1
00:00:01,585 --> 00:00:05,130
(indistinct chatter
over police radio)
2
00:00:05,172 --> 00:00:09,426
(sirens wailing in distance)
3
00:00:09,468 --> 00:00:12,095
CAN I GET A COMMENT, PLEASE?
EXCUSE ME.
4
00:00:17,351 --> 00:00:20,312
KEEP IT RIGHT BACK HERE.
YES, MA'AM,
5
00:00:20,354 --> 00:00:24,149
(helicopter flying overhead)
6
00:00:24,191 --> 00:00:26,025
(officer) STAND BACK HERE,
PLEASE.
7
00:00:26,067 --> 00:00:27,611
CAPTAIN.
AGENT LISBON.
8
00:00:27,653 --> 00:00:29,989
WE'LL BE NEEDING YOU GUYS.
DON'T THINK
9
00:00:30,030 --> 00:00:32,783
WE LIKE THE NEIGHBOR KID
WHO FOUND THE BODY.
10
00:00:32,825 --> 00:00:35,410
DID HE CONFESS?
AH, HE'S A REAL SQUIRREL.
11
00:00:35,452 --> 00:00:38,121
DID YOU KILL HER?
(woman) DID YOU KILL HER?
12
00:00:38,163 --> 00:00:40,582
DID YOU KILL HER?
(man and woman)
13
00:00:44,003 --> 00:00:46,296
(man) MERCY'S FATHER WOULD LIKE
TO GIVE A BRIEF STATEMENT.
14
00:00:46,338 --> 00:00:49,174
I JUST WANT TO TAKE A MOMENT
AND THANK
15
00:00:49,216 --> 00:00:52,427
EVERYONE IN LAW ENFORCEMENT
AND ALL THE VOLUNTEERS
16
00:00:52,469 --> 00:00:55,305
WHO HELPED US IN THE SEARCH
FOR OUR BELOVED DAUGHTER.
17
00:00:57,182 --> 00:01:00,019
THAT THIS ENTIRE COMMUNITY
THE WAY
18
00:01:00,060 --> 00:01:03,022
TO SUPPORT ME AND JUNIPER
HAS COME TOGETHER
19
00:01:03,104 --> 00:01:07,108
HAS BEEN A GREAT COMFORT TO US.
IN THIS TERRIBLE TIME
20
00:01:10,111 --> 00:01:13,991
LIKE TO ASK YOU THAT...
AND NOW I WOULD JUST
21
00:01:14,033 --> 00:01:16,994
YOU GIVE US SOME TIME,
SPACE AND PRIVACY
22
00:01:17,036 --> 00:01:18,996
TO GRIEVE FOR OUR DAUGHTER.
23
00:01:19,038 --> 00:01:20,330
THANK YOU.
24
00:01:24,251 --> 00:01:27,170
(indistinct chatter
over police radio)
25
00:01:49,401 --> 00:01:51,236
(rustling)
26
00:02:23,351 --> 00:02:26,271
(teakettle whistling)
27
00:02:29,149 --> 00:02:31,068
(whistling stops)
28
00:02:37,032 --> 00:02:39,743
HELLO, MRS. TOLLIVER.
29
00:02:39,785 --> 00:02:42,162
WHO ARE YOU?
30
00:02:42,203 --> 00:02:44,790
MY NAME IS PATRICK JANE.
31
00:02:44,832 --> 00:02:47,001
I'M HERE TO HELP YOU.
32
00:02:47,042 --> 00:02:49,795
WOULD YOU LIKE A CUP OF TEA?
33
00:02:52,006 --> 00:02:54,758
YES, I WOULD, THANK YOU.
34
00:02:57,594 --> 00:03:00,722
YOU MUST BE TIRED.
35
00:03:00,764 --> 00:03:02,641
WHY DON'T YOU SIT DOWN?
36
00:03:04,518 --> 00:03:07,021
IT'S NICE AND QUIET IN HERE,
ISN'T IT?
37
00:03:07,062 --> 00:03:09,690
QUIET, SOOTHING, CALM.
38
00:03:12,818 --> 00:03:14,486
CALM.
(sighs)
39
00:03:20,241 --> 00:03:23,120
I'VE BEEN WATCHING YOU
AND YOUR HUSBAND,
40
00:03:23,162 --> 00:03:25,246
AND I WANT YOU TO KNOW
THAT I UNDERSTAND
41
00:03:25,288 --> 00:03:26,790
WHAT YOU'RE FEELING
RIGHT NOW.
42
00:03:29,751 --> 00:03:33,463
YOU HAVE NO IDEA.
43
00:03:33,505 --> 00:03:35,090
BELIEVE ME.
44
00:03:35,132 --> 00:03:37,134
I DO.
45
00:03:37,176 --> 00:03:38,677
I KNOW.
46
00:03:38,719 --> 00:03:40,679
AND I WANNA HELP YOU.
I KNOW,
47
00:03:40,721 --> 00:03:43,057
YOU CAN'T HELP ME.
48
00:03:43,098 --> 00:03:45,142
YOU... WHAT DO YOU KNOW?
49
00:03:45,184 --> 00:03:48,896
ALL SORTS OF THINGS.
(chuckles)
50
00:03:48,937 --> 00:03:52,024
YOU REALLY ONLY PRETEND
TO LIKE SKIING, RIGHT?
51
00:03:52,066 --> 00:03:54,275
THAT YOUR BEST FRIEND
YOU'RE PLEASED
YES, BUT--
52
00:03:54,317 --> 00:03:57,779
RECENTLY GAINED SOME WEIGHT--
ABOUT 10 POUNDS.
53
00:03:57,821 --> 00:03:59,656
YOU WISH YOU'D BEEN
MORE ADVENTUROUS
54
00:03:59,698 --> 00:04:01,075
WHEN YOU WERE YOUNGER.
55
00:04:01,116 --> 00:04:03,869
BUT YOU'VE NEVER BEEN THERE.
YOU LOVE INDIA,
56
00:04:03,911 --> 00:04:06,788
YOU HAVE TROUBLE SLEEPING.
YOUR FAVORITE COLOR...
57
00:04:06,830 --> 00:04:08,123
IS BLUE.
58
00:04:10,042 --> 00:04:13,545
I DON'T UNDERSTAND.
YOU'RE...
59
00:04:13,587 --> 00:04:15,172
YOU'RE PSYCHIC?
60
00:04:15,214 --> 00:04:17,132
(chuckles) NO.
61
00:04:17,174 --> 00:04:18,717
JUST PAYING ATTENTION.
62
00:04:18,759 --> 00:04:23,055
I USED TO MAKE A GOOD LIVING
PRETENDING TO BE A PSYCHIC.
63
00:04:23,097 --> 00:04:25,265
I TELL YOU THIS
64
00:04:25,306 --> 00:04:27,267
BECAUSE I WANT YOU
TO UNDERSTAND
65
00:04:27,308 --> 00:04:29,644
HIDING THINGS FROM ME.
THERE'S NO POINT
66
00:04:32,397 --> 00:04:34,733
HIDING... WHAT?
67
00:04:34,775 --> 00:04:38,486
WHEN I LOOK AT YOUR HUSBAND?
KNOW WHAT I SEE
68
00:04:38,528 --> 00:04:41,740
I SEE A WARM, LOVING,
GENEROUS MAN.
69
00:04:41,782 --> 00:04:43,324
A LITTLE VAIN, MAYBE.
70
00:04:43,366 --> 00:04:45,702
SELFISH, CONTROLLING--
71
00:04:45,744 --> 00:04:47,246
BUT A DECENT MAN.
72
00:04:47,287 --> 00:04:48,830
YES.
73
00:04:50,749 --> 00:04:54,128
OF MURDERING YOUR DAUGHTER?
SO WHY DO YOU SUSPECT HIM
74
00:04:54,169 --> 00:04:57,089
(teacup rattling)
75
00:04:58,882 --> 00:05:00,467
I DON'T.
76
00:05:02,261 --> 00:05:04,763
THE McCLUSKEY BOY DID IT.
77
00:05:04,805 --> 00:05:07,224
THAT'S WHAT THE POLICE SAY.
YES.
78
00:05:07,266 --> 00:05:10,144
BUT YOU THINK THEY'RE WRONG.
WHY?
79
00:05:10,185 --> 00:05:13,021
I-I-I DON'T KNOW.
I DON'T KNOW.
80
00:05:13,063 --> 00:05:14,898
I...
81
00:05:14,940 --> 00:05:17,109
TELL ME.
82
00:05:17,151 --> 00:05:18,693
LAST YEAR,
83
00:05:18,735 --> 00:05:22,072
SO STRANGE WITH EACH OTHER.
THEY--THEY HAVE BEEN
84
00:05:22,114 --> 00:05:25,533
AND NEITHER ONE WOULD ADMIT
THAT ANYTHING WAS WRONG,
85
00:05:25,575 --> 00:05:28,036
AND I THINK THAT...
86
00:05:28,078 --> 00:05:30,122
I THINK THAT SHE TRIED
TO TELL ME ONCE,
87
00:05:30,164 --> 00:05:32,040
AND I DIDN'T--I...
88
00:05:34,668 --> 00:05:36,295
GOD.
89
00:05:36,335 --> 00:05:37,963
OH, GOD.
90
00:05:38,005 --> 00:05:40,007
IF HE KILLED HER?
DID YOU ASK HIM
91
00:05:40,048 --> 00:05:41,758
(sniffles)
92
00:05:41,800 --> 00:05:43,426
WHAT WOULD HE SAY?
