1
00:00:28,904 --> 00:00:32,533
I'M NOT LISTENING TO YOU
ROSEMARY, PLEASE DON'T GO.
I'M ONLY TRYING TO HELP.
ANYMORE.
2
00:00:32,574 --> 00:00:36,704
YOU'RE IN SERIOUS DANGER.
ROSEMARY,
I'M NOT LISTENING.
3
00:00:40,791 --> 00:00:43,711
(cell phone rings)
4
00:00:45,880 --> 00:00:47,506
(ring)
5
00:00:58,809 --> 00:01:00,728
(tires squeal)
6
00:01:15,158 --> 00:01:17,285
(tires squeal)
7
00:01:24,083 --> 00:01:27,128
police radio chatter)
(indistinct
8
00:01:27,170 --> 00:01:29,130
FOR COMING SO QUICKLY.
(man) THANK YOU
9
00:01:29,172 --> 00:01:31,341
YOUR VICTIM IS THE WIDOW
OF MACON TENNANT.
10
00:01:31,383 --> 00:01:34,553
OF CalSure FINANCIAL...
FOUNDER
11
00:01:34,595 --> 00:01:36,847
OF THE LIEUTENANT GOVERNOR.
CLOSE FRIENDS
UH-HUH.
12
00:01:36,889 --> 00:01:39,850
YEAH, WE GOT TO USE
WELL, WE HAVE TWO WITNESSES
THE CHOPPER.
COOL.
13
00:01:39,892 --> 00:01:42,101
DELIBERATELY CHASE HER DOWN.
WHO SAW A SILVER SEDAN
14
00:01:42,143 --> 00:01:44,730
OFF OF THE TRASH CANS RIGHT NOW.
UH, WE'RE GETTING PAINT
15
00:01:44,772 --> 00:01:47,066
HOPEFULLY WE'LL GET
A MAKE AND MODEL.
16
00:01:47,106 --> 00:01:50,277
UH, WE'VE ALSO GOT
A PARTIAL PLATE.
YOU'RE ON TOP OF IT.
SOUNDS LIKE
17
00:01:50,318 --> 00:01:54,155
SURE, BUT I DON'T MIND
GETTING YOUR BACKUP.
WE'RE NOT BACKUP. WE'RE LEAD.
18
00:01:54,197 --> 00:01:56,033
YES, MA'AM.
19
00:01:56,075 --> 00:01:58,702
A FEW DAYS AGO, ROSEMARY HERE
FILED A MISSING PERSONS REPORT
20
00:01:58,744 --> 00:02:00,996
HE HAD BEEN GONE FOR A WEEK,
ON HER TEENAGE SON TRAVIS.
21
00:02:01,038 --> 00:02:03,082
BUT HE'S RUN AWAY
FROM HOME TWICE,
22
00:02:03,123 --> 00:02:06,668
WHAT WAS THE JUVIE CHARGE?
A STINT IN JUVIE, SO...
AND HE'S DONE
23
00:02:06,710 --> 00:02:08,045
D.U.I. ON A LEARNER'S PERMIT.
24
00:02:08,087 --> 00:02:10,839
EIGHT BLOCKS THAT WAY,
HER HOUSE IS
25
00:02:10,881 --> 00:02:13,133
THAT SHE WAS WALKING HOME
SO WE FIGURED
26
00:02:13,174 --> 00:02:16,511
SHE WAS WITH ME.
BUT FROM WHERE,
WE'RE NOT SURE.
27
00:02:16,553 --> 00:02:20,474
AND WHO ARE YOU EXACTLY?
MY NAME IS KRISTINA FRYE. I WAS
ROSEMARY'S SPIRITUAL ADVISOR.
28
00:02:20,515 --> 00:02:23,143
DID I HEAR THAT CORRECTLY?
I'M SORRY. DID--
29
00:02:23,184 --> 00:02:26,354
YOU WERE WITH HERE WHERE?
MISS FRYE,
AT MY HOUSE.
30
00:02:26,396 --> 00:02:29,775
WE HAD CONTACTED HER HUSBAND.
WE HAD FINISHED A SESSION.
31
00:02:29,817 --> 00:02:31,276
HER DEAD HUSBAND?
32
00:02:31,318 --> 00:02:34,696
GONNA HAPPEN TO HER.
HE KNEW THIS WAS
OH.
33
00:02:34,738 --> 00:02:36,991
HE WARNED HER
34
00:02:37,032 --> 00:02:40,035
FROM WHOM?
THAT SHE WAS PUTTING HERSELF
IN TERRIBLE DANGER.
35
00:02:40,077 --> 00:02:42,037
I'M MERELY A CHANNEL.
I DON'T KNOW.
36
00:02:42,079 --> 00:02:43,789
A-A CHANNEL FOR WHAT?
37
00:02:43,831 --> 00:02:46,041
OF THE DEPARTED SOULS.
FOR THE ENERGY
38
00:02:46,083 --> 00:02:47,918
OKAY.
39
00:02:47,960 --> 00:02:50,587
THIS MURDER WAS GONNA HAPPEN?
OH, SO YOU KNEW THAT
40
00:02:50,629 --> 00:02:52,798
HER HUSBAND KNEW.
I DIDN'T KNOW.
41
00:02:52,840 --> 00:02:55,592
I JUST PASSED THE WARNING
ALONG TO ROSEMARY.
42
00:02:55,634 --> 00:02:58,012
UH, BY HER OWN ADMISSION,
OKAY. GOT IT.
43
00:02:58,053 --> 00:03:02,390
THE ENERGY OF THE DEPARTED SOULS
SHE'S EITHER, UH, A CHANNEL FOR
44
00:03:02,432 --> 00:03:04,434
OR SHE'S INVOLVED
IN THIS MURDER.
45
00:03:04,476 --> 00:03:06,854
YOU CAN CALL GHOSTBUSTERS
SO YOU GOT A CHOICE.
46
00:03:06,895 --> 00:03:08,522
OR WE CAN TAKE THIS LADY
DOWNTOWN.
47
00:03:08,563 --> 00:03:11,483
MISS FRYE, WOULD YOU MIND
COMING INTO OUR OFFICE
48
00:03:11,525 --> 00:03:16,488
A FEW MORE QUESTIONS IN DETAIL?
IN THE MORNING AND ANSWERING
IF I COULD BE OF ANY HELP,
I'D BE GLAD TO.
49
00:03:16,530 --> 00:03:20,034
PLEASE CALL ME KRISTINA.
(laughs)
50
00:03:20,075 --> 00:03:22,619
WHERE IS ALL THIS ANGER I FEEL
COMING FROM?
51
00:03:22,661 --> 00:03:24,663
MAYBE YOU'RE PROJECTING.
NOT FROM ME.
52
00:03:24,705 --> 00:03:26,665
NO. ROSEMARY WAS MY FRIEND.
53
00:03:26,707 --> 00:03:29,918
AM I SAD? OF COURSE.
AM I ANGRY?
54
00:03:29,960 --> 00:03:32,921
SUCH A TERRIBLE THING TO HER.
ONLY THAT SOMEBODY WOULD DO
55
00:03:32,963 --> 00:03:35,674
DON'T TAKE THIS THE WRONG WAY,
56
00:03:35,716 --> 00:03:39,136
MISREADING THE SITUATION.
BUT YOU ARE COMPLETELY
57
00:03:39,178 --> 00:03:42,139
OH, THIS IS GONNA BE GOOD.
I AM, AM I?
58
00:03:44,349 --> 00:03:51,190
♪♪
59
00:03:51,398 --> 00:03:55,736
ALMOST THREE YEARS.
HOW LONG HAVE YOU KNOWN
ROSEMARY TENNANT?
60
00:03:55,777 --> 00:03:59,239
YES. HOW MUCH DEPENDS
ON THE RESOURCES
FOR YOUR SERVICES?
DO YOU CHARGE
61
00:03:59,280 --> 00:04:03,243
BUT I NEVER TURN ANYONE AWAY.
OF THE INDIVIDUAL CLIENT,
HOW MUCH DID YOU CHARGE
ROSEMARY?
62
00:04:03,284 --> 00:04:05,662
$500 PER HOUR.
HOW MANY HOURS A WEEK?
63
00:04:05,704 --> 00:04:07,539
FIVE TO SIX.
64
00:04:07,581 --> 00:04:11,085
OH, 3 GRAND A WEEK. NICE.
65
00:04:11,126 --> 00:04:13,712
A TROUBLED SOUL.
ROSEMARY WAS
66
00:04:13,754 --> 00:04:15,172
SHE NEEDED INTENSIVE HELP.
67
00:04:15,214 --> 00:04:16,882
WHAT WAS TROUBLING HER?
68
00:04:16,924 --> 00:04:20,010
A POWERFUL ANCHOR IN HER LIFE.
HER HUSBAND WAS
69
00:04:20,052 --> 00:04:23,222
SHE FELT ADRIFT, VULNERABLE.
AFTER HIS DEATH, I THINK
70
00:04:23,263 --> 00:04:25,599
SHE SHOULDN'T HAVE TRUSTED
AND PEOPLE THAT
71
00:04:25,640 --> 00:04:28,727
RECOGNIZED HER WEAKNESSES
AND PLAYED ON THEM.
OH, REALLY?
72
00:04:28,769 --> 00:04:30,311
ANY PEOPLE IN PARTICULAR?
73
00:04:30,353 --> 00:04:31,897
TOO MANY TO MENTION.
74
00:04:31,939 --> 00:04:33,690
AS A RESULT,
75
00:04:33,732 --> 00:04:35,984
HER CHILDREN MAY HAVE SUFFERED.
I THINK HER RELATIONSHIP WITH
76
00:04:36,026 --> 00:04:38,486
THAT WOULD BE CLARA
AND TRAVIS, YES?
MM-HMM.
77
00:04:38,528 --> 00:04:40,197
SUFFERED HOW?
78
00:04:40,239 --> 00:04:42,116
I'M SORRY.
79
00:04:42,157 --> 00:04:45,077
I'M NOT COMFORTABLE SHARING
ANY MORE THAN THAT WITH YOU.
MM.
80
00:04:45,119 --> 00:04:47,788
TRAVIS WENT MISSING
SEVERAL DAYS AGO.
81
00:04:47,829 --> 00:04:51,792
WHAT DID SHE HAVE TO SAY
TRULY, I'D LOVE TO HELP YOU,
BUT MY PRACTICE IS BOUND
ABOUT THAT?
82
00:04:51,833 --> 00:04:55,170
CONFIDENTIALITY CODES
BY THE SAME CLIENT
83
00:04:55,212 --> 00:04:58,090
THAT ALL DOCTORS ABIDE BY.
YOU HAVE A PROFESSIONAL
THERAPIST'S LICENSE
84
00:04:58,132 --> 00:05:00,300
YES, I DO.
WITH THE STATE?
85
00:05:00,341 --> 00:05:02,803
HER EARTHLY VESSEL IS DEAD.
YOUR CLIENT'S DEAD.
86
00:05:02,844 --> 00:05:05,889
ITS JOURNEY, I COULD ASK HER
WHEN HER SOUL COMPLETES
87
00:05:05,931 --> 00:05:07,641
IF IT'S ALL RIGHT TO SHARE
HER PROBLEMS WITH YOU
88
00:05:07,682 --> 00:05:09,434
IN MORE DETAIL.
89
00:05:09,476 --> 00:05:11,686
I RECORDED ALL OF OUR SESSIONS
ON CD.
90
00:05:11,728 --> 00:05:14,522
I'LL GIVE THEM TO YOU.
