1 00:00:29,488 --> 00:00:31,573 MIND RUNNING IT FOR US, INSPECTOR? 2 00:00:31,615 --> 00:00:33,993 WHY YOU ALL WERE CALLED IN. NOT SURE 3 00:00:34,034 --> 00:00:35,577 WE COULD HANDLE IT. 4 00:00:35,619 --> 00:00:37,955 PLACE BELONGS TO JASON SANDS, 5 00:00:37,997 --> 00:00:40,248 POLITICAL CONTRIBUTOR. BIG-ASS 6 00:00:40,290 --> 00:00:42,083 SINCE LAST NIGHT. BEEN MISSING 7 00:00:42,125 --> 00:00:44,085 THAT'S WHY WE'RE HERE. (Lisbon) 8 00:00:44,127 --> 00:00:47,422 ON TOP OF THESE KINDS OF THINGS. ATTORNEY GENERAL LIKES TO STAY 9 00:00:47,464 --> 00:00:49,884 MR. SANDS' WIFE JENNIFER ARRIVED HOME LAST NIGHT 10 00:00:49,925 --> 00:00:51,886 WITH THEIR DAUGHTER ABOUT 9:00. 11 00:00:51,927 --> 00:00:55,138 SHE FOUND HER HUSBAND GONE AND THIS... 12 00:00:55,180 --> 00:00:58,559 (sighs) THANKS, GUYS. 13 00:00:58,600 --> 00:01:00,644 NO RANSOM DEMAND YET, THERE'S BEEN 14 00:01:00,686 --> 00:01:02,437 WE'LL GET SOMETHING SOON. BUT I EXPECT 15 00:01:02,479 --> 00:01:04,732 OUR TECH GUYS TO SET TAPS, IF YOU WANT 16 00:01:04,773 --> 00:01:07,484 (Lisbon) THAT'S OKAY. WE CAN HANDLE IT. I GOTTA LET 'EM KNOW. 17 00:01:07,526 --> 00:01:09,486 DO YOU KNOW WHERE HIS FAMILY IS? 18 00:01:09,528 --> 00:01:11,238 UH, WITH FRIENDS. 19 00:01:11,279 --> 00:01:14,241 MRS. SANDS THOUGHT IT WOULD BE BEST FOR THE LITTLE GIRL, 20 00:01:14,282 --> 00:01:16,201 AND WE AGREED. ANY SIGN OF FORCED ENTRY? 21 00:01:16,243 --> 00:01:19,162 NO, IT MUST HAVE BEEN A FRONT DOOR JOB, 22 00:01:19,204 --> 00:01:21,623 SOMEONE POSING AS A COURIER OR WHAT HAVE YOU. 23 00:01:31,216 --> 00:01:33,969 HE'S STILL HERE. 24 00:01:34,011 --> 00:01:37,848 INVISIBLE, HE'S NOT, AGENT JANE. (chuckles) NOT UNLESS HE'S 25 00:01:37,890 --> 00:01:40,434 HE'S NOT AN AGENT. HE'S A CONSULTANT. 26 00:01:40,475 --> 00:01:42,644 NO BADGE. NO GUN. 27 00:01:42,686 --> 00:01:45,355 (whispers) THEY DON'T EVEN GIVE ME DENTAL. 28 00:01:45,397 --> 00:01:47,066 OH, YEAH. 29 00:01:47,106 --> 00:01:50,193 TELLING ME ABOUT--THE PSYCHIC. YOU'RE THE ONE THEY WERE 30 00:01:50,235 --> 00:01:51,862 SORRY, GANDALF. 31 00:01:51,904 --> 00:01:53,530 WE DID LOOK AROUND PRETTY GOOD. IN OUR OWN BUMBLING WAY, 32 00:01:53,572 --> 00:01:59,244 HE'S NOT HERE. NO SUCH THING AS PSYCHICS. HE'S HERE, AND THERE'S 33 00:01:59,286 --> 00:02:02,706 HE WAS TORTURED IN THIS CHAIR... 34 00:02:02,748 --> 00:02:05,793 TO GIVE THEM A PASS CODE... 35 00:02:05,834 --> 00:02:09,004 PASS CODE TO WHAT? (beep) 36 00:02:12,173 --> 00:02:14,593 COULD YOU HUMOR ME, INSPECTOR? 37 00:02:14,635 --> 00:02:17,262 COULD YOU TRY AND PICK UP THAT SHEET OF PAPER? 38 00:02:17,304 --> 00:02:18,973 ALL RIGHT. 39 00:02:19,014 --> 00:02:20,348 THANKS. 40 00:02:20,390 --> 00:02:22,225 THAT'S--THAT'S IT. 41 00:02:26,981 --> 00:02:29,650 WELL, THE BOOKCASE MUST HAVE MOVED. 42 00:02:29,691 --> 00:02:33,361 AFTER THESE PAPERS WERE SPREAD ALL OVER THE FLOOR? (beeping) 43 00:02:33,403 --> 00:02:35,990 IT'S A DOOR. TO A SAFE? 44 00:02:36,031 --> 00:02:38,826 OR A SAFE ROOM. 45 00:02:38,867 --> 00:02:41,745 BEEN DISTRACTED BY SOMETHING, YES. THE INTRUDER MUST HAVE 46 00:02:41,787 --> 00:02:45,415 LEFT SANDS ALONE FOR A MOMENT, SANDS PUNCHES IN THE CODE, 47 00:02:45,457 --> 00:02:47,793 AND BEFORE THEY CAN STOP HIM, GOES INTO THE SAFE ROOM 48 00:02:47,835 --> 00:02:52,965 PRESS THE BUTTONS A LOT? WHICH WILL OPEN IF YOU AND SHUTS THE DOOR BEHIND HIM. 49 00:02:53,007 --> 00:02:56,010 THE TOP TEN PASS CODE CHOICES. (chuckles) I'M ENTERING 50 00:02:56,051 --> 00:02:58,012 BUT IF IT IS A SAFE ROOM, 51 00:02:58,053 --> 00:03:01,765 WOULDN'T IT HAVE A SILENT ALARM CONNECTED TO A SECURITY COMPANY? 52 00:03:01,807 --> 00:03:03,684 NOT IF YOU'RE THE PARANOID, SECRETIVE TYPE. 53 00:03:03,725 --> 00:03:06,979 YOU MAKE A SAFE ROOM ONLY YOU KNOW ABOUT. 54 00:03:07,021 --> 00:03:09,230 (beeping continues) 55 00:03:09,272 --> 00:03:12,526 I GUESS WE NEED A LOCKSMITH. 56 00:03:12,567 --> 00:03:14,111 HANG ON A MINUTE. 57 00:03:17,322 --> 00:03:21,242 ♪ FAREWELL AND ADIEU TO YOU, FAIR SPANISH MAIDENS ♪ 58 00:03:21,284 --> 00:03:25,706 ♪ FAREWELL AND ADIEU TO YOU, LADIES OF SPAIN ♪ 59 00:03:25,747 --> 00:03:28,375 ♪ FOR WE'VE RECEIVED ORDERS ♪ 60 00:03:28,416 --> 00:03:31,294 ♪ FOR TO SAIL BACK TO BOSTON ♪ (door opens) 61 00:03:31,336 --> 00:03:38,177 SHALL WE SEE YOU... ♪ ♪ AND SO NEVER MORE 62 00:03:38,218 --> 00:03:40,054 ♪ AGAIN ♪ 63 00:03:45,600 --> 00:03:51,773 ♪♪ 64 00:03:54,317 --> 00:03:57,362 (bagpipes playing "Amazing Grace") 65 00:04:16,548 --> 00:04:20,301 I DON'T SEE ANYONE HERE I LOOK AROUND. 66 00:04:20,343 --> 00:04:24,723 WHO COULD TORTURE A MAN TO DEATH WITH PLIERS AND A LIT CIGAR. AND RAVENOUSLY HUNGRY. PICTURE THEM NAKED 67 00:04:24,765 --> 00:04:28,435 YOU KNOW, STRICTLY SPEAKING, HE WASN'T TORTURED TO DEATH. EW! 68 00:04:28,476 --> 00:04:30,604 IN HIS LITTLE HIDEY-HOLE THERE. HE BLED TO DEATH ON HIS OWN 69 00:04:30,645 --> 00:04:33,232 KIND OF HAS HIMSELF TO BLAME THEN, HUH? 70 00:04:33,273 --> 00:04:35,442 (Cho) MM, KIND OF. 71 00:04:35,483 --> 00:04:38,486 THE NIGHT OF THE MURDER, HOW DOES THE WIDOW CHECK OUT? SHE AND HER DAUGHTER 72 00:04:38,528 --> 00:04:40,906 WERE AT A CONCERT-- "PETER & THE WOLF." (Cho) SHE HAVE STUBS? 73 00:04:40,948 --> 00:04:44,118 HOVERING AROUND HER? WHO'S THE SUIT YEP. 74 00:04:44,159 --> 00:04:46,494 THAT'S MICHAEL CLAYMORE BENNETT III, SANDS' LAWYER. 75 00:04:46,536 --> 00:04:48,496 WHAT ABOUT HIM? 76 00:04:48,538 --> 00:04:52,876 THE WIDOW'S SCARED OF HIM OR... 77 00:04:52,918 --> 00:04:56,463 OR? OR, UH, HE'S REASSURING HER 78 00:04:56,504 --> 00:04:59,340 THAT SHE'S SCARED OF. OF SOMETHING ELSE WHICH IS IT? 79 00:04:59,382 --> 00:05:01,802 I DON'T KNOW. COULD BE BOTH. 80 00:05:01,843 --> 00:05:04,471 WE CAN'T QUESTION 'EM HERE. WELL, 81 00:05:04,512 --> 00:05:06,473 ON SANDS' COMPUTER FILES. LET'S GO GET STARTED 82 00:05:06,514 --> 00:05:09,643 TILL THIS THING'S OVER. YOU GUYS STAY HERE YES, BOSS. 83 00:05:09,684 --> 00:05:13,396 (sighs deeply) SOMEBODY MIGHT CONFESS. YOU NEVER KNOW. 84 00:05:13,438 --> 00:05:15,816 VAN PELT, YOU'RE KILLING ME. 85 00:05:19,903 --> 00:05:22,697 NOPE. A PERSONAL QUESTION? CAN I ASK YOU 86 00:05:22,739 --> 00:05:24,741 HAVE YOU TOLD HER HOW YOU FEEL? 87 00:05:24,783 --> 00:05:27,995 SHE'S A CO-WORKER. IT'S AGAINST THE RULES. THAT'S HOW I FEEL. 88 00:05:28,036 --> 00:05:30,371 (sighs) THAT'S NOT HOW YOU FEEL. 89 00:05:30,413 --> 00:05:33,374 I GOT NOTHING BACK, OKAY? I SENT OUT THE VIBES. 90 00:05:33,416 --> 00:05:36,586 SO I'M LEAVING THEM ALONE. VIBES. REALLY? VIBES? 91 00:05:36,628 --> 00:05:39,047 AT THE BACK OF HER NECK THAT'S WHERE HE STARES 92 00:05:39,089 --> 00:05:41,340 OH, SHUT UP, CHO. FOR SEVERAL HOURS. WOMEN LOVE THAT. 93 00:05:41,382 --> 00:05:43,760 YOU GOTTA GO GET HER, MAN. YOU GOTTA SEDUCE HER. 94 00:05:43,802 --> 00:05:45,929 YEAH, WELL, SEDUCTION'S NOT MY STRONG POINT. 95 00:05:45,971 --> 00:05:49,099 PFFT. MAN, SEDUCTION'S EASY ONCE YOU KNOW THE BASIC PRINCIPLES. 