93
00:05:43,468 --> 00:05:46,763
WHEN THEIR HUSBANDS ARE LYING.
MOST WIVES CAN TELL
94
00:05:48,265 --> 00:05:52,602
YES. YES. I...
95
00:05:52,644 --> 00:05:55,730
THE McCLUSKEY BOY DID IT. I...
I DON'T WANT TEA. I--
(slides teacup)
96
00:05:55,772 --> 00:05:57,065
MAYBE.
97
00:05:58,192 --> 00:06:00,194
(whispers) OH.
98
00:06:00,235 --> 00:06:04,614
YOU THINK HE DID IT, TOO?
(normal voice)
99
00:06:04,656 --> 00:06:07,159
I TRUST A MOTHER'S INSTINCT.
100
00:06:07,201 --> 00:06:09,995
(door opens)
101
00:06:10,037 --> 00:06:12,039
JUNE?
102
00:06:12,080 --> 00:06:13,040
(sighs)
103
00:06:13,081 --> 00:06:14,624
THERE YOU ARE.
104
00:06:14,666 --> 00:06:17,627
HI. WHO ARE YOU?
105
00:06:17,669 --> 00:06:20,922
DID YOU KILL YOUR DAUGHTER?
I'M THE POLICE.
106
00:06:24,051 --> 00:06:26,178
(scoffs)
107
00:06:26,220 --> 00:06:28,096
HOW DARE YOU?
108
00:06:28,138 --> 00:06:30,098
A SIMPLE QUESTION, SIR.
I ASKED YOU
109
00:06:30,140 --> 00:06:32,059
DID YOU KILL YOUR DAUGHTER?
110
00:06:32,100 --> 00:06:33,434
NO.
111
00:06:33,476 --> 00:06:35,020
OH!
112
00:06:35,062 --> 00:06:38,065
I DID NOT KILL MY DAUGHTER!
(whimpers)
113
00:06:38,106 --> 00:06:40,817
NOW YOU GET THE HELL
OUT OF MY HOUSE!
114
00:06:40,859 --> 00:06:44,112
WHAT'S THE MATTER WITH YOU?
JUNE? JUNE,
115
00:06:46,698 --> 00:06:48,867
I'M GONNA HAVE YOUR BADGE.
116
00:06:48,909 --> 00:06:50,952
WOULD HAVE PUNCHED ME BY NOW.
AN INNOCENT MAN
117
00:06:50,994 --> 00:06:53,955
I AM GONNA MAKE LIFE
MISERABLE FOR YOU.
118
00:06:53,997 --> 00:06:56,791
YOU ACCOST MY WIFE,
YOU COME IN HERE,
119
00:06:56,833 --> 00:06:59,086
YOU CAUSE TROUBLE ON--
(cocks pistol)
120
00:06:59,127 --> 00:07:01,504
JUNE.
121
00:07:01,546 --> 00:07:03,298
JUNE, HONEY, PLEASE.
122
00:07:03,340 --> 00:07:04,341
(grunts)
123
00:07:04,383 --> 00:07:07,552
(officers shouting indistinctly)
124
00:07:07,594 --> 00:07:09,888
(man) MOVE! MOVE! HEY!
125
00:07:13,725 --> 00:07:16,686
HONESTLY, IT--IT'S NOT AS BAD
AS IT LOOKS.
126
00:07:16,728 --> 00:07:19,522
(indistinct chatter
over police radio)
127
00:07:19,564 --> 00:07:21,108
MRS. TOLLIVER?
128
00:07:21,149 --> 00:07:23,402
MRS. TOLLIVER!
PLEASE WAIT.
129
00:07:23,443 --> 00:07:26,071
(man) FRONT ROOM'S CLEAR!
130
00:07:46,800 --> 00:07:49,136
THEN THE SON OF A BITCH
EAGLES 17.
131
00:07:49,177 --> 00:07:51,846
ARE YOU KIDDIN' ME?
ON THAT COURSE?
132
00:07:51,888 --> 00:07:53,556
A DAMN EAGLE?
133
00:07:53,598 --> 00:07:55,558
THAT COURSE NEVER SUITED YOU,
PRICE.
134
00:07:55,600 --> 00:07:59,646
WE HAVE A NICE SPOT ON THE DRAW.
WE'LL DO BETTER IN ORLANDO.
135
00:07:59,687 --> 00:08:02,399
WELL, I'LL TELL YOU WHAT.
136
00:08:02,441 --> 00:08:05,319
CAN KISS MY BUTT.
DAVIS LOVE III
137
00:08:14,953 --> 00:08:16,163
(man) ALISON?
138
00:08:16,204 --> 00:08:17,956
ALISON!
139
00:08:20,834 --> 00:08:22,252
(tires screech)
140
00:08:25,880 --> 00:08:28,800
(indistinct conversations)
141
00:08:30,760 --> 00:08:33,096
FLIGHT 233 FROM SACRAMENTO,
(woman)
142
00:08:33,138 --> 00:08:36,099
YOU MAY CLAIM YOUR BAGGAGE
FROM CAROUSEL 2.
143
00:08:36,141 --> 00:08:38,352
FLIGHT 233 FROM SACRAMENTO...
144
00:08:38,393 --> 00:08:39,769
UH, SORRY.
145
00:08:40,603 --> 00:08:42,647
YOU CHECKED LUGGAGE?
146
00:08:42,689 --> 00:08:44,816
WHAT ARE YOU, ON VACATION?
WON'T DO IT AGAIN.
NO, MA'AM.
147
00:08:44,858 --> 00:08:47,610
WHEN YOUR TROUSSEAU ARRIVES,
PICK UP THE SECOND RENTAL
148
00:08:47,652 --> 00:08:49,821
TO THE SHERIFF'S DEPARTMENT,
AND GO DIRECT
149
00:08:49,863 --> 00:08:52,782
YES. MA'AM.
HUSTLE US UP A COUPLE OF ROOMS,
FURNITURE AND PHONE LINES.
150
00:08:52,824 --> 00:08:55,076
COME ON. LET'S GO.
151
00:08:55,118 --> 00:08:56,536
(Lisbon sighs)
152
00:09:03,335 --> 00:09:05,462
MORNING, EVERYBODY.
153
00:09:05,504 --> 00:09:07,922
HOW WAS YOUR FLIGHT?
154
00:09:07,964 --> 00:09:09,966
YOU'RE ON SUSPENSION.
GO AWAY.
155
00:09:10,008 --> 00:09:12,886
THANK YOU.
156
00:09:12,927 --> 00:09:15,347
MANDATED LEAVE.
ENDS NEXT WEEK.
157
00:09:15,389 --> 00:09:17,349
SO COME BACK NEXT WEEK.
158
00:09:17,391 --> 00:09:20,352
WHICH ONE OF YOU JACKASSES
TOLD HIM?
HOT ENOUGH FOR YOU?
159
00:09:20,394 --> 00:09:22,062
YES, IT WAS.
IT WAS YOU, WASN'T IT, CHO?
160
00:09:22,103 --> 00:09:24,981
OF COURSE HE CALLED ME.
IT'S RED JOHN.
161
00:09:25,023 --> 00:09:28,985
YOU GOT A MAN KILLED.
THERE'S CONSEQUENCES.
YOU CAN'T KEEP ME OUT OF THIS.
WHY WOULD YOU WANT TO?
162
00:09:29,027 --> 00:09:30,987
THAT MURDERED HIS DAUGHTER
OH, A MAN
163
00:09:31,029 --> 00:09:32,989
'CAUSE SHE WOULDN'T HAVE SEX
WITH HIM ANYMORE?
164
00:09:33,031 --> 00:09:34,991
YOU DID NOT KNOW THAT.
YOU DIDN'T KNOW THAT.
165
00:09:35,033 --> 00:09:37,744
BUT SHE DID, THOUGH.
IF SHE HADN'T HAD LEFT
A DIARY--
166
00:09:37,785 --> 00:09:39,954
THIS IS MY CASE.
BE REASONABLE.
YOUR CASE?
167
00:09:39,996 --> 00:09:43,333
RED JOHN'S MINE.
DOESN'T BELONG TO ANYONE.
RED JOHN
168
00:09:43,375 --> 00:09:45,043
(sighs)
169
00:09:45,085 --> 00:09:47,546
HE BELONGS TO ME.
170
00:09:47,587 --> 00:09:50,840
IT'S NOT MY CALL.
RULES ARE RULES.
171
00:09:50,882 --> 00:09:53,343
COME BACK NEXT WEEK.
172
00:09:53,385 --> 00:09:57,680
DON'T LET THIS MAN PAST.
173
00:09:57,722 --> 00:10:00,850
(cell phone rings)
174
00:10:00,892 --> 00:10:02,060
(ring)
175
00:10:02,102 --> 00:10:03,186
(beep)
176
00:10:03,228 --> 00:10:04,938
BOSS?
177
00:10:04,979 --> 00:10:06,940
WE HAVE GREGORY TANNEN--
178
00:10:06,981 --> 00:10:09,067
CAUCASIAN, MALE,
43, SINGLE.
179
00:10:09,109 --> 00:10:11,069
WE HAVEN'T OPENED HIM UP YET,
BUT BURN MARKS...
180
00:10:11,111 --> 00:10:14,155
I'LL REDEEM MYSELF, I PROMISE.
SORRY I WENT OVER YOUR HEAD.
181
00:10:14,197 --> 00:10:17,784
YOU WANT REDEMPTION?
BE SILENT.
182
00:10:17,825 --> 00:10:20,995
OKAY. I CAN LEARN TO DO THAT.