IF SHE SAYS YES,
91
00:05:14,564 --> 00:05:17,525
WHY BOTHER WITH THAT? WHY NOT
JUST ASK HER WHO KILLED HER?
92
00:05:17,567 --> 00:05:20,237
BUT SHE MAY NOT KNOW.
OF COURSE I WILL,
93
00:05:20,279 --> 00:05:21,822
DEATH DOESN'T GRANT
OMNISCIENCE.
94
00:05:21,863 --> 00:05:24,449
I LIKE TO THINK SO.
YOU'RE GOOD.
95
00:05:24,491 --> 00:05:27,452
I THINK IT'S IMPORTANT
TO LOVE ONE'S SELF.
YES, YOU DO.
96
00:05:27,494 --> 00:05:31,081
HOW DO YOU FEEL
ABOUT YOURSELF?
OH. (chuckles) YOU TELL ME.
97
00:05:31,123 --> 00:05:33,083
THE $500 AN HOUR.
AND FORGET ABOUT
98
00:05:33,125 --> 00:05:35,252
I'M ON CIVIL SERVICE PAY.
99
00:05:35,294 --> 00:05:36,920
OKAY, FOR FREE THEN.
100
00:05:36,962 --> 00:05:38,505
(clears throat)
101
00:05:38,546 --> 00:05:41,049
ASSURED AND ARROGANT,
I THINK YOU ACT
102
00:05:41,091 --> 00:05:43,051
YOU ARE TROUBLED
BUT INSIDE
103
00:05:43,093 --> 00:05:45,220
AND SELF-LOATHING.
WITH DEEP GUILT
104
00:05:45,262 --> 00:05:48,140
IN YOUR PAST PERHAPS?
A RECENT TRAUMA
105
00:05:48,182 --> 00:05:52,102
THAN A LITTLE UNSTABLE.
BUT YOU'RE MORE
106
00:05:52,144 --> 00:05:55,022
YOU HAVE YOUR WORK
CUT OUT FOR YOU.
107
00:05:55,063 --> 00:05:56,648
YOU ARE GOOD.
108
00:05:56,690 --> 00:05:58,233
PLEASE. NOT TO BOAST,
109
00:05:58,275 --> 00:06:00,652
A WELL-KNOWN HORRIBLE TRAGEDY.
BUT I AM QUITE
110
00:06:00,694 --> 00:06:03,655
A MERE HALF-HOUR
ON THE INTERNET
111
00:06:03,697 --> 00:06:07,868
WOULD TELL YOU THAT I'M CONSUMED
ONE LOOK IN YOUR EYES
WOULD TELL ME THAT.
WITH GUILT AND SELF-LOATHING.
112
00:06:07,909 --> 00:06:10,662
AND WHAT MAKES YOU THINK
I WOULD SPEND ANY TIME
113
00:06:10,704 --> 00:06:12,664
RESEARCHING YOU
ON THE INTERNET?
114
00:06:12,706 --> 00:06:15,167
A LITTLE SELF-INVOLVED MAYBE?
115
00:06:15,209 --> 00:06:17,502
MAY I GO?
116
00:06:17,544 --> 00:06:20,088
THANK YOU FOR YOUR TIME.
YES.
117
00:06:20,130 --> 00:06:23,050
FEEL FREE TO CALL ME
ANY TIME.
WE WILL.
118
00:06:28,138 --> 00:06:29,848
WHAT?
119
00:06:36,104 --> 00:06:38,065
DO WE KNOW WHO'S HOME?
120
00:06:38,106 --> 00:06:39,691
UNTIL TWO DAYS AGO,
121
00:06:39,733 --> 00:06:42,110
TRAVIS TENNANT, ROSEMARY TENNANT
THE RESIDENTS WERE
122
00:06:42,152 --> 00:06:45,155
AND A SEMIPERMANENT HOUSEGUEST,
NAME OF JEREMY HALE,
123
00:06:45,197 --> 00:06:48,283
AND MRS. TENNANT'S BOYFRIEND,
PORTRAIT PHOTOGRAPHER
124
00:06:48,325 --> 00:06:50,911
ACCORDING TO THE GARDENER
AND POOL GUY.
125
00:06:52,371 --> 00:06:55,332
DOOLEY. DOOLEY, COME HERE.
126
00:06:55,374 --> 00:06:58,043
MR. HALE?
CAN I HELP YOU?
127
00:06:58,085 --> 00:07:01,213
CALIFORNIA BUREAU
INVESTIGATION.
YES.
128
00:07:01,255 --> 00:07:05,050
YOU MIND IF WE COME IN?
NO, NOT AT ALL.
129
00:07:05,092 --> 00:07:06,718
(wipes shoes on mat)
130
00:07:08,762 --> 00:07:11,472
UH, SORRY ABOUT ALL THIS.
131
00:07:11,514 --> 00:07:13,850
LOOKS LIKE YOU WEREN'T ALONE
LAST NIGHT.
132
00:07:13,892 --> 00:07:15,852
AT A, UH, GALLERY OPENING,
WELL, I WAS
133
00:07:15,894 --> 00:07:17,478
BUT SOMEONE'S ALWAYS HERE.
134
00:07:17,520 --> 00:07:19,480
TO HAVE PEOPLE AROUND,
ROSIE LIKED
135
00:07:19,522 --> 00:07:22,192
AND, WELL, YOU KNOW
US CREATIVE TYPES--
136
00:07:22,234 --> 00:07:24,611
ANY CHANCE TO, UH,
PUT OFF WORK.
137
00:07:24,652 --> 00:07:27,322
HOW LONG HAVE YOU LIVED HERE?
(Rigsby)
138
00:07:27,364 --> 00:07:31,285
UH... GOING ON SIX MONTHS.
139
00:07:31,326 --> 00:07:34,829
I'M A, UH, A PHOTOGRAPHER,
140
00:07:34,871 --> 00:07:37,749
AND I MET ROSEMARY
AT A SHOW.
141
00:07:37,791 --> 00:07:40,210
I CAME TO DO A PORTRAIT,
142
00:07:40,252 --> 00:07:43,255
KINDA GELLED, AND I NEVER LEFT.
AND THEN I GUESS WE JUST
143
00:07:43,297 --> 00:07:45,257
SO YOU AND MRS. TENNANT
WERE LOVERS?
144
00:07:45,299 --> 00:07:47,384
THAT'S WHAT EVERYONE SAYS.
145
00:07:47,426 --> 00:07:51,054
DID I LOVE HER AND VICE VERSA,
YES. BUT LOVERS?
146
00:07:51,096 --> 00:07:53,640
WE WERE CLOSE. SHE UNDERSTOOD ME
BETTER THAN ANYONE.
147
00:07:53,681 --> 00:07:55,183
LIVING HERE,
148
00:07:55,225 --> 00:07:58,270
YOU MUST HAVE GOTTEN TO KNOW
HER KIDS PRETTY WELL.
149
00:07:58,312 --> 00:08:01,064
DIDN'T COME AROUND MUCH ANYMORE.
(Jeremy) CLARA'S ALL GROWN UP.
150
00:08:01,106 --> 00:08:03,024
THAT KID HAS SOME PROBLEMS.
AND TRAVIS--
151
00:08:03,066 --> 00:08:04,567
HOW SO?
152
00:08:04,609 --> 00:08:07,737
I THINK AFTER HIS DAD DIED,
HE JUST LOST IT--
153
00:08:07,779 --> 00:08:12,242
ON DRUGS, STEALING STUFF,
ACTING OUT IN CRAZY WAYS.
154
00:08:12,284 --> 00:08:16,746
OVER A WEEK AGO. ROSIE FOUND
DRUGS IN HIS BEDROOM.
WHEN WAS THE LAST TIME
YOU SAW HIM?
155
00:08:16,788 --> 00:08:19,791
HE SPLIT. I DON'T KNOW WHERE.
THEY HAD A BIG FIGHT.
156
00:08:19,833 --> 00:08:23,295
HE'S GOT A HUNDRED CRAZY FRIENDS
EXCUSE ME. UH, DO YOU MIND
TO HIDE OUT WITH.
IF I TAKE A LOOK AROUND?
157
00:08:23,337 --> 00:08:25,088
NO. GO FOR IT.
158
00:08:25,130 --> 00:08:27,424
THANK YOU.
159
00:08:27,466 --> 00:08:31,094
A FEW MONTHS BACK, DIDN'T SHE?
ROSEMARY PUT YOU IN HER WILL
160
00:08:31,136 --> 00:08:34,597
YEAH, AND I FELT BAD ABOUT THAT,
ACTUALLY. IT'S TOO MUCH.
161
00:08:34,639 --> 00:08:37,142
SUCH A GENEROUS PERSON,
BUT ROSEMARY WAS
162
00:08:37,184 --> 00:08:39,560
AND TO REFUSE HER GENEROSITY
WOULD BE TO, YOU KNOW,
163
00:08:39,602 --> 00:08:41,604
DENY HER ESSENCE.
THE DAY BEFORE SHE DIED,
164
00:08:41,646 --> 00:08:43,606
SHE MADE AN APPOINTMENT
WITH HER ESTATE LAWYER,
165
00:08:43,648 --> 00:08:45,859
TOLD HIM SHE WANTED TO MAKE
FURTHER ALTERATIONS
166
00:08:45,900 --> 00:08:48,362
REALLY? I HAD NO IDEA.
TO THE TRUST.
167
00:08:48,403 --> 00:08:52,366
WHAT DO YOU THINK
THAT WAS ABOUT?
IT HAS TO DO WITH TRAVIS.
I COULD ONLY IMAGINE
168
00:08:52,407 --> 00:08:55,369
IT WOULD STRAIGHTEN HIM OUT.
CUT HIM OFF, AND MAYBE
169
00:08:55,410 --> 00:08:57,329
(Jane) LISBON!
170
00:08:57,371 --> 00:08:59,164
(mouths words)
171
00:09:02,250 --> 00:09:04,419
OH, YOU FOUND MY STUDIO.
172
00:09:04,461 --> 00:09:07,088
SHE WAS QUITE BEAUTIFUL,
WASN'T SHE?
173
00:09:07,130 --> 00:09:10,300
YOU REALLY CAPTURED SO MUCH
IN HER EYES.
174
00:09:10,342 --> 00:09:13,387
ROSEMARY WAS AN EASY SUBJECT,
SHE'S TALKING TO US.
IT'S LIKE
175
00:09:13,428 --> 00:09:16,390
THIS IS QUITE A SETUP.
STILL DON'T DO HER JUSTICE.
AND THOSE PHOTOS
176
00:09:16,431 --> 00:09:19,100
STATE-OF-THE-ART EQUIPMENT.
MM. DARKROOM,
177
00:09:19,142 --> 00:09:21,102
IT'S NICE TO HAVE A BENEFACTOR.
I'M BLESSED.
178
00:09:21,144 --> 00:09:23,146
OR CLEVER.
179
00:09:23,188 --> 00:09:26,983
YOU SAY THAT TRAVIS LEFT BECAUSE
HE AND HIS MOM HAD A FIGHT.
180
00:09:27,025 --> 00:09:29,194
WELL, OF COURSE. I WAS THERE.
ARE YOU SURE ABOUT THIS?
181
00:09:29,236 --> 00:09:31,196
I THINK MRS. TENNANT
TURNED A BLIND EYE
182
00:09:31,238 --> 00:09:33,865
TOWARDS HER SON'S PROBLEMS
BECAUSE HE LOST HIS DAD.
