1
00:00:18,310 --> 00:00:20,228
THE GIRLS WERE LAST SEEN
2
00:00:20,270 --> 00:00:22,314
LEAVING SULLIVAN'S TAVERN,
1:00 IN THE MORNING.
3
00:00:22,356 --> 00:00:26,318
A TRUCK DRIVER SPOTTED THE CAR
AROUND 5:30 AND CALLED IT IN.
4
00:00:26,360 --> 00:00:28,612
I ONLY HAVE FOUR DEPUTIES.
LOOK,
5
00:00:28,654 --> 00:00:31,991
ONLY A COUPLE OF 'EM HAVE EVER
SEEN A BODY KILLED IN ANGER.
6
00:00:32,032 --> 00:00:34,618
IF WHAT WE HAVE HERE
IS A HOMICIDE,
7
00:00:34,660 --> 00:00:37,162
I'M GONNA NEED SOME HELP.
8
00:00:37,204 --> 00:00:39,206
IN SPECIAL CIRCUMSTANCES,
JUST TO BE CLEAR, EXCEPT
9
00:00:39,247 --> 00:00:42,001
WE DON'T HELP OUT.
WE TAKE OVER.
10
00:00:42,041 --> 00:00:44,252
YOU NEED TO BE OKAY
WITH THAT.
11
00:00:44,294 --> 00:00:47,006
OKAY. I GUESS.
12
00:00:47,046 --> 00:00:48,382
(dog howls in distance)
13
00:00:48,423 --> 00:00:50,384
SHE'S NOT REALLY
A MORNING PERSON.
14
00:00:50,425 --> 00:00:53,052
SHE'LL IMPROVE.
15
00:00:53,094 --> 00:00:55,055
NAMES OF THE MISSING WOMEN?
16
00:00:55,096 --> 00:00:57,349
AND KARA PALMER.
NICOLE GILBERT
17
00:00:57,391 --> 00:00:59,226
LOCAL GIRLS, BOTH 21.
18
00:00:59,267 --> 00:01:02,479
AT HUNTING STORE IN TOWN.
WORK TOGETHER
19
00:01:02,521 --> 00:01:04,857
NICOLE'S ENGAGEMENT PARTY.
LAST NIGHT WAS
20
00:01:04,899 --> 00:01:07,359
EXACTLY LIKE THIS?
THE CAR WAS FOUND
21
00:01:07,401 --> 00:01:09,069
YEP. WELL, NO.
22
00:01:09,110 --> 00:01:12,155
LIKE THAT. WE POPPED THE TRUNK.
UH, THE DOOR WAS OPEN JUST
23
00:01:12,197 --> 00:01:14,115
(dog barks)
24
00:01:16,869 --> 00:01:19,079
AH, YEP. DEAD AS A DODO.
25
00:01:19,120 --> 00:01:22,123
THEY MUST HAVE LEFT IT RUNNING.
NO GAS EITHER.
26
00:01:22,165 --> 00:01:23,918
HEY, THERE'S A DIFFERENT SET
OF TIRE TRACKS HERE
27
00:01:23,959 --> 00:01:25,419
THAT PULLED OFF THE ROAD.
28
00:01:25,460 --> 00:01:28,672
THEY'RE STILL FRESH.
A TRUCK OR BIG S.U.V.,
LOOKS LIKE.
29
00:01:28,714 --> 00:01:32,927
MUST BE FROM THE TRUCKER
WHO CALLED IN THE CAR.
30
00:01:32,968 --> 00:01:36,137
MAKE SURE FORENSICS
GETS A MOLD.
YEP.
31
00:01:36,179 --> 00:01:37,431
(sniffing)
32
00:01:37,472 --> 00:01:40,017
WHAT'S GOING ON
WITH YOUR DOG?
33
00:01:40,059 --> 00:01:42,853
OH, HE'S CONFUSED SOMEHOW.
THIS BEHAVIOR?
34
00:01:42,895 --> 00:01:45,355
HE'S SAYING, "HEY, LOOK!
HERE THEY ARE!"
35
00:01:45,397 --> 00:01:47,232
GIVE ME MY SLIM JIM
ALREADY.
36
00:01:47,274 --> 00:01:50,027
PARKER, DO YOU HAVE A BETTER DOG
CLOSE BY SOMEWHERE?
37
00:01:50,069 --> 00:01:52,947
SIR, THIS IS THE BEST DOG
IN THE COUNTY.
38
00:01:52,988 --> 00:01:55,532
PEOPLE ARE WAITIN' ON US.
COME ON, DEXTER.
39
00:01:55,574 --> 00:01:58,035
UNDER THE CAR?
DID YOU LOOK UNDER THE CAR?
40
00:01:58,077 --> 00:02:00,829
OF COURSE WE LOOKED
UNDER THE CAR.
YEAH.
41
00:02:05,084 --> 00:02:07,586
police radio chatter)
(indistinct
42
00:02:07,628 --> 00:02:10,547
OH, CRAP.
43
00:02:10,589 --> 00:02:12,215
ONE OR TWO?
44
00:02:14,093 --> 00:02:16,011
ONE.
45
00:02:18,055 --> 00:02:20,766
IT'S KARA PALMER.
46
00:02:20,808 --> 00:02:22,142
SO...
47
00:02:22,183 --> 00:02:24,853
WHERE'S NICOLE GILBERT?
48
00:02:24,895 --> 00:02:29,108
(man) NICOLE!
49
00:02:29,149 --> 00:02:31,777
(Parker) GOOD BOY, DEXTER.
HE'S GOT HER ON LOCK NOW.
50
00:02:31,819 --> 00:02:34,029
IS THERE ANY WAY TO TELL
FROM THE SCENT TRAIL
51
00:02:34,071 --> 00:02:37,407
DEXTER'S DETECTING SKIN CELLS.
HOW FAST NICOLE WAS MOVING?
OH, SURE.
52
00:02:37,449 --> 00:02:39,242
THEY FALL OFF YOUR BODY
ALL THE TIME
53
00:02:39,284 --> 00:02:40,661
AT A PRETTY CONSISTENT RATE.
(man) NICOLE!
54
00:02:40,702 --> 00:02:42,830
THE THINNER THE TRAIL YOU LEAVE.
SO THE FASTER YOU MOVE,
55
00:02:42,871 --> 00:02:44,665
SO ARE WE FOLLOWING
NICOLE ON FOOT
56
00:02:44,706 --> 00:02:47,751
I DON'T KNOW.
IN THE BACK OF A TRUCK?
OR NICOLE TIED UP
57
00:02:47,793 --> 00:02:51,630
OH, DEXTER CAN TELL.
HOW FAST SHE WAS MOVING.
YOU SAID YOU CAN TELL
58
00:02:51,672 --> 00:02:54,008
I'M JUST WALKING BEHIND HIM.
NICOLE, CAN YOU HEAR US?!
(man)
59
00:02:54,049 --> 00:02:57,594
PRACTICALLY THEIR WHOLE LIVES.
TELL US ABOUT KARA AND NICOLE.
I'VE KNOWN THEM
60
00:02:57,636 --> 00:03:00,764
YOU'LL FIND NO ONE AROUND HERE
KARA WAS A REAL SWEETHEART.
61
00:03:00,806 --> 00:03:03,058
WILL SAY A BAD WORD
ABOUT KARA PALMER.
62
00:03:03,100 --> 00:03:07,104
GOOD CHURCHGOING FAMILY,
NO TROUBLE AT ALL.
MEANING NICOLE GILBERT
WAS TROUBLE.
63
00:03:07,146 --> 00:03:09,023
SHE HAD HER PROBLEMS.
NICOLE--WELL,
64
00:03:09,064 --> 00:03:12,233
DRUGS AND DRUG-RELATED
FOOLISHNESS MOSTLY.
65
00:03:12,275 --> 00:03:13,568
FRAUD, PETTY THEFT.
66
00:03:13,610 --> 00:03:15,236
NO. NO.
ANY VIOLENT OFFENSES?
67
00:03:15,278 --> 00:03:17,531
OF A TROUBLED SOUL
NO, SHE WAS MORE
(man) NICOLE!
68
00:03:17,572 --> 00:03:19,116
THAN A BAD PERSON.
69
00:03:19,158 --> 00:03:21,618
HER MOM DIED WHEN SHE WAS 7.
TOUGH LIFE.
70
00:03:21,660 --> 00:03:24,329
HER FATHER RAISED HER
ON METH AND HOT DOGS.
71
00:03:24,371 --> 00:03:26,498
HE'S IN PRISON NOW
FOR DRUG DEALING.
72
00:03:26,540 --> 00:03:28,500
(man shouts indistinctly
in distance)
73
00:03:28,542 --> 00:03:31,045
THE STABILITY NICOLE EVER HAD.
KARA AND HER FAMILY WERE ALL
74
00:03:31,086 --> 00:03:34,422
WERE GOOD FRIENDS. ODD MATCH.
SO SHE AND KARA
75
00:03:34,464 --> 00:03:37,134
SINCE THEY WERE LITTLE.
YEAH, REAL CLOSE
76
00:03:37,176 --> 00:03:39,511
IN A SMALL TOWN, YOU DON'T
CHOOSE YOUR FRIENDS.
77
00:03:39,553 --> 00:03:43,264
THEY'RE FEMALE. THAT'S ENOUGH.
THEY'RE THE SAME AGE.
78
00:03:43,306 --> 00:03:45,684
THANK YOU FOR COMING.
KYLE, BOYS,
79
00:03:45,726 --> 00:03:47,644
SHERIFF.
80
00:03:47,686 --> 00:03:51,065
WELL, YOU KNOW THIS VALLEY
AS WELL AS ANYONE.
WHERE DO YOU WANT US?
81
00:03:51,106 --> 00:03:53,316
JUST PICK YOUR SPOTS.
DO WE KNOW IF SHE'S ARMED?
82
00:03:53,358 --> 00:03:57,696
WHAT DO YOU KNOW
ABOUT THIS CASE?
AS EVERYBODY ELSE, I GUESS.
UH, SAME THING
83
00:03:57,738 --> 00:03:59,614
SOME BADASS TOWNIE GIRL
GOT MAD DRUNK,
84
00:03:59,656 --> 00:04:02,951
STABBED HER FRIEND TO DEATH
AND RAN OFF INTO THE WOODS.
85
00:04:02,993 --> 00:04:04,786
FROM LOSS OF BLOOD.
KARA PALMER DIED
86
00:04:04,828 --> 00:04:06,788
NICOLE GILBERT IS MISSING.
87
00:04:06,830 --> 00:04:09,791
MAYBE SHE RAN OFF. MAYBE SHE
WAS ABDUCTED. WE DON'T KNOW.
88
00:04:09,833 --> 00:04:11,835
DON'T ASSUME ANYTHING.
89
00:04:11,877 --> 00:04:13,921
AND UNDERSTOOD, MA'AM.
MESSAGE RECEIVED
90
00:04:13,962 --> 00:04:15,296
ALL RIGHT, FELLAS.
91
00:04:15,338 --> 00:04:17,091
police radio chatter)
(indistinct
92
00:04:17,132 --> 00:04:19,927
YOU THINK SHE DID THIS?
YOU KNEW NICOLE.