SHH!
183
00:10:21,037 --> 00:10:22,456
SORRY.
184
00:10:24,416 --> 00:10:26,167
THE BURN MARKS HERE
185
00:10:26,209 --> 00:10:29,170
WAS SUBDUED WITH A STUN GUN--
INDICATE THAT THE VICTIM
186
00:10:29,212 --> 00:10:31,923
STANDARD CIVILIAN MODEL
BY THE LOOK OF IT.
187
00:10:31,965 --> 00:10:33,383
DEATH APPEARS TO BE CAUSED
188
00:10:33,425 --> 00:10:36,386
TO THE BACK OF THE SKULL
BY SEVERAL BLOWS
189
00:10:36,428 --> 00:10:39,055
GOLF CLUB FOUND AT THE SCENE.
CONSISTENT WITH A BLOODIED
190
00:10:39,097 --> 00:10:41,057
FEMALE IS ALISON RANDOLPH--
191
00:10:41,099 --> 00:10:43,059
27, MARRIED, NO CHILDREN.
192
00:10:43,101 --> 00:10:45,812
AT HER LISTED RESIDENCE.
THEY WERE FOUND
193
00:10:45,853 --> 00:10:47,855
EARLY SATURDAY EVENING.
T.O.D. LOOKS TO BE
194
00:10:47,897 --> 00:10:50,317
THE SAME STUN GUN MARKS,
ON ALISON, WE HAVE
195
00:10:50,358 --> 00:10:52,486
TIGHT BLACK PLASTIC LIGATURES,
FOLLOWED BY BINDING WITH
196
00:10:52,527 --> 00:10:55,155
FRENZIED CUTTING AND STABBING
ASSAULT OF THE TORSO
197
00:10:55,196 --> 00:10:57,698
AND SUBSEQUENT ABUSE
OF THE VISCERA.
TEXTBOOK RED JOHN.
198
00:10:57,740 --> 00:10:59,659
WHO FOUND THE BODIES?
THIS ONE'S HUSBAND,
199
00:10:59,700 --> 00:11:02,412
SUNDAY MORNING WITH HIS BROTHER.
COMING HOME FROM THE AIRPORT
200
00:11:02,454 --> 00:11:04,372
OH, YEAH?
HE'S A PRO GOLFER.
201
00:11:04,414 --> 00:11:06,833
WHAT'S HER DEAL WITH HIM?
DO WE KNOW?
PRICE RANDOLPH.
202
00:11:06,874 --> 00:11:08,835
AS ONE OF HER PHYSICIANS.
UH, HE'S ON FILE
203
00:11:08,876 --> 00:11:10,670
LOVERS?
MAKING A HOUSE CALL?
204
00:11:10,711 --> 00:11:12,671
NO, THIS ONE'S GAY.
205
00:11:14,841 --> 00:11:17,844
WHAT THEIR RELATIONSHIP WAS.
DR. WAGNER MIGHT KNOW
206
00:11:17,885 --> 00:11:20,679
TO MAKE THE FORMAL I.D.?
HE'S HERE
207
00:11:20,721 --> 00:11:22,265
OKAY.
208
00:11:22,307 --> 00:11:25,018
DR. WAGNER.
209
00:11:25,059 --> 00:11:27,270
HI.
210
00:11:27,312 --> 00:11:28,938
I'M AGENT TERESA LISBON,
211
00:11:28,980 --> 00:11:30,982
CALIFORNIA BUREAU
OF INVESTIGATION.
212
00:11:31,024 --> 00:11:33,776
WHAT'S YOUR CONNECTION
TO THE VICTIMS?
I WORK WITH GREGORY...
213
00:11:33,818 --> 00:11:37,447
AND--AND THE RANDOLPH FAMILY
DR. TANNEN
214
00:11:37,489 --> 00:11:40,783
ARE HOUSE CALLS THE NORM
AT YOUR PRACTICE?
ARE LONGTIME CLIENTS
OF OUR PRACTICE.
215
00:11:40,825 --> 00:11:43,828
NO. GREGORY AND ALISON
WERE CLOSE FRIENDS.
216
00:11:43,870 --> 00:11:46,540
LOVERS?
NO. HE WAS GAY.
217
00:11:46,581 --> 00:11:49,000
NO, THEY WERE JUST...
FRIENDS.
218
00:11:49,042 --> 00:11:52,879
LOOKS LIKE RED JOHN.
WHAT IN GOD'S NAME
HAPPENED TO THEM?
219
00:11:54,839 --> 00:11:58,885
WE DON'T KNOW WHO DID THIS.
WHO'S RED JOHN?
220
00:11:58,926 --> 00:12:01,971
WE'LL BE IN TOUCH PROBABLY.
THANK YOU.
221
00:12:05,933 --> 00:12:07,894
(siren wailing in distance,
horn honks)
222
00:12:07,935 --> 00:12:10,313
(man) SET UP RIGHT HERE?
(woman) YEAH, THAT'S GOOD.
223
00:12:10,355 --> 00:12:12,857
RED JOHN ENTERS HERE.
224
00:12:12,899 --> 00:12:14,817
EXCUSE ME. SORRY.
225
00:12:14,859 --> 00:12:16,819
HE COMES AROUND HERE.
226
00:12:16,861 --> 00:12:19,531
HE WAITS FOR HER,
227
00:12:19,573 --> 00:12:21,824
TO COME IN ALONE.
EXPECTING HER
228
00:12:21,866 --> 00:12:24,452
ONLY THING, HER FRIEND TANNEN
CHOSE THE WRONG NIGHT
229
00:12:24,494 --> 00:12:28,665
TO COME OVER FOR A RICHARD GERE
AND ICE CREAM ORGY.
230
00:12:28,707 --> 00:12:31,668
SO RED JOHN ZAPS 'EM BOTH
WITH HIS TRUSTY STUN GUN,
231
00:12:31,710 --> 00:12:33,461
AND...
232
00:12:33,503 --> 00:12:35,046
(sighs) EXCUSE ME.
233
00:12:35,088 --> 00:12:38,925
FROM THE BAG HERE AND...
GRABS A 5-IRON
234
00:12:38,966 --> 00:12:42,011
BAM!
235
00:12:42,053 --> 00:12:44,222
CRUSHES TANNEN'S SKULL.
236
00:12:44,264 --> 00:12:46,765
THEN HE TAKES HIS SWEET TIME
237
00:12:46,807 --> 00:12:49,852
DEALING WITH ALISON
HOW HE LIKES.
238
00:12:49,894 --> 00:12:53,189
SO UNLESS HE'S PRETTY STRONG,
SHE'S A NICE BIG GIRL,
239
00:12:53,231 --> 00:12:56,401
I'M GUESSING THAT HE GRABBED HER
BY THE ARMS AND...
240
00:13:33,896 --> 00:13:36,691
HE SAYS HE'S SORRY
FOR ALL THE PAIN
241
00:13:36,733 --> 00:13:39,944
AND YOUR MOTHER.
HE'S CAUSED YOU
242
00:13:39,986 --> 00:13:41,321
DEEPLY SORRY.
243
00:13:41,362 --> 00:13:42,947
(woman sniffles)
244
00:13:42,989 --> 00:13:45,366
HE ASKS YOU TO FORGIVE HIM.
245
00:13:45,408 --> 00:13:47,786
CAN YOU DO THAT, JENNY?
246
00:13:47,826 --> 00:13:49,454
(crying) MM-HMM.
247
00:13:49,496 --> 00:13:51,914
I FORGIVE YOU, DADDY.
HE NEEDS TO HEAR IT.
248
00:13:51,956 --> 00:13:54,334
DADDY, I FORGIVE YOU. (cries)
OH, YES.
249
00:13:54,375 --> 00:13:56,085
HE'S SMILING NOW.
250
00:13:56,127 --> 00:13:57,836
(laughs)
251
00:13:57,878 --> 00:14:00,839
(cries)
THEY'RE TEARS OF JOY.
252
00:14:00,881 --> 00:14:03,384
HE SAYS, "GOD BLESS YOU
AND KEEP YOU."
253
00:14:03,426 --> 00:14:05,762
(continues crying)
254
00:14:09,056 --> 00:14:10,517
HE'S GONE.
255
00:14:10,558 --> 00:14:13,478
♪♪
256
00:14:21,444 --> 00:14:24,864
AMAZING. AMAZING. AMAZING.
257
00:14:24,905 --> 00:14:27,408
(laughter)
SHE'S... AMAZED.
258
00:14:27,450 --> 00:14:29,118
PATRICK...
259
00:14:29,160 --> 00:14:30,370
ONE SECOND.
260
00:14:30,411 --> 00:14:32,372
GIVE HIM SOME TIME.
AB-ABSOLU--
261
00:14:32,413 --> 00:14:33,956
COME ON BACK TO US.
262
00:14:33,998 --> 00:14:36,292
I'M BACK. THANK YOU.
(woman) BACK. (laughs)
263
00:14:36,334 --> 00:14:39,879
SO, PATRICK, I UNDERSTAND
THAT YOU'RE ALSO
264
00:14:39,920 --> 00:14:42,173
A PARANORMAL DETECTIVE.
SORT OF
265
00:14:42,215 --> 00:14:45,802
I TRY TO HELP THE POLICE
WHEN I CAN.
IS THAT RIGHT?
266
00:14:45,844 --> 00:14:47,970
HELPING THEM HUNT
AND--AND YOU'RE
267
00:14:48,012 --> 00:14:49,972
THIS SCARY SERIAL KILLER.