183
00:09:33,907 --> 00:09:36,284
HE DIDN'T LEAVE BECAUSE OF HER.
HE LEFT BECAUSE OF YOU.
184
00:09:36,326 --> 00:09:40,414
I THINK THIS WAS TRAVIS' ROOM.
WHAT ARE YOU TALKING ABOUT?
185
00:09:40,455 --> 00:09:43,750
THERE'S OLD POSTER TAPE
HERE ON THE WALLS
186
00:09:43,791 --> 00:09:46,086
THERE'S STICKERS
BEHIND THIS DOOR
187
00:09:46,127 --> 00:09:48,755
AND... DENTS...
188
00:09:48,796 --> 00:09:52,842
A LACROSSE BALL WAS HITTING IT.
UP HERE, FROM WHERE
189
00:09:52,884 --> 00:09:55,470
TRAVIS PLAYS LACROSSE,
DOESN'T HE?
190
00:09:55,512 --> 00:09:59,182
AND HERE--THIS PANE OF GLASS
BEFORE HE GOT INTO DRUGS.
HAS A CRACK IN IT,
HE USED TO
191
00:09:59,224 --> 00:10:01,393
RIGHT AT ELBOW OR FIST HEIGHT.
192
00:10:01,435 --> 00:10:04,563
THE ARGUMENT BETWEEN YOU TWO.
MUST HAVE BEEN QUITE
193
00:10:04,604 --> 00:10:09,276
TAKE HIS ROOM AS SOON AS HE LEFT
THE ONLY QUESTION IS, DID YOU
OKAY, THAT'S ENOUGH.
194
00:10:09,317 --> 00:10:12,195
BECAUSE YOU TOOK HIS ROOM?
OR DID HE LEAVE
195
00:10:12,237 --> 00:10:15,532
YOU'RE IN MY PERSONAL SPACE.
PLEASE STEP BACK.
196
00:10:15,574 --> 00:10:17,325
EXCUSE ME.
197
00:10:17,367 --> 00:10:20,912
HE HAS TO FIND SOMEPLACE SAFE,
SO YOU KICK HIM OUT OF HERE,
198
00:10:20,954 --> 00:10:23,582
WHERE CHANGE CAN'T FIND HIM.
SOMEPLACE TO HIDE
199
00:10:23,623 --> 00:10:25,166
SO WHERE'D HE GO?
200
00:10:49,149 --> 00:10:50,733
(Jeremy) HE WAS HAPPY
IN A SMALLER ROOM.
201
00:10:50,775 --> 00:10:52,527
YEAH, I BET.
EXCUSE ME,
202
00:10:52,569 --> 00:10:54,862
BUT THERE'S A DEFINITE NOTE
OF UNCALLED FOR HOSTILITY
203
00:10:54,904 --> 00:10:57,115
WHAT--WHAT IS THAT ABOUT?
IN YOUR VOICE.
204
00:10:57,157 --> 00:10:59,200
TRYING TO DO HIS JOB.
HE'S JUST
205
00:10:59,242 --> 00:11:01,911
I KNOW TRAVIS TENNANT
IS SUSPECT NUMBER ONE,
206
00:11:01,953 --> 00:11:05,165
EXACTLY GRIEVING RIGHT NOW.
BUT JEREMY ISN'T
207
00:11:05,206 --> 00:11:07,834
I'LL DO SOME DIGGING ON HALE,
SEE WHAT I COME UP WITH.
208
00:11:07,875 --> 00:11:10,337
WHO'S TO SAY THE KID'S NOT DEAD?
(Lisbon)
209
00:11:10,378 --> 00:11:13,089
MORE MONEY IN THE WILL FOR HIM.
MAYBE HE KILLED BOTH OF THEM.
210
00:11:13,131 --> 00:11:17,135
ANYTHING ON THE BUSINESS SIDE?
WELL, THE PSYCHIC WAS RIGHT.
211
00:11:17,177 --> 00:11:19,220
AND SOCIAL PARASITE IN TOWN
EVERY HIGH-END CON ARTIST
212
00:11:19,262 --> 00:11:21,848
WAS HITTING ROSEMARY UP
FOR A MILLION.
213
00:11:21,889 --> 00:11:25,143
THIS LOOKS LIKE HER.
THESE GUYS ARE ALL WHITE-COLLAR
LEECHES, NOT MURDERERS.
214
00:11:25,185 --> 00:11:29,648
MISS TENNANT, I'M AGENT LISBON.
THANK YOU FOR COMING.
215
00:11:29,730 --> 00:11:32,108
I CAME AS SOON AS I COULD.
216
00:11:32,150 --> 00:11:34,944
HAS ANYONE FOUND MY BROTHER?
217
00:11:34,986 --> 00:11:37,447
PLEASE HAVE A SEAT.
218
00:11:37,489 --> 00:11:40,158
WE'RE SO SORRY
FOR YOUR LOSS.
219
00:11:40,200 --> 00:11:44,329
TO ANSWER YOUR QUESTION, NO.
TRAVIS IS STILL MISSING.
220
00:11:44,371 --> 00:11:47,582
BUT WE'RE DOING EVERYTHING
WE CAN TO FIND HIM.
221
00:11:47,624 --> 00:11:49,626
ABOUT YOUR MOTHER?
CAN YOU TELL US
222
00:11:49,668 --> 00:11:51,710
ANYTHING MIGHT HELP.
223
00:11:51,752 --> 00:11:55,256
I JUST CAN'T BELIEVE
SHE'S GONE.
224
00:11:55,298 --> 00:11:59,302
SHE WAS SUCH A GOOD PERSON.
(crying) I MEAN,
225
00:11:59,344 --> 00:12:02,138
EVERYBODY LOVED HER,
AND... (sniffles)
226
00:12:02,180 --> 00:12:06,100
FOR HER TO DIE IN THE GUTTER
LIKE THAT, IT'S...
227
00:12:06,142 --> 00:12:08,895
IT'S--IT'S HORRIBLE.
LIKE GARBAGE,
228
00:12:08,936 --> 00:12:12,106
PEOPLE SAY SHE CHANGED
AFTER YOUR FATHER DIED.
229
00:12:12,148 --> 00:12:13,900
SHE...
230
00:12:13,941 --> 00:12:16,611
SHE SORT OF LOST CONTROL.
231
00:12:16,653 --> 00:12:19,406
AND MY FATHER WAS...
232
00:12:19,447 --> 00:12:22,325
THE ONE THAT KEPT IT ALL GOING.
(sniffles)
233
00:12:22,367 --> 00:12:24,118
AND SHE JUST...
234
00:12:24,160 --> 00:12:25,704
SHE WASN'T THAT PERSON.
235
00:12:25,744 --> 00:12:27,788
COULD YOU GIVE US AN EXAMPLE?
236
00:12:30,083 --> 00:12:32,293
WHEN I WAS IN COLLEGE...
237
00:12:32,335 --> 00:12:34,295
MY BROTHER CALLED TO TELL ME
238
00:12:34,337 --> 00:12:37,507
WERE RIPPING US OFF.
THAT PEOPLE
239
00:12:37,549 --> 00:12:41,511
IN ONE BAD SCHEME AFTER ANOTHER,
AND MOM WOULD INVEST
240
00:12:41,553 --> 00:12:45,390
BUT SHE JUST WOULDN'T LISTEN.
AND I TRIED TO WARN HER,
241
00:12:45,432 --> 00:12:48,727
I'M SURE SHE THOUGHT SHE WAS
DOING THE RIGHT THING.
242
00:12:48,767 --> 00:12:51,104
IS THAT WHEN YOUR BROTHER
STARTED ACTING OUT?
243
00:12:51,145 --> 00:12:55,358
HE MISSED DAD A LOT,
244
00:12:55,400 --> 00:12:57,902
AND SUDDENLY...
245
00:12:57,944 --> 00:12:59,904
HE WAS THE MAN OF THE HOUSE,
246
00:12:59,946 --> 00:13:03,575
HE JUST WASN'T USED TO IT.
AND I THINK
247
00:13:05,368 --> 00:13:08,747
THAT'S WHEN JEREMY MOVED IN,
248
00:13:08,787 --> 00:13:12,250
HE'S VERY DANGEROUS.
AND HE'S SCARY.
249
00:13:12,292 --> 00:13:14,252
DANGEROUS HOW?
250
00:13:14,294 --> 00:13:17,297
AND HE HAS A VERY BAD TEMPER.
HE WANTS WHAT HE WANTS,
251
00:13:17,338 --> 00:13:21,259
I WAS WORRIED FOR MY MOM.
252
00:13:21,301 --> 00:13:24,178
WHERE DO YOU THINK TRAVIS IS?
CLARA,
253
00:13:24,220 --> 00:13:28,349
I WOULD BE WITH HIM.
IF I KNEW,
254
00:13:28,391 --> 00:13:30,351
I MEAN, HE'S MY BROTHER.
255
00:13:30,393 --> 00:13:32,437
HE'S ALL I'VE GOT LEFT.
HE'S...
256
00:13:32,479 --> 00:13:37,358
COULD YOU PUT HIS NUMBER
IN THERE, PLEASE?
257
00:13:37,400 --> 00:13:41,529
WELL, HE'S NOT GONNA
CALL YOU BACK.
EH, JUST PUT IT IN.
258
00:13:42,989 --> 00:13:45,283
(beep)
259
00:13:45,325 --> 00:13:46,951
THANK YOU.
260
00:13:54,208 --> 00:13:55,794
HELLO, TRAVIS.
261
00:13:55,834 --> 00:13:58,171
BUT MY NAME IS PATRICK JANE.
YOU DON'T KNOW ME,
262
00:13:58,212 --> 00:14:01,424
IN A LITTLE TROUBLE RIGHT NOW,
I'M A FRIEND. I KNOW YOU'RE
263
00:14:01,466 --> 00:14:03,842
AND I WANT TO OFFER YOU
SOME PEACE OF MIND.
264
00:14:03,884 --> 00:14:06,680
WHAT PEACE OF MIND MEANS TO YOU.
BUT I DON'T KNOW
265
00:14:06,721 --> 00:14:08,306
IT'S DIFFERENT FOR EVERYONE.
266
00:14:08,348 --> 00:14:10,308
I LIKE RIDING HORSES.
FOR INSTANCE,
267
00:14:10,350 --> 00:14:12,727
BUT WOULD HORSES MAKE YOU HAPPY?
I DON'T KNOW.
268
00:14:12,769 --> 00:14:14,895
WHY WOULDN'T HORSES
MAKE YOU HAPPY?
269
00:14:14,937 --> 00:14:18,608
GO ROUND AND ROUND IN YOUR MIND
UNTIL YOU'RE SURE,
270
00:14:18,650 --> 00:14:21,820
WHERE YOU KNOW YOU ARE HAPPY.
AND GO TO THAT PLACE
271
00:14:21,861 --> 00:14:25,448
THEN GIVE ME A CALL.
YOU HAVE MY NUMBER.
272
00:14:25,490 --> 00:14:28,242
WHAT WAS THAT ABOUT?
273
00:14:28,284 --> 00:14:30,911
CAME INTO YOUR HEAD?
QUICK. WHAT IMAGES
274
00:14:30,953 --> 00:14:33,498
YOU CAN'T SAY THERE'S
ALL I'M SAYING,
275
00:14:33,540 --> 00:14:36,835
(Cho) YOU'RE RIGHT.
NO SUCH THING AS PSYCHICS JUST
'CAUSE YOU'VE NEVER MET ONE.
