WAITED FOR A FEW MINUTES,
AND I LEFT.
(siren wails)
448
00:24:39,186 --> 00:24:41,563
I'M IMPATIENT.
449
00:24:41,605 --> 00:24:43,523
I WAS ANGRY.
450
00:24:46,484 --> 00:24:50,572
I WILL ALWAYS HATE MYSELF
FOR THAT.
451
00:24:50,614 --> 00:24:55,869
BECAUSE I DON'T WAIT FOR NOBODY.
I LEFT HER TO BE KILLED
452
00:24:55,911 --> 00:24:57,830
THAT'S A NOBLE ADMISSION,
HECTOR.
453
00:24:57,871 --> 00:24:59,706
HOW DID YOU FEEL
ABOUT THE FACT
454
00:24:59,748 --> 00:25:01,708
TO COLLEGE IN THE FALL?
SHE WAS GOING
455
00:25:01,750 --> 00:25:03,543
I WAS PROUD...
456
00:25:03,585 --> 00:25:06,046
AND HAPPY FOR HER.
457
00:25:06,088 --> 00:25:08,715
SHE WAS LEAVING YOU BEHIND.
458
00:25:08,757 --> 00:25:10,801
TO LEAVE ME BEHIND.
I WANTED HER
459
00:25:10,843 --> 00:25:13,971
I WANTED HER FAR AWAY.
I TOLD HER, "GO TO L.A.
460
00:25:14,013 --> 00:25:16,432
AND DON'T COME BACK
FOR NOTHING."
461
00:25:16,474 --> 00:25:19,268
HE'S TELLING THE TRUTH.
AND NOW YOU'RE JUST TRYING
TO BE CONTRARY.
462
00:25:19,310 --> 00:25:21,145
DID YOU HEAR WHAT HE SAID?
HAVE YOU READ HIS SHEET?
463
00:25:21,187 --> 00:25:23,230
HE'S A GOOD ACTOR. IT WAS YOU
WHO THOUGHT IT WAS HIM
464
00:25:23,272 --> 00:25:25,523
HAD A SECRET LOVER.
I SAID MELANIE
IN THE FIRST PLACE.
465
00:25:25,565 --> 00:25:27,985
I DIDN'T SAY HE KILLED HER.
IF IT WASN'T HIM,
THEN WHO WAS IT?
466
00:25:28,027 --> 00:25:30,612
AND IF YOU SAY A MAN WHO LIKES
RED HAIR AND SILVER DUCT TAPE,
467
00:25:30,654 --> 00:25:32,031
I DON'T WANT YOU TO SCREAM.
I'LL SCREAM.
468
00:25:32,072 --> 00:25:34,616
LOOK, YOU HAVE YOUR REASONS.
I UNDERSTAND.
469
00:25:34,658 --> 00:25:37,161
THAN WHAT'S ACTUALLY THERE.
BUT YOU'RE SEEING MORE
470
00:25:37,203 --> 00:25:38,536
A TENDENCY TO DO THAT.
YOU HAVE
471
00:25:38,578 --> 00:25:41,539
NOT EVERY MURDER IS A SECRET
INSIDE OF A SECRET
472
00:25:41,581 --> 00:25:45,919
BUT SOMETIMES THERE IS.
INSIDE OF A SECRET. THERE'S NOT
ALWAYS A HIDDEN PATTERN.
NOT ALWAYS,
473
00:25:45,961 --> 00:25:47,921
SOMETIMES THE OBVIOUS GUY
DID IT.
474
00:25:47,963 --> 00:25:50,799
THE OBVIOUS GUY DID IT.
MOST OF THE TIME,
475
00:25:50,841 --> 00:25:52,718
LOOK AT THE TIME LINE.
476
00:25:52,759 --> 00:25:55,804
THE PARKING LOT FOR TEN MINUTES,
HECTOR'S ADMITTED HE WAS IN
477
00:25:55,846 --> 00:25:58,765
ENOUGH TIME FOR ANYBODY ELSE
GIVE OR TAKE. THERE WASN'T
478
00:25:58,807 --> 00:26:00,767
THE PARKING LOT,
TO HAVE ENTERED
479
00:26:00,809 --> 00:26:03,770
AND DRIVEN AWAY. IT WAS HECTOR.
ABDUCTED MELANIE
480
00:26:06,399 --> 00:26:09,902
THERE'S NO TIME.
YOU'RE RIGHT.
481
00:26:18,618 --> 00:26:20,996
HEY, FRANKIE.
482
00:26:25,334 --> 00:26:27,878
SO, UH, SHOW ME.
483
00:26:27,920 --> 00:26:31,006
SHOW YOU WHAT?
484
00:26:31,048 --> 00:26:33,092
YOUR GUN.
