1
00:00:00,709 --> 00:00:03,587
♪♪
2
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(indistinct conversations)
3
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THE VICTIM IS FELIX HANSON.
47.
4
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TO THE CHEST. NO WEAPON FOUND.
TOOK THREE BULLETS
5
00:00:40,457 --> 00:00:42,417
THE CORONER ESTIMATES
THE SHOOTING OCCURRED
6
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MIDNIGHT AND 3:00 A.M.
SOME TIME BETWEEN
7
00:00:44,378 --> 00:00:46,839
WHY IS THIS ONE OURS, BOSS?
LOOKS LIKE A MUGGING TO ME.
8
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HOLLYWOOD HOMICIDE
CAN HANDLE THAT.
IT CAME FROM THE BIG BRASS.
HANSON WAS SUPER RICH,
9
00:00:50,009 --> 00:00:53,178
AND HE WAS A CALIFORNIA STATE
REPRESENTATIVE FOR SIX YEARS.
10
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OF THE ATTORNEY GENERAL?
GOLFING BUDDY
11
00:00:55,222 --> 00:00:59,184
CORRECT, BUT NOT QUITE FAIR.
HANSON WAS A GOOD GUY.
12
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AGAINST THE DRUG TRADE.
HE HEADED A CAMPAIGN
13
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HE KICKED BUTT, NAMED NAMES
AND MADE A LOT OF ENEMIES.
14
00:01:04,023 --> 00:01:06,984
WAIT A SECOND. I KNOW THIS GUY.
HE'S SEMIFAMOUS.
15
00:01:07,026 --> 00:01:09,778
HE, UH, HE WAS MARRIED
TO FELICIA SCOTT.
16
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SHE LEFT THE MOVIES FOR HIM.
17
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FELICIA SCOTT?
18
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SHE'S BEEN IN LOADS OF MOVIES.
OH, COME ON. YOU KNOW,
19
00:01:16,243 --> 00:01:18,662
"SUDDEN EMBRACE."
LOVE THAT MOVIE.
20
00:01:18,704 --> 00:01:21,498
IF THIS IS DRUG-RELATED,
OKAY, MY POINT IS,
21
00:01:21,540 --> 00:01:23,959
TO USE ALL OF HIS RESOURCES
THE A.G. IS GONNA WANT
22
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HEAR SHOTS, SEE WHAT HAPPENED?
TO CLOSE THIS CASE. ANYBODY
23
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NOBODY'S COME FORWARD SO FAR,
24
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AND CHARLIE CHAPLIN OVER THERE,
BUT, UH, MARILYN MONROE
25
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THEY WERE WITH HANSON
WHEN THE FIRST OFFICER
26
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ARRIVED ON THE SCENE.
ANY KIDS?
27
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DAUGHTER. 16.
28
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GOOD.
HOW YOU DOING?
29
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TO PICK UP A SET OF CAR KEYS
YOU DIDN'T HAPPEN
30
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UH, NO.
OFF THIS GUY, DID YOU?
31
00:01:46,440 --> 00:01:49,192
NO, NOTHING IN THE POCKETS.
VALET TICKET?
32
00:01:49,234 --> 00:01:50,069
HMM.
33
00:01:50,110 --> 00:01:52,029
NOBODY WALKS IN L.A.
34
00:01:52,071 --> 00:01:55,074
NO. NO, THEY DON'T.
35
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WHEN YOU FOUND THE VICTIM?
AND WHERE WERE YOU GOING
36
00:02:02,831 --> 00:02:04,750
I DON'T SPEAK, UH...
37
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IN THE REAL WORLD, YOU SPEAK.
IN THE MOVIES, NO. BUT HERE
38
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FIVE HOURS WE'VE BEEN HERE.
I'M SAYING NOTHING MORE.
YOU JUST DID.
39
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I WAS GOING HOME FROM WORK.
FOR THE UMPTEENTH TIME,
40
00:02:14,927 --> 00:02:16,887
VICTOR WAS WALKING ME
TO MY CAR.
41
00:02:16,929 --> 00:02:19,139
AND WHAT IS YOUR WORK?
42
00:02:19,180 --> 00:02:21,182
I'M MARILYN.
43
00:02:21,224 --> 00:02:23,102
HOW IS THAT YOUR WORK?
44
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I STAND ON THE STREET.
45
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PEOPLE TAKE PHOTOS OF ME
AND GIVE ME TIPS.
46
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WHERE ARE YOU FROM?
I DON'T KNOW.
WHY?
47
00:02:31,568 --> 00:02:33,988
WHAT ARE YOU STARING AT?
48
00:02:34,029 --> 00:02:36,991
YOU. WHAT'S YOUR REAL NAME?
49
00:02:37,032 --> 00:02:40,410
NORMA JEAN BAKER.
WHAT'S YOUR REAL REAL NAME?
50
00:02:40,452 --> 00:02:42,329
YOLANDA QUINN.
51
00:02:42,370 --> 00:02:45,874
YOLANDA, YOU DON'T ACTUALLY LOOK
VERY MUCH LIKE MARILYN AT ALL.
52
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YOU DO THIS KIND OF WORK 'CAUSE
YOU FEEL A DEEP CONNECTION
53
00:02:49,252 --> 00:02:51,713
I GUESS.
WITH HER, YEAH?
54
00:02:51,755 --> 00:02:54,549
YEAH. SHE WAS A LONESOME SOUL,
POOR WOMAN.
55
00:02:54,591 --> 00:02:57,094
ATTENTION, ACCEPTANCE.
LONGED FOR AFFECTION,
56
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SHE GOT IT. SHE CAME OUT HERE,
AND SHE WORKED HARD,
57
00:03:00,430 --> 00:03:03,182
AND SHE STRUGGLED,
AND SHE GOT IT--
58
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ALL THE LOVE AND RESPECT
THAT SHE LONGED FOR.
59
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AND YOU CAN, TOO. YOU WILL.
YOU WILL, YOLANDA,
60
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WHAT THING?
THE RIGHT THING NOW.
IF YOU DO
61
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HAND OVER THE VALET TICKET,
YOLANDA,
62
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FROM THE DEAD MAN.
THAT YOU STOLE
63
00:03:17,156 --> 00:03:19,033
ANY VALET TICKET.
I HAVEN'T GOT
64
00:03:19,074 --> 00:03:21,493
THEN TELL CHARLIE
TO HAND IT OVER.
65
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(grunts) SON OF A BITCH.
GIVE HIM THE TICKET.
66
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GIVE IT!
67
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THANK YOU.
68
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CAN WE GO?
69
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SURE. I'LL KEEP THE COPS
AT BAY. YOU GUYS RUN.
70
00:03:36,633 --> 00:03:38,259
(Cho) JANE.
WHAT?
71
00:03:38,301 --> 00:03:41,013
GO, GO, GO, GO, GO! RUN!
RUN! RUN!
72
00:03:41,055 --> 00:03:43,015
(Cho) NICE. I COULD
ARREST YOU FOR THAT.
73
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TAKE ME ALIVE, COPPER.
YOU'LL NEVER
74
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SERIOUSLY.
75
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IT'S MARILYN AND CHARLIE.
SERIOUSLY,
76
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TO MAKE A COMEDY ARREST,
WHAT, DO YOU WANT
77
00:03:50,981 --> 00:03:54,109
IN THE WEIRD NEWS SECTION?
SEE YOUR NAME WRITTEN
78
00:03:59,990 --> 00:04:02,659
WHERE DID HE VALET?
79
00:04:02,701 --> 00:04:06,538
GO BACK TO THE RESTAURANT.
AFTER YOU'RE DONE HERE,
AT MUSSO & FRANK'S,
DOWN THE BLOCK.
80
00:04:06,580 --> 00:04:08,832
THE CREDIT CARD RECEIPTS.
GO THROUGH
81
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FIND OUT WHO HE WAS HAVING
DINNER WITH LAST NIGHT.
WILL DO.
82
00:04:14,254 --> 00:04:16,757
UH, BOSS? UH, WHOA.
(Patrick)
83
00:04:20,510 --> 00:04:22,763
DRUG TRADE-RELATED--
SO I GUESS IT IS
84
00:04:22,804 --> 00:04:26,141
BUT NOT IN A GOOD GUY WAY.
85
00:04:26,183 --> 00:04:30,478
♪♪
86
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A LITTLE PIECE OF THAT,
THEN I WANT TO PICK UP
87
00:04:37,444 --> 00:04:39,654
THE SAME TIME, SIMULTANEOUS,
DO A TILT, UP, OKAY? AND AT
88
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THEY'RE GONNA COME
TO THE WINDOW,
89
00:04:41,823 --> 00:04:44,118
WHEN THEY COME TO THE WINDOW.
AND WE'RE GONNA CATCH THEM
(Lisbon) GABRIEL FANNING?
90
00:04:44,159 --> 00:04:49,123
CBI. WE WANT TO TALK TO YOU
ABOUT FELIX HANSON.
YEAH, THAT'S ME.
91
00:04:49,164 --> 00:04:54,044
HE DIED LAST NIGHT.
WHY? WHAT DID HE DO?
92
00:04:54,086 --> 00:04:55,545
WHAT?
93
00:04:55,587 --> 00:04:58,381
YEAH, BACK OVER HERE.
IS THERE SOMEWHERE
WE CAN TALK?
94
00:05:00,425 --> 00:05:02,385
LAST NIGHT AT DINNER
WITH FELIX,
95
00:05:02,427 --> 00:05:04,888
BOTH OF YOUR CREDIT CARDS
WERE CHARGED AT 11:30.
96
00:05:04,930 --> 00:05:07,307
YOU STAY AT THE RESTAURANT
MUCH LONGER?
97
00:05:07,348 --> 00:05:09,476
NO, WE LEFT SOON AFTER THAT.
98
00:05:09,517 --> 00:05:11,478
WE WERE HAVING A GOOD TIME,
99
00:05:11,519 --> 00:05:15,023
BUT, UM, I WANTED TO BE UP
EARLY THIS MORNING.
100
00:05:15,065 --> 00:05:18,026
WHAT IS THE PRODUCTION?
TOMORROW'S THE FIRST DAY
OF PRODUCTION.
101
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"A DOZEN ROSES."
I'M DIRECTING.
102
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FELIX FINANCED THE PICTURE.
103
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WE WERE HAVING DINNER.
THAT'S WHY
104
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WE WERE CELEBRATING HIS FIRST
FORAY AS A FILM PRODUCER.
105
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INTO FILM PRODUCING?
HOW DID HE GET
106
00:05:28,536 --> 00:05:31,623
HE'S, UH, MARRIED
TO FELICIA SCOTT.
107
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SHE'S STARRING IN THE MOVIE.
108
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FELICIA SCOTT. REMIND ME?
109
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COME ON. FELICIA SCOTT?
"LOVE TIMES TWO."
110
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"BABY, YOU'RE MINE."
"SUDDEN EMBRACE."
111
00:05:42,968 --> 00:05:44,219
"SUDDEN EMBRACE."
GOOD.
112
00:05:44,261 --> 00:05:46,429
SOUNDS FAMILIAR.
113
00:05:46,471 --> 00:05:48,932
THOSE WERE ALL A WHILE BACK,
THOUGH, WEREN'T THEY?
SHE LOOKS BETTER NOW
114
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OR JUST AS GOOD, ANYHOW.
SO WHAT'S THIS MOVIE ABOUT?
THAN SHE DID THEN--
115
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MM-HMM.
A MOTHER'S QUEST TO FIND GOOD
MEN FOR HER THREE DAUGHTERS.
116
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CAN I READ IT?
IT'S MOVING. IT'S SEXY--
IT'S FUNNY.