93
00:04:19,968 --> 00:04:21,929
WHO KNOWS WHAT OTHERS
ARE CAPABLE OF?
94
00:04:21,970 --> 00:04:25,015
SHE SURE HAD BUILT UP
A LOT OF BAD KARMA.
95
00:04:25,057 --> 00:04:28,852
TO BE TURNING HER LIFE AROUND.
BUT I DON'T KNOW. SHE SEEMED
BAD KARMA DOESN'T HAVE
AN EXPIRATION DATE.
96
00:04:28,894 --> 00:04:31,563
UH, ACTUALLY, IT DOES,
97
00:04:31,605 --> 00:04:33,565
TRADITIONAL BUDDHIST TEACHINGS.
ACCORDING TO
98
00:04:33,607 --> 00:04:35,650
I'M COUNTING ON IT.
99
00:04:38,779 --> 00:04:40,822
(Lisbon) LET'S GO.
100
00:04:44,576 --> 00:04:51,166
♪♪
101
00:04:55,462 --> 00:04:59,716
ALREADY SAYING NICOLE DID THIS.
(man) PEOPLE IN TOWN ARE
102
00:04:59,758 --> 00:05:02,928
BUT I DON'T BELIEVE IT.
103
00:05:02,970 --> 00:05:05,931
SHE WILL HAVE TO TELL ME HERSELF
THAT SHE DID THIS
104
00:05:05,973 --> 00:05:09,350
BEFORE I BELIEVE IT.
105
00:05:11,519 --> 00:05:13,647
NICOLE LOVED OUR DAUGHTER,
106
00:05:13,688 --> 00:05:17,109
ALMOST LIKE SHE WAS OUR OWN.
AND WE LOVED NICOLE
ALMOST.
107
00:05:17,151 --> 00:05:19,360
WHY--WHY WOULD SHE KILL HER?
108
00:05:19,402 --> 00:05:21,738
SHE HAD HER TROUBLES,
LORD KNOWS, BUT...
109
00:05:21,780 --> 00:05:23,323
SHE WASN'T CRAZY.
110
00:05:23,364 --> 00:05:25,867
HAS THERE BEEN ANY TENSION
BETWEEN THEM RECENTLY?
111
00:05:25,909 --> 00:05:28,078
(Rigsby) OH, NOTHING.
112
00:05:28,120 --> 00:05:29,788
NO. NONE AT ALL.
WELL...
113
00:05:29,830 --> 00:05:31,372
YES?
114
00:05:31,414 --> 00:05:34,459
THAT--THAT FIANCé OF NICOLE'S.
THAT BOY.
115
00:05:34,501 --> 00:05:35,752
JASON... O'TOOLE.
116
00:05:35,794 --> 00:05:37,921
BUT ONCE OR TWICE,
WE NEVER MET HIM
117
00:05:37,963 --> 00:05:42,259
YOU KNOW HOW THOSE FELLAS ARE.
AND HE SEEMED NICE ENOUGH.
HE WORKS LUMBER.
118
00:05:42,301 --> 00:05:44,845
BUT SLEEP AT SULLIVAN'S TAVERN.
LIKE TO PLAY THE BUCK. ALL
119
00:05:44,886 --> 00:05:47,848
BUT, YOU KNOW, THESE DAYS,
YOU HAVE TO LOOK PAST
120
00:05:47,889 --> 00:05:50,558
THE PIERCINGS AND THE TATTOOS
AND ALL THAT, DON'T YOU?
121
00:05:50,600 --> 00:05:52,393
THINK MUCH OF HIM.
BUT KARA DIDN'T
122
00:05:52,435 --> 00:05:54,855
NO?
DIDN'T APPROVE.
123
00:05:54,896 --> 00:05:58,357
WHAT WAS HER PROBLEM
I THINK THERE MIGHT HAVE BEEN
WITH JASON?
SOME TENSION THERE.
124
00:05:58,399 --> 00:06:02,487
HE WASN'T TRUSTWORTHY, YOU KNOW?
OH, I GUESS JUST A FEELING THAT
125
00:06:02,529 --> 00:06:03,905
BUT NICOLE WAS IN LOVE,
126
00:06:03,947 --> 00:06:06,449
AND SHE THOUGHT KARA
WAS JUST JEALOUS
127
00:06:06,491 --> 00:06:10,453
DID JASON EVER GET VIOLENT
WITH NICOLE?
'CAUSE KARA DIDN'T HAVE
A BOYFRIEND.
128
00:06:10,495 --> 00:06:13,790
BUT I WOULDN'T BE SURPRISED.
NOT THAT I HEARD,
NO.
129
00:06:13,832 --> 00:06:18,170
KARA DIDN'T HAVE A BOYFRIEND?
NICOLE HAD HER FAIR SHARE
OF THAT TYPE.
130
00:06:18,212 --> 00:06:21,048
KARA COULD'VE HAD
ANYONE SHE LIKED.
131
00:06:21,089 --> 00:06:23,508
SHE HAD NO SHORTAGE
OF SUITORS.
132
00:06:23,550 --> 00:06:26,427
THE MEN AROUND HERE?
BUT HAVE YOU SEEN
133
00:06:26,469 --> 00:06:28,387
IT'S ALL DRUNKEN LUMBERJACKS
134
00:06:28,429 --> 00:06:30,140
AND HIPPIE POT FARMERS.
135
00:06:30,182 --> 00:06:33,310
(inhales sharply)
KARA HAD...
136
00:06:33,352 --> 00:06:35,770
SHE HAD HIGHER STANDARDS
THAN THAT.
137
00:06:35,812 --> 00:06:39,858
(crying)
138
00:06:45,655 --> 00:06:49,326
WHAT'S THE PROBLEM NOW,
PARKER?
139
00:06:49,368 --> 00:06:51,828
TRAIL'S COLD, SHERIFF.
140
00:06:51,870 --> 00:06:54,289
(sheriff) BEST DOG
IN THE COUNTY, HUH?
141
00:06:54,331 --> 00:06:56,750
COME ON.
(dog barks)
142
00:07:01,588 --> 00:07:03,215
NICOLE!
143
00:07:05,384 --> 00:07:08,762
OR DOESN'T WANT TO.
SHE CAN'T ANSWER YOU.
144
00:07:08,803 --> 00:07:10,513
NO, SHE'S A CAPTIVE OR DEAD.
145
00:07:10,555 --> 00:07:12,432
HOW DO YOU KNOW THAT?
146
00:07:12,473 --> 00:07:14,517
HOW FAR HAVE WE COME?
WHAT, 5 MILES?
147
00:07:14,559 --> 00:07:17,478
NICOLE WOULD'VE BEEN BAREFOOT,
PROBABLY DRUNK.
148
00:07:17,520 --> 00:07:19,480
IT WAS A DARK NIGHT.
149
00:07:19,522 --> 00:07:22,401
THERE'S NO WAY SHE COULD
COVER THAT DISTANCE.
150
00:07:22,442 --> 00:07:24,945
SOMEONE MUST HAVE HER
IN A VEHICLE,
151
00:07:24,986 --> 00:07:28,531
OKAY. SO YOU'RE IN CHARGE NOW.
AND DEXTER LOST THE SCENT.
WHAT DO WE DO?
152
00:07:28,573 --> 00:07:31,326
IT'S CLOSE TO EVENING.
CALL OFF THE SEARCH.
153
00:07:31,368 --> 00:07:34,079
GATHER EVERYBODY TOGETHER AND--
THERE'S A GIRL MISSING.
GIVE UP?
154
00:07:34,121 --> 00:07:36,248
ON THIS SEARCH PARTY,
TELL ME, OF THE MEN
155
00:07:36,290 --> 00:07:39,251
IS A VIOLENT SEXUAL PREDATOR?
WHICH ONE WOULD YOU GUESS
156
00:07:39,293 --> 00:07:43,130
INTO YOUR HEAD? SOMEONE'S DID.
WHAT KIND OF QUESTION IS THAT?
WHOSE NAME JUST POPPED
157
00:07:43,171 --> 00:07:44,881
HUH? THERE'S ALWAYS SOMEONE.
158
00:07:44,923 --> 00:07:48,509
(stammers) THIS IS YOUR METHOD?
ASKING PEOPLE TO GUESS WHODUNIT?
159
00:07:48,551 --> 00:07:52,555
STRANGE KIND OF DETECTIVE WORK
YOU GUYS DO.
JANE'S BEING DRAMATIC,
160
00:07:52,597 --> 00:07:55,058
KARA AND NICOLE, STATISTICS SHOW
BUT IF SOMEBODY DID VICTIMIZE
161
00:07:55,100 --> 00:07:58,145
THAT THEY'D BE REALLY LIKELY
TO JOIN THE SEARCH PARTY.
162
00:07:58,186 --> 00:08:01,440
THEY ENJOY THE DECEIT. IT'S LIKE
BEING THE INVISIBLE MAN.
163
00:08:01,481 --> 00:08:03,358
YEAH.
IS THAT RIGHT?
164
00:08:03,400 --> 00:08:07,570
SO GATHER UP THE SEARCH PARTY.
LET ME HAVE A CRACK AT 'EM.
165
00:08:07,612 --> 00:08:10,282
HE GETS RESULTS.
166
00:08:10,324 --> 00:08:12,533
I KNOW ALL THESE GUYS.
167
00:08:12,575 --> 00:08:15,829
FOR EVERY ONE OF THEM.
I'LL VOUCH
168
00:08:15,870 --> 00:08:18,498
WELL, MOST OF THEM.
169
00:08:26,298 --> 00:08:27,841
I'LL CALL 'EM IN.
170
00:08:27,882 --> 00:08:30,844
(door bells jingle, door creaks)
171
00:08:30,885 --> 00:08:33,472
(tires peal)
172
00:08:33,513 --> 00:08:35,265
(brakes screech)
173
00:08:37,434 --> 00:08:38,559
JASON O'TOOLE?
174
00:08:38,601 --> 00:08:40,937
GET YOUR TRUCK
OUTTA MY WAY.
175
00:08:40,979 --> 00:08:44,024
WE NEED TO TALK TO YOU
ABOUT NICOLE GILBERT.
I DON'T HAVE TIME FOR THIS,
GUYS.
176
00:08:44,065 --> 00:08:45,817
LET'S HAVE A LITTLE CHAT.
177
00:08:47,986 --> 00:08:50,947
IN SUCH A HURRY, JASON?
WHERE WERE YOU GOING
178
00:08:50,989 --> 00:08:53,408
BACK TO THE WOODS
TO FIND NICOLE.
179
00:08:53,450 --> 00:08:56,077
I HOPE SHE'S IN THE WOODS.
SHE WAS IN THE WOODS?
HOW DO YOU KNOW
I DON'T.
180
00:08:56,119 --> 00:08:59,039
'CAUSE IF SHE'S NOT
IN THE WOODS,
181
00:08:59,080 --> 00:09:03,126
IN THE FRICKIN' WORLD, RIGHT?
THEN SHE CAN BE ANYWHERE
WITH THE REST OF THE TOWN?
WHY NOT SEARCH
182
00:09:03,168 --> 00:09:06,505
NAH, I COVER MORE GROUND
AFTER THE PARTY? WHY DIDN'T YOU?
WHY DID KARA DRIVE NICOLE HOME
ALONE.