485
00:26:33,133 --> 00:26:35,553
I DON'T HAVE A GUN.
NO?
486
00:26:35,593 --> 00:26:37,304
(telephone rings)
(Van Pelt) Hello?
487
00:26:37,346 --> 00:26:39,306
Hey.
HEY, VAN PELT.
488
00:26:39,348 --> 00:26:41,392
UH, LISBON CHANGED HER MIND.
489
00:26:41,434 --> 00:26:44,186
SHE WANTS YOU TO CHECK OUT
THOSE MOTELS LIKE I SAID.
THE MOTELS?
490
00:26:44,228 --> 00:26:47,773
Looking for one with a no-show
cash booking that night.
491
00:26:47,814 --> 00:26:49,900
COVER ALL THE BASES, SHE SAYS.
492
00:26:49,942 --> 00:26:52,778
IF YOU WANT A WORD WITH HER.
SHE'S RIGHT HERE
493
00:26:52,819 --> 00:26:56,365
UH, THAT'S OKAY, BUT LISTEN, I--
IF YOU GET ANYTHING.
CALL ME FIRST
494
00:26:56,407 --> 00:26:57,783
(beep)
495
00:26:57,824 --> 00:27:01,120
♪♪
496
00:27:01,161 --> 00:27:04,164
NO GUN, HUH?
497
00:27:04,206 --> 00:27:06,792
KILL HECTOR WITH, A KNIFE?
WHAT WERE YOU GONNA
498
00:27:13,673 --> 00:27:15,801
(unzips backpack)
499
00:27:15,842 --> 00:27:17,052
OH.
500
00:27:17,094 --> 00:27:19,263
THAT SHOULD WORK.
501
00:27:19,305 --> 00:27:21,974
JUST, UH...
502
00:27:22,015 --> 00:27:23,725
(whispers) PUT IT AWAY.
503
00:27:28,855 --> 00:27:30,816
WHAT IF IT TURNS OUT
504
00:27:30,857 --> 00:27:32,650
THAT HECTOR ISN'T THE MAN
WHO KILLED YOUR SISTER?
505
00:27:32,692 --> 00:27:34,945
ISN'T HE?
506
00:27:34,987 --> 00:27:37,990
WE DON'T KNOW THAT YET. BUT YOU
DON'T HAVE TO WORRY ABOUT THAT.
507
00:27:38,031 --> 00:27:39,992
THAT'S FOR US TO WORK OUT.
508
00:27:40,033 --> 00:27:42,660
YOU NEED TO BE HERE
FOR YOUR FAMILY
509
00:27:42,702 --> 00:27:45,122
AND LEAVE THE VENGEANCE PART
TO US.
510
00:27:45,164 --> 00:27:48,792
FOR SURE, WILL YOU KILL HIM?
WHEN YOU FIND WHO DID IT
511
00:27:48,834 --> 00:27:50,794
NO.
512
00:27:50,836 --> 00:27:54,006
BUT I'LL MAKE HIM VERY SORRY.
I WON'T KILL HIM,
513
00:28:09,062 --> 00:28:11,398
WHO'D BE ABOUT YOUR AGE
I HAVE A DAUGHTER
514
00:28:11,440 --> 00:28:13,900
CAUSED HER DEATH...
IF I HADN'T
515
00:28:13,942 --> 00:28:16,111
HER AND HER MOTHER.
516
00:28:16,153 --> 00:28:17,779
HOW?
517
00:28:17,821 --> 00:28:20,324
OUT OF ARROGANCE...
518
00:28:20,366 --> 00:28:22,784
STUPIDITY.
519
00:28:22,826 --> 00:28:25,412
I MADE AN EVIL MAN
VERY ANGRY,
520
00:28:25,454 --> 00:28:28,790
TO TEACH ME A LESSON,
AND HE KILLED THEM
521
00:28:28,832 --> 00:28:31,627
FOR WHAT I'D DONE.
TO MAKE ME SORRY
522
00:28:33,546 --> 00:28:35,506
AND I AM SORRY.
523
00:28:37,591 --> 00:28:40,427
PUNISHMENT THAN BEING DEAD.
BEING SORRY IS A FAR WORSE
524
00:28:40,469 --> 00:28:41,803
EVERYBODY DIES.
525
00:28:41,845 --> 00:28:43,930
EVER FEEL TRULY SORRY
VERY FEW PEOPLE
526
00:28:43,972 --> 00:28:45,891
FOR THE BAD THINGS
THEY'VE DONE.
527
00:28:51,021 --> 00:28:52,314
IT HURTS.
528
00:28:55,693 --> 00:28:58,362
(cell phone rings)
529
00:28:58,404 --> 00:28:59,572
(beep)
530
00:28:59,613 --> 00:29:01,490
VAN PELT, WHAT DO YOU GOT?