117
00:05:59,151 --> 00:06:01,111
NO, YOU CAN'T READ IT.
118
00:06:01,153 --> 00:06:03,822
AND REDEMPTION AND--
IT'S ABOUT FAMILY
GOTCHA.
119
00:06:03,864 --> 00:06:07,659
DID YOU AND FELIX GET ALONG?
YOU EVER HAVE ANY ARGUMENTS?
120
00:06:07,701 --> 00:06:09,619
I LOVED HIM. LOVED HIM.
121
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IN THIS TOWN ARE PHONIES.
SO MANY PEOPLE
122
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BUT FELIX HANSON--HE WAS REAL.
123
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LIKE SOMETHING, HE'D SAY SO.
FELIX--HE DIDN'T
124
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WHAT IN PARTICULAR
DID HE NOT LIKE?
125
00:06:18,712 --> 00:06:21,923
I'M JUST SAYING IN GENERAL.
NOTHING.
126
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HE WAS LIKE THAT--REAL.
127
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(Lisbon) HOW MUCH DID HE HAVE
INVESTED IN THE FILM?
128
00:06:26,427 --> 00:06:27,428
TEN.
129
00:06:27,470 --> 00:06:29,472
OF HIS OWN MONEY?
MILLION?
130
00:06:29,514 --> 00:06:31,850
YEP. HE WAS A BRAVE MAN.
DOING IT ALL FOR FELICIA,
131
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OF COURSE, NOT JUST FOR
THE POTENTIAL PROFITS.
132
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THE RESTAURANT TOGETHER?
TOGETHER, YEAH.
WE WALKED OUT
DID YOU TWO LEAVE
133
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I PARKED MY CAR DOWN THE STREET.
WAS ANYBODY WAITING FOR HIM?
I DIDN'T SEE ANYBODY.
134
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AND SAID GOOD-BYE.
WE SHOOK HANDS
135
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DO YOU OWN A GUN,
GABRIEL?
136
00:06:48,992 --> 00:06:50,785
NO.
137
00:06:50,827 --> 00:06:55,249
I LIKE GUNS, BUT I'M AFRAID
OF BLOWING MY OWN HEAD OFF.
138
00:06:55,290 --> 00:06:58,293
AH. YEAH. (chuckles)
139
00:06:58,335 --> 00:07:00,087
WHAT DO YOU THINK?
140
00:07:00,128 --> 00:07:02,797
THEY HAD AN ARGUMENT LAST NIGHT.
OH, HE'S LYING.
141
00:07:02,839 --> 00:07:05,217
WITH THE MAN THAT FINANCED
YOU GO OUT TO CELEBRATE
142
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YOUR MOVIE, AND YOU ONLY PAY
HALF THE DINNER BILL?
143
00:07:07,468 --> 00:07:09,221
(cell phone rings, beep)
144
00:07:09,263 --> 00:07:11,139
Yeah?
VAN PELT?
145
00:07:11,181 --> 00:07:13,474
WE NEED GABRIEL FANNING'S CELL
PHONE RECORDS FROM LAST NIGHT.
146
00:07:13,516 --> 00:07:15,810
SURE. AND WHILE I HAVE YOU,
THE LAST NUMBER DIALED
147
00:07:15,852 --> 00:07:17,812
ON HANSON'S CELL WAS BLOCKED,
148
00:07:17,854 --> 00:07:20,232
SO I HAD THE PHONE COMPANY
TRACE IT.
149
00:07:20,274 --> 00:07:22,609
BELONGS TO A FREDERICK ROSS.
150
00:07:22,650 --> 00:07:24,152
WHO?
151
00:07:24,194 --> 00:07:26,280
OH, JUST A CONVICTED FELON
WITH MULTIPLE POSSESSION
152
00:07:26,321 --> 00:07:28,073
AND ASSAULT CHARGES.
153
00:07:28,115 --> 00:07:31,076
Beautiful. Find out where he is,
and have the boys pick him up.
154
00:07:31,118 --> 00:07:34,121
Okay. Wait a minute.
I know this guy.
155
00:07:34,162 --> 00:07:37,582
HE--HE'S ON THAT
BEER COMMERCIAL.
156
00:07:37,624 --> 00:07:38,875
OH, THE ONE WITH THE LLAMA?
(laughs)
157
00:07:38,917 --> 00:07:40,252
WHAT?
158
00:07:40,294 --> 00:07:43,088
he must be an actor, too.
This Ross guy--
159
00:07:43,130 --> 00:07:46,800
YOU KNOW THAT BEER COMMERCIAL
WITH THE GUY WEARING THE TOGA?
160
00:07:46,841 --> 00:07:49,219
ALL SUPPOSED TO BE SURPRISED
OH, YEAH, YEAH, AND WE'RE
161
00:07:49,261 --> 00:07:52,222
Yeah, that's him. Weird, huh?
WHEN THE TOGA GETS CAUGHT
IN THE ELEVATOR.
162
00:07:52,264 --> 00:07:54,557
Yeah. He should have stuck
to his day job.
163
00:07:54,599 --> 00:07:56,810
You have the address?
164
00:07:56,851 --> 00:07:59,520
YEAH, OKAY, WAIT.
165
00:07:59,562 --> 00:08:01,940
GO PICK HIM UP.
MM. YES, MA'AM.
166
00:08:10,531 --> 00:08:12,909
WE'RE SORRY FOR YOUR LOSS.
167
00:08:15,703 --> 00:08:18,539
HOW LONG WERE YOU TWO
TOGETHER?
168
00:08:21,001 --> 00:08:24,296
ALMOST EIGHT YEARS NOW.
WE'VE BEEN MARRIED
169
00:08:24,338 --> 00:08:25,546
WHERE WERE YOU LAST NIGHT?
170
00:08:25,588 --> 00:08:27,757
(sighs) PALM SPRINGS.
171
00:08:27,799 --> 00:08:31,761
WEEKEND BEFORE FILMING STARTED.
FELIX INSISTED I HAVE A SPA
172
00:08:31,803 --> 00:08:33,847
AND YOU?
173
00:08:33,888 --> 00:08:35,349
AT HOME.
174
00:08:35,390 --> 00:08:37,058
WAS THERE ANYBODY
175
00:08:37,100 --> 00:08:39,519
THAT POSED A THREAT TO HIM?
IN YOUR HUSBAND'S LIFE
176
00:08:39,560 --> 00:08:42,647
SOMEBODY HE DIDN'T FEEL SAFE
AROUND?
NO.
177
00:08:42,689 --> 00:08:44,816
ATTRACTED YOU TO YOUR HUSBAND?
WHAT WAS IT THAT FIRST
WE FOUND--
178
00:08:44,858 --> 00:08:46,401
NOT HIS LOOKS.
179
00:08:48,236 --> 00:08:51,031
HE'S NOT YOUR TYPE.
YEAH, REALLY.
OH, REALLY?
180
00:08:51,072 --> 00:08:52,657
AND WHAT IS MY TYPE?
181
00:08:52,699 --> 00:08:54,326
OH, UH...
182
00:08:56,661 --> 00:09:01,375
A HIDDEN MASOCHISTIC STREAK...
SPORTY BAD BOYS WITH
183
00:09:01,416 --> 00:09:02,625
UH-HUH.
184
00:09:02,667 --> 00:09:04,461
NOT TOO BRIGHT.
185
00:09:04,503 --> 00:09:06,421
NOT EVEN CLOSE.
186
00:09:06,463 --> 00:09:08,423
NO, THAT WAS A BULL'S-EYE.
(chuckles)
187
00:09:08,465 --> 00:09:10,550
SO WHAT DID YOU LIKE
ABOUT FELIX?
188
00:09:10,591 --> 00:09:12,593
HIS VOICE,
189
00:09:12,635 --> 00:09:16,181
HIS SELF-ASSURANCE.
(sniffles)
190
00:09:16,223 --> 00:09:19,351
THESE QUESTIONS ARE RELEVANT.
I DON'T UNDERSTAND HOW
191
00:09:19,393 --> 00:09:21,811
JUST, UH, CURIOUS.
OH, NO REASON.
192
00:09:23,522 --> 00:09:25,482
A LARGE BAG OF MARIJUANA
WE FOUND
193
00:09:25,524 --> 00:09:27,484
OTHER PRESCRIPTION DRUGS
AND VARIOUS
194
00:09:27,526 --> 00:09:29,528
OF YOUR HUSBAND'S CAR.
IN THE TRUNK
195
00:09:29,569 --> 00:09:31,571
WELL, THAT'S ABSURD.
WHY?
196
00:09:31,612 --> 00:09:34,908
DIDN'T DO DRUGS, PERIOD.
BECAUSE FELIX
197
00:09:34,949 --> 00:09:38,036
THEY'VE BEEN PLANTED.
198
00:09:38,078 --> 00:09:41,498
HAVE BEEN FOR YEARS.
I'M STRAIGHTEDGE,
199
00:09:41,540 --> 00:09:43,750
DO YOU KNOW ANYBODY
NAMED FREDDIE ROSS?
200
00:09:43,791 --> 00:09:46,920
NO. WHO IS THAT?
201
00:09:46,961 --> 00:09:49,172
(cell phone beeps)
202
00:09:49,214 --> 00:09:51,466
IT'S MINE.
203
00:09:51,508 --> 00:09:53,843
(cell phone clatters)
(Jane clears throat)
204
00:09:56,471 --> 00:09:58,848
(whispers) THERE YOU GO.
205
00:10:01,726 --> 00:10:05,188
IT'S GABRIEL'S ASSISTANT.
206
00:10:05,230 --> 00:10:08,149
HE WANTS US TO REPORT TO SET
FOR REHEARSALS.
UGH.
207
00:10:08,191 --> 00:10:10,902
WE'LL BE THERE ON TIME.
TELL HIM
208
00:10:10,944 --> 00:10:13,113
I'M SURE THEY WOULD UNDERSTAND
209
00:10:13,154 --> 00:10:15,490
IF YOU DON'T GO IN TO WORK
TODAY.
210
00:10:15,532 --> 00:10:18,493
OH, BELIEVE ME, I WOULD LIKE TO
BACK OUT OF THE WHOLE PROJECT.
211
00:10:18,535 --> 00:10:21,662
(sniffles) WITH FELIX GONE,
THERE IS NO POINT.
212
00:10:21,704 --> 00:10:23,957
IS HOLDING ME TO MY CONTRACT.
BUT THE INSURANCE COMPANY
213
00:10:23,998 --> 00:10:26,585
(sniffles) THEY WON'T
EVEN COVER ANY DELAYS,
214
00:10:26,626 --> 00:10:29,963
TO END UP IN COURT.
AND I DON'T WANT
215
00:10:30,004 --> 00:10:32,673
YOU IN THE MOVIE, TOO?
216
00:10:32,715 --> 00:10:34,759
KIND OF.
217
00:10:34,801 --> 00:10:37,720
A SMALL SPEAKING ROLE
WE GAVE HER
218
00:10:37,762 --> 00:10:39,722
AS ONE OF MY DAUGHTERS.
219
00:10:39,764 --> 00:10:42,267
(chuckles) ISN'T THAT CUTE?
220
00:10:42,309 --> 00:10:45,604
YEAH.
221
00:10:45,645 --> 00:10:48,607
DO YOU WANNA BE AN ACTRESS?
222
00:10:48,648 --> 00:10:51,526
(whispers) WHATEVER.
223
00:10:51,568 --> 00:10:53,278
(voice breaks) NOT ANYMORE.
224
00:10:53,320 --> 00:10:54,488
OH.