183
00:09:06,546 --> 00:09:10,300
BECAUSE I WAS TOO DRUNK.
OR MAYBE YOU TWO HAD A FIGHT.
184
00:09:10,342 --> 00:09:13,928
NO. WE WERE CELEBRATING
OUR ENGAGEMENT.
THAT'S RIGHT ABOUT WHEN
THE FIGHTS START.
185
00:09:13,970 --> 00:09:16,473
OKAY? YOU CAN WATCH IT AND SEE.
WE VIDEO'D THE WHOLE THING.
186
00:09:16,515 --> 00:09:19,100
THERE'S NO FIGHTING.
WHERE IS THAT VIDEO?
WE'LL DO THAT.
187
00:09:19,142 --> 00:09:23,480
IT'S IN MY TRUCK.
THERE'S THIS WHOLE KARA ISSUE
WE HAVE TO TALK ABOUT.
188
00:09:23,522 --> 00:09:25,524
WHAT ISSUE?
MAYBE THAT BLEW UP, HUH?
189
00:09:25,565 --> 00:09:27,275
WELL, KARA DIDN'T LIKE YOU,
190
00:09:27,317 --> 00:09:30,362
GOOD ENOUGH FOR NICOLE,
DIDN'T THINK YOU WERE
191
00:09:30,404 --> 00:09:33,114
THOUGHT YOU WERE UNTRUSTWORTHY.
IS THAT WHAT YOU DO?
THAT'S FUNNY.
192
00:09:33,156 --> 00:09:36,826
OR SOMETHIN' SO I LOOK GUILTY?
YOU TRY TO GET ME ALL UPSET
DOES IT UPSET YOU?
193
00:09:36,868 --> 00:09:40,414
SHE WAS TRYING TO UNDERMINE YOU?
THAT KARA DIDN'T LIKE YOU?
194
00:09:40,455 --> 00:09:44,334
I COULDN'T CARE LESS, OKAY?
'CAUSE IT'S NOT TRUE ANYHOW.
195
00:09:44,376 --> 00:09:46,336
KARA LIKED ME WELL ENOUGH.
196
00:09:46,378 --> 00:09:48,922
HEARD HER SAY DIFFERENT.
LEAST I NEVER
197
00:09:48,963 --> 00:09:53,593
1:00 AND 7:00 A.M. LAST NIGHT?
WHERE WERE YOU BETWEEN
198
00:09:53,634 --> 00:09:56,804
PASSED OUT ON THE FLOOR.
I WAS HERE,
199
00:10:01,476 --> 00:10:03,270
(panting)
200
00:10:03,311 --> 00:10:06,064
WE'LL REGROUP IN THE MORNING,
FIRST LIGHT.
201
00:10:06,106 --> 00:10:08,567
PATRICK JANE FROM THE CBI
BEFORE YOU GO,
202
00:10:08,608 --> 00:10:11,361
WOULD LIKE TO HAVE A WORD
WITH ALL OF YOU.
203
00:10:11,403 --> 00:10:14,364
THANKS, SHERIFF NELSON.
204
00:10:14,406 --> 00:10:17,367
I WANT YOU TO LOOK AT ME,
ALL OF YOU,
205
00:10:17,409 --> 00:10:20,287
AND LISTEN CLOSELY.
206
00:10:20,328 --> 00:10:23,415
I'D LIKE YOU TO RAISE YOUR HANDS
ABOVE YOUR HEADS LIKE THIS.
207
00:10:25,500 --> 00:10:28,420
BOTH HANDS.
208
00:10:28,462 --> 00:10:31,256
YOU, TOO, SHERIFF.
209
00:10:31,298 --> 00:10:34,509
AND YOU, AGENT LISBON.
210
00:10:34,551 --> 00:10:35,802
PLEASE.
211
00:10:38,679 --> 00:10:40,265
GOOD. VERY GOOD.
212
00:10:40,307 --> 00:10:42,642
ONE OF YOU--ONE OF YOU HERE
KILLED KARA PALMER
213
00:10:42,683 --> 00:10:44,478
AND ABDUCTED NICOLE GILBERT.
214
00:10:44,519 --> 00:10:47,481
I WANT THAT PERSON TO LOWER
THEIR RIGHT HAND NOW.
215
00:10:56,323 --> 00:10:57,740
UH, OKAY.
216
00:10:57,782 --> 00:11:00,619
OKAY, UH, USUALLY GETS A HIT.
217
00:11:00,660 --> 00:11:02,496
FORGET I EVEN SPOKE.
218
00:11:04,747 --> 00:11:06,374
(female dispatcher)
(static crackles)
Sheriff Nelson,
219
00:11:06,416 --> 00:11:08,627
we have a 10-28 reported
on Nicole Gilbert--
220
00:11:08,668 --> 00:11:10,337
convenience store.
a gas station
221
00:11:10,378 --> 00:11:12,464
10-28 on Nicole Gilbert.
I repeat,
222
00:11:12,506 --> 00:11:13,714
COPY THAT.
(static crackles)
223
00:11:24,100 --> 00:11:26,019
SHE HAD A NASTY BLOW
TO HER HEAD,
224
00:11:26,060 --> 00:11:28,313
HER FEET ARE BADLY ABRADED.
MODERATE CONCUSSION.
225
00:11:28,355 --> 00:11:31,191
OF MINOR SCRATCHES AND BRUISES.
AND SHE HAS A LOT
226
00:11:31,232 --> 00:11:32,651
MILD HYPOTHERMIA.
227
00:11:32,691 --> 00:11:36,488
PHYSICALLY, SHE'LL BE FINE
IN A DAY OR SO.
228
00:11:36,530 --> 00:11:38,490
MENTALLY, IT'S ANOTHER STORY.
229
00:11:38,532 --> 00:11:40,492
WHEN YOU BROUGHT HER IN,
230
00:11:40,534 --> 00:11:42,661
OF A PSYCHOTIC STATE.
SHE WAS IN SOME KIND
231
00:11:42,701 --> 00:11:44,703
TO TAKE THE EDGE OFF THAT,
WE'VE MEDICATED HER
232
00:11:44,745 --> 00:11:47,706
STILL IN DEEP SHOCK.
BUT SHE'S
233
00:11:47,748 --> 00:11:49,209
SHE HAS NO MEMORY AT ALL
234
00:11:49,250 --> 00:11:51,836
THAT'S CONVENIENT.
THAT BROUGHT HER HERE.
OF THE EVENTS
235
00:11:51,878 --> 00:11:53,630
MY BEST FRIEND TO DEATH,
IF I JUST STABBED
236
00:11:53,672 --> 00:11:56,591
AS SOON AS SHE'S WELL ENOUGH,
I'D WANT TO FORGET, TOO.
237
00:11:56,633 --> 00:12:00,719
AND TAKING HER TO JAIL.
SHERIFF, YOU HAVE CUSTODY
I'M CHARGING HER
OF NICOLE, BUT THE CBI's
238
00:12:00,761 --> 00:12:04,765
I DECIDE WHEN TO FILE CHARGES.
LEADING THIS INVESTIGATION.
239
00:12:04,807 --> 00:12:07,602
(Nelson) FACTS?
THE FULL FACTS YET.
WE DON'T HAVE
240
00:12:07,644 --> 00:12:09,187
SHE'S COVERED IN BLOOD.
241
00:12:09,229 --> 00:12:11,690
SHE'S CARRYING WHAT LOOKS
TO BE THE MURDER WEAPON,
242
00:12:11,730 --> 00:12:13,732
WHICH THE FORENSIC GUYS SAY
HAS KARA'S BLOOD ON IT.
243
00:12:13,774 --> 00:12:16,361
WHAT MORE DO YOU WANT?
244
00:12:16,403 --> 00:12:18,737
IF SHE WELL ENOUGH
TO SPEAK TO?
245
00:12:18,779 --> 00:12:21,491
(sighs) AS LONG AS YOU'RE
GENTLE WITH HER.
246
00:12:25,620 --> 00:12:27,664
HAVE YOU TOLD HER
KARA'S DEAD?
247
00:12:27,706 --> 00:12:30,291
NO. WE DON'T WANT
TO UPSET HER.
MM.
248
00:12:30,333 --> 00:12:32,252
SHE'S VERY FRAGILE.
YEAH.
249
00:12:35,589 --> 00:12:37,424
NICOLE?
250
00:12:39,758 --> 00:12:41,720
MY NAME IS TERESA LISBON.
251
00:12:41,760 --> 00:12:44,889
HI.
I'M WITH THE CALIFORNIA
BUREAU OF INVESTIGATION.
252
00:12:44,931 --> 00:12:46,849
WE WANT TO ASK YOU
A FEW QUESTIONS
253
00:12:46,891 --> 00:12:49,269
ABOUT WHAT HAPPENED
TO YOU AND KARA.
254
00:12:49,310 --> 00:12:52,272
I TOLD THE DOCTOR
I CAN'T REMEMBER.
THAT'S OKAY.
255
00:12:52,313 --> 00:12:55,149
WHAT'S THE LAST THING
YOU DO REMEMBER?
256
00:12:55,191 --> 00:12:57,360
MY PARTY.
257
00:12:57,402 --> 00:12:59,362
LEAVING SULLIVAN'S
I REMEMBER
258
00:12:59,404 --> 00:13:01,948
AND GETTING IN THE CAR
WITH KARA.
259
00:13:01,989 --> 00:13:04,409
YOU KNOW WHERE MY FIANCé IS?
260
00:13:04,451 --> 00:13:08,037
DO YOU REMEMBER ANYTHING ELSE
ABOUT THE PARTY?
261
00:13:08,079 --> 00:13:10,206
WE HAD A GOOD TIME.
262
00:13:10,248 --> 00:13:12,417
NOTHING BAD OR UNUSUAL
HAPPENED?
263
00:13:12,459 --> 00:13:13,627
NO.
264
00:13:13,668 --> 00:13:16,588
WE DRANK A LOT...
265
00:13:16,630 --> 00:13:18,757
DANCED.
266
00:13:18,797 --> 00:13:19,798
(sighs)
267
00:13:19,840 --> 00:13:21,676
WHERE'S KARA?
268
00:13:21,718 --> 00:13:25,804
YOU AND KARA LEFT THE SULLIVAN
IN HER CAR.
269
00:13:25,846 --> 00:13:27,724
THEN WHAT HAPPENED?
270
00:13:27,766 --> 00:13:30,685
I DON'T KNOW.
(sighs deeply)
271
00:13:30,727 --> 00:13:33,313
THAT'S WHAT I'M TELLING YOU.
I DON'T KNOW.
272
00:13:33,354 --> 00:13:37,066
THE NEXT THING I REMEMBER,
I WAS IN THIS BED.
273
00:13:37,108 --> 00:13:38,151
WHAT'S WRONG WITH ME?
274
00:13:38,192 --> 00:13:40,861
WHAT HAPPENED?
275
00:13:40,903 --> 00:13:43,657
WHERE'S--WHERE'S KARA? WHY WON'T
ANYONE TELL ME ANYTHING?
(whispers) SHH. IT'S OKAY.
276
00:13:43,698 --> 00:13:46,493
JANE!
SHE'S DEAD.