268
00:14:50,014 --> 00:14:51,808
WHAT--WHAT'S HIS NAME?
269
00:14:51,850 --> 00:14:53,934
RED--RED JOHN.
RED JOHN?
270
00:14:53,976 --> 00:14:57,313
CLASSIC RED JOHN SMILEY FACE.
(man) THAR SHE BLOWS--
271
00:14:57,355 --> 00:14:59,940
DRAWN IN THE VICTIMS' BLOOD,
272
00:14:59,982 --> 00:15:04,237
CLOCKWISE WITH THREE FINGERS
OF HIS RIGHT HAND,
273
00:15:04,278 --> 00:15:06,489
A RUBBER KITCHEN GLOVE.
WEARING
274
00:15:06,531 --> 00:15:09,116
I'M STOKED TO FINALLY
SEE ONE IN THE FLESH.
275
00:15:09,158 --> 00:15:12,078
THIS ISN'T RED JOHN.
276
00:15:12,119 --> 00:15:15,998
RIGHT.
RED JOHN THINKS OF HIMSELF
AS A SHOWMAN, AN ARTIST.
277
00:15:16,040 --> 00:15:18,668
HE HAS A STRONG SENSE
OF THEATER.
278
00:15:18,710 --> 00:15:20,920
IN ALL THE PREVIOUS KILLINGS,
HE MADE SURE THAT
279
00:15:20,961 --> 00:15:23,923
THE FIRST THING THAT ANYONE SEES
IS THE FACE ON THE WALL.
280
00:15:23,964 --> 00:15:27,134
YOU SEE THE FACE FIRST,
AND YOU KNOW--
281
00:15:27,176 --> 00:15:29,929
YOU KNOW WHAT'S HAPPENED,
AND YOU FEEL DREAD.
282
00:15:29,970 --> 00:15:32,265
THEN AND ONLY THEN DO YOU SEE
THE BODY OF THE VICTIM--
283
00:15:32,306 --> 00:15:34,350
ALWAYS IN THAT ORDER.
284
00:15:34,392 --> 00:15:35,894
HERE IT'S THE OPPOSITE.
285
00:15:35,935 --> 00:15:38,772
THE FIRST THING YOU SEE
IS THE BODY,
286
00:15:38,813 --> 00:15:42,108
AND YOU HAVE TO LOOK AROUND
TO SEE THE FACE ON THE WALL.
287
00:15:42,149 --> 00:15:44,444
DOESN'T PLAY NEARLY AS WELL,
DOES IT?
288
00:15:44,485 --> 00:15:48,114
(sighs) DEPENDS ON YOUR TASTE,
I SUPPOSE.
NO, COME ON.
289
00:15:48,155 --> 00:15:50,366
THE KILLER COULD HAVE PAINTED
ON THE CORRECT WALL HERE,
290
00:15:50,408 --> 00:15:52,911
BECAUSE HE DIDN'T KNOW BETTER
BUT HE DIDN'T
291
00:15:52,952 --> 00:15:54,954
BECAUSE HE ISN'T RED JOHN.
292
00:15:54,995 --> 00:15:58,249
WOW. IT'S INTERESTING.
293
00:15:58,291 --> 00:15:59,793
(sighs deeply)
294
00:15:59,834 --> 00:16:02,545
YOU KNOW WHAT YOUR PROBLEM IS,
MY FRIEND?
295
00:16:02,587 --> 00:16:07,383
YOU ENJOY YOUR WORK A LITTLE
TOO MUCH. YOU'RE A GHOUL.
296
00:16:07,425 --> 00:16:09,761
IF YOU DON'T GET HORNY
READING "FANGORIA,"
297
00:16:09,803 --> 00:16:11,763
I-I RESENT THAT.
I'M BRITNEY SPEARS.
298
00:16:11,805 --> 00:16:14,766
TO REDEEM YOURSELF, IS IT?
THIS IS YOU TRYING
299
00:16:14,808 --> 00:16:18,144
I'M SORRY. HE IRKS ME.
300
00:16:18,185 --> 00:16:20,814
HE'S IRKSOME.
301
00:16:20,855 --> 00:16:23,691
YOU DON'T NEED ME HERE.
302
00:16:36,036 --> 00:16:39,165
DOESN'T FIT THE PATTERN.
SO, YEAH, THIS ONE
303
00:16:39,206 --> 00:16:41,125
SO JANE WAS RIGHT.
WE HAVE A COPYCAT.
304
00:16:41,167 --> 00:16:43,169
OR WE HAVE RED JOHN
TRYING NEW THINGS,
305
00:16:43,210 --> 00:16:45,922
OR WE HAVE RED JOHN
MAKING A MISTAKE.
306
00:16:45,964 --> 00:16:49,133
THE EVIDENCE UNTIL WE DO KNOW.
WE DON'T KNOW. WE'LL WORK
307
00:16:49,175 --> 00:16:51,594
GO TALK TO THE HUSBAND.
WILL DO, BOSS.
308
00:16:56,641 --> 00:16:58,726
WHAT ARE YOU WAITIN' FOR?
309
00:17:15,618 --> 00:17:17,537
(dialing)
310
00:17:19,455 --> 00:17:21,958
HEY. SO YOU MIGHT BE RIGHT
ABOUT THIS CASE.
311
00:17:22,000 --> 00:17:23,376
MIGHT BE.
312
00:17:23,417 --> 00:17:25,962
THANKS FOR THE INSIGHT.
313
00:17:26,004 --> 00:17:28,047
NO. DID I SAY THAT?
314
00:17:28,088 --> 00:17:31,592
I'M ACKNOWLEDGING THE FACT THAT
YOU MIGHT BE RIGHT, THAT'S ALL.
315
00:17:31,634 --> 00:17:33,970
I MEAN, IF YOU WANTED
TO COME BACK,
316
00:17:34,012 --> 00:17:36,180
I COULDN'T STOP YOU.
317
00:17:36,222 --> 00:17:39,350
I'M ASKING YOU TO COME BACK.
YEAH, FINE.
318
00:17:41,435 --> 00:17:43,145
BECAUSE.
319
00:17:43,187 --> 00:17:46,858
BECAUSE YOU'RE USEFUL
TO THE TEAM.
320
00:17:46,900 --> 00:17:49,694
NO. NO, I WON'T SAY "PLEASE."
GO SCREW YOURSELF.
321
00:17:49,736 --> 00:17:50,862
(beep)
322
00:17:50,904 --> 00:17:52,488
(under breath) JACKASS.
323
00:18:01,748 --> 00:18:03,541
(Jane) GOOD MORNING.
324
00:18:03,583 --> 00:18:06,586
CAN I HELP YOU?
325
00:18:06,627 --> 00:18:08,504
YOU MUST BE VAN PELT.
326
00:18:08,546 --> 00:18:10,089
PLEASURE. PATRICK JANE.
327
00:18:10,130 --> 00:18:12,050
OH, HI. GOOD TO MEET YOU.
328
00:18:12,091 --> 00:18:16,178
NO. NOWHERE TO GO.
YOU HAD LEFT TOWN.
AGENT CHO SAID
329
00:18:16,220 --> 00:18:18,138
OKAY. UM...
330
00:18:18,180 --> 00:18:21,141
DO YOU WANT THAT DESK OVER THERE
OR THIS ONE?
331
00:18:21,183 --> 00:18:23,394
THAT ONE GETS MORE LIGHT.
I MEAN,
332
00:18:23,436 --> 00:18:27,440
MORE LIGHT BY ALL MEANS.
THAT ONE.
(chuckles)
333
00:18:27,481 --> 00:18:30,150
TO THE SERIOUS CRIMES FAMILY.
VERY PLEASANT ADDITION
334
00:18:30,192 --> 00:18:32,319
WHEN DID YOU GET HERE?
OH. HI.
335
00:18:32,361 --> 00:18:33,947
OH!
(Price growls)
336
00:18:33,988 --> 00:18:36,282
STOP. I GIVE UP. OOH!
STOP. PLEASE, STOP.
337
00:18:36,323 --> 00:18:38,952
(Alison) TURN OFF THE CAMERA.
(Price) HEY, TAG?
338
00:18:38,993 --> 00:18:42,455
OKAY, WE'RE DONE, WE'RE DONE.
COME ON, COME ON, COME ON,
THAT'S ENOUGH.
339
00:18:42,496 --> 00:18:44,791
YOU ARE JUST AWFUL!
340
00:18:44,832 --> 00:18:46,166
(laughs) OKAY. GO, GO, GO.
341
00:18:46,208 --> 00:18:48,753
(laughs) STOP, PLEASE.
STOP!
342
00:18:48,795 --> 00:18:50,129
(click)
343
00:18:53,340 --> 00:18:58,178
I LOST A BEAUTIFUL,
PRECIOUS ANGEL.
344
00:18:58,220 --> 00:18:59,346
YES, SIR.
345
00:18:59,388 --> 00:19:00,807
GOOD-LOOKING WOMAN.
346
00:19:03,017 --> 00:19:06,312
(clears throat)
IF YOU DON'T MIND, PRICE.
I'M JUMPING RIGHT IN
347
00:19:06,353 --> 00:19:09,148
YOU MISSED THE TOURNAMENT CUT
ON FRIDAY, YES?
348
00:19:09,189 --> 00:19:10,858
BUT YOU DIDN'T COME HOME
UNTIL SUNDAY.
(scoffs)
349
00:19:10,900 --> 00:19:13,653
WHAT DID YOU DO WITH THE REST
OF YOUR TIME IN FRESNO?
I GET THIS.