531
00:29:01,532 --> 00:29:04,993
AND PREMIUM CABLE IN EVERY UNIT.
(woman) MICROWAVE, SPA TUB
532
00:29:05,035 --> 00:29:07,913
SPECIAL RATES FOR STATE
AND FEDERAL EMPLOYEES.
533
00:29:07,954 --> 00:29:10,082
WHAT DID HE LOOK LIKE--
THIS MAN?
534
00:29:10,123 --> 00:29:12,209
AND SUNGLASSES...
BIG, WITH A HAT
535
00:29:12,251 --> 00:29:14,961
AND A THICK BEARD,
LIKE A SIKH.
536
00:29:15,003 --> 00:29:16,838
(chuckles) AN ABSURD DISGUISE,
IN OTHER WORDS?
537
00:29:16,880 --> 00:29:18,340
RIDICULOUS.
538
00:29:18,382 --> 00:29:21,343
I DON'T CARE WHO YOU ARE.
I RUN A MOTEL.
539
00:29:21,385 --> 00:29:23,429
HE BOUGHT A GOOD BEARD
FOR NOTHING.
540
00:29:23,470 --> 00:29:26,098
HE DOESN'T SHOW,
THEN THAT NIGHT
541
00:29:26,139 --> 00:29:28,892
YOUR NICE YOUNG LADY CALLED.
SO I REMEMBERED HIM WHEN
542
00:29:28,934 --> 00:29:31,562
YOUR MAID ISN'T VERY THOROUGH.
UH, NO DISRESPECT, BUT, UH,
543
00:29:31,604 --> 00:29:34,648
NO, SHE IS MOST THOROUGH.
SHE CLEANS HERE TOMORROW.
544
00:29:34,690 --> 00:29:36,983
FOR MONTHLY RENTALS, SHE--
MONTHLY?
545
00:29:37,025 --> 00:29:38,985
SHE COMES EVERY THIRD DAY.
YES.
546
00:29:39,027 --> 00:29:41,905
SO HE'S BEEN HERE RECENTLY,
IN THE LAST TWO DAYS.
547
00:29:43,616 --> 00:29:45,909
THE CHIPS WOULD IMPLY THIS,
YES?
548
00:29:45,951 --> 00:29:49,037
YES, THEY--THEY WOULD.
549
00:29:50,163 --> 00:29:51,498
THIS?
550
00:29:51,540 --> 00:29:53,584
OH, TH-THOSE ARE NOT OURS.
551
00:29:58,380 --> 00:30:00,591
HE'S COMING BACK.
552
00:30:03,260 --> 00:30:05,471
OKAY. THANK YOU.
553
00:30:05,512 --> 00:30:07,806
NICE WORK.
554
00:30:07,847 --> 00:30:09,433
HEY.
555
00:30:09,475 --> 00:30:11,810
I DON'T WANT TO MAKE YOU MAD,
(sighs) LISTEN,
556
00:30:11,851 --> 00:30:13,812
BUT I FOUND SOMETHING
REALLY INTERESTING,
557
00:30:13,853 --> 00:30:15,814
TO TAKE A LOOK AT IT.
AND I WANT YOU
558
00:30:15,855 --> 00:30:18,442
GO AHEAD. WHAT'D YOU FIND?
YOU CAN'T MAKE ME MAD.
559
00:30:18,484 --> 00:30:21,069
WHO MADE YOU SO HAPPY?
YOU FIRST.
560
00:30:21,111 --> 00:30:22,613
FORENSICS.
561
00:30:22,655 --> 00:30:24,573
THERE'S SUBSTANTIAL TRACES
OF MELANIE'S BLOOD
562
00:30:24,615 --> 00:30:26,992
OF HECTOR'S TRUCK.
ON THE SEAT
563
00:30:27,033 --> 00:30:28,868
OH. SO... HAPPY DAY.
564
00:30:28,910 --> 00:30:33,081
WHAT HECTOR HAS TO SAY ABOUT IT.
YEAH. NOW I'M GONNA GO AND SEE
565
00:30:33,123 --> 00:30:35,501
WHAT'D YOU FIND?
566
00:30:37,210 --> 00:30:39,797
OH. UH, IT--IT CAN WAIT.
567
00:30:39,838 --> 00:30:41,799
BLOOD? YES.
568
00:30:41,840 --> 00:30:45,385
LAST TIME I SAW HER,
TWO WEEKS AGO,
569
00:30:45,427 --> 00:30:49,097
SO I HAD TO TUNE HER UP.
SHE WAS DISRESPECTFUL,
570
00:30:50,724 --> 00:30:53,435
WAS PHYSICAL ABUSE
SHE GOT A BLOODY NOSE.