96 00:05:49,141 --> 00:05:51,310 OH, REALLY? THERE'S NOTHING TO IT. 97 00:05:51,350 --> 00:05:54,104 OF WOMEN FOLLOWING YOU AROUND. WELL, I DON'T SEE A CROWD 98 00:05:54,146 --> 00:05:57,191 OF WOMEN FOLLOWING ME AROUND? WHY WOULD I WANT A CROWD 99 00:05:57,232 --> 00:06:00,027 WHAT'S THE BASIC PRINCIPLE? OKAY. I'LL BITE. 100 00:06:00,068 --> 00:06:02,112 COST YOU A DOLLAR. 101 00:06:02,154 --> 00:06:05,073 FOR WHAT? SO YOU PAY ATTENTION. 102 00:06:05,115 --> 00:06:06,116 (sighs) 103 00:06:08,327 --> 00:06:10,620 WHAT? LOVE AND AFFECTION. 104 00:06:10,662 --> 00:06:13,081 GIVE ME MY DOLLAR BACK. LOVE AND AFFECTION. 105 00:06:13,123 --> 00:06:15,458 WHEN YOU'RE SEDUCING SOMEONE, WHAT ARE YOU OFFERING THEM? 106 00:06:15,500 --> 00:06:18,670 LOVE AND AFFECTION. WHO DOESN'T WANT LOVE AND AFFECTION? 107 00:06:18,712 --> 00:06:21,673 GIVE ME MY DOLLAR BACK. IT'S THAT SIMPLE. SERIOUSLY, 108 00:06:21,715 --> 00:06:24,676 LET ME DEMONSTRATE. I WILL BET YOU 100 MORE OF THESE DOLLARS 109 00:06:24,718 --> 00:06:27,221 THAT I CAN SEDUCE ANY WOMAN HERE. 110 00:06:27,262 --> 00:06:29,139 OKAY. 111 00:06:29,181 --> 00:06:31,016 THE WIDOW. 112 00:06:36,313 --> 00:06:39,358 WAIT A MINUTE. WHAT ARE YOU-- J-J-JANE! 113 00:06:39,398 --> 00:06:41,818 GOOD JOB. 114 00:06:44,612 --> 00:06:47,032 HELLO, SWEETHEART. 115 00:06:49,034 --> 00:06:52,704 MRS. SANDS, MY NAME IS PATRICK JANE, CBI. 116 00:06:52,746 --> 00:06:54,998 I'M SORRY FOR YOUR LOSS. 117 00:06:55,040 --> 00:06:58,001 UP CLOSE, YOU'RE REALLY VERY BEAUTIFUL. 118 00:06:58,043 --> 00:07:01,504 THAT'S... TOTALLY INAPPROPRIATE AND-- 119 00:07:01,546 --> 00:07:03,215 LISTEN TO ME, JENNIFER. 120 00:07:03,257 --> 00:07:07,052 I DON'T KNOW WHAT KIND OF HOLD THIS MAN HAS OVER YOU... 121 00:07:07,094 --> 00:07:10,347 BACK UP NOW. I DON'T KNOW WHO THAT-- EXCUSE ME. 122 00:07:12,391 --> 00:07:16,353 WHAT KIND OF TROUBLE YOU'RE IN, AND I'M NOT EXACTLY SURE 123 00:07:16,395 --> 00:07:18,772 THAT I CAN HELP YOU. BUT I'M CONFIDENT 124 00:07:18,813 --> 00:07:20,774 CALL ME, AND I'LL COME. YOU HAVE TO LEAVE. EXCUSE ME, SIR. 125 00:07:20,815 --> 00:07:22,776 (Cho) WHOA, WHOA, WHOA. HEY. NO PROBLEM. 126 00:07:22,817 --> 00:07:24,652 SORRY ABOUT THAT. COME ON. SORRY. 127 00:07:24,694 --> 00:07:27,447 (Rigsby) I'M SO SORRY. COME ON. 128 00:07:27,488 --> 00:07:30,409 LOOKS LIKE YOU OWE ME 100 BUCKS. 129 00:07:30,450 --> 00:07:33,203 EARLY DAYS, RIGSBY. EARLY DAYS. 130 00:07:40,335 --> 00:07:42,170 I'M DISAPPOINTED. 131 00:07:42,212 --> 00:07:44,256 I-I'M--I'M VERY DISAPPOINTED, AND I'M EMBARRASSED. 132 00:07:44,298 --> 00:07:46,258 HOW COULD YOU DO THIS TO ME? 133 00:07:46,300 --> 00:07:48,427 I TOLD THE MAYOR OF SAN FRANCISCO 134 00:07:48,468 --> 00:07:50,470 MY BEST PEOPLE ON THIS. THAT I WAS PUTTING 135 00:07:50,511 --> 00:07:52,347 OH! HOLY MOTHER! 136 00:07:52,389 --> 00:07:55,142 LABELS? I MEAN, WHAT IS THAT? WHO TAKES OFF THE FREAKIN' 137 00:07:55,183 --> 00:07:57,227 IS THIS--IS THIS REAL OR IS THAT DECAF? 138 00:07:57,269 --> 00:08:00,147 I MEAN, HOW AM I SUPPOSED TO KNOW WHICH IS WHICH? 139 00:08:00,188 --> 00:08:03,483 MIX 'EM BOTH HALF AND HALF AND DRINK TWICE AS MUCH. 140 00:08:03,524 --> 00:08:08,071 DRINKS DECAF ANYWAY? WHAT KIND OF IDIOT 141 00:08:08,113 --> 00:08:10,073 AND WHAT WERE YOU THINKING, WHAT IS THE POINT? 142 00:08:10,115 --> 00:08:12,159 LEAVING THIS MAN ALONE AT AN EVENT LIKE THAT? 143 00:08:12,200 --> 00:08:13,660 NO EXCUSES. 144 00:08:13,701 --> 00:08:16,288 I MISTAKENLY TREATED HIM AS A RESPONSIBLE ADULT. 145 00:08:16,330 --> 00:08:18,748 WHICH IS? I DO HAVE A PLAN. 146 00:08:18,790 --> 00:08:21,835 ASIDE FROM HER LAWYER THE WIDOW'S CONFIDENCE-- UH, FIRST WIN 147 00:08:21,876 --> 00:08:23,920 MAKING AN OFFICIAL COMPLAINT AT THE ATTORNEY GENERAL, 148 00:08:23,962 --> 00:08:27,048 HOW IS THAT GOING FOR YOU? SHE'S PLAYING HARD TO GET. 149 00:08:27,090 --> 00:08:29,717 JANE, YOU CLOSE CASES. 150 00:08:29,759 --> 00:08:31,678 YOU--YOU CLOSE LIKE A FIEND, 151 00:08:31,719 --> 00:08:34,973 AND I--AND I PROTECT YOU. SO I TOLERATE YOU, 152 00:08:35,015 --> 00:08:38,059 LISBON'S LIFE A MISERY. AND I LET YOU MAKE 153 00:08:38,101 --> 00:08:39,853 BUT TH-THERE IS A LINE. 154 00:08:39,894 --> 00:08:42,314 AND WHEN YOU CROSS IT, THERE IS A LINE, 155 00:08:42,356 --> 00:08:44,649 I WILL PROTECT MYSELF AND THIS UNIT, 156 00:08:44,691 --> 00:08:47,444 AND I WILL THROW YOU TO THE WOLVES. OKAY. 157 00:08:47,486 --> 00:08:50,655 AS LONG AS WE'RE CLEAR. HEY. 158 00:08:50,697 --> 00:08:52,657 (beep) 159 00:08:52,699 --> 00:08:54,575 MM. YES? 160 00:08:57,454 --> 00:08:58,746 YEAH. 161 00:08:58,788 --> 00:09:02,792 IT'S THE A.G.'s OFFICE. 162 00:09:02,834 --> 00:09:05,379 IF JANE WILL APOLOGIZE TO HER. 163 00:09:05,420 --> 00:09:09,466 SHE WANTS TO HEAR IT IN PERSON, GREAT. I'LL MAKE THE CALL. AT HER HOUSE. 164 00:09:09,508 --> 00:09:11,259 HUH. (chuckles) 165 00:09:22,937 --> 00:09:25,857 (girl giggling) 166 00:09:33,448 --> 00:09:36,201 DO YOU WANT TO SEE MY TROLLS? 167 00:09:36,243 --> 00:09:37,577 I'D LOVE TO. 168 00:09:44,543 --> 00:09:48,338 (chiming) 169 00:09:48,380 --> 00:09:51,591 HIS NAME IS WOODY SANDS. THIS ONE'S A BOY. 170 00:09:53,634 --> 00:09:54,719 YEAH. 171 00:09:54,761 --> 00:09:56,263 COME. 172 00:09:59,224 --> 00:10:02,185 WOW. 173 00:10:03,644 --> 00:10:05,646 A VERY NICE ROOM. YOU HAVE 174 00:10:05,688 --> 00:10:08,275 MY DADDY MADE IT FOR ME. THANK YOU. 175 00:10:08,316 --> 00:10:11,694 HER NAME IS WANDA SANDS. THIS ONE'S A GIRL. 176 00:10:11,736 --> 00:10:13,738 THIS ONE'S A GIRL, TOO. HER NAME IS-- 177 00:10:13,780 --> 00:10:18,201 I BET I CAN GUESS HER NAME. WHOA. WHOA. 178 00:10:18,243 --> 00:10:19,660 WARREN MOON. 179 00:10:19,702 --> 00:10:21,580 NO. 180 00:10:21,621 --> 00:10:22,997 WILEY POST? 181 00:10:23,039 --> 00:10:25,333 (laughs) NO. 182 00:10:25,375 --> 00:10:26,793 WENDY SANDS. 183 00:10:26,834 --> 00:10:28,086 YES. 184 00:10:39,556 --> 00:10:40,723 BYE. 185 00:10:40,765 --> 00:10:41,933 BYE. 186 00:10:46,896 --> 00:10:48,273 THANK YOU. 187 00:10:48,315 --> 00:10:50,733 ARE YOU MARRIED, MR. JANE? 188 00:10:50,775 --> 00:10:52,569 WAS. SHE'S DEAD. 189 00:10:52,611 --> 00:10:55,238 OH, I'M SORRY. WHAT HAPPENED? 190 00:10:55,280 --> 00:10:57,240 IT DOESN'T MATTER. 191 00:10:57,282 --> 00:11:00,743 YOU HAVE A VERY STRANGE WAY ABOUT YOU, MR. JANE. 192 00:11:00,785 --> 00:11:01,869 DO I? 193 00:11:01,911 --> 00:11:03,622 AFTER THE MEMORIAL SERVICE, 194 00:11:03,663 --> 00:11:06,541 I SIMPLY DON'T HAVE YOU FIRED. I DON'T KNOW WHY 195 00:11:06,583 --> 00:11:08,627 ARE YOU USUALLY SO FORTHRIGHT? 196 00:11:08,668 --> 00:11:11,630 MRS. SANDS? WHY AM I HERE? WHAT'S ON YOUR MIND, 197 00:11:11,671 --> 00:11:14,633 I WANT AN APOLOGY. YOU KNOW WHY. 198 00:11:14,673 --> 00:11:17,135 NO, YOU DON'T. 199 00:11:20,679 --> 00:11:23,391 (girl shouts indistinctly) 200 00:11:23,433 --> 00:11:27,061 HERE YOU GO, JULIE. 