277
00:13:46,534 --> 00:13:48,244
STABBED TO DEATH.
278
00:13:52,081 --> 00:13:54,459
NO. (crying)
279
00:13:54,501 --> 00:13:58,087
WHY DID YOU SAY THAT?
SHE WAS GONNA FIND OUT
AT SOME POINT.
280
00:13:58,129 --> 00:14:01,882
THE DOCTOR SAID
TO BE GENTLE.
AH, DOCTORS.
281
00:14:01,924 --> 00:14:03,802
(continues crying)
282
00:14:03,842 --> 00:14:06,262
OPEN YOUR EYES, NICOLE.
283
00:14:06,304 --> 00:14:09,390
LOOK AT ME.
284
00:14:09,432 --> 00:14:11,100
OPEN YOUR EYES.
285
00:14:11,142 --> 00:14:15,355
(panting)
286
00:14:15,396 --> 00:14:18,483
BECAUSE YOU CAN HANDLE IT.
I TOLD YOU THE TRUTH
287
00:14:18,525 --> 00:14:21,027
YOU HAVE TO. YOU WILL.
288
00:14:24,322 --> 00:14:26,073
TELL ME YOU WILL.
289
00:14:28,576 --> 00:14:30,537
WHAT YOU HAVE TO DO NOW,
290
00:14:30,578 --> 00:14:32,789
YOU HAVE TO REMEMBER
WHAT HAPPENED.
291
00:14:32,831 --> 00:14:34,915
(crying softly)
292
00:14:34,957 --> 00:14:37,877
CLOSE YOUR EYES AND REMEMBER.
JANE...
293
00:14:37,918 --> 00:14:39,796
CLOSE YOUR EYES.
294
00:14:41,756 --> 00:14:45,385
WITH KARA DOWN FLAGSHIP ROAD.
(Jane) YOU WERE DRIVING
295
00:14:45,426 --> 00:14:46,678
PULL OVER.
296
00:14:46,720 --> 00:14:47,721
WHAT?
297
00:14:47,762 --> 00:14:48,847
PULL OVER!
298
00:14:48,888 --> 00:14:50,765
WHY DID YOU STOP?
299
00:14:50,807 --> 00:14:53,685
I WAS FEELING SICK.
(Nicole)
300
00:14:53,727 --> 00:14:57,188
(coughs)
301
00:14:57,230 --> 00:14:58,565
(man) HEY.
302
00:14:58,606 --> 00:15:00,024
♪♪
303
00:15:00,066 --> 00:15:02,276
(panting)
304
00:15:02,318 --> 00:15:04,487
THERE'S A MAN.
305
00:15:04,529 --> 00:15:06,364
WHAT DOES HE LOOK LIKE?
306
00:15:06,406 --> 00:15:08,867
I DON'T KNOW. I CAN'T SEE.
IT'S DARK.
307
00:15:08,908 --> 00:15:11,160
I CAN HEAR...
308
00:15:11,202 --> 00:15:14,121
A LOUD RUSHING SOUND,
309
00:15:14,163 --> 00:15:15,498
LIKE WATER.
310
00:15:17,083 --> 00:15:21,796
(imitates running water)
311
00:15:21,838 --> 00:15:22,881
THEN WHAT HAPPENED?
312
00:15:22,922 --> 00:15:24,632
I...
313
00:15:24,674 --> 00:15:26,175
I DON'T KNOW.
314
00:15:26,217 --> 00:15:27,761
I CAN'T REMEMBER.
315
00:15:27,802 --> 00:15:29,429
YOU HAVE TO.
316
00:15:29,470 --> 00:15:31,806
NO, I CAN'T.
317
00:15:31,848 --> 00:15:34,392
I CAN'T REMEMBER. (crying)
YOU HAVE TO.
318
00:15:34,434 --> 00:15:36,352
NO, I CAN'T. I...
YOU HAVE TO.
319
00:15:36,394 --> 00:15:38,855
(monitor beeping rapidly)
YOU BEEN DOING TO HER?
WHAT HAVE
320
00:15:38,897 --> 00:15:40,940
OUT!
321
00:15:40,981 --> 00:15:42,859
(monitor continues
beeping rapidly)
322
00:15:42,901 --> 00:15:45,820
(telephone ringing in distance)
323
00:15:51,492 --> 00:15:54,454
THAT'S BULL. SHE'S GOT AMNESIA,
BUT NOT SO BADLY
324
00:15:54,495 --> 00:15:56,706
SHE CAN'T FINGER SOMEBODY ELSE
FOR KILLING KARA.
325
00:15:56,748 --> 00:15:58,374
RUSHING WATER, MY ASS.
326
00:15:58,416 --> 00:16:01,711
NO, SHE'S TELLING THE TRUTH.
SOMETHING HAPPENED--
327
00:16:01,753 --> 00:16:04,464
FOR HER MIND TO HANDLE.
SOMETHING TOO HORRIBLE
328
00:16:04,505 --> 00:16:06,674
WELL, EVEN IF THAT'S TRUE.
HER MEMORY'S BLOCKED.
329
00:16:06,716 --> 00:16:08,885
BECAUSE SHE KILLED KARA.
MAYBE IT'S BLOCKED
330
00:16:08,927 --> 00:16:10,970
WELL, IT'S POSSIBLE.
331
00:16:11,011 --> 00:16:13,807
HOW CAN YOU TELL?
I THINK SHE'S A VICTIM.
I DON'T THINK SO.
332
00:16:17,936 --> 00:16:19,479
IT'S IN HER EYES.
333
00:16:19,520 --> 00:16:20,772
OH.
334
00:16:20,814 --> 00:16:22,482
WELL, THEN...
335
00:16:22,523 --> 00:16:25,109
WHY DIDN'T YOU SAY SO?
IT'S IN HER EYES.
336
00:16:26,945 --> 00:16:28,905
HERE'S ME LOOKING FOR FACTS.
337
00:16:28,947 --> 00:16:31,157
WHY WOULD SHE KILL
HER BEST FRIEND?
338
00:16:31,198 --> 00:16:34,160
WHY DO WOMEN KILL OTHER WOMEN?
WHAT'S HER, UH, MOTIVE?
339
00:16:34,201 --> 00:16:35,536
OVER MEN.
340
00:16:35,578 --> 00:16:37,705
FIGHTING OVER JASON,
COULD'VE BEEN
341
00:16:37,747 --> 00:16:40,333
THOUGH HE'S NO BRAD PITT.
SHE WAS COVERED IN BLOOD.
342
00:16:40,374 --> 00:16:42,585
YES?
BUT IT RAINED.
343
00:16:42,627 --> 00:16:44,921
FOR A GOOD FEW HOURS LAST NIGHT.
IT RAINED HARD
344
00:16:44,963 --> 00:16:47,465
ONLY WHEN THEY RECOVERED NICOLE,
SHE WAS STILL COVERED IN BLOOD.
345
00:16:47,507 --> 00:16:51,010
SO SHE MUST'VE BEEN UNDER
GOOD COVER WHEN IT RAINED.
SO...
346
00:16:51,051 --> 00:16:53,554
SHE MUST'VE BEEN INDOORS.
SHE WAS HIDING.
347
00:16:53,596 --> 00:16:55,598
PROBABLY NEAR THE RIVER--
OR SHE WAS A CAPTIVE,
348
00:16:55,640 --> 00:16:59,059
(cell phone beeps)
OF RUSHING WATER.
HENCE THE SOUND
349
00:16:59,101 --> 00:17:00,060
(cell phone rings)
350
00:17:00,102 --> 00:17:02,062
(beep)
351
00:17:02,104 --> 00:17:05,650
Rigsby.
RANGERS AND ORGANIZE A SEARCH
RIGSBY, GET A COUPLE PARK
352
00:17:05,692 --> 00:17:07,652
of all the empty summer cabins,
storage units and sheds
353
00:17:07,694 --> 00:17:09,654
within earshot of the river--
caves, too.
354
00:17:09,696 --> 00:17:12,740
OH, AND, RIGSBY, HAVE VAN PELT
SET UP THE VIDEO JASON SHOT
355
00:17:12,782 --> 00:17:15,409
at Sullivan's Tavern.
at the party
YOU GOT IT, BOSS.
356
00:17:15,451 --> 00:17:16,786
LET'S GO.
357
00:17:16,828 --> 00:17:18,454
HMM. UH, SHERIFF?
358
00:17:18,496 --> 00:17:21,248
THAT NEEDS TO SILENCE NICOLE
THERE'S A MAN OUT THERE
359
00:17:21,290 --> 00:17:23,626
SO YOU SAY.
BEFORE SHE RECOVERS
HER MEMORY.
360
00:17:23,668 --> 00:17:26,212
SO I SAY.
361
00:17:26,253 --> 00:17:28,882
ENTER HER ROOM.
NO ONE SHOULD
362
00:17:28,923 --> 00:17:31,258
MAKE SURE YOUR MEN
KEEP HER SAFE.
363
00:17:31,300 --> 00:17:34,012
I KNOW MY BUSINESS.
364
00:17:34,053 --> 00:17:35,805
YOU MIND YOURS,
365
00:17:35,847 --> 00:17:37,765
WHATEVER IN THE HECK
IT IS.
366
00:17:46,941 --> 00:17:49,235
HOW'S JASON'S ALIBI LOOK?
(Van Pelt)
367
00:17:49,276 --> 00:17:52,238
ALIBI'S SOLID. SEVERAL PEOPLE
SAW HIM PASSED OUT AT THE BAR.
368
00:17:52,279 --> 00:17:54,114
DAMN. NELSON WAS RIGHT.
369
00:17:54,156 --> 00:17:55,533
ABOUT WHAT?
370
00:17:55,575 --> 00:17:57,869
LOOK AT JASON'S CAMERA WORK.
371
00:17:57,911 --> 00:17:59,871
HE'S TORN BETWEEN
NICOLE AND KARA.
(laughs)
372
00:17:59,913 --> 00:18:02,665
I LOVE THIS GIRL.
373
00:18:02,707 --> 00:18:04,876
(Cho) SO HE HAD A THING
AND I LOVE YOU, BABY.
FOR KARA.
374
00:18:04,918 --> 00:18:06,961
UNLESS NICOLE KNEW ABOUT IT.
IT'S NO PROOF OF MOTIVE
375
00:18:07,003 --> 00:18:09,463
AND IT DOESN'T LOOK LIKE THEY'RE
FEUDING OVER HIM, DOES IT?
376
00:18:09,505 --> 00:18:11,424
I'M GETTIN' MARRIED!
377
00:18:11,465 --> 00:18:12,884
WHOO!
378
00:18:12,926 --> 00:18:15,135
WAIT. STOP RIGHT THERE.
RUN IT BACK.
379
00:18:15,177 --> 00:18:17,221
(types on keyboard)
THERE.
380
00:18:17,263 --> 00:18:19,306
(types on keyboard)
THE GUY AT THE BAR
STARING AT KARA,
381
00:18:19,348 --> 00:18:22,602
I CAN BLOW IT UP.
IN THE BASEBALL CAP.
382
00:18:24,353 --> 00:18:26,981
A BETTER LOOK AT THAT HAT.
YEAH, LET'S GET
383
00:18:28,858 --> 00:18:31,277
"EARTHLY PURE."