571
00:30:53,477 --> 00:30:55,437
IN YOUR RELATIONSHIP,
A NORMAL OCCURRENCE
572
00:30:55,479 --> 00:30:57,815
MORE OF A RECENT THING?
OR IS THIS
573
00:30:57,856 --> 00:30:59,566
SHE CHOSE ME.
574
00:30:59,608 --> 00:31:02,486
WHERE THE EDGES ARE.
SHE WANTED TO KNOW
575
00:31:02,528 --> 00:31:03,987
I SHOWED HER.
576
00:31:04,029 --> 00:31:06,198
GO AHEAD. SAY IT.
577
00:31:06,239 --> 00:31:09,576
HE'S TELLING THE TRUTH.
I THINK
I'M CHARGING HIM.
AND I DISAGREE.
578
00:31:09,618 --> 00:31:11,953
THAT'S GOOD. GO AHEAD.
NO. YES. GOOD.
579
00:31:11,995 --> 00:31:14,039
YOU GOT MORE THAN ENOUGH
EVIDENCE.
580
00:31:14,080 --> 00:31:16,041
OOPS, NEARLY FORGOT.
581
00:31:16,082 --> 00:31:18,627
WHAT'D YOU FIND?
OKAY, TELL ME.
582
00:31:18,669 --> 00:31:21,463
TELLING YOU WON'T DO.
I HAVE TO SHOW YOU.
583
00:31:21,505 --> 00:31:23,298
HI.
584
00:31:23,340 --> 00:31:26,301
UH, I MADE A BOOKING FOR TWO
FOR THIS AFTERNOON.
585
00:31:26,343 --> 00:31:28,679
COULD YOU PUT US
ON THE TERRACE?
586
00:31:28,721 --> 00:31:31,014
IT'S MORE ROMANTIC.
587
00:31:31,056 --> 00:31:33,600
THANKS.
588
00:31:33,642 --> 00:31:34,852
YEAH. PATRICK.
589
00:31:34,893 --> 00:31:36,353
LOVELY. SEE YOU THEN.
590
00:31:36,395 --> 00:31:38,647
(beep)
591
00:31:38,689 --> 00:31:41,274
DON'T FRET. I WOULDN'T
SEDUCE YOU OVER A MEAL.
592
00:31:41,316 --> 00:31:43,485
VERY SOPHOMORIC.
THAT WOULD BE
593
00:31:43,527 --> 00:31:45,612
YOU WERE TRYING TO SEDUCE ME.
I DIDN'T THINK
594
00:31:45,654 --> 00:31:47,155
COME ON.
595
00:31:47,197 --> 00:31:50,492
NOT HAVE ENTERED YOUR HEAD?
HOW COULD THAT THOUGHT
596
00:31:50,534 --> 00:31:53,245
YOUR DENIAL THAT IT DID
INTRIGUES ME.
597
00:31:54,705 --> 00:31:56,039
BITE ME.
598
00:32:04,005 --> 00:32:05,591
WHAT IS THIS?
599
00:32:05,632 --> 00:32:08,468
UH...
600
00:32:08,510 --> 00:32:09,511
(sighs)
601
00:32:11,513 --> 00:32:13,973
WHAT IS SHE DOING?
THAT'S VAN PELT?
602
00:32:18,604 --> 00:32:21,648
FROM THE SHAND CREEK RESTAURANT,
THIS IS A LIVE FEED
603
00:32:21,690 --> 00:32:25,861
GONNA CATCH MELANIE'S KILLER.
AND THIS IS HOW WE'RE
604
00:32:25,903 --> 00:32:28,864
(romantic music playing)
605
00:32:28,906 --> 00:32:31,825
(indistinct conversations)
606
00:32:40,626 --> 00:32:42,419
MM.
607
00:32:42,461 --> 00:32:44,755
SAY AGAIN.
608
00:32:44,797 --> 00:32:47,966
NOTHING.
609
00:32:48,007 --> 00:32:51,136
OH, I SEE YOU.
610
00:32:53,221 --> 00:32:54,932
(sighs)
611
00:32:54,973 --> 00:32:57,434
GOOD. YOU LOOK GOOD.
HOW DO I LOOK?
612
00:32:57,476 --> 00:33:00,270
OH. UM...
CAN YOU SEE THE WIRE?
I MEANT,
613
00:33:00,312 --> 00:33:01,980
UH...
614
00:33:02,021 --> 00:33:05,233
NOPE. NOPE.
615
00:33:08,236 --> 00:33:10,530
HIS VICTIM BACK TO THIS ROOM.
THE KILLER PLANS TO BRING
616
00:33:10,572 --> 00:33:13,784
AND WHEN HE DOES, WE'RE GONNA
BE HERE TO GREET HIM.
617
00:33:13,826 --> 00:33:17,078
THIS IS ALL A BIG ELABORATE JOKE
YOU'RE GONNA APOLOGIZE FOR NOW.