225
00:10:54,529 --> 00:10:56,697
HONEY, I KNOW IT'S HARD NOW,
226
00:10:56,739 --> 00:10:59,242
BUT ONE DAY YOU MIGHT BE GLAD
THAT YOU WERE A PART
227
00:10:59,284 --> 00:11:02,703
SO IMPORTANT TO YOUR FATHER.
OF SOMETHING THAT WAS
(scoffs) HA!
228
00:11:02,745 --> 00:11:06,666
THIS FILM WAS IMPORTANT?
"HA"? HE DIDN'T THINK
229
00:11:06,707 --> 00:11:08,502
NO, HE THOUGHT GABRIEL
SCREWED UP THE SCRIPT.
230
00:11:08,543 --> 00:11:11,004
TO BACK OUT OF THE FILM.
HE WANTED
231
00:11:11,045 --> 00:11:12,547
OH... (chuckles)
232
00:11:12,589 --> 00:11:14,673
DON'T BE A DRAMA QUEEN.
233
00:11:14,715 --> 00:11:16,259
HE WASN'T HAPPY WITH THE SCRIPT,
234
00:11:16,301 --> 00:11:19,262
GABRIEL, TO TALK IT THROUGH.
BUT THAT'S WHY HE MET WITH
235
00:11:19,304 --> 00:11:21,181
HE WASN'T GONNA BACK OUT.
236
00:11:21,222 --> 00:11:24,434
BACK OUT TO GET WHAT HE WANTED,
HE MAY HAVE THREATENED TO
237
00:11:24,476 --> 00:11:26,478
BUT THAT'S HOW IT WORKS.
238
00:11:27,854 --> 00:11:31,232
SO WHO'S THE FELLA?
239
00:11:31,274 --> 00:11:33,360
BRANDON WHO?
BRANDON.
240
00:11:33,401 --> 00:11:34,777
BRANDON FULTON.
241
00:11:34,819 --> 00:11:36,821
OH, YOU GUYS, UH, DATING?
242
00:11:36,863 --> 00:11:38,823
DATING? NO.
243
00:11:38,865 --> 00:11:40,283
MAYBE. SORT OF.
244
00:11:40,325 --> 00:11:42,536
THAT'S SO NERDY, DATING.
245
00:11:42,577 --> 00:11:44,538
YOUR STEPMOTHER
DIDN'T LIKE HIM?
246
00:11:44,579 --> 00:11:47,457
AH, FORGET IT.
FOR NOT SAYING ANYTHING.
NO. THANK YOU
247
00:11:47,499 --> 00:11:49,543
WE'LL BE SEEING YOU, SYDNEY.
248
00:11:51,503 --> 00:11:52,629
BRANDON FULTON.
249
00:11:52,671 --> 00:11:54,214
I'M ON IT.
250
00:11:56,341 --> 00:11:58,717
FREDDIE ROSS,
251
00:11:58,759 --> 00:12:01,720
APARTMENT 23.
252
00:12:01,762 --> 00:12:03,139
(knocks on door)
253
00:12:03,181 --> 00:12:05,266
SUPPOSEDLY THIS GUY'S
ALSO AN ACTOR.
254
00:12:05,308 --> 00:12:09,229
THE ONE WITH THE LLAMA?
IN THAT BEER COMMERCIAL.
HE WAS
255
00:12:09,270 --> 00:12:12,232
YEAH?
THE GUY IN THE TOGA.
NO, THE ONE WITH
256
00:12:12,273 --> 00:12:15,652
(under breath) STUPID.
YEAH.
257
00:12:15,694 --> 00:12:17,529
(normal voice) NOBODY HOME.
HMM.
258
00:12:23,284 --> 00:12:25,662
STOP! POLICE!
259
00:12:32,669 --> 00:12:35,004
STOP!
260
00:12:35,046 --> 00:12:36,631
HEY!
(engine starts)
261
00:12:36,673 --> 00:12:39,133
OUT OF THE CAR!
262
00:12:39,175 --> 00:12:42,095
(tires peal)
HEY!
263
00:12:42,136 --> 00:12:43,555
CRAP.
264
00:12:43,597 --> 00:12:45,557
I GOT THE PLATE.
IT'S OKAY.
265
00:12:45,599 --> 00:12:48,268
(pants)
266
00:12:52,313 --> 00:12:55,483
THE WARRANT'S ON ITS WAY.
I JUST SPOKE TO MINELLI.
267
00:12:55,525 --> 00:12:59,529
WE'LL WAIT HERE FOR IT.
YEAH, SEARCH ROSS' PLACE.
THE L.A.P.D. SHOULD BE--
OKAY, BOSS.
268
00:12:59,571 --> 00:13:01,740
Yeah, they've been helpful
so far.
UH-HUH?
269
00:13:01,780 --> 00:13:03,742
It shouldn't be long.
ALL RIGHT.
270
00:13:03,782 --> 00:13:05,744
We'll keep you posted,
boss.
OKAY.
271
00:13:05,784 --> 00:13:07,912
(Rigsby) Hello?
HEY! HEY! HEY, KID.
272
00:13:07,954 --> 00:13:09,956
(man) IT'S A CLOSED SET.
WHAT DOES THAT MEAN?
Hello?
273
00:13:09,997 --> 00:13:13,627
OKAY. WARRANT'S ON ITS WAY.
I'LL CALL YOU BACK.
274
00:13:13,668 --> 00:13:16,713
(snaps cell phone shut)
275
00:13:16,755 --> 00:13:19,549
(man) THIS IS A CLOSED SET.
WHAT'S IT MEAN?
276
00:13:19,591 --> 00:13:22,677
BUT THEY'RE FROM THE CBI.
I KNOW WHAT IT MEANS,
CLOSED SET.
277
00:13:22,719 --> 00:13:25,346
I DON'T CARE IF THEY'RE
FROM A FARAWAY GALAXY.
278
00:13:25,388 --> 00:13:28,767
THIS IS A CLOSED SET, OKAY?
NO GAWKERS, NO FANS.
279
00:13:28,807 --> 00:13:31,394
WE'RE NOT FANS.
WELL, I'M SORT OF A FAN.
280
00:13:31,436 --> 00:13:32,729
CALIFORNIA BUREAU
OF INVESTIGATION.
281
00:13:32,771 --> 00:13:35,565
WITH GABRIEL FANNING.
WE NEED TO SPEAK
282
00:13:35,607 --> 00:13:38,652
OH, HE CAN'T TALK TO YOU
RIGHT NOW.
283
00:13:38,693 --> 00:13:40,695
A MURDER INVESTIGATION.
IT'S REGARDING
284
00:13:40,737 --> 00:13:43,948
HEY, MITCH.
I'M MITCH CAVANAUGH,
GABRIEL'S AGENT. HI.
285
00:13:43,990 --> 00:13:45,742
GOOD.
HOW YOU DOING?
286
00:13:45,784 --> 00:13:48,119
WHAT HAPPENED TO HANSON.
I HEARD ABOUT
287
00:13:48,161 --> 00:13:51,331
SUCH A COOL GUY. TRULY.
TRAGIC. I MEAN,
288
00:13:51,372 --> 00:13:53,416
WE'RE TRYING TO MAKE A MOVIE
HERE, THOUGH.
289
00:13:53,458 --> 00:13:56,628
YEAH, WELL, WE'RE TRYING
TO SOLVE A HOMICIDE.
290
00:13:56,670 --> 00:13:59,380
TO YOU RIGHT NOW.
HE CAN'T TALK
291
00:13:59,422 --> 00:14:02,592
YOU KEEP THIS UP, I'LL HAVE YOU
ARRESTED FOR OBSTRUCTION.
292
00:14:02,634 --> 00:14:05,512
THAT'S UNFORTUNATE,
BUT GO AHEAD.
293
00:14:05,553 --> 00:14:08,598
I UNDERSTAND, MITCH. GABRIEL'S
ONE OF YOUR TOP CLIENTS.
294
00:14:08,640 --> 00:14:11,184
YOU CAN'T LOSE HIM.
(chuckles)
295
00:14:11,225 --> 00:14:13,645
RIGHT. NO CHOICE,
WHATEVER HE SAYS.
296
00:14:13,687 --> 00:14:17,398
BULLIED AT SCHOOL, WERE YOU?
HE SAYS "JUMP," YOU JUMP.
297
00:14:17,440 --> 00:14:19,233
I WAS NOT, ACTUALLY.
298
00:14:19,275 --> 00:14:21,235
EVEN AFTER ALL THESE YEARS,
SURE YOU WERE.
299
00:14:21,277 --> 00:14:23,655
YOU LIE AWAKE SOMETIMES,
THINKING OF ALL THE WAYS
300
00:14:23,697 --> 00:14:26,658
THAT YOU COULD WREAK REVENGE
ON YOUR TORMENTORS.
301
00:14:26,700 --> 00:14:29,703
AND NOW OUT OF FEAR AND AVARICE,
302
00:14:29,744 --> 00:14:32,330
YOU LET THIS MAN FANNING
BULLY YOU THE SAME WAY.
303
00:14:32,372 --> 00:14:34,999
MITCH, IT'S THE SAME WAY.
IT'S THE SAME THING.
304
00:14:35,041 --> 00:14:38,919
OR GET ARRESTED.
YOU GOTTA GET A LIFE.
305
00:14:41,047 --> 00:14:42,632
GO AHEAD.
306
00:14:42,674 --> 00:14:45,426
THAT WAS STRONG.
307
00:14:51,683 --> 00:14:53,309
(groans)
308
00:14:53,351 --> 00:14:55,562
(rock music playing)
309
00:14:55,603 --> 00:14:57,355
(knock on door)
310
00:14:57,397 --> 00:14:59,733
♪♪
311
00:14:59,774 --> 00:15:02,402
(turns off music)
(under breath) GREAT.
312
00:15:02,443 --> 00:15:05,405
MITCH, YOU LITTLE SCUM SUCKER.
(normal voice)
313
00:15:05,446 --> 00:15:08,324
A PRESCRIPTION FOR THESE?
CLASS "A." YOU HAVE
314
00:15:08,366 --> 00:15:11,745
FOLLOW-UP QUESTIONS FOR YOU.
WHAT IS THIS? COME ON. JESUS.
SIT DOWN. WE HAVE A FEW
315
00:15:11,786 --> 00:15:13,663
DIDN'T WE DO THIS EARLIER?
316
00:15:13,705 --> 00:15:16,708
WELL, THAT WAS BEFORE
I ALREADY ANSWERED
ALL YOUR QUESTIONS.
317
00:15:16,750 --> 00:15:20,253
A LIAR AND A DRUG ABUSER.
WE KNEW THAT YOU WERE
I DON'T ABUSE DRUGS.
I USE THEM.
318
00:15:20,294 --> 00:15:21,671
THEY'RE FOR CREATIVITY.
319
00:15:21,713 --> 00:15:24,799
AH, BUT YOU DON'T DENY
BEING A LIAR.
320
00:15:24,841 --> 00:15:28,636
GIVING IT TO US STRAIGHT?
I DIDN'T LIE. I SPUN THE TRUTH
WHY DON'T YOU TRY
A LITTLE BIT, MAYBE.
321
00:15:28,678 --> 00:15:30,971
FELICIA BLABBED, DIDN'T SHE?
322
00:15:31,013 --> 00:15:32,766
STUPID BITCH.
323
00:15:32,807 --> 00:15:34,726
FINE.
324
00:15:34,768 --> 00:15:36,728
HANSON TOLD ME LAST NIGHT
YES,
325
00:15:36,770 --> 00:15:39,689
THAT HE WAS PULLING HIS MONEY
OUT OF THE MOVIE--
326
00:15:39,731 --> 00:15:43,735
PRODUCTION WOULD HAVE SHUT DOWN?
THE DAY BEFORE PRINCIPAL
PHOTOGRAPHY, THE SCHMUCK.