WHAT IS THAT?
384
00:18:31,318 --> 00:18:36,115
THAT'S THE BRAND OF COSMETICS
WE FOUND IN KARA'S VEHICLE.
385
00:18:36,156 --> 00:18:39,869
I CAN TRY.
CAN WE MATCH THAT IMAGE
TO THE D.M.V. DATABASE?
386
00:18:39,911 --> 00:18:41,037
(beep)
387
00:18:43,706 --> 00:18:46,542
(beeping)
388
00:18:46,584 --> 00:18:48,962
(Cho) RULON FARNES.
389
00:18:57,887 --> 00:19:00,932
FOR EARTHLY PURE COSMETICS.
TRUCK DRIVER
390
00:19:00,974 --> 00:19:03,225
SEE IF I CAN GET A TRACK ON HIM.
(cell phone rings, beeps)
I CAN CALL THE COMPANY,
391
00:19:03,267 --> 00:19:04,435
MM, YEAH.
392
00:19:04,477 --> 00:19:06,479
We searched every cabin
ANYTHING?
393
00:19:06,520 --> 00:19:09,649
HAVE THEM DROP YOU BACK
AND SHACK ALONG THE RIVER.
AT THE STATION.
NOTHING.
394
00:19:09,690 --> 00:19:11,191
OKAY, BOSS.
395
00:19:12,151 --> 00:19:12,944
WHERE YOU GOIN'?
396
00:19:12,986 --> 00:19:15,321
FOR A WALK.
397
00:19:18,365 --> 00:19:19,700
(door closes)
398
00:19:24,998 --> 00:19:27,291
HOW YOU DOING?
399
00:19:30,086 --> 00:19:33,172
THAT I KILLED KARA.
PEOPLE ARE SAYING
400
00:19:33,213 --> 00:19:36,467
OUTSIDE, SO THAT I DON'T ESCAPE.
THAT'S WHY THERE'S A POLICEMAN
401
00:19:36,509 --> 00:19:38,886
HMM.
402
00:19:38,928 --> 00:19:40,429
DID YOU...
403
00:19:40,471 --> 00:19:42,974
KILL KARA?
404
00:19:43,016 --> 00:19:45,601
I DON'T KNOW.
405
00:19:45,643 --> 00:19:47,561
I DON'T THINK I DID.
406
00:19:49,271 --> 00:19:51,231
DO YOU THINK I DID?
407
00:19:51,273 --> 00:19:52,441
NO.
408
00:19:52,483 --> 00:19:54,443
WHY WOULD YOU KILL KARA?
409
00:19:54,485 --> 00:19:56,195
YEAH.
410
00:19:56,236 --> 00:19:58,156
WHY WOULD I KILL HER?
411
00:20:00,992 --> 00:20:04,787
BUT THE THING IS,
I DON'T KNOW.
412
00:20:04,829 --> 00:20:07,748
I DON'T THINK I DID, BUT...
(sighs) I DON'T KNOW.
413
00:20:07,790 --> 00:20:09,416
HEY, WHERE YOU GOING?!
(man) HEY!
414
00:20:09,458 --> 00:20:11,669
(gasps)
(footsteps approach)
415
00:20:11,711 --> 00:20:14,421
(man) DON'T MAKE ME
TASE YOU, SON.
(Jason) TAKE YOUR HANDS
OFF OF ME!
416
00:20:14,463 --> 00:20:17,257
UH, WHAT'S GOING ON?
GUYS, COME ON. EVERYBODY JUST
TAKE IT DOWN A NOTCH.
417
00:20:17,299 --> 00:20:19,385
TO SNEAK IN TO SEE HER.
HE WAS TRYING
418
00:20:19,426 --> 00:20:21,637
TO SEE MY GIRL, ALL RIGHT?
I WAS JUST--I WAS TRYING
419
00:20:21,679 --> 00:20:24,598
TO SEE HER RIGHT NOW.
NOBODY'S ALLOWED
I WAS JUST WALKING THROUGH!
420
00:20:26,893 --> 00:20:28,895
(man) COME ON.
421
00:20:33,024 --> 00:20:34,734
WOW.
422
00:20:34,775 --> 00:20:36,235
ARE THEY GONE?
423
00:20:36,276 --> 00:20:38,863
YES.
424
00:20:38,905 --> 00:20:41,657
TO SEE ANYONE YET.
I'M NOT READY
425
00:20:41,699 --> 00:20:44,577
ARE YOU OKAY? YOU NEED ME
TO GET THE NURSE?
426
00:20:44,618 --> 00:20:46,829
DON'T LEAVE ME ALONE.
NO. NO, NO.
427
00:20:46,871 --> 00:20:47,955
I WON'T.
428
00:20:51,751 --> 00:20:54,712
WHAT WAS IT IN PARTICULAR THAT
SCARED YOU JUST NOW, NICOLE?
429
00:20:54,754 --> 00:20:56,756
I DON'T KNOW.
430
00:21:01,635 --> 00:21:03,221
I'M SORRY.
431
00:21:03,262 --> 00:21:07,141
IT'S NOT YOUR FAULT.
IT'S OKAY.
432
00:21:07,183 --> 00:21:10,310
(rock music playing)
433
00:21:14,607 --> 00:21:18,027
RULON, WE NEED TO TALK TO YOU
ABOUT KARA PALMER.
434
00:21:18,069 --> 00:21:20,988
(aluminum can rattles)
LET'S GO.
435
00:21:22,698 --> 00:21:25,576
♪♪
436
00:21:25,618 --> 00:21:27,327
(zips pants)
(grunts)
437
00:21:27,369 --> 00:21:28,370
OH!
438
00:21:28,412 --> 00:21:31,331
(grunting, loud banging)
439
00:21:34,794 --> 00:21:37,755
(Cho) RIGSBY, GET UP!
COME ON, GET UP!
(Rigsby grunting)
440
00:21:39,924 --> 00:21:42,009
UHH! (groans)
441
00:21:42,051 --> 00:21:44,762
♪♪
442
00:21:44,804 --> 00:21:47,723
(handcuffs clicking)
(Rulon) AAH! AAH!
443
00:21:49,516 --> 00:21:51,393
OH!
(Cho) LET'S GO.
444
00:21:51,435 --> 00:21:55,064
(Van Pelt) NICE JOB, GUYS.
445
00:21:56,732 --> 00:21:59,693
(monitor beeping)
446
00:21:59,735 --> 00:22:02,655
Beethoven's "Fur Elise")
(piano playing
447
00:22:44,613 --> 00:22:46,615
(girl) DADDY, LISTEN.
448
00:22:52,663 --> 00:22:54,623
(cell phone rings)
449
00:22:54,665 --> 00:22:57,584
DR. BRADFORD, I.C.U.
(woman) I.C.U.
450
00:22:57,626 --> 00:23:00,338
UH, WHAT?
451
00:23:00,378 --> 00:23:03,132
YEAH, YEAH. I'LL BE THERE.
452
00:23:06,593 --> 00:23:09,305
YOU KNOW KARA PALMER?
SO HOW IS IT
453
00:23:09,347 --> 00:23:12,308
THIS TOWN'S ON MY REGULAR ROUTE,
AND I STOP HERE TO EAT.
454
00:23:12,350 --> 00:23:14,518
NEXT DOOR TO THE DINER.
HUNTIN' STORE'S
455
00:23:14,560 --> 00:23:16,520
ONE DAY I WALK IN THERE,
456
00:23:16,562 --> 00:23:19,106
AND A TIGHT LITTLE PAIR OF BUNS
CAUGHT MY EYE.
457
00:23:19,148 --> 00:23:23,401
BOY MEETS GIRL. SO I WALK OVER,
AND I START UP A CONVERSATION.
458
00:23:23,443 --> 00:23:26,446
WHAT DID YOU TALK ABOUT?
TO SIT IN MY LAP.
OFFERED HER $10
459
00:23:26,488 --> 00:23:28,991
SHE SAID NO, BUT SHE SAID NO
460
00:23:29,033 --> 00:23:32,410
LIKE I WAS LOWBALLING HER,
IN THAT KIND OF WAY
461
00:23:32,452 --> 00:23:36,082
TO THE GENERAL PRINCIPLE.
NOT NO, LIKE,
462
00:23:36,123 --> 00:23:38,959
SO I GUESS YOU COULD SAY
I'VE BEEN COURTIN' HER.
463
00:23:39,001 --> 00:23:42,338
I'M THROUGH TOWN, I STOP BY,
I GIVE HER SOME FREE STUFF.
464
00:23:42,380 --> 00:23:45,383
WHAT DID YOU EXPECT FROM KARA
IN RETURN FOR THE FREE STUFF?
465
00:23:45,423 --> 00:23:47,801
I GAVE HER A LOT OF STUFF,
466
00:23:47,843 --> 00:23:50,346
SO I'M THINKING EVENTUALLY...
467
00:23:50,388 --> 00:23:52,265
SOME FORM OF SEXUAL CONGRESS.
468
00:23:52,306 --> 00:23:54,683
AND WHAT DID YOU GET?
469
00:23:54,725 --> 00:23:57,395
I DISGUST YOU, DON'T I?
470
00:23:57,435 --> 00:23:58,771
A LITTLE, YEAH.
471
00:23:58,812 --> 00:24:01,274
YOU'RE PRETTY.
472
00:24:01,315 --> 00:24:04,277
HOW'S YOUR LIPSTICK SUPPLY?
473
00:24:06,070 --> 00:24:08,281
YOU BEAUTIFUL PEOPLE
GOT NO IDEA
474
00:24:08,322 --> 00:24:10,783
WHAT UNATTRACTIVE GUYS
GO THROUGH.
475
00:24:10,824 --> 00:24:13,786
DON'T I LONG TO BE HELD,
DON'T I HAVE A HEART?
476
00:24:13,827 --> 00:24:16,580
TO BE LOVED, TO BE CHERISHED?
477
00:24:16,622 --> 00:24:18,582
YES, I DO.
478
00:24:20,834 --> 00:24:24,380
FOR A LITTLE HUMAN CONTACT
SO I GOTTA PAY
479
00:24:24,422 --> 00:24:26,548
EVERY NOW AND THEN.
SHOOT ME.
480
00:24:26,590 --> 00:24:30,344
IT IS, ACTUALLY.
IT'S NOT MY FAULT
I LOOK LIKE THIS.
481
00:24:30,386 --> 00:24:33,013
WITH A LOW CARB DIET
AND EXERCISE,
482
00:24:33,055 --> 00:24:35,433
YOU COULD LOOK VERY DIFFERENT.
I GOT A GLANDULAR PROBLEM.
483
00:24:35,473 --> 00:24:37,435
ARE YOU, EXACTLY?
UH, HOW HEAVY
484
00:24:37,475 --> 00:24:41,021
(stammers) 245.
485
00:24:41,063 --> 00:24:43,399
I-I'VE LOST A LOT OF WEIGHT
IN THE LAST YEAR.
486
00:24:43,441 --> 00:24:46,319
FROM KARA. WHAT DID YOU GET?
YOU EXPECTED SEXUAL FAVORS
487
00:24:48,362 --> 00:24:50,281
SHE WAS A BEAUTIFUL WOMAN.