201 00:11:27,103 --> 00:11:29,189 YOU TOLD ME IF I WAS EVER TO NEED YOUR HELP, I SHOULD CALL YOU. 202 00:11:29,230 --> 00:11:31,650 YES. 203 00:11:31,690 --> 00:11:34,068 AND HERE I AM. 204 00:11:34,110 --> 00:11:35,445 YOU WERE RIGHT. 205 00:11:35,487 --> 00:11:37,864 BENNETT DID UPSET ME AT THE SERVICE. 206 00:11:37,905 --> 00:11:41,409 HE TOLD ME THE TRUTH ABOUT JASON. WHICH IS? 207 00:11:41,451 --> 00:11:43,411 HIS INVESTMENT BUSINESS WAS A SHAM, 208 00:11:43,453 --> 00:11:45,205 WENT BROKE AGES AGO. 209 00:11:45,246 --> 00:11:47,999 OUR BANK ACCOUNTS ARE EMPTY. 210 00:11:48,041 --> 00:11:50,001 HE LEFT ME AND JULIE 211 00:11:50,043 --> 00:11:52,003 WITH NOTHING BUT MASSIVE DEBTS, PENNILESS. 212 00:11:52,045 --> 00:11:54,381 WE'RE GONNA HAVE TO SELL THE HOUSE 213 00:11:54,422 --> 00:11:56,591 AND--AND--AND--AND EVERYTHING ELSE WE OWN. 214 00:11:56,633 --> 00:11:58,259 I'M SO SORRY. 215 00:11:58,301 --> 00:12:01,596 THE I.R.S. AND THE S.E.C. AND I DON'T KNOW WHO ELSE 216 00:12:01,638 --> 00:12:04,599 WERE INVESTIGATING HIM FOR FRAUD. HE TOLD YOU NOTHING? 217 00:12:04,641 --> 00:12:06,685 NOTHING. NOTHING. 218 00:12:06,725 --> 00:12:09,979 TURNS OUT OUR--OUR MARRIAGE WAS A LIE. 219 00:12:10,021 --> 00:12:12,773 OUR--OUR WHOLE LIFE TOGETHER WAS A LIE. 220 00:12:12,815 --> 00:12:14,150 (gulps) 221 00:12:14,192 --> 00:12:16,444 PERHAPS HE WAS ASHAMED IN HIS FAILURE. 222 00:12:16,486 --> 00:12:19,656 NO. ASHAMED? JASON? 223 00:12:19,698 --> 00:12:21,241 NO. 224 00:12:21,282 --> 00:12:24,411 A-A SECRETIVE, MISTRUSTFUL SIDE, I ALWAYS KNEW HE HAD 225 00:12:24,452 --> 00:12:26,496 BUT THIS? EVERY COUPLE HAS SECRETS. 226 00:12:26,538 --> 00:12:30,250 THERE ARE ROOMS IN THIS HOUSE I DIDN'T EVEN KNOW WERE THERE. 227 00:12:30,291 --> 00:12:33,752 MRS. SANDS, YOU ASKED ME... (sighs) 228 00:12:33,794 --> 00:12:35,380 TO HELP YOU. 229 00:12:35,422 --> 00:12:36,964 YES. 230 00:12:37,006 --> 00:12:39,384 HOW CAN I DO THAT? 231 00:12:39,426 --> 00:12:42,803 IF I KNOW JASON, HE--HE-- THERE'S SOMETHING LEFT. 232 00:12:42,845 --> 00:12:45,181 A NEST EGG SOMEWHERE. HE WOULD HAVE HID 233 00:12:45,223 --> 00:12:47,183 DON'T YOU THINK IT'S POSSIBLE? 234 00:12:47,225 --> 00:12:49,477 CERTAINLY THOUGHT SO. WHOEVER KILLED HIM 235 00:12:49,519 --> 00:12:51,354 (rapping on door) 236 00:12:53,940 --> 00:12:56,651 (rapping continues) 237 00:12:56,693 --> 00:12:58,361 SHERIFF'S DEPARTMENT. 238 00:13:00,321 --> 00:13:03,491 WHAT IS THIS? WHO ARE YOU? 239 00:13:03,533 --> 00:13:05,952 ASSET SEIZURE. NO TROUBLE. START UPSTAIRS, BOYS. 240 00:13:05,993 --> 00:13:09,830 CBI. DEPARTMENT OF JUSTICE. HANG ON A SECOND. 241 00:13:09,872 --> 00:13:12,417 MM-HMM. 242 00:13:12,459 --> 00:13:14,502 YEAH, THIS IS IN ORDER, 243 00:13:14,544 --> 00:13:17,589 BUT, UH, WHERE'S YOUR LETHAL TOXINS IMMUNIZATION PAPERS? EXCUSE ME? 244 00:13:17,631 --> 00:13:20,799 DID THEY NOT TELL YOU THE SCORE HERE? DID YOU GET YOUR SHOTS? 245 00:13:20,841 --> 00:13:23,219 WHAT ARE YOU TALKING ABOUT? SHOTS? 246 00:13:23,261 --> 00:13:25,221 THERE WAS A MURDER HERE. SHOTS. 247 00:13:25,263 --> 00:13:26,598 YEAH, I KNOW. 248 00:13:26,640 --> 00:13:28,349 EXCUSE ME A MINUTE. 249 00:13:31,018 --> 00:13:32,270 SUSPECTED POISONING. 250 00:13:34,981 --> 00:13:36,357 (whispers) ANTHRAX. 251 00:13:38,359 --> 00:13:41,028 COME ON. LET'S, UH, LET'S GO, GUYS. 252 00:13:41,070 --> 00:13:43,323 GET YOUR SHOTS. 253 00:13:43,364 --> 00:13:44,658 WE'LL TALK. 254 00:13:44,699 --> 00:13:48,077 YEAH. (speaks indistinctly) (scoffs) SHOTS. 255 00:13:48,119 --> 00:13:50,622 (door closes) 256 00:13:50,664 --> 00:13:52,999 WAS BUST ALL RIGHT. LOOKS LIKE SANDS 257 00:13:53,040 --> 00:13:56,252 HE USED TO BE HUGE, BUT HE MADE SOME REALLY BAD CALLS IN I.T. 258 00:13:56,294 --> 00:13:57,587 OVER THE PAST FIVE YEARS, 259 00:13:57,629 --> 00:13:59,880 HIS BUSINESS HAS DWINDLED DOWN TO ALMOST NOTHING. 260 00:13:59,922 --> 00:14:01,508 NO CLIENTS. NO INCOME. 261 00:14:01,549 --> 00:14:03,468 THERE WERE INDICTMENTS AND INJUNCTIONS 262 00:14:03,510 --> 00:14:06,304 AND THE WHOLE NIGHTMARE COMING, THE STRANGE THING IS, JUST DOWN THE ROAD. 263 00:14:06,346 --> 00:14:08,348 UNTIL A COUPLE OF WEEKS AGO, THERE WAS $10 MILLION 264 00:14:08,389 --> 00:14:11,142 IN CASH AND BONDS AND STOCKS, IN HIS PERSONAL ACCOUNTS 265 00:14:11,184 --> 00:14:13,936 HIS BUSINESS IS DEAD FOR YEARS. MOST OF IT DEPOSITED OVER THE LAST YEAR. 266 00:14:13,978 --> 00:14:16,564 MORE IMPORTANTLY, WHERE IS IT NOW? GET $10 MILLION FROM? WHERE DO YOU 267 00:14:16,606 --> 00:14:19,025 THAT'S WHAT HIS KILLERS WANTED TO KNOW. HEY. 268 00:14:19,066 --> 00:14:25,156 NO, SHE'S GENUINELY BROKE AND GENUINELY SCARED. DOESN'T KNOW WHERE IT IS? ARE YOU SURE THE WIDOW 269 00:14:25,198 --> 00:14:26,907 YOU'RE NOT SOFT ON HER, ARE YOU? 270 00:14:26,949 --> 00:14:29,494 NO. MAYBE A LITTLE. 271 00:14:29,536 --> 00:14:32,330 TO THE LAWYER. WHAT'S HIS-- WE NEED TO TALK 272 00:14:32,372 --> 00:14:34,332 WE NEED TO TALK TO HIM. BENNETT? 273 00:14:34,374 --> 00:14:37,377 YOU NEED TO STAY WELL AWAY. DID YOU SAY MAYBE A LITTLE? 274 00:14:37,418 --> 00:14:39,337 SHE'S A GORGEOUS, GRIEVING WIDOW. 275 00:14:39,379 --> 00:14:41,422 OF COURSE MAYBE A LITTLE. 276 00:14:41,464 --> 00:14:42,882 DON'T WORRY. 277 00:14:42,923 --> 00:14:44,884 IT'S NOT GOING TO AFFECT MY WORK. 278 00:14:44,925 --> 00:14:46,720 I'M A LAW ENFORCEMENT PROFESSIONAL. 279 00:14:46,761 --> 00:14:48,555 JEEZ. 280 00:14:48,596 --> 00:14:50,264 (whistles) 281 00:14:52,684 --> 00:14:55,019 OUR OPERATIVE JANE, BY THE WAY. MY SINCERE APOLOGIES FOR 282 00:14:55,061 --> 00:14:56,646 UNCONSCIONABLE. 283 00:14:56,688 --> 00:14:59,315 GAVE HIM A SEVERE REPRIMAND. SUPERVISING AGENT MINELLI 284 00:14:59,357 --> 00:15:01,984 WELL, THINK NOTHING OF IT. 285 00:15:02,026 --> 00:15:04,696 HOW SAD I AM ABOUT ALL THIS. I CAN'T TELL YOU 286 00:15:04,738 --> 00:15:06,406 HOW CAN I HELP? 287 00:15:06,447 --> 00:15:08,575 YOU WERE SANDS' LAWYER. I'LL TRY AND BE BRIEF. 288 00:15:08,616 --> 00:15:11,285 HE WAS IN RUINOUS DEBT. YOU HAD TO HAVE KNOWN 289 00:15:11,327 --> 00:15:13,287 YEAH, I KNEW THERE WERE DIFFICULTIES, 290 00:15:13,329 --> 00:15:15,749 HOW DEEP HE WAS IN IT. BUT I HAD NO IDEA 291 00:15:15,790 --> 00:15:17,876 IN HIS BUSINESS AFFAIRS. I DON'T DEAL 292 00:15:17,917 --> 00:15:19,293 I'M HIS FAMILY LAWYER, 293 00:15:19,335 --> 00:15:22,004 HIS PERSONAL FINANCIAL MATTERS, SO I LOOK AFTER 294 00:15:22,046 --> 00:15:23,715 WERE IN PRETTY GOOD SHAPE. WHICH UNTIL RECENTLY, 295 00:15:23,757 --> 00:15:25,383 YEAH, TWO WEEKS AGO, 296 00:15:25,425 --> 00:15:28,219 HE CONVERTED A $10 MILLION PENSION ACCOUNT INTO CASH. 297 00:15:28,261 --> 00:15:30,513 WHICH IS HIS RIGHT. IT'S PRETTY MUCH ALL HE HAD. 298 00:15:30,555 --> 00:15:33,808 THE FACT FROM HIS ACCOUNTANTS. I LEARNED ABOUT IT AFTER 299 00:15:33,850 --> 00:15:35,435 IT'S A HUGE WITHDRAWAL, 300 00:15:35,476 --> 00:15:38,438 BUT, UH, OF COURSE, I FIGURED HE HAD MUCH MORE IN RESERVE. 