WITHOUT HIS MONEY,
327
00:15:43,777 --> 00:15:48,155
THIS IS YOUR FIRST FEATURE
IN WHAT, SEVEN YEARS?
YES.
328
00:15:48,197 --> 00:15:49,824
WORD ON THE STREET IS
329
00:15:49,866 --> 00:15:53,077
LITTLE DIFFICULT TO WORK WITH.
YOU'RE A LITTLE--
330
00:15:53,119 --> 00:15:55,996
THE WORD ON THE STREET IS?
OH, REALLY? IS THAT WHAT
331
00:15:56,038 --> 00:15:58,165
SCREW THE WORD ON THE STREET.
WELL, YOU KNOW WHAT?
332
00:15:58,207 --> 00:16:00,501
I TOOK SOME TIME OUT
TO RECHARGE.
333
00:16:00,543 --> 00:16:04,631
NARCOTICS AND DESPAIR?
I'VE BEEN, UH, EXPLORING
OTHER ASPECTS OF MY LIFE.
334
00:16:06,299 --> 00:16:08,342
IT'S BEEN TOUGH, OKAY?
335
00:16:08,384 --> 00:16:11,220
TO HAVING TO TAKE A TV GIG.
I'VE COME VERY CLOSE
336
00:16:11,262 --> 00:16:14,891
SO YES, I'M EXTREMELY ANXIOUS
FOR THIS FILM TO WORK.
337
00:16:14,933 --> 00:16:16,810
I NEED IT TO WORK.
338
00:16:16,851 --> 00:16:19,437
AWFULLY CONVENIENT THEN.
HANSON'S DEATH WAS
339
00:16:19,479 --> 00:16:21,606
YEAH, IT WAS. IT WAS.
340
00:16:21,648 --> 00:16:24,275
DEAD, MY HEART LEAPT FOR JOY.
AND WHEN YOU TOLD ME HE WAS
341
00:16:24,317 --> 00:16:26,277
AND THEN I FELT TERRIBLE.
342
00:16:26,319 --> 00:16:28,404
AND THEN YOU FELT GOOD AGAIN.
343
00:16:28,446 --> 00:16:31,699
LISTEN, I'M AN ARTIST, OKAY?
344
00:16:31,741 --> 00:16:34,619
I'M ARROGANT AND I'M DISHONEST
AND I'M CHILDISH.
345
00:16:34,661 --> 00:16:37,121
BUT YOU KNOW WHAT?
I'M NOT STUPID.
346
00:16:37,163 --> 00:16:39,749
I'M ABOVE THE LAW.
I DO NOT THINK
347
00:16:39,791 --> 00:16:42,168
GABE. FELICIA'S ON SET,
READY TO GO.
348
00:16:42,209 --> 00:16:44,253
YOU INCOMPETENT WEASEL.
THANKS, MITCH,
349
00:16:44,295 --> 00:16:47,089
WAIT A MINUTE.
LADY, I HAVE A MOVIE TO SHOOT.
350
00:16:47,131 --> 00:16:50,468
AND WE'VE GOT A NARCOTICS CHARGE
WE CAN'T IGNORE.
351
00:16:50,510 --> 00:16:52,804
THOSE ARE MITCH'S DRUGS.
THOSE AREN'T MY DRUGS.
352
00:16:52,846 --> 00:16:56,390
GABE'S DRUGS. THAT'S MY DRUGS.
RIGHT, RIGHT. THAT'S NOT
353
00:16:56,432 --> 00:16:59,393
SORRY, GABE. I SHOULDN'T HAVE
LEFT THEM AROUND THE TRAILER.
354
00:16:59,435 --> 00:17:02,313
(Mitch) HOW DUMB IS THAT?
CAN I GO, MA'AM?
355
00:17:02,355 --> 00:17:03,940
GO.
356
00:17:06,108 --> 00:17:10,363
GO WIN AN OSCAR, GABE.
YEAH, YEAH.
357
00:17:10,404 --> 00:17:12,782
MITCHELL CAVANAUGH,
YOU'RE UNDER ARREST.
OH, MITCH.
358
00:17:12,824 --> 00:17:15,493
THROUGH YOUR DOORMAT ISSUES.
AND I THOUGHT WE WORKED
359
00:17:15,535 --> 00:17:18,538
A LITTLE. HE KNOWS THINGS.
TELL CHO TO SQUEEZE HIM
NO, I DON'T.
360
00:17:18,579 --> 00:17:20,790
SURE, YOU DO, MITCH.
361
00:17:20,832 --> 00:17:22,583
GETTING SQUEEZED BY CHO.
YOU'RE NOT GONNA LIKE
362
00:17:24,627 --> 00:17:26,587
DAISY, WHERE ARE YOU?
(Gabriel) ACTION!
363
00:17:26,629 --> 00:17:28,923
I'M NOT FEELING SO GOOD.
(Sydney) I'M HOME.
364
00:17:28,965 --> 00:17:30,717
YOU HAVE TO COME.
OH, BUT PUDDIN',
365
00:17:30,758 --> 00:17:33,344
WHY IS IT SO IMPORTANT?
WHY?
366
00:17:33,386 --> 00:17:35,095
(sighs) LINE.
367
00:17:35,137 --> 00:17:36,014
(woman) ROWAN'S ON HIS WAY.
368
00:17:36,055 --> 00:17:37,807
ROWAN.
369
00:17:37,849 --> 00:17:41,853
ROWAN IS ON HIS WAY. I CALLED
HIM AND PRETENDED TO BE YOU!
370
00:17:41,895 --> 00:17:44,063
OH, MOM. NO, YOU DIDN'T.
371
00:17:44,104 --> 00:17:47,775
(laughs) OH, YES, I DID.
I'M SORRY, PUDD'.
372
00:17:47,817 --> 00:17:50,737
(Sydney) ROWAN'S NOT EVEN
INTERESTED IN ME,
373
00:17:50,778 --> 00:17:54,532
AND I DON'T WANT HIM
ANYMORE ANYWAY.
374
00:17:54,574 --> 00:17:55,742
I'M SORRY.
375
00:17:55,783 --> 00:17:58,494
CUT!
SYDNEY, HONEY. HONEY.
376
00:17:58,536 --> 00:18:02,164
YOU--YOU CAN'T JUST READ
THE LINES, HON.
377
00:18:02,206 --> 00:18:04,751
YOU HAVE TO BE DAISY.
YOU HAVE TO BE HER.
378
00:18:04,792 --> 00:18:07,253
I-I NEED YOUR PASSION HERE,
SYDNEY.
379
00:18:07,294 --> 00:18:09,088
I'M WORKING ALONE.
380
00:18:09,129 --> 00:18:10,381
OKAY.
381
00:18:10,423 --> 00:18:11,465
(mouths word)
382
00:18:11,507 --> 00:18:13,009
(Gabriel) OKAY.
383
00:18:13,051 --> 00:18:15,302
FROM WHERE WE LEFT OFF--
LET'S, UH, PICK IT UP
384
00:18:15,344 --> 00:18:17,638
"ROWAN DOESN'T NEED ME."
(woman) TWO PICKUP.
385
00:18:17,680 --> 00:18:20,850
(man) ROLLING!
(man) SPEED.
386
00:18:20,892 --> 00:18:24,270
ACTION!
387
00:18:24,311 --> 00:18:25,897
ROWAN'S NOT INTERESTED IN ME,
388
00:18:25,939 --> 00:18:28,858
AND I DON'T WANT HIM ANYMORE
ANYWAY.
389
00:18:28,900 --> 00:18:31,861
ON YOUR DREAMS SO EASILY.
OH, HONEY, DON'T GIVE UP
390
00:18:31,903 --> 00:18:34,989
I KNOW LOVE CAN BE TOUGH,
BUT IT'S ALL WE HAVE IN--
391
00:18:35,031 --> 00:18:37,784
HELLO?
392
00:18:37,825 --> 00:18:39,827
HELLO?
393
00:18:39,869 --> 00:18:41,996
HELLO--OH. (laughs)
HI, ROWAN.
394
00:18:42,038 --> 00:18:43,998
GOOD MORNING, MRS. ATKINS.
395
00:18:44,040 --> 00:18:45,833
DAISY'S NOT HERE.
396
00:18:45,875 --> 00:18:48,544
SHE'S, UH, SHE'S AT HOME.
OH, THAT'S ALL RIGHT.
397
00:18:48,586 --> 00:18:51,798
THAT I WANTED TO SPEAK WITH.
IT'S--IT'S ACTUALLY YOU
398
00:18:51,839 --> 00:18:53,173
OH?
399
00:18:53,215 --> 00:18:56,052
WHAT YOU SAID JUST NOW,
ABOUT LOVE...
400
00:18:56,094 --> 00:18:58,763
(gasps)
401
00:19:03,726 --> 00:19:04,978
(slap)
402
00:19:05,019 --> 00:19:06,729
OW!
403
00:19:06,771 --> 00:19:08,230
CUT! GREAT.
404
00:19:08,272 --> 00:19:09,983
LOVELY.
405
00:19:10,024 --> 00:19:12,735
WE'RE GONNA GO ONE MORE TIME.
OKAY. OKAY, EVERYBODY.
406
00:19:12,777 --> 00:19:15,738
SERIOUSLY.
BEFORE SHE THROWS THE SLAP.
GEOFF, BABY, DON'T FLINCH
407
00:19:15,780 --> 00:19:18,699
(British accent) BUT SHE'S
YOU DON'T KNOW IT'S COMING.
TAKING A RIGHT WALLOP.
408
00:19:18,741 --> 00:19:22,703
I MEAN, IT HURT.
OH, I'M SORRY FOR FEELING
A LITTLE EMOTIONAL TODAY.
409
00:19:22,745 --> 00:19:26,666
GAB-GABRIEL, THIS SCENE IS
STILL RUNNING REALLY FLAT.
410
00:19:26,707 --> 00:19:29,543
WE'RE IN THE MASTER, BABE.
WE'RE REALLY, REALLY WIDE,
BUT I-I HAVE AN IDEA.
I THINK I KNOW--
411
00:19:29,585 --> 00:19:31,671
AND YOU'RE ABOUT THAT BIG
IN THE FRAME.
412
00:19:31,712 --> 00:19:33,714
WE'RE GONNA FIX IT
IN COVERAGE, OKAY?
NO, I-I-I REALIZE THAT,
413
00:19:33,756 --> 00:19:35,883
AN IMPORTANT ESTABLISHING--
BUT I THINK THAT IT'S
414
00:19:35,925 --> 00:19:38,678
NO, NO, GABRIEL, PLEASE.
415
00:19:38,719 --> 00:19:42,473
(under breath) DIE SCREAMING,
THIS IS AN ESTABLISHING MOMENT
YOU MALIGNANT HARPY.
FOR THE CHARACTER.
416
00:19:42,515 --> 00:19:44,851
I MISSED THAT. WHAT?
LET'S TAKE TEN, FOLKS, OKAY?
I'M SORRY.
YOU KNOW WHAT?
417
00:19:44,892 --> 00:19:46,560
OKAY.
COME ON, PRINCESS. LET'S TALK.
418
00:19:46,602 --> 00:19:47,394
YEAH, PLEASE.
419
00:19:47,436 --> 00:19:49,313
YOU KNOW...
420
00:19:49,355 --> 00:19:51,816
(Gabriel) COME ON.
I-I KNOW IT'S AN INCH WIDE,
YOU KNOW?
421
00:19:51,858 --> 00:19:55,653
NO, IT'S--I UNDERSTAND.
THEY'RE GONNA COVER...
I REALIZE THAT
422
00:20:11,251 --> 00:20:12,712
HEY.