350
00:19:13,694 --> 00:19:15,362
YOU--YOU GUYS CAN'T CATCH
THE REAL KILLER,
351
00:19:15,404 --> 00:19:17,740
NO, SIR.
LAY THIS ONE ON ME?
SO YOU WANNA
352
00:19:17,782 --> 00:19:19,742
IF WE HAVE THAT CONFIRMATION
OF WHERE YOU WERE,
353
00:19:19,784 --> 00:19:21,995
IT LETS US EXCLUDE YOU
FROM THE INVESTIGATION.
354
00:19:31,462 --> 00:19:35,382
(chuckles) I WAS WITH
A MASSAGE THERAPIST.
355
00:19:35,424 --> 00:19:37,384
NAME?
356
00:19:37,426 --> 00:19:41,430
UH... IT HAD "LADY"
IN THERE SOMEWHERE.
357
00:19:41,472 --> 00:19:43,516
ON HIS CREDIT CARD BILL.
IT'LL BE
358
00:19:43,557 --> 00:19:45,518
THERE YOU GO.
359
00:19:45,559 --> 00:19:47,687
PLEASURE MEETING YOU BOYS.
360
00:19:50,148 --> 00:19:53,233
(Wagner) WE'RE A FULL-SERVICE
PRIVATE PRACTICE.
361
00:19:53,275 --> 00:19:55,862
WE DELIVER PRIMARY CARE,
362
00:19:55,903 --> 00:19:58,572
UH, COSMETIC SURGERY,
363
00:19:58,614 --> 00:20:00,700
PSYCHOTHERAPY, SPORTS MEDICINE--
YOU NAME IT.
364
00:20:00,741 --> 00:20:02,535
WHAT'S THE AFRICAN CONNECTION?
365
00:20:02,576 --> 00:20:04,871
THIS PLACE IS ALL ABOUT.
(computer beeping)
IT'S WHAT
366
00:20:04,912 --> 00:20:07,247
GO TO BUILD AND STAFF
HALF OUR PROFITS
367
00:20:07,289 --> 00:20:10,960
IN POOR AFRICAN COMMUNITIES.
BASIC HEALTH CLINICS
368
00:20:11,002 --> 00:20:12,378
AH, HERE WE ARE.
369
00:20:12,419 --> 00:20:14,714
(sighs)
370
00:20:14,755 --> 00:20:16,007
IT'S A THIN FILE.
371
00:20:16,049 --> 00:20:20,011
A HEALTHY YOUNG WOMAN.
ALISON WAS
372
00:20:20,053 --> 00:20:21,512
PSYCHIATRIC HISTORY?
373
00:20:21,554 --> 00:20:23,556
SHE DIDN'T HAVE ONE.
374
00:20:23,597 --> 00:20:24,765
S.T.D.s? ABORTIONS?
375
00:20:24,807 --> 00:20:26,893
UNEXPLAINED INJURIES?
376
00:20:26,934 --> 00:20:30,604
(types on keyboard)
ROUTINE CHECKUPS WITH ME,
NO. EXCEPT FOR SOME
377
00:20:30,646 --> 00:20:34,067
DID TANNEN KEEP A DIARY?
IT'S ALL DR. TANNEN--
ALL AESTHETIC WORK.
378
00:20:34,108 --> 00:20:37,904
BECAUSE THE VICTIM KEPT A DIARY.
OUR LAST CASE WAS SOLVED
379
00:20:37,945 --> 00:20:39,989
DIARY? I DON'T THINK SO.
380
00:20:40,031 --> 00:20:42,075
TO ALISON RANDOLPH...
GETTING BACK
381
00:20:42,116 --> 00:20:45,119
HOW WAS HER MARRIAGE,
DO YOU THINK?
382
00:20:45,161 --> 00:20:47,038
HAPPY? UNHAPPY?
383
00:20:47,080 --> 00:20:49,207
ABOUT SIX MONTHS AGO,
384
00:20:49,248 --> 00:20:51,792
DR. TANNEN ASKED MY ADVICE.
385
00:20:51,834 --> 00:20:54,628
ALISON HAD ASKED HIM
TO GET HER
386
00:20:54,670 --> 00:20:57,215
OF BIRTH CONTROL PILLS
A YEAR'S SUPPLY
387
00:20:57,256 --> 00:21:00,676
STRICTLY AGAINST A.M.A. CODE.
OFF THE BOOKS, WHICH IS
388
00:21:00,718 --> 00:21:03,137
I SAID SURE, DO IT.
389
00:21:03,179 --> 00:21:07,850
THAN SOME TIJUANA DRUGSTORE.
I MEAN, BETTER US
390
00:21:07,892 --> 00:21:10,061
WHY THE SECRECY?
391
00:21:10,103 --> 00:21:13,689
PRICE RANDOLPH HAD A VASECTOMY,
APRIL OF '02.
392
00:21:13,731 --> 00:21:15,066
(chuckles)
393
00:21:15,108 --> 00:21:17,693
IF THERE'S ANYTHING ELSE
I CAN DO...
394
00:21:17,735 --> 00:21:20,071
I APPRECIATE THAT.
395
00:21:20,113 --> 00:21:22,698
ACTUALLY, THERE IS. UH...
(lowered voice)
396
00:21:22,740 --> 00:21:25,076
I'M OUT OF SLEEPING PILLS.
397
00:21:25,118 --> 00:21:27,703
ANYTHING STRONG WILL DO.
CAN YOU FIX ME UP?
398
00:21:27,745 --> 00:21:30,706
FOR A CONSULTATION.
SURE. UH, COME IN
399
00:21:30,748 --> 00:21:34,252
OH, NO. I-I WAS HOPING
TO GET SOMETHING NOW.
WE'LL SQUEEZE YOU IN
THIS AFTERNOON.
400
00:21:34,293 --> 00:21:36,212
TRYING TO AVOID THE CHITCHAT.
(laughs)
401
00:21:36,254 --> 00:21:38,131
I'M SORRY.
402
00:21:38,172 --> 00:21:40,424
I WOULDN'T FEEL COMFORTABLE
PRESCRIBING
403
00:21:40,466 --> 00:21:42,676
WITHOUT SOME SORT
OF "CHITCHAT."
404
00:21:42,718 --> 00:21:45,888
UH, NO PROBLEM.
I UNDERSTAND.
405
00:21:45,930 --> 00:21:47,306
I'LL CALL YOU...
406
00:21:47,347 --> 00:21:49,349
MAYBE.
(elevator bell dings)
407
00:21:51,102 --> 00:21:53,104
(Cho) I LIKE THE HUSBAND
FOR IT.
408
00:21:53,146 --> 00:21:55,898
HE HIRES SOME HOOKER HE KNOWS
TO CREATE AN ALIBI,
409
00:21:55,940 --> 00:21:58,109
FLIES HOME, FILLETS THE SPOUSE,
FLIES BACK AGAIN.
410
00:21:58,151 --> 00:21:59,902
THE CLASSIC ELABORATE AND CLEVER
BUT ULTIMATELY STUPID PLAN.
411
00:21:59,944 --> 00:22:02,404
HIS PGA TOURNAMENT RECORD?
HAVE YOU LOOKED AT
412
00:22:02,446 --> 00:22:06,826
MM-HMM, FOR COMING IN
SECOND AND THIRD.
6 MIL CAREER EARNINGS.
IT'S NOT BAD.
413
00:22:06,867 --> 00:22:10,412
YOU PUT HIM ON THE 18th TEE
WITH A BIG ONE ON THE LINE,
414
00:22:10,454 --> 00:22:12,539
HE'LL SHANK IT. HE'S A CHOKER.
LIKE NIGHT FOLLOWS DAY,
415
00:22:12,581 --> 00:22:16,002
TO KILL HIS WIFE. DIDN'T DO IT.
HE DOESN'T HAVE THE NERVE
MM.
416
00:22:16,043 --> 00:22:19,005
WE DROP A PRIME SUSPECT
ARE YOU SUGGESTING
417
00:22:19,046 --> 00:22:22,091
BECAUSE HE'S NEVER WON A MAJOR?
OH, NO, NO, NO.
418
00:22:22,133 --> 00:22:24,551
IDLE CONVERSATION.
I'M JUST MAKING
419
00:22:24,593 --> 00:22:27,054
HOW'D YOU DO THAT?
420
00:22:27,096 --> 00:22:28,264
TELEKINESIS.
421
00:22:28,306 --> 00:22:30,016
(scoffs) HE BLEW ON IT.
422
00:22:32,518 --> 00:22:35,646
THAT IS ANOTHER WAY
TO DO IT.
423
00:22:35,688 --> 00:22:37,397
MR. JANE,
424
00:22:37,439 --> 00:22:40,526
I HAVE A QUESTION REGARDING
YOUR PREVIOUS CAREER PATH.
425
00:22:40,567 --> 00:22:41,735
FIRE AWAY.
426
00:22:41,777 --> 00:22:43,779
WITH OTHER PSYCHICS--
WHEN YOU MET
427
00:22:43,821 --> 00:22:45,156
REAL PSYCHICS--
428
00:22:45,198 --> 00:22:48,034
YOU WERE JUST PRETENDING?
COULD THEY TELL
429
00:22:48,075 --> 00:22:50,161
THERE'S NO SUCH THING
AS REAL PSYCHICS.
430
00:22:50,203 --> 00:22:53,039
MY COUSIN YOLANDA IS A PSYCHIC.
I BEG TO DIFFER.