276
00:14:36,876 --> 00:14:40,129
DOESN'T MEAN THEY DON'T EXIST.
I'VE NEVER SEEN A ZEBRA.
YOU'VE NEVER SEEN A ZEBRA?
277
00:14:40,171 --> 00:14:42,507
NO.
YOU'VE NEVER BEEN TO A ZOO?
278
00:14:42,549 --> 00:14:44,718
YOU KNOW, I DON'T GET ZOOS.
279
00:14:44,759 --> 00:14:47,136
TO LOOK AT ANIMALS. WHY?
YOU PAY MONEY
280
00:14:47,178 --> 00:14:48,638
GUYS.
281
00:14:48,680 --> 00:14:50,557
(Jane) THAT'S HIM.
282
00:14:50,598 --> 00:14:53,518
I'LL NEVER DOUBT YOU AGAIN.
JANE,
283
00:14:53,560 --> 00:14:55,353
YOU EVER DOUBTED ME?
284
00:15:08,616 --> 00:15:10,493
(man) ONE DOLLAR HERE.
ONE DOLLAR.
285
00:15:30,930 --> 00:15:33,266
TRAVIS, WAIT.
286
00:15:33,307 --> 00:15:34,392
JUST WAIT.
287
00:15:42,400 --> 00:15:45,152
WE KNOW WHY YOU TOOK OFF.
TRAVIS,
288
00:15:45,194 --> 00:15:47,447
YOUR FIGHT WITH JEREMY.
WE KNOW ABOUT
289
00:15:47,488 --> 00:15:49,699
WHY DIDN'T YOU CALL SOMEBODY?
WHY JUST RUN?
290
00:15:49,741 --> 00:15:52,744
'CAUSE THERE WASN'T ANYTHING
THEY COULD DO.
291
00:15:52,786 --> 00:15:55,747
I DIDN'T WANT TO CAUSE
ANY MORE TROUBLE.
292
00:15:55,789 --> 00:15:58,374
CAUSE ANY TROUBLE FOR WHO?
THEY'RE YOUR FAMILY.
293
00:15:58,416 --> 00:16:01,461
YOU REALLY DON'T UNDERSTAND.
294
00:16:01,502 --> 00:16:06,466
LOOK, I LOVED MY MOM...
SO MUCH.
295
00:16:06,507 --> 00:16:08,468
BUT AFTER THE BLOWOUT
WITH JEREMY,
296
00:16:08,509 --> 00:16:11,220
I COULDN'T GO BACK THERE.
THERE WAS NO WAY.
297
00:16:11,262 --> 00:16:12,972
WHEN CAN I SEE HIM?
298
00:16:13,013 --> 00:16:15,224
OH, SOON.
299
00:16:15,266 --> 00:16:18,436
(Lisbon) SO WHERE'D YOU GO?
FRIENDS' HOUSES MOSTLY.
(Travis)
300
00:16:18,478 --> 00:16:20,730
NAMES AND ADDRESSES.
WE'LL NEED
301
00:16:20,772 --> 00:16:25,234
YOU KNOW, MAYBE IF I'D BEEN HOME
THAT NIGHT,
302
00:16:25,276 --> 00:16:26,277
SHE'D STILL BE ALIVE.
303
00:16:26,319 --> 00:16:28,362
I... MAYBE--
304
00:16:28,404 --> 00:16:30,448
HERE'S THE TRUTH, TRAVIS.
305
00:16:30,490 --> 00:16:33,660
GAVE AWAY A LOT OF YOUR MONEY.
AFTER YOUR DAD DIED, YOUR MOM
306
00:16:33,701 --> 00:16:37,079
THEN SHE MOVED JEREMY
INTO THE HOUSE
307
00:16:37,121 --> 00:16:40,082
SO EVEN THOUGH YOU TOOK OFF, YOU
KNEW WHERE SHE'D BE THAT NIGHT.
AND MADE YOUR LIFE MISERABLE.
308
00:16:40,124 --> 00:16:42,084
HOW SHE'D WALK HOME.
YOU KNEW
309
00:16:42,126 --> 00:16:44,420
ARE YOU SAYING I DID THIS?
(voice breaks)
310
00:16:47,131 --> 00:16:50,384
WHEN MY DAD DIED,
MOM WAS ALL I HAD.
311
00:16:50,426 --> 00:16:53,304
YOU DON'T THINK I WANTED
TO BE THERE FOR HER?
312
00:16:53,346 --> 00:16:56,516
HE STARTS TELLING ME WHAT TO DO
THAT DIRTBAG JEREMY MOVES IN,
313
00:16:56,557 --> 00:16:59,477
AND BOSSING ME AROUND.
314
00:16:59,519 --> 00:17:03,439
I DIDN'T KILL HER.
SHE WAS MY MOM.
315
00:17:03,481 --> 00:17:05,817
I BELIEVE HIM.
316
00:17:08,569 --> 00:17:10,321
COME HERE.
317
00:17:17,328 --> 00:17:19,330
WE'LL BE ALL RIGHT.
318
00:17:19,372 --> 00:17:20,999
WE'LL BE FINE.
319
00:17:31,509 --> 00:17:34,470
TRAVIS IS HURTING.
LET'S NOT FORGET,
OR HE'S LYING.
320
00:17:34,512 --> 00:17:37,139
JEREMY HALE STOOD TO INHERIT
A FEW MILLION HIMSELF.
321
00:17:37,181 --> 00:17:39,517
TO SPEED UP THE PROCESS--
SO MAYBE HE WANTED
322
00:17:39,559 --> 00:17:42,812
FINANCE A NICE LONG PHOTO SHOOT
IN SOUTH AMERICA,
323
00:17:42,854 --> 00:17:46,190
FROM ROSEMARY'S PROBATE LAWYER.
I HEARD
LAY LOW FOR AWHILE?
324
00:17:46,232 --> 00:17:50,069
UH, KRISTINA FRYE?
GUESS WHO SHE JUST ADDED
TO HER WILL.
325
00:17:50,110 --> 00:17:52,989
SHE KNEW IN ADVANCE
INK WASN'T EVEN DRY YET.
KRISTINA TOLD US
326
00:17:53,031 --> 00:17:55,074
THAT ROSEMARY WAS IN DANGER.
327
00:17:55,115 --> 00:17:57,785
WHY WOULD SHE TELL US THAT
IF SHE'S GUILTY?
328
00:17:57,827 --> 00:18:01,039
HOW DIABOLICALLY CLEVER OF HER--
MAKE US DISMISS HER AS A SUSPECT
329
00:18:01,080 --> 00:18:03,958
BECAUSE SHE MADE HERSELF
LOOK LIKE ONE.
330
00:18:04,000 --> 00:18:06,502
OR MAYBE, JUST MAYBE, SHE HAS
A RARE AND PRECIOUS GIFT
331
00:18:06,544 --> 00:18:08,504
AND IS TRYING TO HELP US.
332
00:18:08,546 --> 00:18:10,506
A RARE AND PRECIOUS GIFT.
333
00:18:10,548 --> 00:18:14,052
WHO GETS THESE GIFTS ANYHOW?
TELL ME... (clears throat)
334
00:18:14,093 --> 00:18:16,012
NO ONE EVER HAS THE GIFT
AND HOW COME
335
00:18:16,054 --> 00:18:17,722
FOR SEEING HORSE RACE RESULTS?
336
00:18:17,764 --> 00:18:20,558
AND HOW COME DEAD PEOPLE ALWAYS
TALK SUCH TEDIOUS DRIVEL?
337
00:18:20,600 --> 00:18:23,561
ENTITLED TO HER OPINION.
PLAY NICE. VAN PELT'S
338
00:18:23,603 --> 00:18:27,189
NOT IF IT'S WRONG. THIS IS LIKE
BELIEVING IN THE EASTER BUNNY.
THERE'S NO EASTER BUNNY?
WHO SAYS
339
00:18:27,231 --> 00:18:29,275
(telephone rings)
340
00:18:29,316 --> 00:18:32,278
VAN PELT. OH, HI.
341
00:18:32,319 --> 00:18:34,488
WOW. THANKS.
342
00:18:34,530 --> 00:18:37,116
GOT IT. WE'LL BE RIGHT OVER.
343
00:18:37,157 --> 00:18:40,995
SHE'S PICKING UP ON SOMETHING.
THAT WAS KRISTINA. SHE SAID
344
00:18:41,037 --> 00:18:43,998
SOMETHING THAT MIGHT HELP US.
OOH.
345
00:18:44,040 --> 00:18:47,919
WHY DON'T YOU GO TALK TO HER?
(Jane) I'M COMING.
346
00:18:47,961 --> 00:18:51,631
DOES HE HAVE TO?
IF SHE'S CONNING US,
WE NEED TO KNOW.
347
00:18:51,672 --> 00:18:55,301
SHE ISN'T. I CAN TELL.
BEHAVE.
348
00:18:55,342 --> 00:18:57,011
(knock on window)
349
00:18:57,053 --> 00:18:58,721
MISS FRYE?
350
00:18:58,763 --> 00:19:00,389
(Kristina) BE RIGHT THERE.
TAKE A SEAT, PLEASE.
351
00:19:00,431 --> 00:19:03,476
MADAME ZOLTAR WELCOMES YOU.
352
00:19:08,064 --> 00:19:10,900
(sniffs)
353
00:19:10,942 --> 00:19:13,569
MM. I SMELL DEAD PEOPLE.
354
00:19:13,611 --> 00:19:15,780
JANE, SHH.
355
00:19:27,667 --> 00:19:30,795
HOLIDAY SHOPPING RIGHT HERE.
LOOK, YOU CAN DO ALL YOUR
356
00:19:30,837 --> 00:19:33,339
THE LEAST BIT INTERESTED
AREN'T YOU
357
00:19:33,380 --> 00:19:36,509
NO. I LOVE THE MIRROR, THOUGH.
CONVENIENTLY LOCATED, ISN'T IT?
IN WHAT SHE HAS TO SAY?
358
00:19:36,550 --> 00:19:41,221
TEXTBOOK CLAIRVOYANT TRICK.
IT'S 1-WAY GLASS--
WHAT DO YOU MEAN?
359
00:19:41,263 --> 00:19:43,933
SHE STUDIES HER CLIENT'S BODY
LANGUAGE BEFORE THEY COME IN.
360
00:19:48,896 --> 00:19:52,900
PROBABLY WATCHING US RIGHT NOW.
(whispers) COME ON. SHE'S
361
00:19:52,942 --> 00:19:55,611
(normal voice) SURE, I CAN.
YOU CAN'T GO IN THERE.
362
00:19:55,653 --> 00:19:57,738
JANE.
363
00:19:57,780 --> 00:20:00,199
(thud)
364
00:20:00,240 --> 00:20:03,077
SEE? YOU WERE WRONG.
OH, MAYBE IN THIS INSTANCE,
365
00:20:03,119 --> 00:20:05,454
AS A GENERAL OBSERVATION.
BUT NOT
366
00:20:05,496 --> 00:20:07,123
SHALL WE SIT DOWN?
367
00:20:10,417 --> 00:20:13,671
SURE.
368
00:20:13,713 --> 00:20:16,174
WHAT I'M STRUGGLING WITH?
YOU KNOW
369
00:20:16,215 --> 00:20:17,967
ENLIGHTEN ME.
370
00:20:18,009 --> 00:20:19,969
A GOOD HIGH-CLASS GAME,
YOU TALK SUCH
371
00:20:20,011 --> 00:20:22,471
BUT YOUR TEMPLE
372
00:20:22,513 --> 00:20:26,308
SOUVENIR STORE IN SHANGRI-LA.