423
00:20:12,753 --> 00:20:13,796
HEY.
424
00:20:13,838 --> 00:20:15,506
GOOD. YOU'RE A GOOD ACTOR.
425
00:20:15,548 --> 00:20:17,299
THANK YOU.
426
00:20:17,341 --> 00:20:20,302
YOUR DAD TOOK UP WITH FELICIA,
IT MUST HAVE BEEN TOUGH WHEN
427
00:20:20,344 --> 00:20:23,139
REPLACING YOUR REAL MOTHER.
428
00:20:23,181 --> 00:20:25,766
IN AN ALCOHOLIC STUPOR
MY REAL MOM IS
429
00:20:25,808 --> 00:20:27,476
SOMEWHERE IN NEW JERSEY.
430
00:20:27,518 --> 00:20:30,479
I WAS HAPPY TO SEE HER GO.
WHY IS IT THAT ACTORS--
431
00:20:30,521 --> 00:20:31,480
BYE.
432
00:20:31,522 --> 00:20:33,107
WELL, I... BYE.
433
00:20:44,368 --> 00:20:46,913
SO WHAT DO YOU KNOW, MITCH?
434
00:20:46,954 --> 00:20:48,789
NOTHING?
JANE SAYS YOU KNOW STUFF.
435
00:20:48,831 --> 00:20:51,876
AND HE'S ALWAYS RIGHT,
IS HE?
PRETTY MUCH.
436
00:20:51,918 --> 00:20:54,837
SO THIS IS ONE FOR THE BOOKS.
IT'S A FIRST.
437
00:20:54,879 --> 00:20:57,048
I GOT NOTHING FOR YOU.
438
00:20:57,090 --> 00:20:59,008
MITCHELL, UNLAWFUL POSSESSION
OF PRESCRIPTION DRUGS
439
00:20:59,050 --> 00:21:01,928
(scoffs)
FOR ACTUAL PRISON TIME.
PUTS YOU IN LINE
440
00:21:01,969 --> 00:21:04,680
IF YOU'RE RIGHT, SO BE IT.
I DOUBT THAT, BUT, UH,
REALLY? SO BE IT?
441
00:21:04,722 --> 00:21:06,557
I'M TOLD THE PILLS
442
00:21:06,599 --> 00:21:09,476
NO COMMENT.
ACTUALLY BELONG TO YOUR CLIENT,
GABE FANNING.
443
00:21:09,518 --> 00:21:12,396
YOU'LL GO TO PRISON
TO PROTECT FANNING?
444
00:21:12,438 --> 00:21:14,398
"HEY, HOW GOOD OF AN AGENT
IS MITCH CAVANAUGH?"
445
00:21:14,440 --> 00:21:16,400
WELL, HE WENT TO PRISON
TO PROTECT A CLIENT."
446
00:21:16,442 --> 00:21:19,361
SOUNDS--SOUNDS PRETTY GOOD
TO ME. (scoffs)
447
00:21:19,403 --> 00:21:21,822
HE BECAME THE PERSONAL SERVANT
TO PROTECT A CLIENT,
448
00:21:21,864 --> 00:21:24,784
CRIMINAL--HOW'S THAT SOUND?
OF A LARGE AND VIOLENT
449
00:21:24,825 --> 00:21:26,786
LOOK, I'M WILLING
TO SPEAK TO YOU
450
00:21:26,827 --> 00:21:28,788
YOU CARE TO MENTION,
ON ANY SUBJECT
451
00:21:28,829 --> 00:21:32,250
BUT ON MY LIFE, I DON'T KNOW
WHO KILLED FELIX HANSON.
452
00:21:32,291 --> 00:21:34,252
GIVE ME SOME GUIDANCE HERE.
(slaps thighs)
453
00:21:34,293 --> 00:21:36,295
WHAT--WHAT--WHAT DO YOU WANT
TO KNOW ABOUT?
454
00:21:36,336 --> 00:21:37,671
FREDERICK ROSS.
455
00:21:37,713 --> 00:21:40,716
ROSS? FREDDIE ROSS,
THE DRUG DEALER?
456
00:21:40,758 --> 00:21:42,718
WHAT ABOUT HIM?
457
00:21:42,760 --> 00:21:44,887
MAYBE.
WHERE WE CAN FIND HIM?
DO YOU KNOW
458
00:21:44,929 --> 00:21:49,809
GIVE US ROSS, AND YOU'RE FREE
TO GO, CHARGES EXPUNGED.
459
00:21:49,850 --> 00:21:52,019
DEAL.
460
00:21:52,061 --> 00:21:55,106
(rock music playing)
461
00:21:55,148 --> 00:21:58,943
(indistinct conversations)
462
00:22:23,425 --> 00:22:24,927
THERE HE IS.
463
00:22:28,848 --> 00:22:30,850
I GOT THE HOODIE.
464
00:22:36,730 --> 00:22:39,357
HUH?
GOTCHA!
465
00:22:41,110 --> 00:22:42,486
(sighs)
466
00:22:42,528 --> 00:22:45,072
SYDNEY HANSON.
(Rigsby) COME ON.
467
00:22:45,114 --> 00:22:47,116
LET'S GO.
468
00:22:50,161 --> 00:22:53,206
WELL, IT'S GOOD TO SEE YOU
AGAIN, IN OUR CUSTODY.
469
00:22:53,247 --> 00:22:56,416
HOW DO YOU KNOW
FELIX HANSON?
I NEVER MET THE MAN
IN MY LIFE.
470
00:22:56,458 --> 00:22:59,879
MINUTES BEFORE HE WAS SHOT.
I WAS IN BED.
HE CALLED YOUR CELL PHONE
471
00:22:59,920 --> 00:23:01,881
CAN ANYONE ATTEST TO THAT?
BRUCE.
472
00:23:01,922 --> 00:23:04,967
WHERE CAN WE FIND BRUCE?
PROBABLY ON MY KITCHEN FLOOR,
473
00:23:05,009 --> 00:23:08,137
THAT I LEFT FOR HIM. (laughs)
CHEWING ON A PIG'S EAR
474
00:23:08,179 --> 00:23:10,388
HMM. WHAT DID HANSON SAY
WHEN HE CALLED YOU?
475
00:23:10,430 --> 00:23:14,476
HE TOLD ME TO STAY AWAY
FROM HIS LITTLE GIRL.
476
00:23:14,518 --> 00:23:17,813
YOU SLEEPING WITH HER?
COME ON. WHAT IS SHE, LIKE 10?
477
00:23:17,855 --> 00:23:19,815
16.
478
00:23:19,857 --> 00:23:23,361
WHATEVER. I'M NOT A PERVERT.
479
00:23:23,401 --> 00:23:26,613
HE'S THE ONE WHO'D BUY FROM ME.
I KNOW HER BOYFRIEND.
480
00:23:26,655 --> 00:23:28,115
BRANDON FULTON.
481
00:23:28,157 --> 00:23:31,285
LITTLE BAD BOY.
482
00:23:31,327 --> 00:23:33,537
HANSON HAD 'EM BOTH FOLLOWED.
483
00:23:33,579 --> 00:23:36,414
SHAZAM! LET HIM RIGHT TO ME.
484
00:23:36,456 --> 00:23:39,626
A NEW SYSTEM GOING, YOU KNOW?
I REALLY DO HAVE TO GET
485
00:23:39,668 --> 00:23:41,628
RETAIL DRUGS IS FOR SUCKERS.
486
00:23:41,670 --> 00:23:43,463
SO WHERE'S BRANDON NOW?
487
00:23:43,505 --> 00:23:45,091
I DON'T KNOW.
488
00:23:45,132 --> 00:23:47,843
I MEAN, WE NEVER HUNG OUT,
EXCEPT FOR BUSINESS.
489
00:23:47,885 --> 00:23:50,804
SO HANSON FOUND OUT THAT BRANDON
GOT SYDNEY HOOKED ON DRUGS
490
00:23:50,846 --> 00:23:52,806
AND TRACED THE DRUGS
BACK TO YOU.
491
00:23:52,848 --> 00:23:54,808
YOU SHOULD WRITE THAT DOWN,
SEE, YOU KNOW,
492
00:23:54,850 --> 00:23:57,519
YOU KNOW, GET A PITCH TOGETHER.
YOU GOT A MURDER, INTRIGUE,
493
00:23:57,561 --> 00:24:00,189
ALL WE NEED IS AN ENDING.
YOUNG LOVE.
YEAH,
494
00:24:00,231 --> 00:24:02,191
TO DO YOU SOME DAMAGE.
HANSON WANTED
495
00:24:02,233 --> 00:24:03,984
IF YOU KILLED HIM OFF PROTECTING
YOURSELF, THAT'S SELF-DEFENSE,
496
00:24:04,026 --> 00:24:05,443
JUSTIFIABLE HOMICIDE.
497
00:24:05,485 --> 00:24:08,906
CAN I CALL MY LAWYER NOW?
THANKS FOR THE TIP.
498
00:24:08,948 --> 00:24:10,408
PLEASE?
499
00:24:10,448 --> 00:24:13,119
HOW LONG HAVE YOU BEEN
USING DRUGS, SYDNEY?
500
00:24:13,160 --> 00:24:16,580
YOU SOUND LIKE MY FATHER.
YEAH, WELL, YOU FATHER WASN'T
GONNA THROW YOU IN JUVIE,
(scoffs)
501
00:24:16,622 --> 00:24:19,959
WAS HE? THAT WAS YOUR WEED
AND YOUR PILLS
502
00:24:20,000 --> 00:24:22,544
YOU FIGURE IT OUT.
YOU'RE THE MAN.
WE FOUND IN THE CAR,
WASN'T IT?
503
00:24:22,586 --> 00:24:25,505
MADE YOU PRETTY MAD
IT MUST HAVE
504
00:24:25,547 --> 00:24:28,508
THE FIRST TIME IT HAPPENED,
WHEN YOUR DAD TOOK YOUR DRUGS
YEAH, WELL, IT'S NOT
AWAY FROM YOU.
505
00:24:28,550 --> 00:24:30,636
AND I CAN ALWAYS GET MORE.
FROM FREDDIE ROSS?
506
00:24:30,677 --> 00:24:33,389
FROM WHOEVER.
507
00:24:33,431 --> 00:24:36,434
I DON'T KNOW. AROUND.
WHERE'D YOU MEET FREDDIE?
508
00:24:36,474 --> 00:24:39,103
FREDDIE SAYS BRANDON FULTON
HOOKED YOU UP.
509
00:24:39,145 --> 00:24:42,815
BRANDON'S NOT LIKE
PEOPLE SAY HE IS.
510
00:24:42,856 --> 00:24:44,817
BRANDON FULTON, ACTOR,
19 YEARS OLD,
511
00:24:44,858 --> 00:24:46,484
NINE PRIOR ARRESTS--
512
00:24:46,526 --> 00:24:49,738
D.U.I., DRUG POSSESSION,
DISORDERLY CONDUCT.
513
00:24:49,780 --> 00:24:51,365
SHALL I GO ON?
514
00:24:51,407 --> 00:24:53,659
(chuckles) WHY DO WOMEN LOVE
BAD BOYS SO MUCH?
515
00:24:53,700 --> 00:24:56,787
I DON'T GET IT. WHY DO THEY LOVE
'EM? WHAT DO YOU THINK, SYDNEY?
CAN I GO NOW?
516
00:24:56,829 --> 00:24:59,497
FORBADE YOU FROM SEEING BRANDON.
IN A MINUTE. YOUR PARENTS
517
00:24:59,539 --> 00:25:03,419
YES.
YOUR MOM TO SEE THE PICTURE.
THAT'S WHY YOU DIDN'T WANT
518
00:25:03,461 --> 00:25:06,880
HE WAS A BAD INFLUENCE.