301 00:15:38,479 --> 00:15:41,441 DID YOU ASK HIM WHAT HE WAS DOING WITH THE MONEY? 302 00:15:41,482 --> 00:15:45,319 I DID. HE TOLD ME HE NEEDED IT TO SURPRISE HIS WIFE. 303 00:15:45,361 --> 00:15:47,405 HE DID THAT ALL RIGHT. 304 00:15:47,447 --> 00:15:48,989 I BELIEVED HIM. 305 00:15:49,031 --> 00:15:50,991 WHAT DO YOU BELIEVE NOW? 306 00:15:51,033 --> 00:15:52,993 I THINK HE WAS LOOKING AT JAIL TIME. 307 00:15:53,035 --> 00:15:55,789 AS MUCH CASH AS HE COULD, I THINK HE GRABBED 308 00:15:55,830 --> 00:15:58,958 AND HE WAS GONNA RUN AWAY. THANKS FOR YOUR HELP, COUNSELOR. WE'LL BE IN TOUCH. 309 00:15:58,999 --> 00:16:01,252 OKAY. WHATEVER YOU NEED, I'M AT YOUR SERVICE. 310 00:16:01,294 --> 00:16:04,798 THAT MONEY WAS COMING FROM. HEY. WE FOUND OUT WHERE 311 00:16:04,839 --> 00:16:07,341 SANDS OWNS AN OFFICE SUPPLY COMPANY THAT SUPPLIES 312 00:16:07,383 --> 00:16:10,428 ENTERTAINMENT WITH COPY PAPER. THIS HAPPY LANDINGS 313 00:16:10,470 --> 00:16:13,097 OVER THE LAST 2 YEARS, $55.2 MILLION WORTH. 314 00:16:13,139 --> 00:16:15,099 HAPPY LANDINGS ENTERTAINMENT? WHO OWNS 315 00:16:15,141 --> 00:16:17,101 HIDDEN IN A SWISS TRUST IT'S A SHELL COMPANY 316 00:16:17,143 --> 00:16:19,103 A DUMMY CORPORATION. WRAPPED IN 317 00:16:19,145 --> 00:16:21,314 IT'LL TAKE A WHILE TO UNTANGLE. BUT SANDS' COMPANY? 318 00:16:21,355 --> 00:16:23,316 IT'S THE ONLY ONE OF HIS BUSINESSES 319 00:16:23,357 --> 00:16:25,318 CORPORATE ADDRESS. UNDER A SEPARATE IN SAUSALITO? 320 00:16:25,359 --> 00:16:27,695 ODD, HUH? NICE WORK. 321 00:16:27,737 --> 00:16:31,449 ARE WE GONNA HAVE A LOOK? WE ARE. YOU'RE GONNA STAY HERE AND KEEP DIGGING. 322 00:16:31,491 --> 00:16:35,035 HAPPY LANDINGS ENTERTAINMENT? WHO OWNS 323 00:16:39,707 --> 00:16:42,669 A COPY PAPER BUSINESS, DOES IT? HUH. DOESN'T LOOK LIKE 324 00:16:42,710 --> 00:16:46,547 UH, NO. YOU COMING ABOARD? THIS IS IT. 325 00:16:46,589 --> 00:16:48,257 WHY NOT? 326 00:16:48,299 --> 00:16:51,385 (Cho) IF SANDS LIED ABOUT THIS, WHAT ELSE DID HE COVER UP? 327 00:16:55,181 --> 00:16:56,557 (gate closes) 328 00:17:18,204 --> 00:17:21,457 THE PLACE IS TRASHED. (Lisbon) 329 00:17:23,501 --> 00:17:27,380 (clattering) 330 00:17:27,421 --> 00:17:29,048 (whispers) CHO. 331 00:17:46,399 --> 00:17:47,859 (clank) 332 00:17:52,363 --> 00:17:56,701 (whispers) I'M--I'M JUST GONNA WAIT ON--ON THE JETTY. 333 00:17:56,743 --> 00:17:59,119 SHH. 334 00:18:03,249 --> 00:18:04,542 WHO ARE YOU? 335 00:18:04,584 --> 00:18:08,671 PATRICK JANE, CBI. 336 00:18:10,464 --> 00:18:14,218 DON'T SHOOT. 337 00:18:14,260 --> 00:18:15,929 (gun cocks) WHAT'S THAT, CBI? 338 00:18:15,970 --> 00:18:19,265 POLICE. LAY THE GUN DOWN. SHOW ME THE BADGE. 339 00:18:19,306 --> 00:18:21,434 PUT THE GUN DOWN! OKAY, POLICE. 340 00:18:21,475 --> 00:18:25,229 (gun drops) I MAKE NO TROUBLE. NO PROBLEM. 341 00:18:25,271 --> 00:18:28,274 WHO'D YOU THINK WE WERE? NOBODY. 342 00:18:28,315 --> 00:18:32,236 WHAT ARE YOU LOOKING FOR? I CAN DO WHAT I LIKE. WHO ARE YOU? THIS IS MY BOAT. 343 00:18:32,278 --> 00:18:34,238 YEAH, IT'S VERY NICE, VERY PUT TOGETHER. 344 00:18:34,280 --> 00:18:36,449 THIS BOAT BELONGS TO JASON SANDS. 345 00:18:36,490 --> 00:18:39,744 YES, AND JASON SANDS IS MY FIANCé. 346 00:18:48,836 --> 00:18:50,964 WE CAN CHARGE YOU RIGHT NOW ADRIANNA, 347 00:18:51,005 --> 00:18:52,882 ASSAULT WITH A DEADLY WEAPON. WITH BURGLARY, VANDALISM, 348 00:18:52,924 --> 00:18:55,259 THAT'S 10 TO 15 RIGHT THERE. 349 00:18:55,301 --> 00:18:59,680 WOULDN'T YOU RATHER TALK TO US ABOUT YOUR SITUATION? FROM YOU, I BUY COOKIES. 350 00:18:59,722 --> 00:19:02,683 I DON'T TALK ABOUT SITUATION. LISTEN. WE HAVE ENOUGH-- 351 00:19:02,725 --> 00:19:05,519 SHH. 352 00:19:11,734 --> 00:19:15,029 (sighs) THE HANDSOME ONE. 353 00:19:15,071 --> 00:19:17,657 GAY, YES? 354 00:19:17,698 --> 00:19:20,076 A MURDER INVESTIGATION. THIS IS 355 00:19:20,118 --> 00:19:23,079 FOR THE TIME FRAME IN QUESTION. YOU'VE GOT NO ALIBI 356 00:19:23,121 --> 00:19:24,872 WE'RE LOOKING AT YOU AS A SUSPECT. 357 00:19:24,914 --> 00:19:29,085 A LITTLE MORE SERIOUSLY. YOU SHOULD TAKE THIS 358 00:19:29,127 --> 00:19:31,879 WHEN I WAS THIS BIG, YOU KNOW, 359 00:19:31,921 --> 00:19:36,216 I WAS IN A DETENTION CAMP FOR TWO YEARS. 360 00:19:36,258 --> 00:19:38,427 I UNDERSTAND. YOU UNDERSTAND? 361 00:19:38,469 --> 00:19:40,387 NO, YOU DON'T. 362 00:19:40,429 --> 00:19:42,389 THAT WAS SERIOUS. 363 00:19:42,431 --> 00:19:45,225 THIS--NO. 364 00:19:45,267 --> 00:19:47,895 WHAT DO YOU DO FOR A LIVING? 365 00:19:47,937 --> 00:19:51,065 I DANCE, MODEL, ACTING. 366 00:19:51,107 --> 00:19:53,067 IS THAT A GOOD LIVING? 367 00:19:53,109 --> 00:19:54,777 WHAT'S GOOD? 368 00:19:54,819 --> 00:19:56,904 AND JASON SANDS LOVERS? HOW LONG WERE YOU 369 00:19:56,946 --> 00:19:59,699 WE WERE MORE THAN LOVERS. TWO YEARS. WE WERE-- 370 00:19:59,740 --> 00:20:01,575 WE WERE ENGAGED TO BE MARRIED. 371 00:20:01,617 --> 00:20:03,161 HE WAS ALREADY MARRIED. 372 00:20:03,202 --> 00:20:05,913 SHE DOESN'T KNOW THAT. NO, HE WAS DIVORCING HER. 373 00:20:05,955 --> 00:20:08,624 WHY WOULD SHE TELL YOU? OH, SURE, SHE DOES. 374 00:20:08,666 --> 00:20:11,502 HE DOESN'T WANT HER ANYMORE. IT'S EMBARRASSING. 375 00:20:11,544 --> 00:20:13,546 WHAT WERE YOU LOOKING FOR? IT IS EMBARRASSING. 376 00:20:13,587 --> 00:20:17,008 YOU LOVED EACH OTHER. WE HEAR THAT. AND WE LOVED EACH OTHER. 377 00:20:17,050 --> 00:20:19,886 WHAT WERE YOU LOOKING FOR ON THE BOAT? 378 00:20:19,927 --> 00:20:22,972 $10 MILLION OF DIAMONDS JASON BOUGHT 379 00:20:23,014 --> 00:20:25,933 FOR WHEN WE WOULD RUN AWAY. I WAS LOOKING FOR THEM. 380 00:20:25,975 --> 00:20:28,186 WHEN DID HE BUY THEM? 381 00:20:28,227 --> 00:20:29,896 A MONTH AGO. 382 00:20:29,937 --> 00:20:32,648 ONCE HE SHOWED ME THEM. 383 00:20:32,690 --> 00:20:34,025 THEY ARE BEAUTIFUL. 384 00:20:34,067 --> 00:20:35,902 (chuckles) 385 00:20:35,943 --> 00:20:38,946 AND THEN HE HID THEM SOMEWHERE. I DON'T KNOW WHERE. 386 00:20:38,988 --> 00:20:42,909 YOU WERE GONNA RUN AWAY? THE END OF THE ROAD HERE. JASON KNEW THAT IT WAS 387 00:20:42,950 --> 00:20:45,244 HE WAS GOING TO JAIL 388 00:20:45,285 --> 00:20:47,663 OR GOING TO GET KILLED, SO WE MAKE A PLAN. 389 00:20:47,705 --> 00:20:50,917 RUN AWAY IN THE SAILBOAT. WE ARE GOING, TO, UH, 390 00:20:50,958 --> 00:20:53,878 YOU AND HIM ON A SAILBOAT. 391 00:20:53,920 --> 00:20:55,963 NO, HE WAS A GOOD SAILOR. 392 00:20:56,005 --> 00:20:58,007 HE TEACH ME. 393 00:20:58,049 --> 00:21:02,344 IF, UM, THOSE BASTARDS DIDN'T KILL HIM, 394 00:21:02,386 --> 00:21:07,016 MAYBE ME AND HIM AND JULIE WOULD BE IN TAHITI, 395 00:21:07,058 --> 00:21:10,061 INSTEAD OF HERE WITH YOU. RICH, 396 00:21:10,103 --> 00:21:12,980 Y-YOU WERE GONNA TAKE JULIE? 397 00:21:13,022 --> 00:21:15,274 YOU KNOW WHO KILLED HIM? WHAT BASTARDS. 398 00:21:15,315 --> 00:21:16,943 YEAH, SURE, I KNOW. 399 00:21:16,984 --> 00:21:19,820 TELL US. I LEAVE HERE NOW. IF I TELL YOU, 400 00:21:19,862 --> 00:21:22,990 THIS BURGLARY STUPIDNESS. YOU DROP 401 00:21:23,032 --> 00:21:25,952 I DON'T TESTIFY. NOTHING. 