HOW SWEET IS THAT?
618
00:33:17,120 --> 00:33:20,457
WHOEVER KILLED MELANIE HAD TO BE
THERE THAT NIGHT AT SHAND CREEK.
YES?
619
00:33:20,499 --> 00:33:22,125
YOUR TIME LINE PROVES IT.
620
00:33:22,167 --> 00:33:24,252
THERE'S NO WAY ANYONE ELSE
COULD'VE DONE IT.
621
00:33:24,294 --> 00:33:26,797
ONE OF THE 20 PEOPLE THERE
THAT NIGHT KILLED MELANIE.
622
00:33:26,839 --> 00:33:30,550
ALL 20 OF THOSE PEOPLE
ARE THERE NOW TODAY,
623
00:33:30,592 --> 00:33:33,971
TRY IT AGAIN TODAY?
AND HE'S GONNA
INCLUDING THE KILLER.
624
00:33:34,012 --> 00:33:37,265
COME ON.
THAT'S JUST THE POINT.
NO, NO. YES, YES,
625
00:33:37,307 --> 00:33:40,769
YES, HE IS GONNA TRY AGAIN.
HE'S PLANNING ON IT.
626
00:33:42,437 --> 00:33:44,397
TRY AGAIN TODAY
AND HE'S GONNA
627
00:33:44,439 --> 00:33:46,399
BECAUSE WE'RE GONNA
MAKE HIM TRY AGAIN
628
00:33:46,441 --> 00:33:48,401
BECAUSE HE'S NOT IN CONTROL
OF HIS DESIRES.
629
00:33:48,443 --> 00:33:50,403
HE'S BEEN THINKING
OF NOTHING ELSE
630
00:33:50,445 --> 00:33:52,531
BUT THIS PERVERSE CRAVING
OF HIS.
631
00:33:52,572 --> 00:33:55,408
DESPERATE TO GO ALL THE WAY.
HE'S GOTTEN SO CLOSE. HE'S
632
00:33:55,450 --> 00:33:58,495
ALL WE NEED TO DO IS PRESENT HIM
WITH SOMETHING HE CAN'T RESIST,
633
00:33:58,537 --> 00:34:02,457
SOMETHING THAT HE WILL JUMP AT,
AND DAMN THE CONSEQUENCES.
634
00:34:02,499 --> 00:34:05,502
GIVE IT A TRY. IF I'M WRONG,
THERE'S NO HARM DOWN.
635
00:34:07,253 --> 00:34:09,506
THIS IS A KOOKY MENU.
636
00:34:09,548 --> 00:34:10,674
IT'S FUSION.
637
00:34:10,716 --> 00:34:12,342
(scoffs) CONFUSION.
638
00:34:12,384 --> 00:34:13,844
(laughs)
639
00:34:13,886 --> 00:34:16,555
A CHEESEBURGER EVERY TIME.
UP TO ME, MAKE IT
640
00:34:16,596 --> 00:34:18,932
WITH ONION RINGS.
OH, ME, TOO.
641
00:34:28,066 --> 00:34:30,360
(sighs)
642
00:34:30,402 --> 00:34:32,571
LET'S DO IT.
643
00:34:32,612 --> 00:34:33,947
WHY NOT?
NOT YET.
644
00:34:33,989 --> 00:34:37,325
THIS IS ACTUALLY
QUITE GOOD.
645
00:34:37,367 --> 00:34:38,911
AAH!
646
00:34:38,952 --> 00:34:40,078
(woman) OH!
647
00:34:40,119 --> 00:34:41,580
OW.
648
00:34:41,621 --> 00:34:43,707
YOU'RE MEANT TO SHOUT AT ME
(clenched teeth)
649
00:34:43,749 --> 00:34:45,667
AND LEAVE.
(sighs)
650
00:34:47,210 --> 00:34:49,713
NOW YOU'VE GONE TOO FAR!
651
00:34:53,174 --> 00:34:56,053
I HATE YOU!
652
00:34:56,094 --> 00:34:57,429
(chuckles nervously)
653
00:35:04,185 --> 00:35:06,229
(exhales deeply)
654
00:35:06,271 --> 00:35:08,481
DON'T.
SMOOTH WORK.
655
00:35:15,363 --> 00:35:16,489
(woman) AHEM.
656
00:35:16,531 --> 00:35:19,158
CAN I CALL YOU A CAB?
657
00:35:19,200 --> 00:35:20,994
NO, THANK YOU.
I NEED A WALK.
658
00:35:21,036 --> 00:35:23,997
I HAVE A NUMBER FOR A CAB
IF I NEED ONE.
OH.
659
00:35:24,039 --> 00:35:26,959
A DELICIOUS MEAL.