YOU KNOW, THEY SAID
WHY DIDN'T SHE LIKE HIM?
519
00:25:06,922 --> 00:25:09,383
DID HE MAKE YOU DO SOMETHING?
520
00:25:12,428 --> 00:25:15,473
WE NEEDED SOME CASH, SO I TOOK
SOME STUFF FROM THE HOUSE.
521
00:25:15,513 --> 00:25:17,475
LIKE WHAT?
522
00:25:17,515 --> 00:25:20,102
SOME OLD GUN, PILLS.
LIKE STUFF--MONEY,
523
00:25:20,144 --> 00:25:22,688
GUN? WHAT KIND OF GUN?
524
00:25:22,729 --> 00:25:24,815
I DON'T KNOW. A GUN.
525
00:25:24,857 --> 00:25:26,817
AND BRANDON SOLD IT
FOR CASH.
526
00:25:26,859 --> 00:25:29,611
YOUR PRINCE. THAT MAKE YOU MAD?
YOU PARENTS STOPPED YOU SEEING
527
00:25:29,653 --> 00:25:33,324
OF COURSE.
SO YOU JUST KEPT ON
SEEING HIM?
528
00:25:33,366 --> 00:25:35,533
NO. NO, I HAVE NOT SEEN HIM.
OH.
529
00:25:35,575 --> 00:25:38,662
CALLING YOUR HOUSE REGULARLY.
PHONE RECORDS SAY HE'S BEEN
530
00:25:38,704 --> 00:25:40,414
WELL, THAT'S NOT...
531
00:25:40,456 --> 00:25:44,251
I-I-I DON'T KNOW. WHATEVER.
THAT'S--I DON'T--
532
00:25:44,293 --> 00:25:46,795
I DON'T KNOW WHERE HE IS.
WHERE IS HE NOW?
533
00:25:53,551 --> 00:25:56,305
BRANDON'S NOT A BAD KID.
YOU KNOW,
534
00:25:56,347 --> 00:25:59,557
AND WAY TOO WILD FOR SYDNEY.
HE'S JUST TOO OLD
535
00:25:59,599 --> 00:26:01,559
SHE SAID SHE STOLE A GUN,
536
00:26:01,601 --> 00:26:03,561
ALONG WITH SOME OTHER THINGS
FROM THE HOUSE.
537
00:26:03,603 --> 00:26:06,190
IT WAS SOME OLD ARMY THING
YEAH,
538
00:26:06,232 --> 00:26:09,651
THAT FELIX LIKED
TO KEEP AROUND.
539
00:26:09,693 --> 00:26:11,445
WHAT CALIBER?
540
00:26:11,487 --> 00:26:14,907
PLEASE, SIT DOWN.
.45, I BELIEVE.
541
00:26:14,948 --> 00:26:19,577
A FOOLISH GIRL'S MISTAKE.
NO, IT WAS
YOU DIDN'T REPORT
THE THEFT?
542
00:26:19,619 --> 00:26:23,707
YOUR HUSBAND WAS MURDERED
WITH A .45.
543
00:26:23,749 --> 00:26:25,959
THAT'S A COINCIDENCE.
NO, THAT--
544
00:26:26,001 --> 00:26:28,462
SYDNEY LOVED HER FATHER.
545
00:26:28,504 --> 00:26:30,172
NO.
546
00:26:30,214 --> 00:26:31,924
NO.
WHAT ABOUT BRANDON?
547
00:26:31,965 --> 00:26:34,676
THERE'S NO MALICE IN HIM.
HE'S A MIXED-UP KID.
548
00:26:34,718 --> 00:26:36,636
HMM.
549
00:26:36,678 --> 00:26:40,015
YOU KNEW THE DRUGS IN FELIX'S
CAR WERE SYDNEY'S ALL ALONG.
550
00:26:42,268 --> 00:26:43,977
YES.
551
00:26:44,019 --> 00:26:45,771
(laughs) YOU'RE GOOD.
552
00:26:45,812 --> 00:26:47,398
SHE--WOW.
553
00:26:47,440 --> 00:26:50,817
FELIX FOUND THE DRUGS
A FEW DAYS AGO.
554
00:26:50,859 --> 00:26:54,071
HE WAS HEARTBROKEN BECAUSE
SHE HAD PROMISED TO STOP.
555
00:26:54,113 --> 00:26:57,615
WHILE WE DEBATED WHAT TO DO.
SO HE HELD ON TO THEM
556
00:26:57,657 --> 00:27:00,827
AND NOW THAT FELIX IS GONE,
WHAT ARE YOU GONNA DO?
557
00:27:00,869 --> 00:27:02,329
FORGIVE HER.
558
00:27:02,371 --> 00:27:03,705
SHOW HER LOVE.
559
00:27:03,747 --> 00:27:05,458
WE ALL MAKE MISTAKES,
560
00:27:05,499 --> 00:27:08,502
BUT WE HAVE THE POWER TO GIVE
OURSELVES A SECOND CHANCE.
561
00:27:08,544 --> 00:27:11,464
IF SYDNEY AND BRANDON
DO YOU KNOW
562
00:27:11,505 --> 00:27:13,591
WERE STILL SEEING
EACH OTHER?
563
00:27:13,631 --> 00:27:15,426
DID YOU ASK HER?
564
00:27:15,468 --> 00:27:18,636
I DID. SHE SAID SHE HADN'T SEEN
HIM SINCE YOU BANNED HIM.
565
00:27:18,678 --> 00:27:20,473
THEN I BELIEVE HER.
566
00:27:20,514 --> 00:27:22,891
HE HAS BEEN CALLING THIS HOUSE
REGULARLY.
567
00:27:22,933 --> 00:27:26,644
OH, GOD. SYDNEY...
568
00:27:26,686 --> 00:27:28,606
BRANDON DROPPED OUT OF SIGHT
569
00:27:28,646 --> 00:27:31,275
AFTER THE MURDER
OF YOUR HUSBAND.
570
00:27:31,317 --> 00:27:33,319
NO. I...
571
00:27:33,360 --> 00:27:35,321
I REFUSE TO BELIEVE IT.
572
00:27:35,362 --> 00:27:37,864
I... I REFUSE.
573
00:27:37,906 --> 00:27:40,784
WHEN CAN SHE COME HOME?
I NEED TO SEE SYDNEY.
574
00:27:40,826 --> 00:27:42,411
SHE'S ON HER WAY.
575
00:27:42,453 --> 00:27:44,580
REGARDING THE DRUG OFFENSE.
THERE'S NO CHARGES
576
00:27:44,622 --> 00:27:46,290
OH, GOD.
577
00:27:46,332 --> 00:27:49,751
KINDNESS AND YOUR UNDERSTANDING.
THANK YOU SO MUCH FOR YOUR
578
00:27:49,793 --> 00:27:51,545
THANK YOU.
579
00:27:53,297 --> 00:27:54,632
THAT'S OKAY.
580
00:27:54,672 --> 00:27:57,675
OF LEEWAY IN JUVENILE CASES.
THERE'S A LOT
581
00:27:57,717 --> 00:28:00,971
I'LL ALWAYS BE
VERY GRATEFUL.
582
00:28:07,019 --> 00:28:09,480
OOH! SHE WAS SOME WOMAN
583
00:28:09,522 --> 00:28:12,483
TO MAKE THE MIGHTY AGENT LISBON
BLUSH LIKE A SCHOOLGIRL.
584
00:28:12,525 --> 00:28:14,485
OH, PLEASE. I DID NOT.
585
00:28:14,527 --> 00:28:16,487
YOU KNOW WHAT I PREDICT?
NOPE.
586
00:28:16,529 --> 00:28:18,489
GUESS.
OH, JUST TELL ME.
587
00:28:18,531 --> 00:28:20,991
NO, I THINK YOU SHOULD GUESS.
IT'S GOOD FOR YOU.
588
00:28:21,033 --> 00:28:23,452
I PREDICT THAT BRANDON FULTON
WILL PAY A VISIT
589
00:28:23,494 --> 00:28:25,745
TO THE HANSON RESIDENCE
THIS EVENING.
YOU THINK? WOULDN'T BE
TOO CLEVER OF HIM.
590
00:28:25,787 --> 00:28:28,374
IT'S OFTEN PRETTY STUPID.
WELL, LOVE IS NOT BLIND.
591
00:28:28,415 --> 00:28:30,417
I'LL ARRANGE A STAKEOUT.
592
00:28:33,962 --> 00:28:36,048
(crickets chirping)
593
00:28:36,089 --> 00:28:37,508
OH, YEAH.
594
00:28:37,550 --> 00:28:40,302
WHEN I'M SUPER RICH,
I'M GONNA LIVE HERE.
595
00:28:40,344 --> 00:28:42,304
CAN'T BEAT THE SOUND
OF THE WAVES, AH?
596
00:28:42,346 --> 00:28:44,139
THAT'LL DO THAT FOR YA--
THEY'VE GOT GADGETS
597
00:28:44,181 --> 00:28:46,559
THE SOUND OF WAVES
ON THE BEACH,
598
00:28:46,600 --> 00:28:50,604
JUNGLE SOUNDS, ROARING FIRE.
THE REAL LIVE PACIFIC OCEAN,
YEAH, WELL, IT'S NOT QUITE
599
00:28:50,646 --> 00:28:53,815
YOU DON'T BECOME SUPER RICH.
IT'S CHEAPER, IN THE EVENT
THOUGH, IS IT?
600
00:28:53,857 --> 00:28:56,569
I KNOW.
I'LL BE--I'LL BE SUPER RICH.
OH, I'LL BE RICH.
601
00:28:56,610 --> 00:29:01,114
THE EAGLE HAS LANDED.
(Rigsby) HEY.
602
00:29:04,660 --> 00:29:07,079
OH, CRAP.
603
00:29:07,120 --> 00:29:09,582
HE MUST HAVE KEYS.
HE'S ALREADY IN.
604
00:29:45,659 --> 00:29:47,953
(grunts)
605
00:29:47,994 --> 00:29:51,290
OH. OH, GOD. HELP ME.
OH! HELP ME!
606
00:29:51,331 --> 00:29:54,460
HELP!
607
00:29:54,501 --> 00:29:56,462
DROP THE GUN, MA'AM!
OH!
608
00:29:56,503 --> 00:29:58,505
(gun thuds)
(whimpers)
609
00:29:58,547 --> 00:30:00,466
(crying) HAVE I KILLED HIM?
GET BACK.
610
00:30:00,507 --> 00:30:02,468
OH, GOD. IS HE DEAD?
611
00:30:02,509 --> 00:30:04,595
HAVE I KILLED HIM?
612
00:30:04,637 --> 00:30:06,597
THIS IS AGENT CHO, CBI.
613
00:30:06,639 --> 00:30:08,807
AT 43565 TRANCAS BEACH ROAD.
WE NEED PARAMEDICS
614
00:30:08,848 --> 00:30:11,727
A GUNSHOT WOUND TO THE ABDOMEN.
WE GOT A JUVIE MALE WITH
OH!
615
00:30:11,769 --> 00:30:13,479
OH! I JUST PANICKED.
616
00:30:13,520 --> 00:30:16,898
AND I PANICKED. I JUST PANICKED.
I-I JUST SAW--I SAW THE GUN,
617
00:30:16,940 --> 00:30:18,609
IS HE GONNA BE OKAY?
618
00:30:18,651 --> 00:30:21,403
HEY. .45.
NICE. IS HE OKAY?
619
00:30:21,445 --> 00:30:23,863
HOPE SO.
620
00:30:23,905 --> 00:30:26,533
HEY, HEY, HEY, HEY, HEY.
NO, NO, NO, NO, NO.