LOOKS LIKE A DISCOUNT
373
00:20:26,350 --> 00:20:28,477
GOES WITH THE TERRITORY.
WELL, CERTAIN IMAGERY
374
00:20:28,519 --> 00:20:30,063
YOU KNOW THAT.
375
00:20:30,104 --> 00:20:32,565
A LITTLE RAZZMATAZZ,
PEOPLE EXPECT
376
00:20:32,606 --> 00:20:35,109
LIKE THE SHINY SUITS
YOU USED TO WEAR.
377
00:20:35,151 --> 00:20:37,987
(crying)
HE SAYS...
378
00:20:38,029 --> 00:20:41,323
I CAUSED YOU AND YOUR MOTHER."
"I'M SORRY FOR ALL THE PAIN
379
00:20:41,365 --> 00:20:44,077
(laughs)
THEY'RE TEARS OF JOY.
380
00:20:44,118 --> 00:20:46,495
SOME RESEARCH ON ME.
SO YOU HAVE DONE
I HAVE NOW.
381
00:20:46,537 --> 00:20:50,416
RED JOHN MURDERED YOUR FAMILY.
I'M VERY SORRY FOR YOUR LOSS.
382
00:20:50,457 --> 00:20:53,711
CALLING? IS THAT WHAT THIS IS?
IS THAT WHY YOU GAVE UP
YOUR CALLING?
383
00:20:53,753 --> 00:20:56,589
GIFT, AS YOU LIKE.
YEAH, CALLING,
384
00:20:56,630 --> 00:21:01,552
IT WAS THE SUITS.
CHAFING. HORRIBLE.
THERE'S NO DOUBT THAT YOU HAD
THAT. WHY'D YOU GIVE IT UP?
385
00:21:01,594 --> 00:21:04,722
DON'T TRY TO COLD READ ME.
ALWAYS DANCING. WHY IS THAT?
386
00:21:04,764 --> 00:21:07,516
WE BOTH KNOW THAT'S A LIE.
OH, I WOULDN'T KNOW HOW.
387
00:21:07,558 --> 00:21:10,228
TALK ABOUT THE CASE?
CAN WE, UM,
388
00:21:10,269 --> 00:21:12,146
YES.
389
00:21:12,188 --> 00:21:14,190
PLEASE. (clears throat)
390
00:21:14,232 --> 00:21:17,110
CONTACTED YOU YET?
SO HAS ROSEMARY
391
00:21:17,151 --> 00:21:19,486
NO, NOT YET.
392
00:21:19,528 --> 00:21:23,490
SOULS TO MAKE A FULL TRANSIT.
IT OFTEN TAKES SOME TIME FOR
393
00:21:23,532 --> 00:21:25,785
YES, THE CELESTIAL BUS
IS RUNNING LATE.
394
00:21:25,826 --> 00:21:27,787
I CALLED TO OFFER YOU
MY ASSISTANCE.
395
00:21:27,828 --> 00:21:29,622
CLEARLY YOU'RE NOT INTERESTED.
396
00:21:29,663 --> 00:21:32,041
WAIT. I'M THE AGENT HERE.
397
00:21:32,083 --> 00:21:33,667
WE ARE INTERESTED.
398
00:21:33,709 --> 00:21:37,337
I HAD A VISION ABOUT THE CAR
USED TO KILL ROSEMARY.
399
00:21:37,379 --> 00:21:38,422
(clears throat)
400
00:21:40,758 --> 00:21:43,719
WATER RUSHING INTO THE WINDOWS,
TIRES UNDERWATER,
401
00:21:43,761 --> 00:21:45,512
RESTING ON CONCRETE.
402
00:21:45,554 --> 00:21:48,182
LIKE A SWIMMING POOL?
CONCRETE?
403
00:21:48,224 --> 00:21:50,434
UM, BIGGER.
404
00:21:50,476 --> 00:21:52,311
A RESERVOIR MAYBE.
405
00:21:52,352 --> 00:21:54,563
THERE'S FOUNDERS LAKE
JUST OUTSIDE OF TOWN.
406
00:21:54,605 --> 00:21:58,442
YES, A RESERVOIR.
407
00:22:07,409 --> 00:22:09,245
(camera shutter snaps)
408
00:22:23,717 --> 00:22:25,136
(Cho) THANKS.
409
00:22:27,221 --> 00:22:29,182
THE DAMAGE TO THE FRONT END
IS CONSISTENT
410
00:22:29,223 --> 00:22:31,058
WITH A VEHICLE VERSUS
PEDESTRIAN COLLISION.
411
00:22:31,100 --> 00:22:33,186
THE V.I.N. NUMBER
BUT GET THIS--
412
00:22:33,227 --> 00:22:35,980
THAT'S HER CAR?
MATCHES ROSEMARY TENNANT'S
OWN REGISTRATION.
413
00:22:36,022 --> 00:22:39,025
TWO MOVING VIOLATIONS
YEAH,
414
00:22:39,066 --> 00:22:41,986
HE HAD ACCESS TO IT AS WELL.
IT COULD HAVE BEEN JEREMY.
THE VEHICLE ALL THE TIME.
SHOW THAT TRAVIS USED
415
00:22:42,028 --> 00:22:44,446
IN THE CAR THAT NIGHT--
UH, PUT ONE OF THEM
416
00:22:44,488 --> 00:22:46,448
WITNESSES AT GAS STATIONS.
TRAFFIC CAMERAS,
417
00:22:46,490 --> 00:22:48,659
I'M ON IT.
IF IT EXISTS, I WANT TO KNOW.
418
00:22:48,701 --> 00:22:50,661
ARE YOU GUYS GONNA ARREST
TRAVIS TENNANT
419
00:22:50,703 --> 00:22:52,997
OR, UH, YOU WANT US TO?
I'M SORRY, DETECTIVE,
420
00:22:53,039 --> 00:22:55,708
BUT EVERYTHING WE HAVE RIGHT NOW
IS CIRCUMSTANTIAL.
421
00:22:55,749 --> 00:22:59,212
WELL, I GO WITH MY GUT,
UH, 90% OF THE TIME.
422
00:22:59,253 --> 00:23:02,089
IF IT FEELS RIGHT,
IT'S MEANT TO BE.
WHAT ABOUT THE OTHER 10%?
423
00:23:02,131 --> 00:23:03,632
HMM.
424
00:23:05,592 --> 00:23:09,347
IF ANYONE NEEDS ARRESTING,
IT'S KRISTINA FRYE.
425
00:23:09,387 --> 00:23:11,557
SHE KNEW THAT ROSEMARY
WAS IN DANGER.
426
00:23:11,598 --> 00:23:14,392
THE CAR, THE MURDER WEAPON,
SHE KNEW WHERE TO FIND
427
00:23:14,434 --> 00:23:17,146
DOES HAVE SUPERNATURAL POWERS
WHICH MEANS THAT SHE EITHER
428
00:23:17,188 --> 00:23:19,190
OR SHE WAS INVOLVED
IN THE CRIME.
429
00:23:19,232 --> 00:23:22,400
COME ON. SHE SIMPLY DID
WHAT YOU DO SO WELL.
430
00:23:22,442 --> 00:23:25,571
WITH AN AIR OF CONFIDENCE,
SHE MADE AN EDUCATED GUESS.
431
00:23:25,612 --> 00:23:27,489
DUMP A CAR AROUND HERE?
WHERE ELSE WOULD YOU
432
00:23:27,531 --> 00:23:29,033
SHE'S A GOOD GUESSER.
433
00:23:29,075 --> 00:23:32,745
THAT'S A POSSIBILITY, TOO.
WELL, I GUESS
434
00:23:32,786 --> 00:23:35,497
YOU OBJECT TO, ISN'T IT?
YES, AND THAT'S WHAT
435
00:23:35,539 --> 00:23:38,500
BUT THAT SHE'S SO GOOD AT IT.
NOT THAT SHE'S A CON ARTIST
436
00:23:38,542 --> 00:23:41,254
MAYBE EVEN BETTER THAN YOU.
437
00:23:41,295 --> 00:23:42,713
NOT AT ALL. I...
438
00:23:42,755 --> 00:23:45,341
ALL RIGHT, YES.
439
00:23:45,383 --> 00:23:49,053
MIND YOU, BUT SHE IS GOOD,
NOT BETTER THAN ME,
440
00:23:49,095 --> 00:23:52,472
THAT ARE THE MOST DANGEROUS.
AND IT'S THE GOOD ONES
441
00:23:52,514 --> 00:23:54,808
EXCUSE ME, BUT YOU MIGHT
CONSIDER THE POSSIBILITY
442
00:23:54,850 --> 00:23:56,810
THAT SHE'S ACTUALLY
HONESTLY IN TOUCH
443
00:23:56,852 --> 00:23:58,812
BEYOND YOUR UNDERSTANDING.
WITH SOMETHING
444
00:23:58,854 --> 00:24:02,733
THAT WOULD BE GOLF AND MUSICAL
THEATER OF THE '30s AND '40s.
445
00:24:02,775 --> 00:24:05,611
THE CAR IS EMPTY EXCEPT
FOR THESE IN THE TRUNK.
446
00:24:05,652 --> 00:24:07,529
HIGH-GRADE COATED NYLON.
447
00:24:07,571 --> 00:24:10,490
JUST LIKE THEY USE
IN A PHOTO LAB.
448
00:24:12,534 --> 00:24:14,620
JEREMY'S GONE.
449
00:24:14,661 --> 00:24:17,664
AND I TOLD HIM NOT TO COME BACK
WE HAD AN EXCHANGE,
450
00:24:17,706 --> 00:24:20,751
AND SOME OF MOM'S JEWELRY
YOU REALLY THINK HE DID IT?
IS MISSING.
451
00:24:20,793 --> 00:24:23,421
AND SOMEONE STOLE YOUR MOM'S CAR
AND USED IT TO KILL HER.
452
00:24:23,461 --> 00:24:25,798
BUT THE LOCKS WEREN'T JIMMIED.
THEY HAD A KEY.
453
00:24:25,839 --> 00:24:28,801
AND YOU THINK I DID IT. LOOK,
I ALREADY TOLD YOU WERE I WAS.
454
00:24:28,842 --> 00:24:32,221
THERE WERE A LOT OF PEOPLE
GO OUT, TALK TO MY FRIENDS.
WE DID. THEY SAID
455
00:24:32,263 --> 00:24:35,057
COULD HAVE LEFT AND COME BACK.
AT THE PARTY THAT NIGHT. YOU
456
00:24:35,099 --> 00:24:36,642
THIS IS SO UNFAIR. HOW...
457
00:24:36,683 --> 00:24:39,395
MY BROTHER'S RIGHT.
JEREMY JUST LEFT.
458
00:24:39,437 --> 00:24:41,647
HE'S HIDING SOMETHING.
CLEARLY
459
00:24:41,688 --> 00:24:44,691
LISBON.
460
00:24:44,733 --> 00:24:46,484
STAY HERE.
461
00:24:48,862 --> 00:24:50,864
AN A.P.B. ON JEREMY HALE.
RIGSBY, IT'S ME. I NEED
462
00:24:50,906 --> 00:24:52,490
CHECK THE AIRPORTS.
463
00:24:52,532 --> 00:24:54,492
AT LEAST TWO HOURS ON US.
HE'S PROBABLY GOT
464
00:24:54,534 --> 00:24:57,495
HE HASN'T GONE THAT FAR.
HE'S NOT ON A PLANE.