431
00:22:53,080 --> 00:22:55,291
DELUDED OR DISHONEST,
YOUR COUSIN IS
432
00:22:55,333 --> 00:22:57,043
OR BOTH.
HEY. STEADY.
433
00:22:57,084 --> 00:22:59,628
NO, NO, HE'S ENTITLED
TO HIS OPINION.
434
00:22:59,670 --> 00:23:03,007
HE'S WRONG, THOUGH.
SHE HAS POWER.
THANK YOU.
435
00:23:03,049 --> 00:23:05,259
WITH THE OTHER SIDE.
SHE CAN COMMUNICATE
436
00:23:05,301 --> 00:23:08,554
WITH SOMEONE THAT'S GONE.
SHE LET YOU SPEAK
I'VE SEEN HER DO IT MYSELF.
437
00:23:08,595 --> 00:23:10,388
YES.
438
00:23:10,430 --> 00:23:14,018
AND STILL MISS VERY MUCH.
SOMEONE THAT YOU LOVE
YES.
439
00:23:14,060 --> 00:23:18,689
TO BE REAL, SO IT WAS.
YOU WANTED HER POWER
NO.
440
00:23:18,731 --> 00:23:21,483
SCIENCE DON'T KNOW EVERYTHING.
YOU'RE SO SURE YOU'RE RIGHT.
441
00:23:21,525 --> 00:23:23,819
500 YEARS AGO, RADIO WOULD'VE
SEEMED LIKE MAGIC.
442
00:23:23,861 --> 00:23:26,404
500 YEARS IN THE FUTURE,
EXACTLY.
443
00:23:26,446 --> 00:23:30,243
COMMUNICATE WITH THE OTHER SIDE.
THE "OTHER SIDE."
IT COULD BE TOTALLY NORMAL TO
444
00:23:30,284 --> 00:23:32,661
(Van Pelt) MM-HMM.
445
00:23:32,703 --> 00:23:35,039
A FOOTBALL COACH, YEAH?
YOUR FATHER'S
446
00:23:35,081 --> 00:23:37,541
HOW'D YOU KNOW THAT?
447
00:23:37,583 --> 00:23:39,585
FROM YOUR WHOLE DEMEANOR.
IT'S OBVIOUS
448
00:23:39,626 --> 00:23:43,756
MY POINT IS, DIDN'T DAD ALWAYS
SAY LIFE IS LIKE FOOTBALL?
449
00:23:43,797 --> 00:23:46,550
WHEN THAT FINAL WHISTLE BLOWS,
THE GAME IS OVER.
450
00:23:46,592 --> 00:23:49,095
DONE. THERE IS NO MORE.
451
00:23:49,136 --> 00:23:51,805
THERE IS NO "OTHER SIDE."
THIS IS IT--
452
00:23:51,847 --> 00:23:54,350
LOBSTER AND BREAD ROLLS
AND NAUTICAL KITSCH.
453
00:23:54,392 --> 00:23:56,685
whooshing sound) NOTHINGNESS.
AND THEN... (makes
454
00:23:56,727 --> 00:23:59,146
YOU POOR, SAD MAN.
455
00:23:59,188 --> 00:24:02,066
THE KINGDOM OF GOD
IS A REAL PLACE.
456
00:24:02,108 --> 00:24:03,692
OKAY, LATER TONIGHT,
457
00:24:03,734 --> 00:24:07,113
COME BACK TO HIS HOTEL ROOM...
WHEN RIGSBY ASKS YOU TO
458
00:24:07,154 --> 00:24:09,656
(choking and coughing)
459
00:24:11,575 --> 00:24:14,161
SAY YES.
(scoffs) EXCUSE ME?
460
00:24:14,203 --> 00:24:17,123
I KNOW. YOU WERE PLANNING ON
REFUSING HIM VERY CURTLY.
461
00:24:17,164 --> 00:24:19,125
FIRST WEEK ON THE JOB,
YOU WANNA SET A TONE.
462
00:24:19,166 --> 00:24:21,543
NO MONKEY BUSINESS.
BUT WHY NOT?
463
00:24:21,585 --> 00:24:24,338
RIGSBY IS AN EXCELLENT LOVER,
I'M SURE.
(sighs)
464
00:24:24,380 --> 00:24:27,383
TOUGH BUT FAIR. RIGHT?
465
00:24:27,425 --> 00:24:28,842
RIGHT.
466
00:24:34,140 --> 00:24:37,559
IS A REAL PLACE, MR. JANE,
THE KINGDOM OF GOD
467
00:24:37,601 --> 00:24:40,520
AN IMMORTAL SOUL.
AND YOU HAVE
468
00:24:40,562 --> 00:24:43,065
OH, I DO SO HOPE
YOU'RE WRONG.
469
00:24:46,819 --> 00:24:49,155
(elevator bell chimes)
470
00:24:49,196 --> 00:24:50,781
HEY--
GOOD NIGHT.
471
00:24:50,823 --> 00:24:52,825
LATER, DUDE.
GOOD NIGHT.
472
00:24:58,038 --> 00:24:59,623
(elevator bell dings)
473
00:24:59,665 --> 00:25:01,000
THIS IS... ME.
474
00:25:01,041 --> 00:25:03,252
(elevator bell chimes,
doors open)
475
00:25:05,212 --> 00:25:08,341
WELCOME TO THE UNIT,
AGENT VAN PELT.
476
00:25:08,382 --> 00:25:11,344
THANK YOU, AGENT RIGSBY.
477
00:25:11,385 --> 00:25:13,846
SHE EXPLODES INTO ACTION,
(man)
478
00:25:13,887 --> 00:25:17,683
TO 60 MILES PER HOUR.
REACHING UP
479
00:25:17,724 --> 00:25:21,728
HER TERRIFYING PREY.
SHE EASILY OUTRUNS
480
00:25:49,423 --> 00:25:53,093
(panting)
481
00:25:53,135 --> 00:25:54,761
OH!
482
00:25:54,803 --> 00:25:58,724
(alarm blaring)
483
00:26:14,281 --> 00:26:16,867
"GREETINGS, OLD FRIEND.
IT'S BEEN A WHILE.
484
00:26:16,909 --> 00:26:19,870
"I HOPE YOU ARE KEEPING WELL.
I AM THRIVING AND HAPPY.
485
00:26:19,912 --> 00:26:23,541
SOON BEGIN COURTING NUMBER 13.
"I HAVE 12 WIVES NOW AND WILL
486
00:26:23,581 --> 00:26:26,001
"WHY CAN'T YOU CATCH ME?
487
00:26:26,043 --> 00:26:28,879
"YOU MUST FEEL SO POWERLESS
AND STUPID AND SAD.
488
00:26:28,921 --> 00:26:30,881
"OH, WELL.
489
00:26:30,923 --> 00:26:34,051
ALL THE BEST. RED JOHN."
490
00:26:34,093 --> 00:26:37,346
THE REAL DEAL TO ME.
THAT SOUNDS LIKE
SOUNDS LIKE RED JOHN.
IT'S NOT.
491
00:26:37,388 --> 00:26:41,892
TRYING TO THROW US OFFTRACK?
RED JOHN WOULDN'T RISK CAPTURE
SO THE REAL KILLER'S
JUST TO TAUNT ME.
492
00:26:41,934 --> 00:26:43,310
CHO, FIND OUT
493
00:26:43,352 --> 00:26:45,563
WHERE PRICE RANDOLPH WAS
A HALF AN HOUR AGO.
494
00:26:45,603 --> 00:26:48,023
RIGSBY, I WANT YOU TO CHECK
THE HOTEL SECURITY CAMERAS.
495
00:26:48,065 --> 00:26:50,526
GET THOSE OVER TO FORENSICS.
496
00:26:55,239 --> 00:26:56,656
YOU OKAY?
497
00:26:56,698 --> 00:26:58,325
ABSOLUTELY.
498
00:26:58,367 --> 00:27:00,618
GET SOME SLEEP.
499
00:27:07,834 --> 00:27:09,128
(door closes)
500
00:27:29,064 --> 00:27:30,983
(telephone rings)
501
00:27:31,024 --> 00:27:33,319
(ring)
502
00:27:33,360 --> 00:27:35,195
(ring)
503
00:27:35,237 --> 00:27:37,864
(ring)
504
00:27:37,906 --> 00:27:39,199
(ring)
HELLO?
505
00:27:39,241 --> 00:27:40,534
GOOD MORNING.
506
00:27:40,576 --> 00:27:42,244
YOU DIDN'T SLEEP, DID YOU?
507
00:27:42,286 --> 00:27:47,124
(slurping)
508
00:27:47,166 --> 00:27:49,209
TO MAKE AN APPOINTMENT
HI. I-I'D LIKE
509
00:27:49,251 --> 00:27:50,961
WITH DR. WAGNER, PLEASE.
IT'S URGENT.
510
00:27:51,003 --> 00:27:52,921
JANE. PATRICK JANE.
511
00:27:52,963 --> 00:27:54,756
YEAH, I'LL HOLD.
512
00:27:54,798 --> 00:27:56,758
FORENSICS MAYBE GOT A BREAK.
513
00:27:56,800 --> 00:27:58,927
THE BLOOD ON THE CLOTH
IN THE ENVELOPE
514
00:27:58,969 --> 00:28:01,054
IS ALISON RANDOLPH'S.
515
00:28:01,096 --> 00:28:03,890
BUT THEY FOUND A HAIR IN THERE--
DOESN'T BELONG TO HER OR TANNEN.
516
00:28:03,932 --> 00:28:07,436
IT DOES BELONG TO.