OH, MY GOD. BRANDON!
WHAT HAPPENED?
621
00:30:26,575 --> 00:30:27,993
COME ON. NO, NO. NO.
PLEASE. PLEASE.
622
00:30:28,034 --> 00:30:29,495
HE'S ALL RIGHT. COME ON.
HE'S ALL RIGHT.
PLEASE. WHAT?
623
00:30:29,536 --> 00:30:32,872
(Cho) IT'S ALL RIGHT.
IT'S ALL RIGHT.
HEY, BOSS.
624
00:30:32,914 --> 00:30:36,460
HEY, WE GOT A GOOD NEWS/
BAD NEWS SITUATION HERE.
(sobbing)
625
00:30:40,964 --> 00:30:42,841
NOW THERE ARE NO GUARANTEES,
626
00:30:42,882 --> 00:30:44,843
THERE WON'T BE ANY CHARGES
BUT AS OF NOW,
627
00:30:44,884 --> 00:30:46,928
FOR SHOOTING BRANDON.
PRESSED AGAINST YOU
628
00:30:46,970 --> 00:30:51,016
OH, THANK GOODNESS FOR THAT.
OH.
629
00:30:51,057 --> 00:30:53,018
IS HE GONNA BE ALL RIGHT?
630
00:30:53,059 --> 00:30:55,604
YEAH, HE'LL BE FINE.
631
00:30:55,646 --> 00:30:59,316
WELL, THAT'S A RELIEF.
632
00:30:59,358 --> 00:31:02,319
BUT WHAT WAS HE THINKING,
I MEAN, I FEEL TERRIBLE,
633
00:31:02,361 --> 00:31:05,238
SNEAKING AROUND OUR HOUSE
WITH A GUN?
634
00:31:05,280 --> 00:31:07,533
WHAT DOES HE SAY
HE WAS DOING?
635
00:31:07,574 --> 00:31:08,908
HE'S STILL RECOVERING
FROM SURGERY.
636
00:31:08,950 --> 00:31:11,704
WE'RE GONNA TALK TO HIM
AS SOON AS WE CAN.
OKAY.
637
00:31:11,745 --> 00:31:12,746
THE GUN HE WAS CARRYING WAS
638
00:31:12,788 --> 00:31:14,832
THE GUN THAT KILLED
YOUR HUSBAND.
639
00:31:14,873 --> 00:31:16,792
IT'S THE GUN SYDNEY STOLE
FROM YOUR HOUSE.
640
00:31:20,379 --> 00:31:21,963
OH, MY GOD.
641
00:31:22,005 --> 00:31:25,217
AN ACCESSORY TO MURDER.
YES. SYDNEY MAY BE
642
00:31:35,519 --> 00:31:38,397
WHY WERE YOU THERE LAST NIGHT,
BRANDON?
643
00:31:38,438 --> 00:31:40,399
PLANNING ON DOING?
WHAT WERE YOU
644
00:31:40,440 --> 00:31:43,109
I WAS VISITING MY GIRLFRIEND.
BEFORE YOU NAZIS SHOT ME?
645
00:31:43,151 --> 00:31:45,028
WE DIDN'T SHOOT YOU.
646
00:31:45,070 --> 00:31:48,156
YEAH, TELL THAT TO THE JUDGE.
I'M SUING YOUR ASS, BIG-TIME.
647
00:31:48,198 --> 00:31:50,158
YEAH, OKAY, THAT'S A PLAN.
648
00:31:50,200 --> 00:31:51,326
HERE'S YOUR PROBLEM,
BRANDON--
649
00:31:51,368 --> 00:31:52,952
THE GUN THAT YOU WERE
CARRYING LAST NIGHT
650
00:31:52,994 --> 00:31:54,913
USED TO KILL FELIX HANSON,
WAS THE SAME GUN
651
00:31:54,954 --> 00:31:56,415
THE GUN THAT SYDNEY
STOLE FOR YOU,
652
00:31:56,456 --> 00:31:58,458
IN A WHOLE LOT OF TROUBLE.
WHICH PUTS YOU BOTH
653
00:32:00,919 --> 00:32:03,963
DID SYDNEY KNOW?
I HAVE NOTHING TO SAY
ABOUT THAT.
654
00:32:04,005 --> 00:32:06,174
DID SHE KNOW WHAT?
655
00:32:06,216 --> 00:32:10,053
DID SHE KNOW YOU WERE GONNA USE
THE GUN TO KILL HER FATHER?
I DIDN'T.
656
00:32:10,095 --> 00:32:12,389
DID SHE ASK YOU TO DO IT?
I DIDN'T KILL HIM.
657
00:32:12,431 --> 00:32:14,974
WE KNOW YOU KILLED HIM.
THAT SHIP HAS SAILED.
658
00:32:15,016 --> 00:32:17,770
THE MURDER OF FELIX HANSON.
WE'RE CHARGING YOU WITH
659
00:32:17,811 --> 00:32:21,565
WE JUST WANT TO KNOW
IF SYDNEY'S INVOLVED.
660
00:32:21,607 --> 00:32:24,902
YOU PEOPLE HAVE NO IDEA
WHO HE REALLY WAS.
661
00:32:24,943 --> 00:32:27,362
HE WAS A MONSTER,
TOTAL SADDIST.
662
00:32:27,404 --> 00:32:30,365
A SADIST?
HE LIKED TO HURT PEOPLE.
WHATEVER, MAN.
663
00:32:30,407 --> 00:32:32,785
AND THAT WOULD BE A GOOD REASON
TO KILL A MAN
664
00:32:32,826 --> 00:32:35,913
SOMEONE THAT YOU LOVE.
IF HE WAS HURTING
WOULD DO THE SAME.
YEAH, ANY MAN
665
00:32:35,954 --> 00:32:39,040
IS THAT WHAT SHE TOLD YOU?
DID HE HURT SYDNEY?
666
00:32:39,082 --> 00:32:41,919
NEEDED TO DIE? TO PROTECT HER?
DID SHE PERSUADE YOU THAT HE
667
00:32:46,423 --> 00:32:48,759
I'M SAYING NOTHING.
668
00:32:48,801 --> 00:32:50,218
I WANT MY LAWYER.
669
00:32:50,260 --> 00:32:52,095
(grunts)
670
00:32:52,137 --> 00:32:54,973
police radio chatter)
(indistinct
671
00:32:58,977 --> 00:33:02,063
HEY, BOSS. HE'S LAWYERED UP
AND ADMITTING NOTHING.
672
00:33:02,105 --> 00:33:05,692
TOUGH TO GET A CONVICTION
WITH WHAT WE HAVE SO FAR.
BUT WE HAVE THE MURDER WEAPON.
WE DON'T NEED A CONFESSION.
673
00:33:05,734 --> 00:33:08,403
A DOUBLE-EDGED SWORD, KIND OF.
YEAH, THE GUN'S
674
00:33:08,445 --> 00:33:11,907
AND WE RECOVERED IT
IN HANSON'S HOUSE.
BELONGED TO FELIX HANSON,
WAS NEVER REPORTED STOLEN.
675
00:33:11,949 --> 00:33:14,910
OR FROM THE FLOOR. WE NEVER SAW
IT IN BRANDON'S POSSESSION.
FROM BRANDON.
676
00:33:14,952 --> 00:33:17,996
NO RECOVERABLE PRINTS.
WE CAN'T PUT HANSON AND THE GUN
AND THERE'S
IN A COURTROOM,
677
00:33:18,037 --> 00:33:22,041
SO WITHOUT AN ACTUAL CONFESSION
TOGETHER IN THE SAME PLACE.
FROM BRANDON, WE'RE STUCK.
AND BRANDON
678
00:33:22,083 --> 00:33:24,461
OR A CONFESSION FROM SYDNEY.
679
00:33:24,503 --> 00:33:27,255
THERE'S NO WAY THAT BRANDON
DID THIS WITHOUT HER SAY SO.
680
00:33:27,297 --> 00:33:30,008
RIGHT?
IS AN EXCELLENT QUESTION.
THAT, MY DEAR,
681
00:33:34,429 --> 00:33:36,389
IS BRANDON GONNA BE OKAY?
682
00:33:36,431 --> 00:33:39,935
HE'LL LIVE.
I NEED TO TALK TO HIM.
I WANT TO SEE HIM.
683
00:33:39,977 --> 00:33:43,355
AND, UH, WHAT WOULD YOU SAY
THAT'S NOT YOUR BUSINESS.
TO HIM?
684
00:33:43,396 --> 00:33:45,941
I THINK I KNOW WHAT HAPPENED
HERE, SYDNEY.
685
00:33:45,983 --> 00:33:47,943
I'M WONDERING IF YOU DO, TOO.
686
00:33:47,985 --> 00:33:51,321
MY BOYFRIEND SHOT MY DAD,
UH, YEAH.
687
00:33:51,363 --> 00:33:53,949
AND THEN MY STEPMOM
SHOT MY BOYFRIEND.
688
00:33:53,991 --> 00:33:56,910
MY LIFE IS LIKE A SICK JOKE.
WHY WOULD BRANDON KILL YOUR DAD
SO TELL ME, SYDNEY,
689
00:33:56,952 --> 00:33:59,872
UNLESS YOU WANTED HIM TO?
UNLESS YOU ASKED HIM TO?
690
00:34:01,623 --> 00:34:03,792
I DIDN'T ASK HIM
TO DO ANYTHING.
691
00:34:03,834 --> 00:34:06,336
CAN YOU LOOK AT ME
AND SAY THAT?
692
00:34:08,380 --> 00:34:11,842
I DIDN'T ASK HIM
TO DO ANYTHING.
693
00:34:11,884 --> 00:34:15,345
I LOVED MY FATHER. I DID.
694
00:34:15,387 --> 00:34:18,724
WHO?
MAYBE SOMEONE ELSE
MADE HIM DO IT.
695
00:34:18,765 --> 00:34:21,852
YOU TELL ME.
696
00:34:39,912 --> 00:34:42,372
(exhales quickly)
697
00:34:50,129 --> 00:34:52,424
WHAT ARE YOU THINKING?
698
00:34:52,465 --> 00:34:55,468
I'M THINKING FELICIA AND SYDNEY
SHOULD GO BACK TO WORK.
699
00:34:55,510 --> 00:34:57,470
OH, REALLY? WHY SO?
700
00:34:57,512 --> 00:35:00,933
"ALL THE WORLD'S A STAGE,
A GREAT MAN ONCE SAID,
701
00:35:00,974 --> 00:35:03,393
AND ALL THE MEN AND WOMEN
MERELY PLAYERS."
702
00:35:03,435 --> 00:35:05,938
OH, REALLY?
REALLY.
703
00:35:05,979 --> 00:35:08,857
HUH.
704
00:35:08,899 --> 00:35:10,525
LADIES, GOOD MORNING.
705
00:35:10,567 --> 00:35:12,652
MORNING.
HOW ARE YOU?
706
00:35:12,694 --> 00:35:15,447
MM, FINE.
THINKING BEFORE WE ROLL,
OKAY. LISTEN, I WAS
707
00:35:15,488 --> 00:35:16,865
THROUGH THE WHOLE THING
WHY DON'T WE JUST RUN
708
00:35:16,907 --> 00:35:19,325
FROM THE TOP FOR FUN, OKAY?
MM-HMM. SURE.
709
00:35:19,367 --> 00:35:21,119
BEING ON PAGE TOO MUCH.
DON'T WORRY ABOUT
710
00:35:21,160 --> 00:35:22,328
JUST USE YOUR INSTINCTS,
711
00:35:22,370 --> 00:35:23,538
OKAY.
WHAT HAPPENS, OKAY?