THANK YOU FOR
OH, YOU'RE SO WELCOME.
660
00:35:42,724 --> 00:35:45,769
I JUST LEFT THE RESTAURANT.
661
00:35:45,811 --> 00:35:47,854
I'M HEADING TOWARDS
THE MAIN ROAD NOW.
662
00:35:51,274 --> 00:35:53,110
WHOA! SORRY, MISS.
(Cho) WHOA.
663
00:35:53,151 --> 00:35:56,321
I WAS JUST, UH... YOU OKAY?
I DIDN'T SEE YOU THERE.
664
00:35:56,362 --> 00:35:57,823
OH, SURE. ABSOLUTELY.
665
00:35:57,864 --> 00:36:01,076
JUST SCARED ME A LITTLE.
666
00:36:01,118 --> 00:36:04,454
WHAT THE HELL IS HE DOING THERE?
HE W--HE WASN'T SU--
667
00:36:04,496 --> 00:36:05,914
HE WAS THERE.
668
00:36:05,956 --> 00:36:08,041
HE WAS THERE THAT NIGHT.
UH...
669
00:36:08,083 --> 00:36:09,918
GOING FOR A STROLL?
670
00:36:09,960 --> 00:36:11,920
FRESH AIR.
671
00:36:11,962 --> 00:36:13,922
ONLY YOU NEED TO BE CAREFUL.
672
00:36:13,964 --> 00:36:16,842
A MURDERER LOOSE AROUND HERE.
WE'VE BEEN LOOKING FOR
673
00:36:16,883 --> 00:36:19,970
JUST LIKE YOU--RED HAIR AND ALL.
YEAH, WENT AFTER A GIRL
674
00:36:20,012 --> 00:36:21,513
NO KIDDING.
675
00:36:21,554 --> 00:36:24,474
YEAH. I'LL, UH, DRIVE YOU
UP TO THE MAIN ROAD.
676
00:36:24,516 --> 00:36:26,351
OH, THANK YOU, BUT...
677
00:36:26,392 --> 00:36:30,022
NO, NO TROUBLE, REALLY. MY CAR'S
JUST OVER HERE ON THE SIDE.
678
00:36:30,063 --> 00:36:32,024
(under breath)
PLEASE ADVISE.
679
00:36:32,065 --> 00:36:33,316
KEEP IT ROLLING.
680
00:36:33,358 --> 00:36:34,734
BEG YOUR PARDON?
681
00:36:37,487 --> 00:36:40,157
TO WEARING THESE SHOES.
(grunts) I'M NOT USED
682
00:36:40,198 --> 00:36:42,492
ARE YOU OUT HERE ALONE?
HEY, YOU, UH,
683
00:36:42,534 --> 00:36:44,494
I HAD AN ARGUMENT
WITH MY DATE.
684
00:36:44,536 --> 00:36:46,496
OH, SORRY TO HEAR THAT.
685
00:36:46,538 --> 00:36:48,874
YOU KNOW, IF YOU WERE MY DATE,
I WOULDN'T, UH,
686
00:36:48,915 --> 00:36:51,417
PRETTY LADY LIKE YOURSELF.
I WOULDN'T ARGUE,
687
00:36:51,459 --> 00:36:54,046
JUST RIGHT OVER HERE.
MY CAR'S
688
00:36:54,087 --> 00:36:56,548
IT--IT'S OKAY. I'LL WALK.
689
00:36:56,589 --> 00:36:59,384
WAIT, NO. I WON'T LET YOU.
690
00:37:01,553 --> 00:37:03,180
SH...
691
00:37:03,221 --> 00:37:04,931
RE--REALLY, MA'AM.
692
00:37:04,973 --> 00:37:07,517
COMFORTABLE LETTING YOU GO.
REALLY, I-I DON'T FEEL
693
00:37:07,559 --> 00:37:09,519
REALLY, I'M FINE.
694
00:37:09,561 --> 00:37:11,104
I THINK YOU'RE INTOXICATED.
695
00:37:11,146 --> 00:37:13,732
I AM NOT.
GET YOUR HANDS OFF HER!
696
00:37:13,773 --> 00:37:16,317
THE MATTER WITH YOU?!
OH! WHAT THE HELL'S
697
00:37:16,359 --> 00:37:18,528
YOU'RE UNDER ARREST!
NO, YOU'RE UNDER ARREST,
YOU PIECE OF--
698
00:37:18,570 --> 00:37:21,573
CHO? IS THIS CLOWN
ONE OF YOURS?
RIGSBY, CALM DOWN.
699
00:37:21,614 --> 00:37:25,410
IS GOING ON HERE?
WHAT THE HELL
(siren wails)
700
00:37:25,451 --> 00:37:27,871
SHERIFF, EVERYTHING OKAY?