402 00:21:25,993 --> 00:21:27,954 I GIVE YOU NAMES. THAT'S IT. 403 00:21:27,995 --> 00:21:30,957 DEAL. 404 00:21:30,998 --> 00:21:35,628 THESE, UM, SCUM PIGS RUN NIGHTCLUBS. 405 00:21:35,669 --> 00:21:38,422 JASON CLEANS THEIR, UH, 406 00:21:38,464 --> 00:21:41,884 GIRL MONEY FOR THEM. DRUG AND, UM, 407 00:21:41,926 --> 00:21:45,096 IT'S THIS MONEY HE USES TO BUY THE DIAMONDS. 408 00:21:45,138 --> 00:21:48,057 DID THEY HAVE A COMPANY CALLED HAPPY LANDINGS ENTERTAINMENT 409 00:21:48,099 --> 00:21:51,393 OUT OF OAKLAND? THEY LIVE IN OAKLAND. I DON'T KNOW. 410 00:21:51,435 --> 00:21:53,980 THESE PEOPLE HAVE NAMES? 411 00:21:54,021 --> 00:21:57,817 AND CARTER LEWIS. DIETER WEBB 412 00:21:57,858 --> 00:22:00,111 (under breath) SCUM PIGS. 413 00:22:00,153 --> 00:22:02,196 (whispers) SCUM PIGS. 414 00:22:04,240 --> 00:22:06,993 STARTED OUT AS COLLEGE DEEJAYS. DIETER AND CARTER-- 415 00:22:07,034 --> 00:22:09,411 IS WHAT THEY SAY THEY ARE. NIGHTLIFE IMPRESARIOS 416 00:22:09,453 --> 00:22:11,247 THEY OWN CLUBS, RESTAURANTS, BOUTIQUE HOTELS 417 00:22:11,289 --> 00:22:12,915 UP AND DOWN THE WEST COAST. 418 00:22:12,957 --> 00:22:14,750 STARTED AS A NATURAL SIDELINE, DRUGS AND PROSTITUTION 419 00:22:14,792 --> 00:22:16,669 DID WE FIND 'EM? THEIR CORE BUSINESS. THEN BECAME 420 00:22:16,710 --> 00:22:18,671 TO GLIDE UNDER THE RADAR. THESE GUYS LIKE 421 00:22:18,712 --> 00:22:20,673 ACCORDING TO OFFICIAL RECORDS, 422 00:22:20,714 --> 00:22:22,508 THEY OWN NO PROPERTY AND LIVE NOWHERE. 423 00:22:22,549 --> 00:22:24,510 THEIR ONLY ADDRESS IS A P.O. BOX. 424 00:22:24,551 --> 00:22:27,180 YOU'RE LETTING HER GO? AND OAKLAND P.D. AS WE SPEAK. WORKING WITH SAN FRANCISCO 425 00:22:27,221 --> 00:22:28,848 SHE GAVE US DIETER AND CARTER. 426 00:22:28,889 --> 00:22:32,268 I COULD CHARGE HER WITH WAVING A GUN AT JANE, BUT WHAT FOR? 427 00:22:32,310 --> 00:22:34,728 IF EVER I SAW A WOMAN I DON'T KNOW, BOSS. 428 00:22:34,770 --> 00:22:39,900 WHO COULD USE PLIERS AND A LIT CIGAR ON A MAN, THAT'S HER. MISS JONOVIC, A MOMENT. 429 00:22:39,942 --> 00:22:42,278 NOT TO LEAVE TOWN. JANE, TELL HER 430 00:22:45,656 --> 00:22:49,576 PLANNING ON LEAVING WITH JULIE. YOU SAID YOU AND JASON WERE 431 00:22:49,618 --> 00:22:51,578 YOU DIDN'T MIND TAKING THE KID? YES. 432 00:22:51,620 --> 00:22:54,165 ME AND HER ARE GOOD FRIENDS. NO. I LOVE JULIE. 433 00:22:54,207 --> 00:22:57,793 AWAY FROM HER OWN MOTHER? YOU WERE GONNA TAKE HER YES. 434 00:22:57,835 --> 00:23:00,004 A CRUEL THING TO DO. OH, THAT SEEMS 435 00:23:00,046 --> 00:23:03,757 A COLD PERSON--JENNIFER. DEPENDS. SHE IS 436 00:23:03,799 --> 00:23:06,302 SHE DOESN'T CARE SO MUCH ABOUT JULIE. 437 00:23:06,344 --> 00:23:10,056 BUT SHE DOESN'T REALLY. SHE PRETENDS, 438 00:23:10,097 --> 00:23:12,975 TELL ME SOMETHING. 439 00:23:13,017 --> 00:23:15,811 JENNIFER HAS MY DIAMONDS? DO YOU THINK, UH, 440 00:23:15,853 --> 00:23:17,271 I DON'T KNOW. 441 00:23:17,313 --> 00:23:18,438 MAYBE. 442 00:23:18,480 --> 00:23:21,399 MAYBE? DID YOU ASK HER? 443 00:23:25,363 --> 00:23:27,198 DON'T LEAVE TOWN. 444 00:23:27,240 --> 00:23:29,325 AS YOU LIKE. 445 00:23:31,702 --> 00:23:33,829 SO LOVE AND AFFECTION, HUH? THAT'S IT. 446 00:23:33,871 --> 00:23:35,873 WHERE YOU GOING? 447 00:23:35,915 --> 00:23:38,876 TO SPEAK TO THE WIDOW. OH, YEAH? 448 00:23:38,918 --> 00:23:41,419 I WANT TO KNOW IF SHE KNOWS ABOUT THE MISTRESS. 449 00:23:48,468 --> 00:23:52,014 (whispers) THIS IS DELICIOUS. THANK YOU SO MUCH. 450 00:23:57,561 --> 00:24:00,231 DO YOU HAVE CHILDREN, PATRICK? 451 00:24:00,273 --> 00:24:01,523 NO. 452 00:24:01,565 --> 00:24:04,944 THEY ARE THE GREATEST GIFT. 453 00:24:04,985 --> 00:24:07,905 YES, THEY ARE. PUT A LITTLE BIT OF GINGER IN IT. 454 00:24:07,947 --> 00:24:10,908 HEY, IT'S BEEN BOTHERING THE HELL OF OUT OF ME. 455 00:24:10,950 --> 00:24:12,534 "PETER & THE WOLF"-- 456 00:24:12,576 --> 00:24:15,829 OR A BASSOON? I CANNOT REMEMBER. IS THE DUCK A FLUTE 457 00:24:15,871 --> 00:24:18,749 OH, UM, A-A BASSOON, I THINK. 458 00:24:18,791 --> 00:24:21,001 NEVER MIND. TRIVIA. 459 00:24:21,043 --> 00:24:25,047 LISTEN, I HAVE GOOD NEWS, AND I HAVE BAD NEWS. 460 00:24:25,089 --> 00:24:26,840 DIETER WEBB'S GRANDMOTHER IS 93 461 00:24:26,882 --> 00:24:29,051 AND LIVES IN A SENIORS' ASSISTED LIVING CENTER IN TUCSON, 462 00:24:29,093 --> 00:24:33,013 HAS FOR A DECADE, BUT SHE-- SHE'S LEASING A HIGH-END VEHICLE LET ME GUESS. 463 00:24:33,055 --> 00:24:35,473 A NICE HOUSE IN OAKLAND. AND RECENTLY BOUGHT 464 00:24:35,515 --> 00:24:36,892 YOU'RE GOOD. 465 00:24:36,934 --> 00:24:39,312 AND VAN PELT ON IT. GET RIGSBY 466 00:24:39,353 --> 00:24:42,273 $10 MILLION? 467 00:24:42,315 --> 00:24:46,402 YES, JUST AS YOU SUSPECTED, A VERY HEALTHY NEST EGG. 468 00:24:46,444 --> 00:24:48,946 OH, THAT'S WONDERFUL. WE HAVE TO FIND IT. 469 00:24:48,988 --> 00:24:50,948 WOULDN'T BE A BAD IDEA. 470 00:24:50,990 --> 00:24:52,658 WHERE SHOULD WE START? 471 00:24:53,951 --> 00:24:56,703 I DON'T KNOW. 472 00:24:56,745 --> 00:24:58,914 YOU FOUND THE SAFE ROOM IN A MOMENT. 473 00:24:58,956 --> 00:25:02,500 YOU MUST BE TERRIBLY CLEVER AT THAT KIND OF THING, 474 00:25:02,542 --> 00:25:04,044 FINDING THINGS. 475 00:25:04,086 --> 00:25:06,005 I COULD TRY. 476 00:25:06,046 --> 00:25:09,258 THAT WAS THE GOOD NEWS. BUT, JENNIFER, 477 00:25:09,300 --> 00:25:12,303 OKAY. 478 00:25:12,345 --> 00:25:14,305 BAD NEWS? 479 00:25:14,347 --> 00:25:17,557 WE TALKED TO A WOMAN WHO APPEARS TO HAVE BEEN JASON'S MISTRESS. 480 00:25:22,646 --> 00:25:24,857 I KNEW IT. 481 00:25:24,898 --> 00:25:26,859 I KNEW IT. I KNEW IT. 482 00:25:26,900 --> 00:25:29,320 I'M SORRY. 483 00:25:29,362 --> 00:25:31,280 YOU DIDN'T KNOW ABOUT HER? 484 00:25:31,322 --> 00:25:35,326 NO. WHAT'S SHE LIKE? H-HOW OLD IS SHE? 485 00:25:35,368 --> 00:25:39,455 EASTERN EUROPEAN, TOUGH. MID '20s, 486 00:25:39,497 --> 00:25:42,166 GOOD-LOOKING? 487 00:25:42,208 --> 00:25:44,084 NOT BAD. 488 00:25:44,126 --> 00:25:46,920 DOES SHE HAVE THE MONEY? 489 00:25:46,962 --> 00:25:48,922 STRONG POSSIBILITY. 490 00:25:48,964 --> 00:25:52,759 LIFE IS SO COMPLICATED. 491 00:25:57,139 --> 00:25:59,850 PATRICK? 492 00:25:59,892 --> 00:26:02,978 WILL YOU HOLD ME? 493 00:26:03,020 --> 00:26:06,606 TO HOLD ME. PLEASE. I NEED SOMEONE 494 00:26:09,193 --> 00:26:11,862 I'M SORRY, JENNIFER. I WISH I COULD. 