488
00:24:52,741 --> 00:24:54,701
THERE'S NOTHING
MORE BEAUTIFUL
489
00:24:54,743 --> 00:24:57,663
WHAT DID YOU GET FROM KARA?
THAN A BEAUTIFUL WOMAN,
IS THERE?
490
00:24:57,704 --> 00:25:00,498
NOTHING AT ALL.
491
00:25:00,540 --> 00:25:04,462
IN FRANCE, THEY'D HAVE
CALLED HER A COQUETTE.
492
00:25:04,502 --> 00:25:06,546
ALWAYS HELD OUT HIGH HOPES.
I WAS--
493
00:25:06,588 --> 00:25:08,799
I MEAN, THERE'S ALWAYS HOPE.
494
00:25:08,841 --> 00:25:11,718
THERE SURE IS.
495
00:25:11,760 --> 00:25:15,306
SUPPOSE SHE NEVER DID
PUT OUT FOR YOU.
496
00:25:15,348 --> 00:25:17,308
HOW WOULD YOU FEEL?
497
00:25:17,350 --> 00:25:21,437
IF I KILLED ALL THE WOMEN
THAT HAD REJECTED ME...
498
00:25:21,479 --> 00:25:24,898
I'D HAVE KILLED
A LOT OF WOMEN.
499
00:25:24,940 --> 00:25:27,485
WE CAN PLACE YOU AT THE SAME BAR
WHERE KARA WAS LAST SEEN
500
00:25:27,525 --> 00:25:31,280
THE NIGHT OF HER MURDER.
(chuckles) SO WERE A WHOLE
BOATLOAD OF OTHER PEOPLE.
501
00:25:31,322 --> 00:25:34,283
WHERE WERE YOU BETWEEN THE HOURS
OF 1:30 AND 7:00 A.M.
502
00:25:34,325 --> 00:25:36,202
THAT MORNING?
MY MOTEL.
503
00:25:36,243 --> 00:25:38,787
(Van Pelt) WERE YOU ALONE?
YEAH, I WAS.
504
00:25:38,829 --> 00:25:41,332
(Cho) SO YOU HAVE NO ALIBI.
NOPE. DOESN'T LOOK GOOD
FOR ME, DOES IT?
505
00:25:41,374 --> 00:25:45,461
YOU SEEM FINE WITH THAT.
PROSECUTORS ARE NOT REAL HAPPY
YOU KNOW, I READ THAT
506
00:25:45,503 --> 00:25:48,422
'CAUSE THOSE FOLKS WATCH
WITH JURIES NOWADAYS,
507
00:25:48,464 --> 00:25:51,591
A LOT OF CRIME SHOWS ON TV,
AND THEY WALK IN THERE
508
00:25:51,633 --> 00:25:54,428
EXPECTING EVERY CRIME SCENE
TO HAVE, LIKE, D.N.A.,
509
00:25:54,470 --> 00:25:56,389
HAIR, WHATNOT.
510
00:25:56,430 --> 00:25:59,475
AND IF THAT PROSECUTOR
DOES NOT HAND THEM
511
00:25:59,517 --> 00:26:02,019
THE DEFENDANT'S SPIT
ON A PLATE,
512
00:26:02,061 --> 00:26:03,521
NOT GUILTY.
513
00:26:03,561 --> 00:26:05,314
YOU SAYING YOU'RE INNOCENT
OR CAREFUL?
514
00:26:05,356 --> 00:26:07,941
YOU'LL NEVER KNOW.
515
00:26:20,454 --> 00:26:22,456
HE HAS NO ALIBI,
(lowered voice)
516
00:26:22,498 --> 00:26:24,624
AND I CAN'T FIND AN ANGLE
BUT WE HAVE NO PROOF,
517
00:26:24,666 --> 00:26:29,004
TO GET AT HIM. HE'S SHAMELESS.
HE LIKES THE ATTENTION.
MAYBE WE SHOULD
LET JANE AT HIM.
518
00:26:29,046 --> 00:26:32,132
HEY, JANE. WANT TO HAVE
A CRACK AT HIM?
519
00:26:32,174 --> 00:26:33,800
JANE!
520
00:26:33,842 --> 00:26:37,096
OH, HIM? OH, LET HIM GO.
(loudly)
(pours liquid)
521
00:26:37,137 --> 00:26:38,347
LET HIM GO?
522
00:26:38,389 --> 00:26:39,890
WHAT FOR?
WE HAD TO FIGHT
TO CATCH HIM.
523
00:26:39,932 --> 00:26:41,767
OH, YOU'RE SUCH POLICEMEN.
(normal voice)
524
00:26:41,808 --> 00:26:45,354
YES, LET HIM, GO. SET HIM FREE.
HE'S TELLING THE TRUTH.
YOU KNOW THIS HOW?
525
00:26:45,396 --> 00:26:48,815
HE LIKED KARA. WHY WOULD HE
KILL HER AND KIDNAP NICOLE?
526
00:26:48,857 --> 00:26:50,401
DOESN'T MAKE ANY SENSE.
527
00:26:50,443 --> 00:26:54,821
(whispering) BESIDES, HE BLUSHED
WHEN HE LIED ABOUT HIS WEIGHT.
528
00:26:54,863 --> 00:26:57,615
A MAN WITHOUT GUILE--
INNOCENT.
529
00:26:57,657 --> 00:27:01,828
KARA--NOT QUITE AS INNOCENT
AS SHE'S BEEN PAINTED.
BY THE WORD OF A CREEP.
530
00:27:01,870 --> 00:27:04,206
WHOSE STUFF SHE TOOK
AN HONEST CREEP
531
00:27:04,248 --> 00:27:07,667
KNOWING WHAT KIND
OF A MAN HE WAS.
FREE EYELINER DOESN'T
MAKE HER A WHORE,
532
00:27:07,709 --> 00:27:09,503
EMBARRASSED BY HIS WEIGHT,
AND A MAN BLUSHING,
533
00:27:09,545 --> 00:27:12,131
HARDLY MAKES HIM INNOCENT.
IT MAKES HIM SENSITIVE
534
00:27:12,172 --> 00:27:15,175
I THINK HE'S A GOOD PROSPECT.
ABOUT HIS WEIGHT.
535
00:27:15,217 --> 00:27:17,635
WE SHOULD KEEP HIM CLOSE.
536
00:27:17,677 --> 00:27:20,638
IS THAT KARA'S MP3 PLAYER?
HEY,
537
00:27:20,680 --> 00:27:23,434
YEAH.
WHAT ARE YOU DOING WITH IT?
538
00:27:23,476 --> 00:27:25,936
UH, LISTENING TO MUSIC.
IT'S PRETTY GOOD.
539
00:27:25,978 --> 00:27:29,731
THAT SHE LIKES MUSIC?
EVIDENCE OF WHAT,
YOU CAN'T PLAY WITH THAT.
BUT THAT'S EVIDENCE.
540
00:27:29,773 --> 00:27:31,484
AS PHYSICAL EVIDENCE.
IT'S IN THE LOG
541
00:27:31,525 --> 00:27:34,652
OKAY. WHAT'S WITH HER?
IT'S EVIDENCE.
542
00:27:34,694 --> 00:27:36,489
SERIOUSLY, IF IT'S IN THE LOG,
IT'S IN THE LOG.
543
00:27:36,530 --> 00:27:38,532
YOU CAN'T TOUCH IT.
544
00:27:41,577 --> 00:27:44,788
REALLY? ALL RIGHT. WELL, UH...
(clears throat) I'M SORRY.
545
00:27:44,830 --> 00:27:47,333
I, UH, I DIDN'T REALIZE
IT WAS A SACRED THING.
546
00:27:47,374 --> 00:27:50,544
YOU GONNA RELEASE RULON OR WHAT?
I'LL PUT IT RIGHT BACK.
547
00:27:50,586 --> 00:27:54,423
I DON'T WANT TO, BUT I DON'T
HAVE ENOUGH TO HOLD HIM ON.
548
00:27:54,465 --> 00:27:57,510
LET HIM GO. WE'LL KEEP HIM
UNDER SURVEILLANCE.
549
00:27:57,551 --> 00:28:00,638
ALL RIGHT. IT'S GOING.
PUT THAT BACK.
550
00:28:00,678 --> 00:28:01,972
police radio chatter)
(indistinct
551
00:28:02,014 --> 00:28:05,267
SORRY ABOUT THE INCONVENIENCE.
RULON, YOU CAN GO.
552
00:28:07,978 --> 00:28:10,481
THERE IT IS.
553
00:28:13,817 --> 00:28:16,736
(country rock music playing)
554
00:28:22,159 --> 00:28:25,496
♪♪
555
00:28:29,875 --> 00:28:34,380
♪♪
556
00:28:36,298 --> 00:28:38,300
(man) ♪ I NEVER HURT NOBODY ♪
557
00:28:38,342 --> 00:28:40,302
♪ NEVER DONE NOBODY WRONG ♪
558
00:28:40,344 --> 00:28:44,097
♪ JUST TACKLE ME AND DO IT
IF YOU WANT TO COME ALONG ♪
559
00:28:47,726 --> 00:28:51,480
(whispers) NICOLE?
560
00:28:51,522 --> 00:28:54,316
(normal voice) HEY.
561
00:28:54,358 --> 00:28:56,985
TO GET OUT OF HERE?
YOU WANT
562
00:29:01,198 --> 00:29:04,660
AS QUICK AS YOU CAN.
PUT THESE ON
563
00:29:04,702 --> 00:29:06,704
QUICK AS YOU CAN.
564
00:29:14,461 --> 00:29:17,297
(sighs)
565
00:29:17,339 --> 00:29:19,341
HI.
566
00:29:25,972 --> 00:29:29,935
I-IF I MAY?
567
00:29:29,976 --> 00:29:32,730
THANK YOU.
568
00:29:34,981 --> 00:29:38,444
I'LL BE RIGHT BACK.
569
00:29:43,532 --> 00:29:45,909
HEY.
570
00:29:45,951 --> 00:29:47,453
HEY!
571
00:29:47,494 --> 00:29:48,495
HEY!
572
00:29:57,546 --> 00:30:00,466
(country rock music playing)
573
00:30:08,557 --> 00:30:11,435
YOU CLEANED US OUT THIS MORNING.
THERE'S NOTHING LEFT TO EAT.
574
00:30:11,477 --> 00:30:13,061
(grunts)
575
00:30:13,103 --> 00:30:14,772
HMM?
576
00:30:16,940 --> 00:30:19,318
♪ YEAH, YEAH, YEAH, YEAH ♪
(man)
577
00:30:19,359 --> 00:30:23,238
♪♪
578
00:30:31,622 --> 00:30:33,123
LISTEN.
579
00:30:33,165 --> 00:30:35,709
(vehicles passing in distance)
580
00:30:35,751 --> 00:30:38,878
CARS?
581
00:30:38,920 --> 00:30:42,174
THE FLOW OF THEM.
IT'S LIKE A HUM.
582
00:30:42,215 --> 00:30:45,552
WHAT IF NICOLE DIDN'T HEAR
WATER THAT NIGHT?
583
00:30:45,594 --> 00:30:47,846
THE FLOW OF TRAFFIC?