701
00:37:27,913 --> 00:37:30,415
WELL, YEAH, NOW IT IS...
(scoffs)
702
00:37:30,456 --> 00:37:32,167
SUPPOSE SO. BARELY.
703
00:37:32,209 --> 00:37:34,836
(laughs) OH.
704
00:37:34,878 --> 00:37:36,546
EVERYTHING'S FUNNY.
705
00:37:36,588 --> 00:37:39,841
COME ON. IT'S PRETTY FUNNY.
WELL, IF YOU TRY. I MEAN,
706
00:37:39,883 --> 00:37:42,552
STRANGE, THOUGH. I-I WAS SURE
THE CHEF WOULD BITE.
707
00:37:42,594 --> 00:37:45,555
I MEAN, THERE'S STILL A CHANCE
HE COULD SHOW UP.
708
00:37:45,597 --> 00:37:49,350
WHY DO YOU THINK IT'S HIM?
THE CHEF--MALCOLM?
709
00:37:49,392 --> 00:37:51,561
WAY TOO MUCH BUTTER.
HE USES
710
00:37:51,603 --> 00:37:53,563
SAY?
HE'S A GLUTTONOUS BABY.
711
00:37:53,605 --> 00:37:56,066
WHAT HE WANTS AND HE TAKES IT.
HE'S SELF-INDULGENT. HE WANTS
712
00:37:56,108 --> 00:37:58,151
TOO MUCH BUTTER.
YEAH.
713
00:37:58,193 --> 00:38:01,446
THE WAY YOUR MIND WORKS.
IT'S FASCINATING
714
00:38:01,487 --> 00:38:04,449
ONE THING, THOUGH--MALCOLM WAS
IN THE KITCHEN WITH 20 PEOPLE
715
00:38:04,490 --> 00:38:06,409
HE COULDN'T HAVE DONE IT.
WHEN MELANIE WAS TAKEN.
716
00:38:06,451 --> 00:38:08,411
HANG ON. THERE--THERE'S A WAY
HE COULD--
717
00:38:08,453 --> 00:38:10,830
FOR MORE OF YOUR THEORIZING,
FORGIVE ME IF I CAN'T STAY
718
00:38:10,872 --> 00:38:13,833
BUT I'VE GOTTA GO AND SEE IF
I CAN SAVE YOUR COLLEAGUES
719
00:38:13,875 --> 00:38:16,377
FROM GETTING FORMAL COMPLAINTS
IN THEIR FILES.
720
00:38:19,631 --> 00:38:22,717
(door slams)
721
00:38:25,220 --> 00:38:27,639
(cell phone rings)
722
00:38:27,680 --> 00:38:29,432
(ring)
723
00:38:29,474 --> 00:38:31,935
YEAH, I'LL BE RIGHT THERE.
HEY.
724
00:38:35,855 --> 00:38:37,398
UH-HUH.
725
00:38:43,571 --> 00:38:46,950
NO, I KNOW WHERE IT IS.
726
00:38:46,992 --> 00:38:48,743
OKAY.
727
00:38:48,785 --> 00:38:51,037
(lock clicks)
728
00:39:02,174 --> 00:39:04,425
(whispers) RIGHT HERE.
729
00:39:04,467 --> 00:39:05,844
OKAY.
(whispers) OKAY.
730
00:39:05,885 --> 00:39:07,470
THAT'S GOOD. OH.
731
00:39:07,512 --> 00:39:10,182
YOU'RE GOOD. YOU'RE GOOD.
OH, IT'S OKAY.
732
00:39:10,223 --> 00:39:12,558
IT'S OKAY. GOOD? GOOD.
(woman groans)
733
00:39:16,938 --> 00:39:18,940
(gasps)
734
00:39:18,982 --> 00:39:22,319
(siren wails, tires screech)
735
00:39:22,360 --> 00:39:24,904
muffled screaming)
(van door opens,
736
00:39:27,365 --> 00:39:28,741
(screaming continues)
737
00:39:28,783 --> 00:39:31,328
SHH! SHH! SHH!
QUIET! QUIET!
738
00:39:31,369 --> 00:39:33,412
HEY! HEY! SHH! SHH!
739
00:39:35,290 --> 00:39:38,251
(panting)
740
00:39:42,630 --> 00:39:45,967
OKAY. OKAY, HELP ME PUT THIS
ON THE BED.
741
00:39:46,009 --> 00:39:47,385
OKAY.
742
00:39:53,432 --> 00:39:58,146
(plastic crinkling)
743
00:39:58,188 --> 00:39:59,397
(gasps)
OH!
744
00:39:59,438 --> 00:40:00,982
STOP. THINK.
745
00:40:01,024 --> 00:40:04,443
WHATEVER YOU DO, DO NOT MOVE.