495 00:26:25,959 --> 00:26:28,045 WHERE'S THE ENTRY TEAM? 496 00:26:28,087 --> 00:26:30,839 TO BE HERE 20 MINUTES AGO. THEY WERE SUPPOSED 497 00:26:30,881 --> 00:26:35,593 RELAX. GUYS LIKE THESE PROBABLY AREN'T EVEN OUT OF BED YET. FROM THE NIGHT BEFORE. COULD BE UP 498 00:26:35,635 --> 00:26:39,890 WE CAN DEAL WITH 'EM. FOR SOME BREAKFAST. MAYBE WENT OUT 499 00:26:39,932 --> 00:26:41,892 SHE'S STEVE McQUEEN. (scoffs) SUDDENLY 500 00:26:41,934 --> 00:26:43,727 (laughs) (speaking indistinctly) 501 00:26:43,769 --> 00:26:45,979 THEY'RE ON THE MOVE. 502 00:26:47,940 --> 00:26:50,568 COME ON. LET'S TAKE 'EM. (starts engine) 503 00:26:52,528 --> 00:26:54,572 (engine starts) 504 00:26:57,908 --> 00:26:59,201 (siren wails) 505 00:26:59,243 --> 00:27:01,036 (brakes screech) 506 00:27:01,078 --> 00:27:03,956 HANDS UP! POLICE! GET OUT OF THE CAR! 507 00:27:03,997 --> 00:27:06,584 (Rigsby) GET OUT OF THE CAR! GET OUT! 508 00:27:06,624 --> 00:27:08,586 TAKE IT EASY, MAN. COME ON. WHOA, WHOA. 509 00:27:08,626 --> 00:27:12,131 UP AGAINST THE CAR. NICE AND EASY. 510 00:27:12,172 --> 00:27:14,007 UP AGAINST THE CAR. 511 00:27:14,049 --> 00:27:16,218 (children laugh) 512 00:27:16,260 --> 00:27:17,928 (woman) VEN AQUí. 513 00:27:19,721 --> 00:27:22,015 FREEZE! 514 00:27:22,057 --> 00:27:24,310 HANDS BEHIND YOUR HEAD. 515 00:27:37,781 --> 00:27:39,408 UHH! 516 00:27:39,450 --> 00:27:42,536 (both grunting) 517 00:27:44,121 --> 00:27:46,999 HANDS. GIVE ME YOUR HANDS! 518 00:27:47,040 --> 00:27:48,708 LET'S GO. 519 00:27:48,750 --> 00:27:50,419 (grunting) 520 00:27:50,461 --> 00:27:51,920 (thud) 521 00:27:53,255 --> 00:27:56,842 LET'S GO. LET'S GO. HI. 522 00:27:58,844 --> 00:28:00,554 (door opens) 523 00:28:00,596 --> 00:28:04,475 TO TALK TO ME, DIETER? (Cho) YOU DON'T WANT 524 00:28:04,517 --> 00:28:06,852 I'VE GOT NOTHING TO SAY. CALL MY LAWYER. 525 00:28:06,893 --> 00:28:10,147 ABOUT JASON SANDS? WHAT DO YOU KNOW I KNOW HE'S DEAD. 526 00:28:10,189 --> 00:28:13,900 DID HE TAKE FROM YOU? HOW MUCH HOW MUCH WHAT? 527 00:28:13,942 --> 00:28:16,278 AROUND $10 MILLION FROM YOU. WE ESTIMATE HE STOLE 528 00:28:16,320 --> 00:28:18,780 IS THAT ABOUT RIGHT? 529 00:28:18,822 --> 00:28:21,033 ME AND MY PARTNER, WE HOST PARTIES. 530 00:28:21,074 --> 00:28:23,035 BUT NOT THAT GOOD. I'M DOING GOOD, 531 00:28:23,076 --> 00:28:25,204 $10 MILLION. 532 00:28:27,747 --> 00:28:30,792 BROKE INTO HIS HOUSE, YOU AND CARTER JASON DIDN'T STEAL ANYTHING FROM ME. 533 00:28:30,834 --> 00:28:33,003 AND YOU TORTURED HIM TO DEATH BECAUSE HE STOLE FROM YOU. 534 00:28:33,045 --> 00:28:34,838 THAT KNOW HOW TO DO THAT STUFF. LOOK, DUDE, I KNOW PEOPLE 535 00:28:34,880 --> 00:28:37,341 IF IT WAS US THAT TORTURED HIM, YOU KNOW WHAT I'M SAYING? 536 00:28:37,383 --> 00:28:39,343 WE'D HAVE THE MONEY RIGHT NOW, 537 00:28:39,385 --> 00:28:41,970 AND HE'D HAVE HIS LIFE. I WOULDN'T KILL HIM. 538 00:28:42,012 --> 00:28:43,930 WHAT MONEY? 539 00:28:43,972 --> 00:28:47,017 OH, YOU CAUGHT ME THERE. (laughs) 540 00:28:47,059 --> 00:28:50,062 YOU SAID HE STOLE FROM US. THE IMAGINARY MONEY 541 00:28:50,103 --> 00:28:53,857 AN IMAGINARY SOMEBODY. SOMEBODY GOT THERE BEFORE US. 542 00:28:56,485 --> 00:28:58,320 YOU WANT MY OPINION? 543 00:28:58,362 --> 00:29:02,032 NOW THIS ISN'T SNITCHING. IT'S JUST AN OPINION. 544 00:29:02,074 --> 00:29:03,409 WRITE THIS DOWN. 545 00:29:03,450 --> 00:29:05,994 ADRIANNA JONOVIC. 546 00:29:06,036 --> 00:29:08,622 SHE'S A CRAZY ARMENIAN DANCER THAT JASON WAS TAPPING. 547 00:29:08,664 --> 00:29:09,915 WHY? 548 00:29:09,956 --> 00:29:12,042 SHE'S A MERCENARY BITCH. 549 00:29:12,084 --> 00:29:15,921 SHE MADE JASON'S LIFE MISERY AND MADE HIM LIKE IT. 550 00:29:15,962 --> 00:29:18,465 SHE USED TO WORK FOR US, 551 00:29:18,507 --> 00:29:20,842 SO I KNOW WHEREOF I SPEAK. 552 00:29:20,884 --> 00:29:23,053 YOU SHOULD CHECK HER OUT. 553 00:29:23,095 --> 00:29:25,264 THE OTHER ONE, LEWIS, HAS THE SAME LINE. 554 00:29:28,016 --> 00:29:30,644 THERE WERE CLASS "A" DRUGS ALL OVER HIS HOUSE, 555 00:29:30,686 --> 00:29:32,688 AS LONG AS IT TAKES. SO WE CAN HOLD HIM 556 00:29:32,730 --> 00:29:34,690 I THINK SHE'S CLEAN ON THIS ONE, AND JONOVIC? 557 00:29:34,732 --> 00:29:37,025 BUT WE CAN BRING HER BACK IN JUST TO BE SAFE. 558 00:29:37,067 --> 00:29:39,819 WELL, DON'T LET UP ON 'EM. (cell phone rings) WE NEED A RESULT HERE. 559 00:29:39,861 --> 00:29:41,614 MRS. SANDS. OH. 560 00:29:41,655 --> 00:29:45,158 PATRICK, SHE'S GONE. SHE'S GONE. TH-THEY--THEY TOOK HER! 561 00:29:45,200 --> 00:29:46,910 My baby is gone! 562 00:29:46,952 --> 00:29:49,496 W-WE'LL BE RIGHT THERE. IT'S OKAY. IT'S OKAY. 563 00:29:58,213 --> 00:29:59,506 THE GUYS FROM OAKLAND SO YOU THINK 564 00:29:59,548 --> 00:30:01,300 ARE BEHIND THIS? THEY'RE IN CUSTODY JUST 'CAUSE 565 00:30:01,341 --> 00:30:04,678 DOESN'T MEAN THEY COULDN'T HAVE ARRANGED THIS. 566 00:30:04,720 --> 00:30:07,598 YOU SAID THE MEN MY HUSBAND STOLE FROM ARE BEHIND BARS. THEY ARE. 567 00:30:07,640 --> 00:30:09,600 THEN IF THEY DIDN'T DO THIS, WHO DID? 568 00:30:09,642 --> 00:30:13,103 EVERYTHING WE CAN TO FIND JULIE. I ASSURE YOU WE'RE DOING 569 00:30:13,145 --> 00:30:15,272 YOU KNEW WHAT THEY WANTED. THE NOTE LEFT SAID 570 00:30:15,314 --> 00:30:18,858 WE HAVE TO FIND THE MONEY. THE MONEY, OBVIOUSLY. 571 00:30:18,900 --> 00:30:20,902 I HAVE TO GIVE THEM WHAT THEY WANT. 572 00:30:20,944 --> 00:30:24,156 WHY WOULD THEY THINK YOU HAVE IT? I DON'T--I-I DON'T KNOW. 573 00:30:24,197 --> 00:30:27,159 YOU HAVE TO FIND MY BABY. WE'RE TRYING, MRS. SANDS. 574 00:30:27,200 --> 00:30:30,036 CBI IS WORKING IN CONJUNCTION WITH FEDERAL AGENTS-- 575 00:30:30,078 --> 00:30:32,956 LOOK, I DON'T CARE ABOUT ANY OF THAT. 576 00:30:32,998 --> 00:30:35,959 LOOK, YOU HAVE TO FIND MY LITTLE GIRL. PLEASE. 577 00:30:38,920 --> 00:30:41,089 WHAT ARE YOU TALKING ABOUT, STEAL A KID? 578 00:30:41,131 --> 00:30:43,634 I'VE BEEN LOCKED UP IN THIS PLACE. 579 00:30:43,676 --> 00:30:46,553 YOU HAVE FRIENDS, REMEMBER? THAT I'D BE ASS ENOUGH SO YOU THINK 580 00:30:46,595 --> 00:30:50,932 TO HIRE SOMEBODY TO DO IT WHILE I'M IN HERE? 581 00:30:50,974 --> 00:30:52,892 DIETER HAS A POINT. 582 00:30:52,934 --> 00:30:55,395 HE AND CARTER ARE BAD GUYS, BUT THEY'RE NOT MAFIA. 583 00:30:55,437 --> 00:30:58,190 OR THOSE KIND OF STONES. THAT KIND OF REACH. THEY DON'T HAVE 584 00:30:58,231 --> 00:31:00,233 WE'RE UP. (types on keyboard) 585 00:31:00,275 --> 00:31:02,902 THE KIDNAPPERS JUST I.M.'ed JENNIFER'S CELL PHONE. 586 00:31:04,822 --> 00:31:08,116 SAY YES. SAY YES AND TELL 'EM I'LL BRING IT TO THEM. 587 00:31:08,158 --> 00:31:11,829 THE MONEY IS, HONESTLY. SAY YES. IT'S OKAY. I KNOW WHERE WHAT? NO. 588 00:31:11,870 --> 00:31:15,749 (typing on keyboard) 589 00:31:18,126 --> 00:31:21,046 (thunder rumbling) 590 00:31:23,465 --> 00:31:24,550 Still awake? 591 00:31:24,591 --> 00:31:26,552 WIDE. JANE, BE CAREFUL. 592 00:31:26,593 --> 00:31:29,221 TO SAY ANYTHING OR STOP THEM. DON'T TRY AND GET THEM 593 00:31:29,262 --> 00:31:32,641 ALL WE NEED IS THEIR PHONE. (Rigsby) Just sent us the number. 594 00:31:32,683 --> 00:31:34,643 OH, HERE COMES SOMEONE. the kidnapper's address. We'll track 595 00:31:34,685 --> 00:31:37,229 just do your mind games (Lisbon) Jane, 596 00:31:37,270 --> 00:31:39,439 AND GET OUT OF THERE, OKAY? (beep) 597 00:31:39,481 --> 00:31:41,316 (Jane) DON'T WORRY, MOM. 598 00:31:44,820 --> 00:31:46,405 THIS BETTER NOT BE A TRAP. 599 00:31:46,446 --> 00:31:48,948 GIVE ME THE DIAMONDS. I WILL KILL YOU. 600 00:31:48,990 --> 00:31:51,951 OH, ADRIANNA, YOU'RE GOING DOWN THE WRONG ROAD. KIDNAPPING IS-- 601 00:31:51,993 --> 00:31:54,954 YOU THINK I WANT TO DO THIS? I'M NOT A KIDNAPPER. 