WHAT IF IT WAS
584
00:30:47,887 --> 00:30:50,808
THEN WE SHOULD HAVE BEEN
SEARCHING CABINS
585
00:30:50,849 --> 00:30:54,436
ON THIS SIDE OF TOWN,
NEAR THE HIGHWAY.
A RANGER TO COME AND GET ME,
WE'LL SPLIT UP. I'LL GET
586
00:30:54,478 --> 00:30:57,397
SEARCH THE LIKELY SPOTS.
YOU STAY WITH RULON.
(beeps)
587
00:31:02,068 --> 00:31:04,446
WHERE ARE WE GOING?
588
00:31:04,488 --> 00:31:06,532
YOU TRUST ME, NICOLE?
589
00:31:06,573 --> 00:31:09,368
YES.
590
00:31:10,994 --> 00:31:14,164
(beeps)
591
00:31:14,206 --> 00:31:17,376
WHAT HAPPENED TO YOU THAT NIGHT.
I'M GONNA HELP YOU REMEMBER
592
00:31:17,417 --> 00:31:20,253
I DON'T WANT TO REMEMBER.
YOU HAVE TO.
593
00:31:20,295 --> 00:31:22,548
UNTIL YOU KNOW THE TRUTH
WHEREVER YOU GO,
594
00:31:22,589 --> 00:31:24,591
YOU WILL BE HAUNTED.
OF WHAT HAPPENED,
595
00:31:24,633 --> 00:31:28,970
REDEEMED, YOU'LL BE HAUNTED.
UNTIL YOU SEE KARA'S DEATH
596
00:31:29,012 --> 00:31:31,097
YOU HAVE TO KNOW THE TRUTH.
597
00:31:31,139 --> 00:31:35,477
(Yoav) ♪ CURLED UP LIKE A CAT
AT THE CORNER OF EVERYTHING ♪
598
00:31:35,519 --> 00:31:38,021
EVEN IF YOU COULD ♪
♪ DON'T FEEL BAD
599
00:31:38,063 --> 00:31:41,817
♪ 'CAUSE IF YOU DID NOT DO IT
SOMEONE ELSE JUST WOULD ♪
600
00:31:41,859 --> 00:31:43,943
♪ IT'S EASY ♪
601
00:31:43,985 --> 00:31:45,945
MAKES ME FEEL SAD.
602
00:31:45,987 --> 00:31:48,031
IT'S THE SAME MUSIC
THAT WAS PLAYING
603
00:31:48,073 --> 00:31:50,617
IN KARA'S CAR THAT NIGHT.
604
00:31:50,659 --> 00:31:53,245
YES.
605
00:31:53,286 --> 00:31:55,330
YES. HOW DID YOU KNOW THAT?
606
00:31:55,372 --> 00:31:57,457
ARE YOU PSYCHIC?
607
00:31:57,499 --> 00:31:59,501
THESE MACHINES HAVE CLOCKS.
NO.
608
00:31:59,543 --> 00:32:02,128
THEY LOG IN THEIR MEMORY
WHAT WAS PLAYED WHEN.
609
00:32:07,509 --> 00:32:10,387
KARA TOLD YOU THE SECRET,
DIDN'T SHE?
610
00:32:10,429 --> 00:32:14,850
SHE'D BEEN KEEPING FROM YOU.
TERRIBLE SECRET
611
00:32:14,892 --> 00:32:18,311
BUT SHE HAD TO TELL YOU.
SHE HAD TO BE HONEST.
612
00:32:18,353 --> 00:32:19,979
♪ THAT TIME FORGOT ♪
613
00:32:20,021 --> 00:32:22,107
♪ AND THOUGH SOME NAMES
HAVE CHANGED ♪
614
00:32:22,148 --> 00:32:24,777
I'M GONNA BE SICK.
OKAY.
615
00:32:24,818 --> 00:32:27,738
♪♪
616
00:32:31,658 --> 00:32:33,619
(keys turn in ignition)
617
00:32:33,660 --> 00:32:36,455
I SHOULDN'T MARRY JASON...
SHE SAID THAT
618
00:32:36,496 --> 00:32:39,458
AND THEN I SAID SHE WAS WRONG.
BECAUSE HE'S NO GOOD,
619
00:32:39,499 --> 00:32:42,502
SHE KNOWS HE'S NO GOOD
THEN SHE SAID THAT
620
00:32:42,544 --> 00:32:45,589
BECAUSE...
621
00:32:45,631 --> 00:32:49,509
SHE AND HIM WERE SNEAKING AROUND
BEHIND MY BACK...
622
00:32:52,805 --> 00:32:55,682
(voice breaking)
HOOKING UP.
623
00:32:55,724 --> 00:32:58,477
I'M SORRY.
624
00:32:58,518 --> 00:33:00,186
(crying)
625
00:33:00,228 --> 00:33:04,107
♪♪
626
00:33:07,486 --> 00:33:09,404
(crying)
627
00:33:13,032 --> 00:33:15,744
NICOLE, THEN WHAT HAPPENED?
628
00:33:15,786 --> 00:33:18,538
NO.
629
00:33:18,580 --> 00:33:21,374
TO REMEMBER ANY MORE.
I DON'T WANT
630
00:33:21,416 --> 00:33:22,584
YOU MUST.
631
00:33:22,626 --> 00:33:25,128
NO. I'M SCARED.
632
00:33:32,177 --> 00:33:34,137
WHERE YOU'RE GOING.
I'VE BEEN
633
00:33:34,179 --> 00:33:37,056
I KNOW HOW YOU FEEL.
634
00:33:37,098 --> 00:33:39,643
I KNOW.
635
00:33:39,685 --> 00:33:42,980
BUT YOU HAVE TO BE BRAVE.
636
00:33:44,314 --> 00:33:46,399
I'M HERE.
637
00:33:46,441 --> 00:33:51,154
I WON'T LET ANYTHING BAD HAPPEN.
I PROMISE.
638
00:33:51,196 --> 00:33:53,406
♪ BOW DOWN BEFORE ♪
639
00:33:53,448 --> 00:33:55,742
♪ ADORE, ADORE ♪
640
00:33:55,784 --> 00:33:57,035
♪ BOW DOWN BEFORE ♪
641
00:33:57,076 --> 00:33:59,245
♪ ADORE, ADORE ♪
642
00:33:59,287 --> 00:34:00,706
(grunting)
643
00:34:00,747 --> 00:34:03,333
SORRY. I'M SO SORRY!
644
00:34:06,003 --> 00:34:07,420
(retches)
645
00:34:07,462 --> 00:34:10,465
NICOLE, GET BACK IN THE CAR.
GO SCREW YOURSELF!
646
00:34:10,507 --> 00:34:12,592
(grunts)
647
00:34:12,634 --> 00:34:15,053
GET IN THE CAR!
648
00:34:15,094 --> 00:34:17,055
HEY, MISTER, ARE YOU LOOKING
FOR A GOOD TIME?
649
00:34:17,096 --> 00:34:19,057
'CAUSE MY FRIEND HERE
IS A CHEAP WHORE,
650
00:34:19,098 --> 00:34:23,478
AND I'M SURE SHE'D BE HAPPY--
OHH!
(grunts)
651
00:34:23,520 --> 00:34:26,272
WHEN YOU GET HOME IN EVENING ♪
♪ AND I'LL BE THERE
652
00:34:26,314 --> 00:34:28,274
OH!
653
00:34:28,316 --> 00:34:31,236
♪♪
654
00:34:33,572 --> 00:34:37,034
KARA DIED TRYING TO SAVE ME!
655
00:34:38,785 --> 00:34:41,496
I'M BEING CARRIED NOW.
656
00:34:53,341 --> 00:34:57,804
(tires squeal)
657
00:34:57,846 --> 00:35:00,139
I CAN HEAR THE ENGINE.
658
00:35:00,181 --> 00:35:03,018
IT'S VIBRATING.
GASOLINE OR DIESEL?
659
00:35:03,060 --> 00:35:06,104
SOUNDED LIKE A DIESEL.
WHERE IS HE TAKING YOU?
660
00:35:06,145 --> 00:35:08,774
NO.
IS IT A LONG JOURNEY?
661
00:35:08,815 --> 00:35:11,484
NO, NOT LONG. SHORT.
662
00:35:11,526 --> 00:35:13,570
A BUMPY ROAD.
663
00:35:13,612 --> 00:35:17,365
AGENT LISBON, YOUR MAN JANE
664
00:35:17,407 --> 00:35:20,285
JUST KIDNAPPED NICOLE GILBERT
FROM THE HOSPITAL.
665
00:35:20,326 --> 00:35:22,996
Oh, yes.
OH, NO.
666
00:35:23,038 --> 00:35:27,500
IN FACT, I'M MAD AS HELL.
AND I'M NOT HAPPY.
667
00:35:27,542 --> 00:35:29,335
YOU PEOPLE ARE MY GUESTS.
668
00:35:29,377 --> 00:35:32,505
YOU CAN'T COME IN HERE
AND ABDUCT MY SUSPECTS!
669
00:35:32,547 --> 00:35:35,550
LET ME GET ON IT RIGHT AWAY.
SHERIFF, I WILL FIX THIS.
(beep)
670
00:35:35,592 --> 00:35:37,302
SON OF A BITCH.
WHAT'S UP?
671
00:35:37,343 --> 00:35:40,806
PICK UP YOUR PHONE, DAMN IT.
PERSONNEL ISSUES.
672
00:35:40,847 --> 00:35:43,308
(cell phone rings)
673
00:35:43,349 --> 00:35:45,518
(cell phone buzzes)
674
00:35:45,560 --> 00:35:47,980
(beep)
675
00:35:48,021 --> 00:35:50,565
WE'RE STOPPING NOW.
676
00:35:52,818 --> 00:35:54,903
IT'S LIKE AN OLD SHED.
677
00:35:56,655 --> 00:35:59,950
IT WAS SMALL AND DARK...
678
00:35:59,992 --> 00:36:02,285
AND COLD AND DUSTY.
679
00:36:02,327 --> 00:36:04,746
(crying)
680
00:36:04,788 --> 00:36:06,331
I'M SCARED.
681
00:36:06,372 --> 00:36:10,127
HELP ME! SOMEBODY HELP ME!
682
00:36:10,168 --> 00:36:13,546
THE DOOR WON'T OPEN.
I CAN'T GET OUT.
YOU WILL GET OUT.
683
00:36:13,588 --> 00:36:16,800
I CAN'T GET OUT!
THE--THE DOOR WILL OPEN.
IT'S GONNA BE FINE.
684
00:36:16,842 --> 00:36:20,303
IT WILL OPEN. IS IT BOLTED?
685
00:36:20,345 --> 00:36:22,973
SOMEBODY HELP!
686
00:36:23,015 --> 00:36:25,308
NO.
CHAINED?
687
00:36:25,350 --> 00:36:27,936
NO, I DON'T THINK SO.
688
00:36:27,978 --> 00:36:30,563
I'M GONNA DIE.
I'M TRAPPED.
689
00:36:30,605 --> 00:36:34,526
OH, MY GOD. I'M GONNA DIE!
NICOLE, YOU CAN OPEN IT.
IT'S YOUR CHOICE.
690
00:36:34,567 --> 00:36:37,570
IF YOU WANT IT TO BE.