465
00:24:57,537 --> 00:24:59,581
HE LEFT TOO MUCH BEHIND.
HOW DO YOU KNOW?
466
00:24:59,623 --> 00:25:02,709
IN A ROOM FULL OF PHOTOGRAPHS,
FIVE ARE OF ROSEMARY.
467
00:25:02,751 --> 00:25:05,421
AT LEAST A YEAR AGO.
THE REST ARE DATED
468
00:25:05,463 --> 00:25:08,799
EXCEPT...
469
00:25:08,841 --> 00:25:10,550
THIS ONE.
470
00:25:10,592 --> 00:25:14,263
A FEW WEEKS AGO. BRAND-NEW.
THIS WAS TAKEN
471
00:25:14,305 --> 00:25:17,183
BUT SOMEWHAT INTIMATE.
A LITTLE DAMAGED,
472
00:25:19,310 --> 00:25:23,230
A HOLE LIKE THAT, WOULDN'T IT?
A WOMAN'S HEEL WOULD MAKE
YES.
473
00:25:23,272 --> 00:25:27,860
BEING ROSEMARY'S HOUSE, WE CAN
ASSUME IT'S ROSEMARY'S HEEL.
I'M STILL WITH YOU.
474
00:25:27,901 --> 00:25:29,862
WANT TO PUT HER HEEL
WHY WOULD ROSEMARY
475
00:25:29,903 --> 00:25:32,823
IN THIS NICE YOUNG WOMAN'S
PICTURE,
476
00:25:32,865 --> 00:25:37,244
HER WOMANIZING BOYFRIEND JEREMY?
THAT WAS TAKEN BY
477
00:25:43,292 --> 00:25:44,502
KNOW HER?
478
00:25:44,542 --> 00:25:47,754
THAT'S, UM, CONNIE ADAMS,
YEAH.
479
00:25:47,796 --> 00:25:50,341
MY MOM'S BRIDGE PARTNER'S
DAUGHTER, CONNIE.
480
00:25:53,344 --> 00:25:56,347
(rock music playing)
481
00:26:11,362 --> 00:26:12,696
(door creaks)
482
00:26:12,738 --> 00:26:16,492
(woman) HELLO. (laughs)
483
00:26:16,534 --> 00:26:17,659
CONNIE?
484
00:26:17,701 --> 00:26:19,286
CAN I HELP YOU?
485
00:26:19,328 --> 00:26:22,081
NICE NECKLACE. POLICE.
486
00:26:22,122 --> 00:26:25,792
WE'RE LOOKING FOR JEREMY HALE.
IS HE HERE?
487
00:26:25,834 --> 00:26:27,336
BABY?
488
00:26:28,879 --> 00:26:30,172
(Rigsby) HI, JEREMY.
489
00:26:30,214 --> 00:26:31,715
HEY.
490
00:26:31,757 --> 00:26:34,176
YOU MIGHT WANT SOME CLOTHES.
LET'S GO TALK.
491
00:26:34,218 --> 00:26:36,678
OR A LOT MORE WHIPPED CREAM.
YOUR CALL.
492
00:26:41,141 --> 00:26:46,355
ROSEMARY WAS KILLED BY SOMEBODY
DRIVING ONE OF HER OWN CARS.
493
00:26:46,397 --> 00:26:49,108
OKAY.
494
00:26:49,149 --> 00:26:53,653
A SILVER CHRYSLER. YOU EVER
DRIVE THIS CAR, JEREMY?
495
00:26:53,695 --> 00:26:56,031
NO. THAT'S THE CAR
THAT TRAVIS DROVE.
496
00:26:58,158 --> 00:27:01,203
THING IS, WE FOUND
A GLOVE IN THE CAR
NOT MY STYLE.
497
00:27:01,245 --> 00:27:03,330
THAT'S FROM YOUR PHOTO LAB.
498
00:27:03,372 --> 00:27:05,832
WE FIND YOUR D.N.A. ON IT?
WHAT ARE THE CHANCES
499
00:27:05,874 --> 00:27:08,252
TRAVIS HAS AN ALIBI.
WELL, TRAVIS COULD HAVE
TAKEN THOSE.
500
00:27:08,294 --> 00:27:11,046
ORDER TO THROW SUSPICION ON HIM.
YOU COULD HAVE TAKEN THE CAR IN
501
00:27:11,088 --> 00:27:14,467
THE TENNANT HOUSE FAST,
I COULD HAVE, I SUPPOSE,
YOU LEFT
BUT I DIDN'T.
502
00:27:14,508 --> 00:27:16,009
ALMOST LIKE YOU WERE
RUNNING AWAY.
503
00:27:16,051 --> 00:27:19,138
I GOT INTO IT WITH THE KIDS.
WHY IS THAT?
504
00:27:19,179 --> 00:27:21,848
THAT CLARA IS INSANE. I THOUGHT
SHE WAS GONNA ASSAULT ME.
505
00:27:21,890 --> 00:27:25,060
THEY THINK YOU KILLED
THEIR MOTHER.
WELL, THEY DON'T KNOW
ANYTHING ABOUT ME.
506
00:27:25,102 --> 00:27:28,939
OF COURSE YOU DID.
THAT'S WHY YOU GAVE
I LOVED HER.
507
00:27:28,981 --> 00:27:31,442
TO YOUR HOT NEW GIRLFRIEND.
ROSEMARY'S NECKLACE
508
00:27:31,484 --> 00:27:33,819
TO ROSEMARY, IS IT?
WELL, IT'S NO GOOD
509
00:27:33,860 --> 00:27:35,821
I'M A PRAGMATIST.
SO SHOOT ME.
510
00:27:35,862 --> 00:27:37,948
THAT'S A GOOD WORD.
511
00:27:37,990 --> 00:27:42,035
MIAMI, NEW YORK, CHICAGO--
512
00:27:42,077 --> 00:27:44,871
ALL WIDOWS, AND ALL CONTRIBUTORS
TO YOUR BUDDING CAREER.
513
00:27:44,913 --> 00:27:47,166
AND STILL GOOD FRIENDS OF MINE,
AND ALL ALIVE AND WELL
514
00:27:47,207 --> 00:27:50,043
IF YOU CARE TO SPEAK
TO ANY OF THEM.
515
00:27:50,085 --> 00:27:54,089
A LITTLE AMBIVALENT ABOUT ME,
WELL, PHOEBE MIGHT BE
516
00:27:54,131 --> 00:27:56,175
BUT... THE OTHERS ARE,
YOU KNOW...
517
00:27:56,216 --> 00:27:58,885
DO YOU KNOW KRISTINA FRYE?
518
00:27:58,927 --> 00:28:02,014
IS FAMILIAR, BUT NO.
UH... THAT NAME
519
00:28:02,055 --> 00:28:04,975
SHE'S ROSEMARY'S PSYCHIC,
I DON'T THINK SO.
520
00:28:05,017 --> 00:28:06,935
AND I THINK YOU HAVE
MET KRISTINA.
521
00:28:06,977 --> 00:28:09,729
ONE OF YOUR PORTRAITS
YOU TOOK HER PHOTOGRAPH.
JANE TELLS US
522
00:28:09,771 --> 00:28:13,400
IS HANGING IN HER FOYER.
A LOT OF PICTURES.
WELL, I-I TAKE
523
00:28:13,442 --> 00:28:16,153
TWO BENEFICIARIES
ON THE SAME WILL,
524
00:28:16,195 --> 00:28:18,030
BOTH INTIMATE FRIENDS
OF ROSEMARY'S,
525
00:28:18,071 --> 00:28:21,033
YET THE TWO OF YOU HAVE
NEVER ACTUALLY MET.
526
00:28:21,074 --> 00:28:24,370
WHAT ARE THE CHANCES?
527
00:28:24,411 --> 00:28:26,163
I WANT A LAWYER.
528
00:28:33,879 --> 00:28:37,007
CHECK THIS OUT.
HEY, BOSS,
529
00:28:37,049 --> 00:28:39,926
INFO ON KRISTINA FRYE.
530
00:28:39,968 --> 00:28:42,179
IN THE LAST TEN YEARS,
EACH OF THESE PEOPLE
531
00:28:42,221 --> 00:28:44,181
IN THEIR WILLS,
LEFT HER NAME
532
00:28:44,223 --> 00:28:46,892
FROM $10,000 TO $200,000.
PAYDAYS RANGING
533
00:28:46,933 --> 00:28:49,687
MAYBE THE PSYCHIC AND JEREMY
HAD A BUSINESS RELATIONSHIP
534
00:28:49,728 --> 00:28:52,814
SO MAYBE JANE WAS RIGHT.
FLEECING VULNERABLE WOMEN.
535
00:28:52,856 --> 00:28:54,774
IT DOESN'T PROVE ANYTHING.
536
00:28:54,816 --> 00:28:58,904
START A CONVERSATION WITH FRYE.
NO, BUT IT'S A GOOD PLACE TO
537
00:29:00,947 --> 00:29:03,742
DO YOU KNOW JEREMY HALE?
KRISTINA, HOW WELL
538
00:29:03,783 --> 00:29:08,080
UH, KIND OF A USER, I'D SAY,
HE WAS ROSEMARY'S LOVER.
539
00:29:08,121 --> 00:29:10,040
BUT GENUINELY FOND
OF HER, I THINK.
540
00:29:10,082 --> 00:29:12,959
QUITE A GOOD PHOTOGRAPHER.
HE TOOK MY PICTURE.
541
00:29:13,001 --> 00:29:17,506
ROSEMARY'S DECISION, FINE.
DID YOU KNOW HE WAS ALSO NAMED
IN THE VICTIM'S WILL?
IF THAT WAS
542
00:29:17,548 --> 00:29:20,884
BUT WHAT ARE YOU GETTING AT?
OVER THE LAST DECADE,
FIVE DIFFERENT PEOPLE
543
00:29:20,926 --> 00:29:24,680
AGAINST MY EXPRESS WISHES.
HAVE NAMED YOU IN THEIR WILLS.
544
00:29:24,722 --> 00:29:26,724
HUNDREDS OF SICK CLIENTS
I'VE HELPED
545
00:29:26,765 --> 00:29:29,435
CONFRONT THEIR FEAR OF DYING,
546
00:29:29,476 --> 00:29:31,311
AND I ASSURE ALL OF THEM
THAT I WILL TRY AND SPEAK
547
00:29:31,353 --> 00:29:34,064
TO THEM AFTER THEY'RE GONE,
BUT I HAVE NEVER ASKED
548
00:29:34,106 --> 00:29:38,611
FOR ANYTHING EVER.
THEN WHY DID JEREMY GET NERVOUS
WHEN YOUR NAME WAS MENTIONED?
ANY OF THEM
549
00:29:38,652 --> 00:29:41,863
PROBABLY BECAUSE WE HAD SEX
ON A COUPLE OF OCCASIONS.
550
00:29:41,905 --> 00:29:45,117
HE'S A GOOD TIME.
WE HAD FUN.
551
00:29:45,158 --> 00:29:47,745
(chuckles)
552
00:29:47,786 --> 00:29:50,914
YES, I HAVE.
TO ROSEMARY YET?
HAVE YOU SPOKEN
553
00:29:50,956 --> 00:29:54,710
QUITE TAKEN WITH YOU.
SHE SEEMS
WHAT DID SHE SAY?
OH, YOU DID?
554
00:29:54,752 --> 00:29:57,963
SHE SAID YOU WERE
A GOOD MAN--
AH.