AND LET'S SEE
712
00:35:23,580 --> 00:35:26,083
ALL RIGHTY. SHOOT IT.
713
00:35:31,129 --> 00:35:32,631
(Gabriel) OKAY!
714
00:35:32,672 --> 00:35:35,258
LET'S SEE HOW THIS GOES.
715
00:35:35,300 --> 00:35:37,218
AND...
716
00:35:37,260 --> 00:35:39,345
DAISY, WHERE ARE YOU?
(Felicia)
ACTION.
717
00:35:39,387 --> 00:35:41,306
I'M RIGHT HERE, MOM.
(Sydney)
718
00:35:43,767 --> 00:35:47,813
YOU LOOK... GOOD.
LOOK AT YOU.
719
00:35:47,854 --> 00:35:51,024
THANKS. WHAT WERE YOU
CALLING ME ABOUT?
720
00:35:51,066 --> 00:35:53,276
I JUST WANTED TO MAKE SURE
YOU WERE ON YOUR WAY.
721
00:35:53,318 --> 00:35:55,278
WHY IS IT SO IMPORTANT
I BE HERE?
722
00:35:55,320 --> 00:35:57,906
I DID A NAUGHTY THING.
723
00:35:57,948 --> 00:36:00,033
I CALLED ROWAN.
HE'S ON HIS WAY.
724
00:36:00,075 --> 00:36:02,911
I PRETENDED TO BE YOU.
OH, NO. YOU DIDN'T.
725
00:36:02,953 --> 00:36:05,038
I'M SORRY, BUNNY.
OH, YES, I DID.
726
00:36:05,080 --> 00:36:06,999
WHY WOULD YOU DO THAT?
727
00:36:07,040 --> 00:36:10,669
WHY PLAY GAMES? YOU'VE ALREADY
SEDUCED HIM AWAY FROM ME.
728
00:36:10,710 --> 00:36:12,337
I DID NOT.
729
00:36:12,378 --> 00:36:14,631
WHY WOULD YOU SAY THAT?
(chuckles)
730
00:36:14,673 --> 00:36:18,301
STOP ACTING! IT'S OVER.
I KNOW WHAT YOU DID.
731
00:36:18,343 --> 00:36:21,304
YOU'VE ALWAYS HATED ME.
I KNOW WHO YOU ARE.
732
00:36:21,346 --> 00:36:23,098
YOU SEDUCED BRANDON,
733
00:36:23,140 --> 00:36:26,101
AND YOU LIED TO HIM, AND YOU
MADE HIM KILL MY FATHER!
734
00:36:26,143 --> 00:36:28,895
ALL RIGHT. GABE--
YOU'RE NOT GOING ANYWHERE!
NO,
735
00:36:28,937 --> 00:36:31,106
SHE'S GONE MAD.
GABE, CUT IT.
NO!
736
00:36:31,148 --> 00:36:33,984
I'LL LET YOU GO AFTER YOU
TELL THEM IT'S NOT TRUE.
737
00:36:34,026 --> 00:36:37,278
I...
TELL THEM I'M WRONG.
TELL THEM!
738
00:36:37,320 --> 00:36:40,490
IT'S NOT TRUE. IT'S...
739
00:36:40,532 --> 00:36:42,909
NO, IT'S NOT.
740
00:36:42,951 --> 00:36:45,745
IT'S--IT'S NOT.
IT'S NOT TRUE.
GOD, YOU'RE SUCH A LIAR.
741
00:36:45,787 --> 00:36:48,040
THIS IS RIDICULOUS.
742
00:36:48,081 --> 00:36:50,042
WHAT HE SAID TO YOU,
I DON'T KNOW
743
00:36:50,083 --> 00:36:53,378
BUT IT'S NONSENSE.
744
00:36:53,419 --> 00:36:56,631
THIS IS UPSETTING TO ME
AND UNFAIR.
745
00:36:56,673 --> 00:36:59,009
SYDNEY, TERRIFIC.
JUST TERRIFIC.
746
00:36:59,051 --> 00:37:02,012
YOU'RE WOODEN, HIGH-PITCHED.
YOU, UH, I'M NOT BUYING IT.
747
00:37:02,054 --> 00:37:04,848
BELIEVE IT, AND THEN WE WILL.
BELIEVE IT, FELICIA.
748
00:37:04,890 --> 00:37:08,977
OKAY? LET'S TRY ONE MORE FROM,
UH, "THIS IS RIDICULOUS."
749
00:37:09,019 --> 00:37:11,104
THIS IS...
750
00:37:11,146 --> 00:37:13,523
I'M SORRY. I DON'T UNDERSTAND.
(voice breaking) I'M...
751
00:37:13,565 --> 00:37:15,525
IT'S EASY TO UNDERSTAND.
752
00:37:15,567 --> 00:37:18,153
THAT FELIX WAS ABUSING YOU.
YOU TOLD BRANDON
753
00:37:18,195 --> 00:37:20,613
YOU PERSUADED BRANDON
TO KILL FELIX.
754
00:37:20,655 --> 00:37:22,574
HE'D CONFESS TO THE POLICE,
WHEN YOU FEARED
755
00:37:22,615 --> 00:37:26,119
PLANNING TO KILL HIM AS WELL.
YOU LURED HIM TO THE HOUSE,
756
00:37:26,161 --> 00:37:28,246
BUT NOW SYDNEY SEES THE TRUTH.
SHE KNOWS THAT YOU'RE
757
00:37:28,287 --> 00:37:30,248
A CONNIVING, MURDEROUS BITCH.
758
00:37:30,289 --> 00:37:32,751
WAY TOO MELODRAMATIC.
759
00:37:32,792 --> 00:37:34,252
YOUR WHOLE WORLD
IS FALLING APART.
760
00:37:34,293 --> 00:37:36,254
UNLESS YOU CAN CONVINCE US
YOU'RE DONE
761
00:37:36,295 --> 00:37:38,297
TELLING THE TRUTH NOW.
THAT YOU ARE
762
00:37:41,009 --> 00:37:42,385
MY W--
763
00:37:42,427 --> 00:37:45,097
MY WORK IS ALWAYS TRUTHFUL.
764
00:37:45,138 --> 00:37:46,681
(groans)
765
00:37:46,723 --> 00:37:49,434
AFTERNOON SOAP IN THERE.
THERE'S A LITTLE
766
00:37:51,603 --> 00:37:54,439
THAT'S A TERRIBLE THING
TO SAY.
767
00:37:57,109 --> 00:38:00,445
TELL US THE TRUTH, FELICIA.
768
00:38:00,486 --> 00:38:03,073
MAKE IT REAL.
769
00:38:03,115 --> 00:38:05,033
YOU CAN DO IT.
770
00:38:06,785 --> 00:38:09,121
(whimpers)
771
00:38:12,540 --> 00:38:15,001
(crying)
772
00:38:28,098 --> 00:38:31,143
OH, GOD, I'M SORRY.
(whispers)
773
00:38:31,184 --> 00:38:33,979
WHAT WAS THAT? SPEAK UP.
774
00:38:40,359 --> 00:38:41,987
I'M S-SORRY.
775
00:38:42,028 --> 00:38:44,197
FOR WHAT?
776
00:38:47,366 --> 00:38:49,577
I-I WAS ANGRY.
777
00:38:51,746 --> 00:38:55,374
HE CHANGED HIS MIND OVER
"SCRIPT ISSUES," HE SAID.
778
00:38:55,416 --> 00:38:58,003
HE DIDN'T WANT ME OUT THERE,
BEING SUCCESSFUL,
779
00:38:58,044 --> 00:39:00,088
HAVING OTHER MEN LOOK AT ME
AND WANT ME.
780
00:39:00,130 --> 00:39:02,090
IT MADE HIM FEEL INSECURE.
781
00:39:02,132 --> 00:39:04,968
I GAVE UP MY LIFE
TO BE WITH HIM.
782
00:39:05,010 --> 00:39:09,848
WOULDN'T LET ME HAVE IT BACK.
THIS IS MY LIFE, AND HE
783
00:39:09,889 --> 00:39:12,642
HE WAS SUFFOCATING ME.
784
00:39:12,684 --> 00:39:15,312
IT WAS A FORM OF ABUSE.
(sniffles)
785
00:39:21,151 --> 00:39:23,069
(crying)
786
00:39:30,118 --> 00:39:31,786
(door closes)
787
00:39:31,828 --> 00:39:33,746
HEY. IS SYDNEY HERE?
788
00:39:33,788 --> 00:39:36,958
NO, SHE'S OUT.
789
00:39:37,000 --> 00:39:40,419
BRANDON CAME ALONG
AT A WEAK MOMENT.
790
00:39:40,461 --> 00:39:43,006
WHY DON'T YOU COME
SIT DOWN WITH ME?
791
00:39:45,550 --> 00:39:48,720
HE FORCED HIMSELF ON ME.
792
00:39:52,765 --> 00:39:54,684
I LET HIM.
793
00:39:56,477 --> 00:40:00,439
(whispering indistinctly)
794
00:40:00,481 --> 00:40:04,069
SYDNEY WAS IN TROUBLE.
HE TOLD FELIX THAT
795
00:40:04,110 --> 00:40:06,654
FELIX WENT RIGHT ALONG.
796
00:40:08,781 --> 00:40:11,701
IT'S SYDNEY. SHE'S BACK HERE,
AND SHE NEEDS YOU.
797
00:40:15,914 --> 00:40:17,415
SYDNEY!
798
00:40:17,456 --> 00:40:20,919
SYDNEY!
799
00:40:23,088 --> 00:40:25,048
YOU SICK BASTARD.
800
00:40:36,393 --> 00:40:38,770
(Felicia) HE DID LOVE
THAT DAUGHTER OF HIS.
801
00:40:38,811 --> 00:40:41,231
I'LL GIVE HIM THAT.
802
00:40:41,273 --> 00:40:44,525
ACCEPTED ME FOR WHO I AM,
IF ONLY HE COULD HAVE
803
00:40:44,567 --> 00:40:48,947
RESPECTED MY NEEDS...
804
00:40:48,988 --> 00:40:51,408
THIS WOULD NEVER
HAVE HAPPENED.
805
00:40:51,449 --> 00:40:54,286
MEN ARE BEASTS.
806
00:40:59,624 --> 00:41:01,709
WOULD YOU DO ME A FAVOR?
PATRICK,
807
00:41:01,751 --> 00:41:04,212
OH, I MIGHT.
808
00:41:06,381 --> 00:41:09,759
TELL SYDNEY THAT I'M SORRY.
809
00:41:09,801 --> 00:41:12,262
I SEE NOW, ON REFLECTION...
810
00:41:12,304 --> 00:41:17,434
I WASN'T THE STEPMOTHER
I MIGHT'VE BEEN.
811
00:41:17,475 --> 00:41:20,603
I'M SORRY FOR THAT.
812
00:41:22,772 --> 00:41:26,025
I DID TRY.
813
00:41:26,067 --> 00:41:30,029
SHE DOESN'T BECOME BITTER,
AND I HOPE AND PRAY THAT
814
00:41:30,071 --> 00:41:33,408
SHE FINDS HAPPINESS.
HOPE THAT
815
00:41:33,450 --> 00:41:36,411
'CAUSE HAPPINESS IS...
816
00:41:36,453 --> 00:41:38,163
SO HARD TO FIND.
817
00:41:38,204 --> 00:41:42,292
YOU BETTER HANG ON TIGHT...
ONCE YOU FIND IT,
818
00:41:42,334 --> 00:41:45,586
OR YOU WILL LOSE IT.
819
00:41:47,130 --> 00:41:48,547
THAT'S TRUE.
820
00:41:50,967 --> 00:41:52,218
THAT'S TRUE.