THE DOOR IS UNLOCKED
691
00:36:37,612 --> 00:36:40,406
OPEN THE DOOR, NICOLE.
OPEN IT.
692
00:36:40,448 --> 00:36:41,491
(gasps)
693
00:36:47,455 --> 00:36:49,791
IT'S COLD UP HERE
AT NIGHT, HUH?
694
00:36:49,833 --> 00:36:52,502
YEAH, AND BROILING
DURING THE DAY.
695
00:36:52,544 --> 00:36:55,839
WORST OF BOTH WORLDS.
696
00:36:55,881 --> 00:36:58,466
(gasps)
697
00:36:58,508 --> 00:37:00,677
HE--HE'S GOT A KNIFE ON ME.
698
00:37:03,805 --> 00:37:04,764
AAH!
699
00:37:04,806 --> 00:37:06,516
(grunts)
700
00:37:06,558 --> 00:37:08,643
HE'S TRYING TO RAPE ME,
BUT I WON'T LET HIM.
701
00:37:08,685 --> 00:37:10,770
AAH! (grunting)
702
00:37:14,524 --> 00:37:16,985
(cell phone rings)
703
00:37:17,027 --> 00:37:18,862
WHERE THE HELL ARE YOU?
(beep)
704
00:37:18,904 --> 00:37:23,116
NICOLE REMEMBERED EVERYTHING.
SHE CAN DESCRIBE THE SUSPECT.
705
00:37:23,158 --> 00:37:24,993
We're looking for a tall,
well-built man
706
00:37:25,035 --> 00:37:27,787
WITH BROWN HAIR AND GLASSES,
MID 30s.
707
00:37:27,829 --> 00:37:32,084
Yeah, that's it,
HALF THE MEN IN CALIFORNIA.
THAT'S IT? THAT DESCRIBES
708
00:37:32,125 --> 00:37:36,421
IT WASN'T HER THAT KILLED KARA.
BUT AT LEAST WE KNOW
709
00:37:36,462 --> 00:37:39,049
AND IT WASN'T RULON FARNES.
NICE WORK.
710
00:37:39,091 --> 00:37:41,801
FOR THIS YOU ILLEGALLY ABDUCTED
HER FROM THE SHERIFF'S CUSTODY?
711
00:37:41,843 --> 00:37:44,345
YEAH. I WAS--I WAS GONNA
TELL YOU ABOUT IT,
712
00:37:44,387 --> 00:37:45,889
BUT I FIGURED SEEING
THAT IT'S ILLEGAL,
713
00:37:45,931 --> 00:37:48,183
so that you have deniability.
best to keep you out of it
714
00:37:48,225 --> 00:37:51,352
OH, HOW CONSIDERATE OF YOU.
715
00:37:51,394 --> 00:37:55,273
AND DO EXACTLY AS I TELL YOU.
LISTEN TO ME CAREFULLY
716
00:37:55,314 --> 00:37:57,483
TO THE HOSPITAL RIGHT NOW
TAKE HER BACK
717
00:37:57,525 --> 00:38:00,486
AND SINCERELY APOLOGIZE
TO SHERIFF NELSON.
718
00:38:00,528 --> 00:38:01,863
(beep)
719
00:38:04,574 --> 00:38:06,409
(beep)
720
00:38:06,451 --> 00:38:08,411
WHAT WAS ALL THAT ABOUT?
WOW.
721
00:38:08,453 --> 00:38:12,290
MY BAD KARMA.
722
00:38:14,126 --> 00:38:15,877
HOW'S SHE DOING, ANYWAY?
723
00:38:15,919 --> 00:38:17,295
WHO?
724
00:38:17,336 --> 00:38:19,672
HOW'S SHE HOLDING UP?
THE GIRL--NICOLE.
725
00:38:19,714 --> 00:38:22,259
OKAY, CONSIDERING.
726
00:38:22,300 --> 00:38:24,469
SHE REMEMBER ANYTHING YET?
727
00:38:24,510 --> 00:38:26,512
WE'RE DOING WHAT WE CAN.
728
00:38:26,554 --> 00:38:28,347
GOOD.
729
00:38:28,389 --> 00:38:31,184
IS THERE ANYTHING ELSE,
730
00:38:31,226 --> 00:38:35,772
YOU CAN REMEMBER ABOUT HIM?
ANYTHING SPECIFIC THAT
731
00:38:38,399 --> 00:38:41,611
JUST WHAT HE LOOKED LIKE.
THAT'S ALL I REMEMBER.
732
00:38:41,653 --> 00:38:43,529
HOW SMALL IT IS.
DOESN'T MATTER
733
00:38:43,571 --> 00:38:46,116
WHAT HIS VOICE SOUNDED LIKE
LITTLE THINGS LIKE
734
00:38:46,158 --> 00:38:49,286
OR WHAT HE SMELLED LIKE
OR...
735
00:38:49,327 --> 00:38:51,537
PINEAPPLE.
736
00:38:54,499 --> 00:38:57,002
(beeping)
THAT'S GREAT.
737
00:38:57,043 --> 00:38:59,212
IS THIS THE LAST PLACE
TO CHECK?
738
00:38:59,254 --> 00:39:01,464
NO, THERE'S ONE MORE PLACE.
(cell phone rings)
739
00:39:01,506 --> 00:39:04,092
ALL RIGHT, LET'S GO.
(ring)
740
00:39:04,134 --> 00:39:06,511
(ring)
741
00:39:06,552 --> 00:39:08,596
(beep)
HEY.
742
00:39:08,638 --> 00:39:10,223
Pineapple.
743
00:39:10,265 --> 00:39:11,641
HE SMELLED LIKE PINEAPPLE.
744
00:39:11,683 --> 00:39:14,352
WHAT THE HELL GO...
PINEAPPLE?
745
00:39:20,566 --> 00:39:23,486
OKAY, GOOD.
746
00:39:23,528 --> 00:39:26,698
TERESA NEEDS HIS HELP.
LISTEN, TELL RIGSBY
747
00:39:29,492 --> 00:39:33,412
ME? I'M AT THE EAGLE PINE LODGE
OFF ROUTE 6.
748
00:39:33,454 --> 00:39:35,456
OKAY.
749
00:39:45,717 --> 00:39:49,637
AND THINK THIS THROUGH.
KYLE, LET'S STAY CALM
750
00:39:49,679 --> 00:39:53,266
THINK WHAT THROUGH?
751
00:39:53,308 --> 00:39:55,852
I REALLY DON'T WANT
TO SHOOT YOU,
752
00:39:55,894 --> 00:39:58,604
CUSTODY FOR KILLING KARA PALMER.
BUT I DO HAVE TO TAKE YOU INTO
753
00:39:58,646 --> 00:40:00,648
WHAT ARE WE GONNA DO
ABOUT THAT?
754
00:40:03,735 --> 00:40:06,487
IT'S NOT LIKE I SET OUT
TO HURT ANYONE.
755
00:40:06,529 --> 00:40:08,406
I just wanted to talk
to Nicole.
756
00:40:08,447 --> 00:40:10,575
Before she ran off
and got married?
757
00:40:10,616 --> 00:40:14,412
I'VE NOTICED HER AROUND TOWN
FOR A LONG TIME.
758
00:40:14,453 --> 00:40:17,498
I DIDN'T WANT HER MARRYING
THAT GUY JASON.
759
00:40:17,540 --> 00:40:19,209
SHE'S TOO GOOD FOR HIM.
760
00:40:19,251 --> 00:40:20,793
PLEASE, KYLE,
761
00:40:20,835 --> 00:40:23,796
DO NOT WANT TO HURT YOU.
I REALLY AND TRULY
762
00:40:23,838 --> 00:40:27,508
YOU LIKE YOUR CHANCES,
DO YOU?
763
00:40:31,721 --> 00:40:33,390
(grunts)
764
00:40:33,431 --> 00:40:35,392
(grunts)
765
00:40:39,812 --> 00:40:42,523
UH, LISBON?
766
00:40:42,565 --> 00:40:44,109
LISBON?
767
00:40:44,150 --> 00:40:45,860
Lisbon!
768
00:40:45,902 --> 00:40:47,112
SHH!
769
00:40:49,572 --> 00:40:51,366
(whispering) YOU ALL RIGHT?
770
00:40:51,408 --> 00:40:53,451
YEAH. DID YOU CALL RIGSBY?
(whispering)
771
00:40:53,492 --> 00:40:57,455
YEAH, HE'S ON HIS WAY.
LISTEN, I HAVE AN IDEA.
772
00:41:04,545 --> 00:41:06,381
Lisbon, be careful!
773
00:41:20,312 --> 00:41:22,605
DROP IT!
774
00:41:22,647 --> 00:41:25,317
REALLY DROP IT.
775
00:41:25,358 --> 00:41:27,277
ON YOUR KNEES.
776
00:41:29,695 --> 00:41:31,948
HANDS, COME ON.
(grunts)
777
00:41:31,990 --> 00:41:34,575
(handcuffs click)
LET'S GO. COME ON.
778
00:41:34,617 --> 00:41:36,535
(shell casing hits floor)
779
00:41:39,497 --> 00:41:41,499
NICE WORK, JANE.
780
00:41:47,880 --> 00:41:50,049
I'D FIND YOU HERE.
I WAS HOPING
781
00:41:50,091 --> 00:41:52,969
JUST ABOUT TO HIT THE ROAD.
YEAH, WE'RE, UH, WE'RE
782
00:41:53,011 --> 00:41:55,472
THANK YOU.
783
00:41:59,058 --> 00:42:01,560
IT'S OKAY.
784
00:42:04,981 --> 00:42:06,607
YOU KNOW, UH,
785
00:42:06,649 --> 00:42:10,569
TO REMEMBER THE GOOD THINGS.
EVENTUALLY YOU'LL START
786
00:42:12,322 --> 00:42:13,739
YEAH.
787
00:42:15,658 --> 00:42:18,536
IT GOES WITHOUT SAYING...
788
00:42:18,577 --> 00:42:20,455
YOU'RE WELCOME.
789
00:42:20,497 --> 00:42:22,332
YOU READY TO GO?
790
00:42:24,834 --> 00:42:26,211
GOOD-BYE.
791
00:42:26,252 --> 00:42:28,421
BYE.
792
00:42:35,512 --> 00:42:39,932
HEY, CAN YOU BELIEVE HE FELL
FOR THAT OLD CELL PHONE GAG?
793
00:42:39,974 --> 00:42:42,935
"OLD CELL PHONE GAG"? I INVENTED
THAT RIGHT THERE AND THEN--
794
00:42:42,977 --> 00:42:45,604
RATHER BRILLIANTLY,
I THOUGHT.
795
00:42:45,646 --> 00:42:48,649
THAT DONE A DOZEN TIMES.
OH, PLEASE. I'VE SEEN
WHAT DO YOU MEAN? WHERE?
796
00:42:48,691 --> 00:42:50,068
ON TV.
797
00:42:50,109 --> 00:42:53,779
ANYTHING CAN HAPPEN ON TV.
OH, ON TV. WELL,
798
00:42:55,948 --> 00:42:57,909
(Patrick) THE QUESTION IS,
799
00:42:57,950 --> 00:43:00,786
WHERE HAVE YOU SEEN THAT
DONE IN REAL LIFE?