DO NOT MOVE.
746
00:40:04,485 --> 00:40:06,821
DO NOT MOVE!
WHAT?
747
00:40:06,863 --> 00:40:08,614
HEY! MALCOLM.
748
00:40:08,656 --> 00:40:11,868
STOP! COME BACK HERE! STOP!
(cocks gun)
749
00:40:11,910 --> 00:40:14,913
WHAT ARE YOU DOING HERE?
750
00:40:14,954 --> 00:40:16,497
THINK. THINK.
751
00:40:16,539 --> 00:40:18,291
WHAT ARE YOU DOING HERE?
752
00:40:18,333 --> 00:40:20,418
DOES IT MATTER? I'M HERE.
753
00:40:20,459 --> 00:40:22,420
BY POLICE AND CBI AGENTS.
THIS PLACE IS SURROUNDED
754
00:40:22,461 --> 00:40:24,505
OH, NO.
HE'S LYING.
755
00:40:24,547 --> 00:40:27,633
THEY WOULD BE UP HERE ARRESTING
US BY NOW IF THEY WERE HERE.
S.W.A.T.
756
00:40:27,675 --> 00:40:31,179
THEY'RE WAITING ON S.W.A.T.
THERE'S NO WAY OUT OF THIS.
757
00:40:33,181 --> 00:40:34,849
NOBODY.
758
00:40:34,891 --> 00:40:37,269
YEAH.
LET'S JUST KILL THEM
AND GET OUT OF HERE.
759
00:40:37,310 --> 00:40:40,855
CAN WALK AWAY FROM ALL OF THIS.
WHOA, WHOA, LISTEN TO ME. YOU
760
00:40:40,897 --> 00:40:42,732
NO DISRESPECT, BUT YOU'RE BOTH
CLINICALLY INSANE.
761
00:40:42,774 --> 00:40:45,026
YOU'RE NOT GONNA GO
TO PRISON.
762
00:40:45,068 --> 00:40:47,320
YOU'LL GO TO A HOSPITAL
FOR A COUPLE OF YEARS,
763
00:40:47,362 --> 00:40:49,781
I'M--I'M TRYING TO THINK.
SHUT UP! JUST SHUT UP!
AND YOU CAN WALK AWAY.
764
00:40:49,822 --> 00:40:52,409
OH, NOW HE'S TRYING TO THINK!
YOU DIDN'T WANT THIS.
DON'T PRETEND
765
00:40:52,450 --> 00:40:55,828
WE DIDN'T HAVE ENOUGH TIME.
YEAH, BUT I TOLD YOU
JUST AS MUCH AS ME!
YOU WANTED IT
766
00:40:55,870 --> 00:40:59,332
I TOLD YOU THAT WE DIDN'T--
DON'T YOU POINT THAT AT ME!
ONE MORE WORD OUT OF YOU!
I SWEAR TO GOD, WOMAN,
767
00:40:59,374 --> 00:41:00,583
DON'T--
POLICE!
768
00:41:04,545 --> 00:41:07,257
PUT THE GUN DOWN!
NO! AAH!
769
00:41:13,388 --> 00:41:15,556
OKAY.
770
00:41:15,598 --> 00:41:17,434
(whimpers)
ALL RIGHT.
771
00:41:17,475 --> 00:41:19,144
IT'S OKAY.
772
00:41:19,185 --> 00:41:20,645
(gasping)
773
00:41:20,686 --> 00:41:23,481
YOU'RE GONNA BE FINE,
ALL RIGHT?
774
00:41:23,522 --> 00:41:25,650
HERE, COME ON.
775
00:41:25,691 --> 00:41:29,362
(groans)
GET YOU OUT OF HERE.
OKAY? WE'RE GONNA
776
00:41:32,073 --> 00:41:36,077
(siren wailing in distance)
777
00:41:39,622 --> 00:41:43,293
(bell tolling)
778
00:41:46,087 --> 00:41:48,047
(Van Pelt) I DON'T GET IT.
779
00:41:48,089 --> 00:41:50,049
SHE ACTUALLY ENJOYED
HELPING HIM KILL.
780
00:41:50,091 --> 00:41:53,219
ONE CRAZY EVIL PERSON,
I UNDERSTAND.
781
00:41:53,261 --> 00:41:55,263
BUT TWO? HUSBAND AND WIFE?
782
00:41:55,305 --> 00:42:00,101
MARRIAGE IS SUPPOSED TO BE
A SACRED, LOVING THING.
783
00:42:00,143 --> 00:42:04,481
(grunts) THEY WERE SOUL MATES
IN THEIR OWN STRANGE WAY.
784
00:42:05,690 --> 00:42:07,817
LET'S GO.
785
00:42:30,507 --> 00:42:33,426
(whispers) COME ON. LET'S GO.