602 00:31:54,996 --> 00:31:58,166 I DON'T WANT JULIE TO DIE. I HAVE TO DO THIS. 603 00:31:58,208 --> 00:32:00,960 TELL ME WHAT'S GOING ON. I CAN--I CAN HELP YOU. 604 00:32:01,002 --> 00:32:04,047 I DON'T KNOW YOU. I DON'T TRUST YOU. 605 00:32:04,089 --> 00:32:06,132 JUST GIVE ME THE DIAMONDS. 606 00:32:06,174 --> 00:32:07,843 OKAY. 607 00:32:11,680 --> 00:32:13,098 WHERE'S JULIE? 608 00:32:13,139 --> 00:32:15,267 TELL THEM I HAVE THE DIAMONDS, I CALL A NUMBER, 609 00:32:15,308 --> 00:32:17,728 THEY GIVE JULIE. CALL THEM. 610 00:32:17,770 --> 00:32:19,730 THOSE ARE REAL DIAMONDS? HOW DO I KNOW 611 00:32:19,772 --> 00:32:21,774 THEY LOOK REAL TO ME. 612 00:32:24,651 --> 00:32:26,820 HERE. 613 00:32:26,862 --> 00:32:29,072 WHY DON'T YOU HAVE A LOOK? 614 00:32:29,114 --> 00:32:31,032 YOU'VE SEEN THEM BEFORE. HERE. 615 00:32:38,749 --> 00:32:40,083 OH, I'M SORRY. 616 00:32:42,628 --> 00:32:45,088 IT'S OKAY. 617 00:32:45,130 --> 00:32:47,048 (Lisbon) SCAN'S WORKING. 618 00:32:47,090 --> 00:32:48,550 (beep) 619 00:32:50,176 --> 00:32:52,888 NO, THIS--THIS... (phone dialing) 620 00:32:52,930 --> 00:32:55,808 THIS IS NOT THE DIAMONDS. NO, PLASTIC. 621 00:32:55,849 --> 00:32:57,142 THE LAST NUMBER DIALED. FORWARDING 622 00:32:57,183 --> 00:32:58,560 HEY! UH-- 623 00:32:58,602 --> 00:33:02,021 YOU SON OF A WHORE. WHOA. WHOA, WHOA, WHOA. 624 00:33:02,063 --> 00:33:04,817 SIGNAL ON THAT PHONE IS COMING FROM AN APARTMENT BUILDING 625 00:33:04,858 --> 00:33:07,527 ALL UNITS MOVE IN. IN THE PRESIDIO. (beeps) 626 00:33:07,569 --> 00:33:09,571 THEY WILL KILL JULIE NOW. 627 00:33:09,613 --> 00:33:11,657 WHO IS "THEY"? 628 00:33:11,698 --> 00:33:15,577 THEY SEND PICTURES TO MY PHONE I DON'T KNOW. THEY CALL ME. 629 00:33:15,619 --> 00:33:17,996 OF--OF JULIE TIED UP. 630 00:33:18,037 --> 00:33:22,083 JASON'S MONEY, OR SHE DIES. THEY SAY I MUST GIVE THEM 631 00:33:22,125 --> 00:33:24,085 I DON'T HAVE JASON'S MONEY. 632 00:33:24,127 --> 00:33:27,130 DID THEY ASK FOR JASON'S MONEY OR DID THEY ASK FOR DIAMONDS? 633 00:33:27,172 --> 00:33:29,800 FOR MONEY. THEN THEY'RE NOT GONNA HURT JULIE 634 00:33:29,842 --> 00:33:32,385 IF YOU'RE TELLING ME THE TRUTH. 635 00:33:32,427 --> 00:33:35,806 I AM TELLING THE TRUTH. NO IF. 636 00:33:38,642 --> 00:33:41,561 (siren wailing in distance) 637 00:33:47,066 --> 00:33:50,362 (cocks gun) (TV playing indistinctly in distance) 638 00:34:01,540 --> 00:34:03,124 GET BACK. (Van Pelt) POLICE! 639 00:34:03,166 --> 00:34:04,751 (Rigsby) POLICE! FREEZE! 640 00:34:04,793 --> 00:34:07,838 shouting indistinctly) (Cho and Rigsby 641 00:34:07,880 --> 00:34:11,383 DROP THE GUN! DROP THE WEAPON! 642 00:34:11,424 --> 00:34:13,092 PUT DOWN THE WEAPON! DROP IT RIGHT NOW! 643 00:34:13,134 --> 00:34:16,054 WATCH THE KID! DROP THE WEAPON! 644 00:34:16,095 --> 00:34:17,055 ♪♪ 645 00:34:17,096 --> 00:34:20,851 (gunshots) 646 00:34:28,942 --> 00:34:30,903 SO FAR WHAT I KNOW IS 647 00:34:30,944 --> 00:34:32,863 AND GRIEVOUSLY WOUNDED YOU GUYS SHOT 648 00:34:32,905 --> 00:34:35,240 AND A VERY WELL-LIKED MEMBER A PROMINENT 649 00:34:35,281 --> 00:34:37,242 OF THE SAN FRANCISCO BAR. 650 00:34:37,283 --> 00:34:39,411 WHAT'S GOING ON? IN SIMPLE, DECLARATIVE SENTENCES. 651 00:34:39,452 --> 00:34:40,746 BENNETT'S OUR MAN. 652 00:34:40,787 --> 00:34:43,081 FOR $10 MILLION IN DIAMONDS, HE KILLED JASON SANDS 653 00:34:43,122 --> 00:34:45,291 KIDNAPPED JULIE SANDS FOR THE SAME REASON. 654 00:34:45,333 --> 00:34:48,003 EITHER THE WIDOW OR THE MISTRESS ACTED AS HIS ACCOMPLICE. 655 00:34:48,045 --> 00:34:50,714 TO NAIL THAT DOWN NOW. WE'RE TRYING WHICH ONE? 656 00:34:50,756 --> 00:34:51,715 IF BENNETT MAKES IT, HE COULD TELL US, 657 00:34:51,757 --> 00:34:53,091 BUT IT DOESN'T LOOK LIKE HE WILL, 658 00:34:53,132 --> 00:34:55,093 SO WE'RE GONNA NEED A CONFESSION FROM HIS ACCOMPLICE. 659 00:34:55,134 --> 00:34:58,137 SO, UM... WHAT? 660 00:34:58,179 --> 00:35:01,767 JANE HAS AN IDEA. 661 00:35:01,808 --> 00:35:03,769 BUT IF WE GENERATE ANY COMPLAINTS 662 00:35:03,810 --> 00:35:06,438 AS TO HOW WE GO ABOUT THIS, YOU'VE GOT OUR BACKS, RIGHT? 663 00:35:06,479 --> 00:35:08,607 WELL, THAT DEPENDS. 664 00:35:08,648 --> 00:35:11,902 OBVIOUSLY, WE NEED A WIN HERE. BUT I-I WON'T SANCTION 665 00:35:11,944 --> 00:35:14,404 THAT'S KIND OF VAGUE. ANYTHING UNDERHANDED OR ACTIONABLE. 666 00:35:14,446 --> 00:35:16,406 THE WHOLE POINT OF THIS UNIT 667 00:35:16,448 --> 00:35:19,242 IS--IS SUBTLY AND DISCRETION AND JUDGMENT. 668 00:35:19,284 --> 00:35:22,203 I EXPECT YOU TO DO WHAT'S RIGHT WITHOUT DRAGGING ME INTO IT. 669 00:35:22,245 --> 00:35:24,414 REALLY? 670 00:35:24,456 --> 00:35:25,874 (sighs) 671 00:35:25,916 --> 00:35:28,752 YES, YES, LISBON. 672 00:35:28,794 --> 00:35:32,547 OF COURSE. IF I'M FORCED TO IT, I HAVE YOUR BACK. 673 00:35:32,589 --> 00:35:34,674 YOU NEED TO ASK. I'M INSULTED 674 00:35:42,599 --> 00:35:44,183 WHERE IS SHE? WHERE IS SHE? 675 00:35:44,225 --> 00:35:46,061 IS SHE OKAY? 676 00:35:46,103 --> 00:35:48,772 YES. SHE'S A LITTLE IN SHOCK, BUT PHYSICALLY SHE'S FINE. 677 00:35:48,814 --> 00:35:51,108 NOT A SCRATCH. DOCTORS JUST WANT TO MAKE SURE. MM. 678 00:35:51,149 --> 00:35:52,901 HELLO, JENNIFER. 679 00:35:52,943 --> 00:35:55,654 ADRIANNA? 680 00:35:55,695 --> 00:35:58,824 THIS IS A SURPRISE. 681 00:35:58,865 --> 00:36:01,451 SHOULDN'T SHE BE IN JAIL? WHAT'S SHE DOING HERE? 682 00:36:01,493 --> 00:36:03,829 UH, OUT ON BOND, MA'AM. 683 00:36:03,870 --> 00:36:05,122 SO QUICKLY? 684 00:36:05,163 --> 00:36:07,248 I SCREW BETTER LAWYERS THAN YOU. 685 00:36:09,876 --> 00:36:11,461 YOU'VE OBVIOUSLY LED 686 00:36:11,503 --> 00:36:14,756 A VERY SAD AND DIFFICULT LIFE TO BE SO TWISTED. 687 00:36:14,798 --> 00:36:16,925 YOU HAVE MY SYMPATHY. TRULY, ADRIANNA, 688 00:36:16,967 --> 00:36:20,470 (speaks foreign language) 689 00:36:21,763 --> 00:36:23,556 CHO, LET'S MOVE. 690 00:36:23,598 --> 00:36:26,351 WHAT WAS THAT NAME AGAIN? OH, HEY. WHAT NAME? 691 00:36:26,392 --> 00:36:29,729 THE ONE THAT JANE THOUGHT WAS SO IMPORTANT. (Van Pelt) WENDY. 692 00:36:29,771 --> 00:36:33,191 RIGHT, WENDY. DO EITHER OF YOU KNOW A WOMAN NAMED WENDY? NO. 693 00:36:33,232 --> 00:36:35,944 SHE'D BE WORTH KNOWING. NO? SHAME. CHO. 694 00:36:35,986 --> 00:36:38,822 EXCUSE HIS LEVITY, MA'AM. WHAT? 695 00:36:38,864 --> 00:36:42,075 SHE HAS THE DIAMONDS? THIS WENDY PERSON-- IT'S A POSSIBILITY. 696 00:36:42,117 --> 00:36:43,409 BY THE WAY, DIAMONDS? 697 00:36:43,451 --> 00:36:45,453 YOUR FRIEND MR. BENNETT IS COMING ALONG NICELY. 698 00:36:45,495 --> 00:36:47,998 I EXPECT WE'LL BE TALKING TO HIM SHORTLY. 