555
00:29:58,004 --> 00:30:01,508
A DEEPLY MISGUIDED
AND DAMAGED MAN,
556
00:30:01,550 --> 00:30:03,636
BUT GOOD.
557
00:30:03,677 --> 00:30:06,012
WELL, THAT'S VERY FLATTERING.
558
00:30:06,054 --> 00:30:09,141
NO. SHE DIDN'T KNOW.
DID SHE HAPPEN TO MENTION
WHO KILLED HER?
559
00:30:09,182 --> 00:30:12,227
BUT SHE WANTS ME TO KEEP TRYING
TO HELP YOU AS MUCH AS I CAN.
560
00:30:12,269 --> 00:30:15,063
WELL, NOT THAT YOU MENTION IT,
I'D LOVE TO HEAR
561
00:30:15,105 --> 00:30:17,274
ABSOLUTELY.
OF YOUR SESSIONS TOGETHER.
YOUR CD RECORDINGS
562
00:30:17,316 --> 00:30:20,026
AND, UH, CAN YOU HAVE
ROSEMARY APPEAR
563
00:30:20,068 --> 00:30:22,780
SHE'S A DEPARTED SOUL,
NOT A WEDDING SINGER.
AT THE READING OF THE WILL?
564
00:30:22,821 --> 00:30:26,533
YOU CAN'T BOOK HER IN ADVANCE.
UH, TIME DOESN'T MEAN MUCH
AH, YEAH. I GUESS,
565
00:30:26,575 --> 00:30:28,952
NO SCHEDULE TO KEEP.
WHEN YOU'RE DEAD FOREVER.
566
00:30:28,994 --> 00:30:30,287
RIGHT.
WHAT'S THE RUSH?
567
00:30:30,329 --> 00:30:31,955
MM.
568
00:30:44,050 --> 00:30:46,011
(engine turns off)
569
00:30:46,052 --> 00:30:47,387
NICE CRADLING.
570
00:30:47,429 --> 00:30:49,556
YOU PLAY LACROSSE?
571
00:30:49,598 --> 00:30:50,849
NO.
572
00:30:50,890 --> 00:30:52,934
FAST-MOVING STICKS SCARE ME.
573
00:30:52,976 --> 00:30:54,311
FIND OUT WHO DID IT YET?
574
00:30:54,353 --> 00:30:56,271
NOT YET.
575
00:30:56,313 --> 00:30:58,940
HI.
576
00:30:58,982 --> 00:31:00,108
HI.
577
00:31:00,150 --> 00:31:02,194
FIND ANYTHING?
578
00:31:02,235 --> 00:31:04,196
I THINK KRISTINA FRYE
IS RESPONSIBLE
579
00:31:04,237 --> 00:31:07,115
FOR YOUR MOTHER'S DEATH.
580
00:31:07,157 --> 00:31:10,035
I NEED YOU TO ASK HER
TO CONDUCT A SéANCE
581
00:31:10,076 --> 00:31:12,788
AT THE READING OF THE WILL.
TO CONTACT YOUR MOM
582
00:31:12,830 --> 00:31:14,665
I DON'T UNDERSTAND.
583
00:31:14,707 --> 00:31:16,834
HOW IS GETTING IN TOUCH
WITH MY MOM
584
00:31:16,875 --> 00:31:18,960
GONNA HELP YOU
CATCH KRISTINA?
WELL, OBVIOUSLY,
585
00:31:19,002 --> 00:31:22,381
GET IN TOUCH WITH YOUR MOM.
SHE'S NOT REALLY GONNA
586
00:31:22,422 --> 00:31:25,843
SHE WON'T REALLY PULL IT OFF?
HOW DO YOU KNOW
I'M GOING TO EXPOSE HER.
SHE'S A FRAUD.
587
00:31:25,884 --> 00:31:29,054
BECAUSE SHE CAN'T.
WELL, SHE WON'T,
588
00:31:32,057 --> 00:31:34,059
(Van Pelt) I DON'T LIKE IT.
589
00:31:34,100 --> 00:31:37,020
IT'S IMMORAL.
WHAT'S THE ALTERNATIVE?
(Rigsby) ME NEITHER.
590
00:31:37,062 --> 00:31:38,772
I DON'T KNOW ABOUT THAT.
591
00:31:38,814 --> 00:31:40,733
SAY YOUR BRAIN GETS COOKED
IF YOU USE 'EM A LOT.
592
00:31:40,774 --> 00:31:42,942
MAKE YOU INFERTILE, TOO.
593
00:31:42,984 --> 00:31:44,653
WHAT ARE YOU TALKING ABOUT?
594
00:31:44,695 --> 00:31:47,698
THE SéANCE THIS EVENING.
WHAT ARE YOU TALKING ABOUT?
MICROWAVES.
595
00:31:47,740 --> 00:31:50,158
AT THE MICROWAVE.
WE WERE LOOKING
596
00:31:50,200 --> 00:31:54,120
THAT STUFF--RAISING THE DEAD.
IT'S WRONG TO PLAY WITH
THE SéANCE HAS NOTHING
TO DO WITH ANYTHING.
597
00:31:54,162 --> 00:31:56,331
GOING TO BE DOING THAT--
UH, WE'RE NOT ACTUALLY
598
00:31:56,373 --> 00:32:02,212
RAISING DEAD PEOPLE.
BUT YOU DON'T KNOW.
YOU SAY THAT,
599
00:32:02,254 --> 00:32:03,922
YOU'RE MOCKING THE OCCULT.
600
00:32:03,963 --> 00:32:05,674
YOU DON'T HAVE ANY BELIEF
IN THE AFTERLIFE.
601
00:32:05,716 --> 00:32:07,426
WHAT YOU'RE GETTING INTO.
YOU DON'T KNOW
602
00:32:07,467 --> 00:32:10,554
WELL, I KNOW THAT SéANCES
ARE TOOLS THAT CON ARTISTS
(long beep)
603
00:32:10,596 --> 00:32:13,306
TO MANIPULATE PEOPLE.
LIKE KRISTINA USE
BOO!
604
00:32:13,348 --> 00:32:16,184
(gasps)
OOH. (laughs)
605
00:32:16,226 --> 00:32:17,936
(laughs)
606
00:32:17,977 --> 00:32:22,441
IT'S REALLY IMPORTANT TO YOU
YEAH, LAUGH. GO AHEAD.
607
00:32:22,482 --> 00:32:24,693
THAT KRISTINA'S A FAKE,
ISN'T IT?
608
00:32:24,735 --> 00:32:27,987
IF SHE DOES HAVE A GIFT--
BECAUSE IF SHE'S NOT--
609
00:32:28,029 --> 00:32:30,031
EVERYTHING YOU DISCREDIT,
EVERYTHING YOU MOCK,
610
00:32:30,073 --> 00:32:32,992
EVERYTHING YOU STAND FOR
GETS TURNED UPSIDE DOWN.
611
00:32:33,034 --> 00:32:36,455
UM... (clears throat)
YEAH. TRUE.
612
00:32:36,496 --> 00:32:38,540
UNLIKELY, BUT TRUE.
613
00:32:38,582 --> 00:32:40,166
LOOKING DOWN AT YOU TONIGHT
AND WHAT IF YOUR FAMILY'S
614
00:32:40,208 --> 00:32:42,461
TRYING TO TALK TO YOU,
FROM THE SéANCE,
615
00:32:42,502 --> 00:32:46,465
BECAUSE YOU WON'T BELIEVE?
BUT THEY CAN'T
616
00:32:46,506 --> 00:32:49,426
THAT WOULD BE VERY SAD.
WELL,
617
00:32:56,057 --> 00:32:57,476
I'M SORRY.
618
00:32:57,517 --> 00:32:59,812
NO, THAT'S OKAY.
619
00:33:14,033 --> 00:33:16,286
IT'S QUITE IRREGULAR.
REALLY,
620
00:33:16,328 --> 00:33:18,288
IT'S WHAT MY MOTHER WANTED.
621
00:33:18,330 --> 00:33:20,206
(sighs) VERY WELL.
622
00:33:20,248 --> 00:33:22,250
PLEASE SIT DOWN?
IF YOU CAN ALL
623
00:33:26,171 --> 00:33:28,715
AT THE REQUEST OF ROSEMARY
624
00:33:28,757 --> 00:33:30,425
AND HER DAUGHTER CLARA,
625
00:33:30,467 --> 00:33:33,512
SHALL BE PREFACED WITH A...
THE READING OF THE WILL
626
00:33:33,553 --> 00:33:36,222
WHAT DO YOU CALL IT?
627
00:33:36,264 --> 00:33:40,018
SéANCE, SOME CALL IT.
A CONTACT RITUAL--
628
00:33:40,059 --> 00:33:41,478
A SéANCE.
629
00:33:41,520 --> 00:33:45,273
GOOD EVENING, EVERYBODY,
AND WELCOME.
630
00:33:45,315 --> 00:33:50,487
GONNA TRY AND CONTACT ROSEMARY.
WITH YOUR HELP TONIGHT, I'M
631
00:33:50,529 --> 00:33:53,239
WILL YOU ALL PLEASE HOLD HANDS
632
00:33:53,281 --> 00:33:56,034
WITH YOUR NEIGHBOR
ON EITHER SIDE?
633
00:33:56,075 --> 00:33:57,953
EVERYBODY?
634
00:33:59,078 --> 00:34:02,123
GOOD. THANK YOU.
635
00:34:02,165 --> 00:34:05,126
THANK YOU. WOULD YOU PLEASE
TURN THE LIGHTS DOWN?
636
00:34:10,590 --> 00:34:14,344
AND ROSEMARY WILL COME TO US,
THE VEIL WILL BE DRAWN BACK
637
00:34:14,386 --> 00:34:16,555
AS LONG AS WE BELIEVE.
638
00:34:16,596 --> 00:34:21,142
AS LONG AS WE BELIEVE.
639
00:34:24,312 --> 00:34:25,981
EVERYBODY CONCENTRATE
640
00:34:26,023 --> 00:34:29,275
IN THE CENTER OF THE TABLE.
ON THE CANDLE
641
00:34:29,317 --> 00:34:31,403
LOOK AT IT
642
00:34:31,444 --> 00:34:34,990
AND CONCENTRATE ON ROSEMARY.
643
00:34:35,032 --> 00:34:37,617
COME TO US, ROSEMARY.
644
00:34:37,659 --> 00:34:40,037
COME TO US.
645
00:34:43,122 --> 00:34:46,292
SPEAK.
646
00:34:51,673 --> 00:34:55,761
KRISTINA. KRISTINA.
(woman's voice)
647
00:34:55,802 --> 00:34:58,680
IT'S ME, ROSEMARY.
648
00:34:58,722 --> 00:35:02,726
AS I PROMISED YOU I WOULD BE.
I'M HERE,
649
00:35:02,768 --> 00:35:06,521
ALL YOUR FRIENDS AND FAMILY
ARE HERE, TOO, ROSEMARY.
650
00:35:06,563 --> 00:35:09,357
THAT YOU'D LIKE TO SAY?
IS THERE ANYTHING
651
00:35:09,399 --> 00:35:13,361
OR ASK?
652
00:35:15,196 --> 00:35:16,448
ROSEMARY?
653
00:35:18,408 --> 00:35:19,826
CLARA?
654
00:35:21,411 --> 00:35:24,497
CLARA?
655
00:35:24,539 --> 00:35:26,332
MOM?
656
00:35:28,627 --> 00:35:30,545
WHY, CLARA?
657
00:35:30,587 --> 00:35:33,757
WHY DID YOU DO IT?