GUESS WHO
517
00:28:07,478 --> 00:28:10,063
IT'S YOURS, TAG.
AMAZING, HUH?
518
00:28:14,026 --> 00:28:14,943
SCIENCE.
519
00:28:19,781 --> 00:28:21,325
THIS IS INSANE.
520
00:28:21,367 --> 00:28:22,826
I DIDN'T...
521
00:28:22,868 --> 00:28:24,495
I DIDN'T KILL ALISON.
522
00:28:24,537 --> 00:28:26,830
YOUR HAIR IN THE ENVELOPE?
HOW DO YOU EXPLAIN
523
00:28:26,872 --> 00:28:28,748
EITHER IT WAS A MISTAKE,
524
00:28:28,790 --> 00:28:31,126
OR--OR I'M BEING FRAMED.
525
00:28:31,168 --> 00:28:33,753
WHO WOULD WANT TO FRAME YOU?
WE DON'T WANT TO,
526
00:28:33,795 --> 00:28:36,882
(whispers) HE AND ALISON
WERE LOVERS.
YOU'RE THINKING.
IF THAT'S WHAT
527
00:28:36,923 --> 00:28:39,510
WHO WOULD WANT TO FRAME YOU,
TAG?
528
00:28:39,552 --> 00:28:41,178
MY BROTHER.
529
00:28:41,220 --> 00:28:44,598
WHY WOULD HE WANT
TO DO THAT?
530
00:28:44,640 --> 00:28:46,766
ALISON AND I WERE LOVERS.
531
00:28:48,768 --> 00:28:51,730
YOU'RE JUST AFRAID TO ADMIT IT.
I THINK YOU ARE PSYCHIC.
532
00:28:51,771 --> 00:28:53,273
MM-HMM.
533
00:28:53,315 --> 00:28:54,983
SO...
534
00:28:55,025 --> 00:28:56,694
(sighs)
535
00:28:56,735 --> 00:28:59,946
(clears throat)
536
00:28:59,988 --> 00:29:01,865
SO...
(chuckles)
537
00:29:03,909 --> 00:29:05,869
YOU CAN'T SLEEP?
WHY IS IT
538
00:29:05,911 --> 00:29:07,246
GET THE GOOD PILLS
BECAUSE I CAN'T
539
00:29:07,287 --> 00:29:10,874
WITHOUT TALKING TO A DOCTOR.
HMM.
540
00:29:10,916 --> 00:29:12,710
TALKING TO DOCTORS.
AND YOU DON'T LIKE
541
00:29:12,751 --> 00:29:14,044
THEY ALWAYS WANNA BE
MEH, YOU KNOW,
542
00:29:14,086 --> 00:29:16,004
THE SMARTEST PERSON IN THE ROOM,
DON'T THEY?
543
00:29:16,046 --> 00:29:18,549
WHEN IN FACT THAT'S ME,
OBVIOUSLY.
544
00:29:22,595 --> 00:29:26,473
YOU PROTECT YOUR CORE SELF
VERY FIERCELY.
545
00:29:26,515 --> 00:29:29,560
(sighs) WHAT DO YOU THINK
IS THE REASON FOR THAT?
546
00:29:29,602 --> 00:29:32,145
(chuckles)
547
00:29:32,187 --> 00:29:35,232
HOW I IMAGINED IT WOULD BE.
YOU KNOW, THIS IS EXACTLY
548
00:29:35,274 --> 00:29:38,068
YOU GONNA ASK ME
ABOUT MY MOTHER?
549
00:29:38,110 --> 00:29:42,114
I JUST WANNA SLEEP.
TO ASK YOU ABOUT YOUR MOTHER?
DO YOU WANT ME
550
00:29:43,823 --> 00:29:45,992
THAT KEEPS YOU AWAKE?
SO WHAT IS IT
551
00:29:46,034 --> 00:29:49,788
(man) WHAT'S HIS NAME?
RED JOHN?
552
00:29:49,829 --> 00:29:51,790
THAT'S RIGHT. RED JOHN.
553
00:29:51,831 --> 00:29:55,210
UH, HE'S--HE'S KILLED AT LEAST
EIGHT WOMEN THAT WE KNOW OF.
554
00:29:55,252 --> 00:29:58,213
UH, THE POLICE ASKED ME TO TRY
AND GET A PSYCHIC FIX ON HIM,
555
00:29:58,255 --> 00:30:01,216
A SENSE OF WHO THIS MAN IS.
TO SEE IF I COULD GET
556
00:30:01,258 --> 00:30:04,219
UH, HOW DO YOU DO THAT EXACTLY,
GET A PSYCHIC FIX ON SOMEONE?
557
00:30:04,261 --> 00:30:05,845
WELL, DAVIS,
558
00:30:05,887 --> 00:30:07,847
TRUE DEMONIC EVIL
BURNS LIKE FIRE.
559
00:30:07,889 --> 00:30:11,935
A TERRIBLE COLD, DARK FLAME.
IT--IT BURNS WITH
560
00:30:11,977 --> 00:30:15,188
TO LOOK INTO THAT FLAME,
I FORCE MYSELF
561
00:30:15,230 --> 00:30:17,816
AND I SEE AN IMAGE
OF THE EVILDOER--
562
00:30:17,857 --> 00:30:20,026
IN THIS CASE, RED JOHN.
563
00:30:20,068 --> 00:30:23,363
TORMENTED LITTLE MAN.
HE'S AN UGLY,
564
00:30:23,405 --> 00:30:25,031
A LONELY SOUL.
565
00:30:25,073 --> 00:30:28,410
SAD, VERY SAD.
566
00:30:49,014 --> 00:30:51,975
"DEAR MR. JANE, I DO NOT LIKE
TO BE SLANDERED IN THE MEDIA,
567
00:30:52,017 --> 00:30:54,603
A DIRTY MONEY-GRUBBING FRAUD.
"ESPECIALLY BY
568
00:30:54,645 --> 00:30:56,605
"IF YOU ARE A REAL PSYCHIC
569
00:30:56,647 --> 00:30:58,607
A DISHONEST LITTLE WORM,
"INSTEAD OF
570
00:30:58,649 --> 00:31:00,984
"YOU WOULDN'T NEED TO OPEN
THE DOOR TO SEE
571
00:31:01,026 --> 00:31:03,696
YOUR LOVELY WIFE AND CHILD."
WHAT I'VE DONE TO
572
00:31:08,408 --> 00:31:10,703
(door creaks)
573
00:31:12,120 --> 00:31:13,913
(Wagner) MR. JANE?
574
00:31:13,955 --> 00:31:17,584
MR. JANE?
575
00:31:17,626 --> 00:31:21,087
THAT KEEPS YOU AWAKE?
WHAT IS IT
576
00:31:21,129 --> 00:31:24,591
(sighs deeply) UM...
577
00:31:28,846 --> 00:31:32,307
YOU KNOW, WHEN I WAS A BOY,
WE HAD A FARM.
578
00:31:32,349 --> 00:31:34,267
IT'S A LOT OF WORK.
579
00:31:36,144 --> 00:31:38,689
I WAS KIND OF A LAZY KID.
580
00:31:38,731 --> 00:31:40,733
YES?
581
00:31:43,360 --> 00:31:46,321
TO GET MY LITTLE BROTHER JIMMY
I'D ALWAYS BE TRYING
582
00:31:46,363 --> 00:31:48,365
TO DO MY CHORES FOR ME.
583
00:31:50,409 --> 00:31:54,788
ONE DAY, I PROMISED HIM A DOLLAR
IF HE'D CUT THE FIREWOOD.
584
00:31:54,830 --> 00:31:56,164
HMM.
585
00:31:56,206 --> 00:31:57,666
WELL...
586
00:31:57,708 --> 00:32:00,960
HE OPENED UP AN ARTERY
IN HIS LEG ON THE SAW,
587
00:32:01,002 --> 00:32:05,006
AND HE BLED TO DEATH...
(sighs)
588
00:32:05,048 --> 00:32:07,885
DIED...
589
00:32:07,926 --> 00:32:09,845
DOING MY CHORES FOR ME.
590
00:32:16,226 --> 00:32:18,353
YOU KNOW...
591
00:32:18,395 --> 00:32:20,856
EXACTLY THE SAME THING
THAT'S ALMOST
592
00:32:20,898 --> 00:32:23,609
THAT HAPPENED TO JOHNNY CASH.
593
00:32:23,650 --> 00:32:26,319
IS IT REALLY?
594
00:32:26,361 --> 00:32:27,738
WOW.
595
00:32:29,448 --> 00:32:30,949
THAT'S SPOOKY.
596
00:32:33,660 --> 00:32:35,704
(siren wailing in distance)
597
00:32:35,746 --> 00:32:38,540
MR. RANDOLPH, GOOD--
MY BROTHER'S DONE NOTHING.
CUT THE CRAP.
598
00:32:38,582 --> 00:32:41,084
AND YOU SCUMBAGS HAVEN'T GOT
THE STONES TO COME AFTER ME,
599
00:32:41,126 --> 00:32:43,462
SO YOU COME AFTER MY FAMILY.
THAT IS FLAT-OUT PERSECUTION.
PRICE, WHAT DID WE AGREE?
600
00:32:43,503 --> 00:32:44,713
MR. RANDOLPH, REST ASSURED,
601
00:32:44,755 --> 00:32:47,090
THERE'S NO INTENT
TO PERSECUTE YOU.