699 00:36:48,040 --> 00:36:51,126 SAID THAT HE WAS A DEAD MAN. YOU WANT TO PASS ALONG... SO IF THERE'S ANYTHING BUT THIS OTHER POLICE 700 00:36:51,168 --> 00:36:54,754 NO. NO, HE'LL LIVE. THEY SAID HE WAS DYING. (Jennifer) YEAH, 701 00:37:03,889 --> 00:37:05,849 I THINK WE SOLD IT. HOW'D IT GO? 702 00:37:05,891 --> 00:37:07,893 ARE YOU KIDDING? WE KILLED. YEAH. 703 00:37:07,934 --> 00:37:08,852 GIVE IT A MOMENT, WELL, JANE SAYS 704 00:37:08,894 --> 00:37:10,896 LET IT PLAY ITSELF OUT. 705 00:37:13,148 --> 00:37:16,860 (indistinct conversations) 706 00:37:18,361 --> 00:37:20,530 (beeps) 707 00:37:20,572 --> 00:37:22,991 THEY'RE BOTH GONE. IT'S EMPTY. 708 00:37:23,033 --> 00:37:25,326 REALLY? BOTH? (beep) 709 00:37:25,368 --> 00:37:27,286 JANE, NOBODY'S THERE. COME ON. 710 00:37:32,500 --> 00:37:34,836 EVERYTHING GOING TO BE GOOD NOW. IT'S OKAY, BABY. 711 00:37:34,878 --> 00:37:36,671 EVERYTHING'S GOOD. HMM? 712 00:37:36,713 --> 00:37:38,256 WHERE HAVE YOU BEEN? 713 00:37:38,297 --> 00:37:39,591 (Adrianna laughs) 714 00:37:39,632 --> 00:37:40,926 MWAH. 715 00:37:48,934 --> 00:37:51,436 DAMN! DAMN! 716 00:37:51,477 --> 00:37:53,396 (grunts) DAMN! 717 00:37:53,438 --> 00:37:55,815 WHAT ARE YOU LOOKING FOR? 718 00:37:55,857 --> 00:37:59,027 (sighs) YOU KNOW WHAT I'M LOOKING FOR. 719 00:37:59,069 --> 00:38:01,780 I'M PRETTY CERTAIN WENDY SANDS HAD PURPLE HAIR. 720 00:38:04,032 --> 00:38:07,744 WHY? WHAT FOR? TO CALL A LAWYER NOW. YOU MAY WANT 721 00:38:07,786 --> 00:38:10,080 DON'T MAKE THIS DIFFICULT, JENNIFER. 722 00:38:10,122 --> 00:38:12,749 BENNETT TOLD US EVERYTHING. 723 00:38:12,791 --> 00:38:15,543 NICELY DONE. 724 00:38:15,585 --> 00:38:18,046 ADRIANNA HAD THE MONEY, YOU MADE ME THINK 725 00:38:18,088 --> 00:38:21,841 I HAD THE MONEY. CLEVER. AND YOU MADE HER THINK 726 00:38:21,883 --> 00:38:23,551 THANK YOU. 727 00:38:23,593 --> 00:38:25,929 COMING FROM A FINE ACTRESS LIKE YOURSELF, I'M... 728 00:38:25,971 --> 00:38:28,098 I'M FLATTERED. 729 00:38:28,140 --> 00:38:30,100 IS IT REALLY IN DIAMONDS, 730 00:38:30,142 --> 00:38:32,727 PART OF THE TRICK? OR IS THAT JUST 731 00:38:32,769 --> 00:38:33,937 NO TRICK. 732 00:38:33,979 --> 00:38:35,105 DIAMONDS. 733 00:38:35,147 --> 00:38:36,856 DO YOU KNOW WHERE? 734 00:38:36,898 --> 00:38:38,066 I DO. 735 00:38:38,108 --> 00:38:39,276 TELL ME. 736 00:38:39,317 --> 00:38:41,611 TELL ME WHAT HAPPENED, 737 00:38:41,653 --> 00:38:43,780 AND I'LL TELL YOU WHERE THEY ARE. 738 00:38:43,822 --> 00:38:46,908 YOU WERE JUST PLAYING ME. THIS WHOLE TIME, 739 00:38:46,950 --> 00:38:48,785 NOT THE WHOLE TIME. 740 00:38:48,827 --> 00:38:51,621 THAT'S SO SAD. I... 741 00:38:51,663 --> 00:38:53,623 A REAL CONNECTION. THOUGHT WE HAD 742 00:38:53,665 --> 00:38:55,125 WE DID. 743 00:38:55,167 --> 00:38:57,252 WE CAN AGAIN. 744 00:38:57,294 --> 00:38:58,837 NO, WE CAN'T. 745 00:39:01,047 --> 00:39:03,800 YOU KNOW, I... 746 00:39:03,842 --> 00:39:07,053 FOR THIS TO HAPPEN. I NEVER MEANT 747 00:39:07,095 --> 00:39:08,805 I KNOW. 748 00:39:08,847 --> 00:39:12,642 IT WAS BENNETT. 749 00:39:12,684 --> 00:39:15,728 HE--HE PLANNED THE WHOLE THING. HE FORCED ME INTO THIS. (sighs) 750 00:39:15,770 --> 00:39:18,731 THAT THINKS HE'S IN CONTROL, NO, BENNETT IS AN IDIOT 751 00:39:18,773 --> 00:39:20,817 BUT YOU PLAYED HIM LIKE A VIOLIN, 752 00:39:20,859 --> 00:39:23,402 AND THOSE TREMBLING LIPS. WITH THOSE BIG EYES 753 00:39:23,444 --> 00:39:26,781 YOU HAD ME BUYING IT. IT'S A DYNAMITE ACT. 754 00:39:28,574 --> 00:39:31,911 IF ONLY YOU'D TOLD ME THE DUCK WAS AN OBOE, 755 00:39:31,953 --> 00:39:34,873 I PROBABLY WOULD'VE TOLD YOU WHERE THE DIAMONDS WERE, 756 00:39:34,914 --> 00:39:37,167 WOULD'VE SOLVED THIS ONE. AND WE LIKELY NEVER 757 00:39:37,209 --> 00:39:39,836 THE DUCK WAS AN OBOE? 758 00:39:39,878 --> 00:39:42,297 "PETER AND THE WOLF." YEAH. 759 00:39:42,339 --> 00:39:46,134 IS PLAYED BY THE OBOE. THE DUCK 760 00:39:46,176 --> 00:39:48,761 THE WOLF IS A BASSOON. 761 00:39:48,803 --> 00:39:50,805 THE FLUTE IS THE SONGBIRD. 762 00:39:50,847 --> 00:39:53,058 ANYONE WHO'S SEEN IT KNOWS THAT. 763 00:39:53,099 --> 00:39:55,268 BUT YOU DIDN'T. 764 00:39:55,310 --> 00:39:57,729 TO "PETER AND THE WOLF." YOU DIDN'T GO 765 00:39:57,770 --> 00:40:00,899 AND TORTURED YOUR HUSBAND YOU STAYED HOME 766 00:40:00,940 --> 00:40:04,277 HIS RUNNING AWAY MONEY. TO MAKE HIM GIVE YOU 767 00:40:04,319 --> 00:40:06,738 WITH MY DAUGHTER RUNNING AWAY 768 00:40:06,779 --> 00:40:10,033 AND THAT DIRTY WHORE. AND $10 MILLION 769 00:40:10,075 --> 00:40:13,828 AND LEAVE ME WITH NOTHING?! I DON'T THINK SO. 770 00:40:13,870 --> 00:40:15,830 HOW DO YOU THINK IT FEELS 771 00:40:15,872 --> 00:40:18,457 HER FATHER'S WHORE OVER ME? THAT MY DAUGHTER PREFERS 772 00:40:18,499 --> 00:40:20,835 MORE THAN HER OWN MOTHER? THAT SHE LOVES HER 773 00:40:20,877 --> 00:40:23,380 HOW DO YOU THINK THAT FEELS?! 774 00:40:23,421 --> 00:40:27,008 I'M SURE IT HURTS. 775 00:40:27,050 --> 00:40:28,927 (sniffles) 776 00:40:28,968 --> 00:40:31,554 I ALWAYS KNEW THERE WAS A SAFE IN THAT ROOM, 777 00:40:31,596 --> 00:40:34,432 BUT HE WOULD NEVER TELL ME WHERE 778 00:40:34,473 --> 00:40:37,060 OR WHAT THE COMBINATION WAS. 779 00:40:37,102 --> 00:40:40,272 A REAL BREAKTHROUGH INSIGHT. AND I HAD 780 00:40:40,313 --> 00:40:42,148 I REALIZED... 781 00:40:42,190 --> 00:40:45,110 OUR WHOLE MARRIAGE-- THAT WAS 782 00:40:45,151 --> 00:40:46,986 WITHHOLDING. 783 00:40:47,028 --> 00:40:49,989 ALWAYS WITHHOLDING. WITHHOLDING, 784 00:40:50,031 --> 00:40:53,118 I NEEDED MOST FROM JASON... WHATEVER IT WAS THAT 785 00:40:53,159 --> 00:40:55,745 (voice breaks) THAT'S WHAT HE REFUSED TO GIVE ME. 786 00:40:55,787 --> 00:40:58,706 (sirens wailing in distance) 787 00:41:03,086 --> 00:41:05,171 TELL ME. 788 00:41:05,213 --> 00:41:07,424 WHERE ARE THEY? 789 00:41:07,465 --> 00:41:09,675 (whispers) THE DIAMONDS. 790 00:41:13,138 --> 00:41:14,764 (chiming) 791 00:41:14,806 --> 00:41:17,767 MY DADDY MADE IT FOR ME. VERY NICE ROOM. 792 00:41:34,784 --> 00:41:37,703 (chuckles) 793 00:41:42,000 --> 00:41:44,669 WHEN DID YOU FIRST SUSPECT IT WAS HER? 794 00:41:44,710 --> 00:41:47,046 AT THE FUNERAL SERVICE. OH, I HAD AN IDEA 795 00:41:47,088 --> 00:41:48,840 NO, YOU DID NOT. (scoffs) 796 00:41:48,881 --> 00:41:51,009 SHE WAS LOOKING WAY TOO GOOD. I DID. I DID. SHE, UH, 797 00:41:51,050 --> 00:41:53,219 AT HER HUSBAND'S FUNERAL. NO WIFE SHOULD GLOW 798 00:41:53,261 --> 00:41:56,181 SO YOU MADE THAT BET WITH RIGSBY THAT YOU COULD SEDUCE HER 799 00:41:56,222 --> 00:41:58,183 WITH THE DELIBERATE INTENTION OF SNARING HER? 800 00:41:58,224 --> 00:42:00,977 I WANTED TO WIN THE BET, TOO, AND, UH... 801 00:42:02,979 --> 00:42:04,314 I COULDN'T. 802 00:42:06,358 --> 00:42:09,652 JUST BECAUSE I LOST DOESN'T MEAN YOU SHOULDN'T TAKE MY ADVICE. 803 00:42:09,694 --> 00:42:12,905 I'M SERIOUS, MAN. YEAH, YEAH, HUSH. 804 00:42:12,947 --> 00:42:14,199 GO FOR IT. (sighs) 805 00:42:18,786 --> 00:42:20,913 (sighs) 806 00:42:20,955 --> 00:42:24,876 WHAT'S HE TALKING ABOUT? 807 00:42:24,917 --> 00:42:26,961 NOTHING.