658
00:35:41,890 --> 00:35:45,477
(panting)
659
00:35:55,612 --> 00:35:59,825
I KNOW WHAT YOU'RE DOING,
AND IT'S NOT GONNA WORK.
660
00:35:59,866 --> 00:36:02,786
WHAT DO YOU MEAN?
661
00:36:02,828 --> 00:36:04,788
THIS IS ALL A SCHEME
662
00:36:04,830 --> 00:36:07,415
THAT YOU AND KRISTINA
COOKED UP, ISN'T IT?
663
00:36:07,457 --> 00:36:09,501
WELL, IT'S VERY EFFECTIVE,
BUT I'M NOT BUYING IT.
664
00:36:09,542 --> 00:36:12,921
I'M NOT BUYING IT. I CAN'T.
I'M NOT GONNA BUY IT.
(beep)
665
00:36:12,963 --> 00:36:14,756
I CAN'T.
666
00:36:14,798 --> 00:36:17,216
NO.
667
00:36:17,258 --> 00:36:18,718
NO, I...
668
00:36:18,760 --> 00:36:22,555
(Clara) IT'S... I'M...
669
00:36:22,597 --> 00:36:24,223
(beeps)
670
00:36:24,265 --> 00:36:26,768
NEXT CUE'S UP.
THIS ISN'T HAPPENING.
671
00:36:26,810 --> 00:36:28,353
GOT IT.
672
00:36:30,605 --> 00:36:32,941
(taps button)
673
00:36:32,983 --> 00:36:35,527
(Rosemary's voice)
WHY, CLARA, WHY?
674
00:36:35,568 --> 00:36:37,863
(crying) WHO'S DOING THIS?
675
00:36:40,532 --> 00:36:42,659
I'M SORRY, MOM.
676
00:36:44,536 --> 00:36:48,373
(sobbing) I'M SO SORRY.
677
00:36:48,414 --> 00:36:51,543
WAS IT YOU, CLARA?
678
00:36:51,584 --> 00:36:54,253
WERE YOU IN THE CAR?
679
00:36:54,295 --> 00:36:56,255
IS THAT WHY SHE'S HERE?
680
00:36:56,297 --> 00:36:59,384
WHAT'S CAUSED ALL THIS?
IS THAT
681
00:37:08,977 --> 00:37:10,603
YES.
682
00:37:16,609 --> 00:37:17,944
YES.
683
00:37:21,740 --> 00:37:23,533
I GOT MAD.
684
00:37:23,575 --> 00:37:25,785
I JUST GOT MAD.
685
00:37:25,827 --> 00:37:27,370
WHY?
686
00:37:27,412 --> 00:37:30,415
SHE TOLD ME...
687
00:37:30,456 --> 00:37:33,543
GONNA CHANGE THE WILL AGAIN
THAT SHE WAS
688
00:37:33,585 --> 00:37:35,587
TO DISINHERIT TRAVIS.
689
00:37:37,338 --> 00:37:41,551
SHE SAID THAT IT WAS
FOR HIS OWN GOOD.
690
00:37:41,593 --> 00:37:45,222
AND SHE WOULDN'T
LISTEN TO ME.
691
00:37:45,263 --> 00:37:47,390
WE SAID SOME HARSH THINGS
TO EACH OTHER.
692
00:37:47,432 --> 00:37:51,978
DOWN FROM CLEAR LAKE
SO I RODE THE TRAIN
693
00:37:52,020 --> 00:37:55,023
TO SPEAK TO HER IN PERSON,
694
00:37:55,065 --> 00:37:57,150
MAKE HER...
695
00:37:57,192 --> 00:37:58,860
SEE THINGS RATIONALLY.
696
00:38:00,528 --> 00:38:04,574
I KNEW SHE WAS GOING TO SEE
HER DAMN PSYCHIC.
697
00:38:04,616 --> 00:38:06,785
AND...
698
00:38:06,826 --> 00:38:08,745
INTO THAT CREEP JEREMY,
I DIDN'T WANT TO RUN
699
00:38:08,787 --> 00:38:12,165
SO I WENT TO THE HOUSE
700
00:38:12,207 --> 00:38:15,418
TO GO PICK UP ONE OF THE CARS
TO MEET HER.
701
00:38:15,460 --> 00:38:19,798
AFTER SHE LEFT KRISTINA'S,
I SAW HER
702
00:38:19,839 --> 00:38:21,549
AND I CALLED HER
703
00:38:21,591 --> 00:38:24,469
SO THAT SHE WOULDN'T
BE FREAKED OUT
704
00:38:24,510 --> 00:38:27,430
IN THE MIDDLE OF THE NIGHT,
THAT I WOULD TURN UP
705
00:38:27,472 --> 00:38:30,600
PICK UP THE PHONE
AND SHE DIDN'T
706
00:38:30,642 --> 00:38:33,352
FOR HER OWN DAUGHTER, AND...
707
00:38:35,521 --> 00:38:37,356
I JUST GOT MAD.
(voice breaks)
708
00:38:50,620 --> 00:38:53,539
THANK YOU FOR YOUR HONESTY,
CLARA.
709
00:38:53,581 --> 00:38:56,542
HOW DID YOU KNOW
THAT IT WAS ME?
710
00:38:56,584 --> 00:38:58,711
UH, WELL, UH...
711
00:38:58,753 --> 00:39:00,713
IT DIDN'T OCCUR TO ME
UNTIL LATER
712
00:39:00,755 --> 00:39:03,424
TO PIN THE BLAME ON JEREMY.
WHEN YOU STARTED TRYING
713
00:39:03,466 --> 00:39:06,427
BUT WHEN YOU FIRST CAME IN HERE,
YOU EXPRESSED GREAT HORROR
714
00:39:06,469 --> 00:39:08,638
THAT YOUR MOTHER HAD DIED
IN THE GUTTER--
715
00:39:08,680 --> 00:39:11,183
THE SIDEWALK, BUT THE GUTTER.
NOT IN THE ROAD, NOT IN
716
00:39:11,224 --> 00:39:15,478
THE GUTTER LIKE THAT, IT'S...
FOR HER TO DIE IN
717
00:39:15,520 --> 00:39:18,064
IT'S--IT'S HORRIBLE.
LIKE GARBAGE,
718
00:39:18,106 --> 00:39:21,193
AND HOW COULD YOU HAVE KNOWN
THAT SHE DIED IN THE GUTTER
719
00:39:21,234 --> 00:39:24,737
UNLESS... YOU'D BEEN THERE?
720
00:39:27,365 --> 00:39:29,326
I DID IT FOR TRAVIS.
721
00:39:29,367 --> 00:39:31,244
AND FOR YOURSELF.
722
00:39:31,286 --> 00:39:34,413
THAT SHE WOULD PROTECT US!
SHE SAID
723
00:39:38,001 --> 00:39:42,505
SHE PROMISED MY DAD
THAT SHE WOULD.
724
00:39:42,547 --> 00:39:48,678
TO PROTECT THEIR KIDS.
PARENTS ARE SUPPOSED
725
00:39:48,720 --> 00:39:50,596
(Lisbon) YES, THEY ARE.
726
00:39:53,516 --> 00:39:55,685
CAN I SEE MY BROTHER NOW?
727
00:39:55,727 --> 00:39:57,062
SURE.
728
00:40:04,319 --> 00:40:07,446
I KNOW YOU WEREN'T
THINKING RIGHT...
729
00:40:07,488 --> 00:40:09,448
WHEN YOU DID WHAT YOU DID.
730
00:40:09,490 --> 00:40:12,660
BE GOOD TO AUNT JO,
731
00:40:12,702 --> 00:40:15,247
YOUR CLOTHES EVERYWHERE,
AND DON'T--DON'T LEAVE
732
00:40:15,288 --> 00:40:19,251
AND... BE RESPECTFUL, OKAY?
733
00:40:19,292 --> 00:40:22,379
(voice breaks) I WILL.
734
00:40:24,589 --> 00:40:27,508
I LOVE YOU.
735
00:40:27,550 --> 00:40:30,511
(crying)
736
00:40:30,553 --> 00:40:32,805
I LOVE YOU, TOO.
737
00:40:42,274 --> 00:40:45,193
THANK YOU FOR LETTING ME
TALK TO HER.
738
00:40:45,235 --> 00:40:46,527
YOU BET.
739
00:40:57,205 --> 00:41:00,333
(clears throat)
740
00:41:02,710 --> 00:41:04,212
YOU SLEEP HERE?
741
00:41:04,254 --> 00:41:05,922
UH...
742
00:41:05,964 --> 00:41:07,966
YES, SOMETIMES.
743
00:41:08,007 --> 00:41:10,385
UH, THE NOISE RELAXES ME,
YOU KNOW.
744
00:41:10,427 --> 00:41:12,095
IT'S LIKE THE SEA.
745
00:41:16,349 --> 00:41:18,559
CAN I HELP YOU?
746
00:41:18,601 --> 00:41:21,396
HELP YOURSELF.
TO PICK UP MY RECORDINGS.
YEAH, I JUST CAME
747
00:41:21,438 --> 00:41:24,190
THANKS.
748
00:41:24,232 --> 00:41:26,318
I NEED TO TALK TO YOU.
749
00:41:26,359 --> 00:41:29,028
FIRE AWAY.
IN PRIVATE.
750
00:41:29,070 --> 00:41:31,406
THIS IS PRIVATE.
751
00:41:31,448 --> 00:41:33,950
MORE PRIVATE.
752
00:41:33,992 --> 00:41:37,162
OH.
753
00:41:37,203 --> 00:41:39,998
OKAY.
754
00:41:40,039 --> 00:41:41,582
(clears throat)
755
00:41:47,046 --> 00:41:49,215
AHH.
756
00:41:49,257 --> 00:41:50,716
SO...
757
00:41:50,758 --> 00:41:53,719
PROMISE ME YOU WON'T INTERRUPT.
HEAR ME OUT.
758
00:41:53,761 --> 00:41:56,431
OKAY, I PROMISE.
759
00:41:56,473 --> 00:41:59,476
I TALKED TO YOUR WIFE.
OH, HANG ON, THIS IS--
760
00:41:59,517 --> 00:42:02,479
NO, NUH-UH.
761
00:42:02,520 --> 00:42:05,898
AND DAUGHTER WERE KILLED,
EVER SINCE YOUR WIFE
762
00:42:05,940 --> 00:42:08,526
ABOUT THAT NIGHT'S EVENTS
THERE'S A QUESTION
763
00:42:08,567 --> 00:42:11,946
THAT'S BEEN TORMENTING YOU,
YES?
764
00:42:11,988 --> 00:42:13,072
YES?
765
00:42:13,114 --> 00:42:15,367
YES.
766
00:42:15,408 --> 00:42:18,077
WANTS ME TO TELL YOU
(sighs) YOUR WIFE
767
00:42:18,119 --> 00:42:20,079
THAT YOUR DAUGHTER
NEVER WOKE UP.
768
00:42:20,121 --> 00:42:23,249
SHE DIDN'T KNOW
WHAT HAPPENED.
769
00:42:23,291 --> 00:42:26,585
NOT EVEN FOR A SECOND.
SHE WASN'T SCARED,
770
00:42:30,131 --> 00:42:32,550
YOU'RE DONE CHANNELING?
THAT'S IT?
771
00:42:32,591 --> 00:42:34,344
THAT'S IT.
772
00:42:34,386 --> 00:42:35,594
THANKS.
773
00:42:45,688 --> 00:42:48,274
GOOD-BYE, MR. JANE.