602
00:32:47,132 --> 00:32:49,092
HOLDING YOUR BROTHER
WE SCUMBAGS ARE
603
00:32:49,134 --> 00:32:51,094
PHYSICAL EVIDENCE
BECAUSE WE HAVE
604
00:32:51,136 --> 00:32:53,263
LINKING HIM TO THE CRIME
AND POTENTIAL MOTIVE
605
00:32:53,305 --> 00:32:55,641
WHENEVER YOU WEREN'T AROUND,
IN THAT HE STATES THAT
606
00:32:55,682 --> 00:33:00,019
HE WAS BANGING YOUR WIFE
LIKE A BIG BASS DRUM.
(laughs) TAG AND ALISON?
607
00:33:00,061 --> 00:33:01,855
THAT'S WHAT HE STATES,
608
00:33:01,897 --> 00:33:04,566
IT WAS YOU THAT KILLED ALISON,
AND HE FURTHER STATES THAT
609
00:33:04,608 --> 00:33:08,361
TO FRAME HIM IN REVENGE.
AND YOU'RE NOW TRYING
WHAT'D YOU SAY? WH--BASTARD!
610
00:33:08,403 --> 00:33:09,780
YOU--OW!
(Van Pelt) HEY.
611
00:33:09,822 --> 00:33:12,491
AAH! SON OF A BITCH!
612
00:33:12,532 --> 00:33:14,326
TRASH! WHAT DID YOU EXPECT?!
(Tag) YOU TREATED HER LIKE
SIR.
613
00:33:14,367 --> 00:33:16,286
BROTHER TO BE BANGING MY WIFE!
I DIDN'T EXPECT MY LITTLE
614
00:33:16,328 --> 00:33:17,830
YOU LITTLE PUNK BASTARD!
(Van Pelt) HEY!
615
00:33:27,213 --> 00:33:31,635
IS TOTAL FICTION, ISN'T IT?
EVERYTHING YOU'VE TOLD ME
616
00:33:31,677 --> 00:33:33,052
YES.
617
00:33:33,094 --> 00:33:35,263
WHY?
618
00:33:35,305 --> 00:33:37,641
YOU'RE IN REAL PAIN.
I CAN TELL
619
00:33:37,683 --> 00:33:40,143
WHY NOT TELL THE TRUTH?
620
00:33:40,185 --> 00:33:42,270
THE TRUTH IS MINE.
621
00:33:46,191 --> 00:33:48,276
I HEAR YA.
THANK YOU.
622
00:33:50,069 --> 00:33:52,990
(elevator bell chimes,
doors open)
623
00:33:55,617 --> 00:33:58,829
OH. YES.
624
00:33:58,871 --> 00:34:01,874
REMEMBER, UH, WE WERE TALKING
ABOUT TANNEN THE OTHER DAY,
625
00:34:01,915 --> 00:34:04,877
A DIARY, AND YOU SAID HE DID?
AND I ASKED YOU IF HE KEPT
626
00:34:04,918 --> 00:34:06,879
WELL, THERE'S NO DIARY
AMONG HIS EFFECTS.
NO.
627
00:34:06,920 --> 00:34:09,882
I'M SORRY, NO?
NO. YOU HAVE IT WRONG.
628
00:34:09,923 --> 00:34:12,009
I-I DIDN'T THINK
HE KEPT A DIARY.
629
00:34:12,050 --> 00:34:16,054
STRANGE. THEN IT MUST HAVE BEEN
SOMEONE ELSE WHO TOLD ME.
630
00:34:16,095 --> 00:34:18,891
EITHER THAT OR I'M GOING MAD.
(chuckles)
631
00:34:20,726 --> 00:34:22,811
100% REMEMBER HEARING
BUT I DEFINITELY,
632
00:34:22,853 --> 00:34:24,813
THAT TANNEN KEPT A DIARY.
633
00:34:24,855 --> 00:34:26,439
WELL, THAT IS STRANGE,
634
00:34:26,481 --> 00:34:28,775
BUT WHY DOES IT MATTER
IF HE KEPT A DIARY?
635
00:34:28,817 --> 00:34:30,652
IT DOESN'T MATTER.
YOU'RE RIGHT.
636
00:34:30,694 --> 00:34:32,404
ONLY I WAS THINKING,
637
00:34:32,445 --> 00:34:36,241
BEAUTIFUL GIRL ASSISTANTS?
WHY DO MAGICIANS HAVE
WHY?
638
00:34:36,282 --> 00:34:38,952
BECAUSE THEY'RE RELIABLE
DISTRACTERS OF ATTENTION.
639
00:34:38,994 --> 00:34:41,955
A BEAUTIFUL GIRL FOR A LONG TIME
PEOPLE WILL LOOK AT
640
00:34:41,997 --> 00:34:44,583
WHERE THEY SHOULD BE LOOKING
BEFORE THEY LOOK
641
00:34:44,624 --> 00:34:46,919
HOW THE TRICK REALLY WORKS.
IF THEY WANNA SEE
642
00:34:46,960 --> 00:34:48,921
(both chuckle)
643
00:34:48,962 --> 00:34:51,548
ANYHOW, I'LL SEND OVER A COUPLE
OF FORENSICS GUYS TOMORROW
644
00:34:51,590 --> 00:34:53,550
AND LOCATE THAT DIARY.
TO SEARCH HIS OFFICE
645
00:34:53,592 --> 00:34:55,594
MM, DIDN'T THEY ALREADY
SEARCH HIS OFFICE?
646
00:34:55,635 --> 00:34:57,930
THOROUGHLY THE FIRST TIME.
OH, THEY NEVER DO IT
647
00:34:57,971 --> 00:35:00,306
(door beeping)
ONCE MORE FOR LUCK, EH?
648
00:35:00,348 --> 00:35:04,436
IT'S GOTTA BE THERE SOMEWHERE.
THANKS FOR EVERYTHING, DOC.
(door unlocks)
649
00:35:04,477 --> 00:35:06,396
(chuckles) GOOD NIGHT.
GOOD NIGHT.
650
00:35:42,599 --> 00:35:44,893
LOST SOMETHING?
651
00:35:46,311 --> 00:35:48,563
HOW DID YOU GET IN?
DOOR WAS OPEN.
652
00:35:48,605 --> 00:35:50,732
I THINK I LEFT MY PHONE
IN YOUR OFFICE.
653
00:35:50,774 --> 00:35:54,486
THE DOOR WASN'T OPEN.
MUST HAVE BEEN. HERE I AM.
654
00:35:59,783 --> 00:36:02,619
WHAT ARE YOU DOING?
655
00:36:02,661 --> 00:36:04,370
(sighs)
656
00:36:04,412 --> 00:36:06,372
I CONFESS,
657
00:36:06,414 --> 00:36:08,374
TO PLAY DETECTIVE
THE TEMPTATION
658
00:36:08,416 --> 00:36:10,627
WAS A LITTLE TOO STRONG.
I...
659
00:36:10,669 --> 00:36:13,630
FOR THAT DIARY.
I WAS LOOKING
660
00:36:15,340 --> 00:36:17,300
I GOT A LITTLE
CARRIED AWAY.
661
00:36:17,342 --> 00:36:19,385
NO KIDDING.
662
00:36:19,427 --> 00:36:21,513
NO DIARY?
663
00:36:21,554 --> 00:36:22,889
NO DIARY.
664
00:36:24,766 --> 00:36:27,978
MAYBE I SHOULD HAVE A GANDER.
I'M GOOD AT FINDING THINGS.
665
00:36:28,020 --> 00:36:30,605
BE MY GUEST.
666
00:36:30,647 --> 00:36:32,649
(exhales deeply)
667
00:36:38,947 --> 00:36:42,701
HMM.
668
00:36:48,247 --> 00:36:50,583
HMM.
669
00:36:50,625 --> 00:36:52,544
HMM.
670
00:36:56,214 --> 00:36:58,884
HMM.
671
00:37:09,686 --> 00:37:12,522
(grunts)
672
00:37:15,525 --> 00:37:16,735
(grunts)
673
00:37:19,612 --> 00:37:20,655
(sighs)
674
00:37:32,792 --> 00:37:35,128
EUREKA.
675
00:37:39,716 --> 00:37:42,719
THANKS FOR YOUR HELP.
DR. WAGNER,
676
00:37:52,187 --> 00:37:54,106
MR. JANE.
677
00:37:54,147 --> 00:37:56,524
UH, YOUR PHONE.
678
00:37:56,566 --> 00:37:59,069
RIGHT. (chuckles)
679
00:38:00,570 --> 00:38:02,321
THANKS.
680
00:38:08,995 --> 00:38:11,497
UH, YEAH. GOT IT.
681
00:38:11,539 --> 00:38:14,209
WELL, GOOD-BYE AGAIN.
SILLY OF ME.
682
00:38:14,251 --> 00:38:15,668
WAIT.
(cocks gun)
683
00:38:18,964 --> 00:38:21,216
GIVE ME THE DIARY.
684
00:38:43,488 --> 00:38:45,657
IT'S VERY AMUSING.
I TRY.
685
00:38:48,618 --> 00:38:49,828
(inhales sharply)
686
00:38:49,869 --> 00:38:51,871
(sighs) I KNEW.
687
00:38:51,913 --> 00:38:55,083
I KNEW IT MIGHT BE A TRICK,
BUT I...
688
00:38:55,125 --> 00:38:57,752
(sighs) I HAD TO BE SURE.
689
00:38:57,794 --> 00:39:00,797
THAT'S HOW THE TRICK WORKS.
YES.
690
00:39:00,839 --> 00:39:03,382
WHAT LED YOU TO ME?
691
00:39:03,424 --> 00:39:06,845
NOT THAT I'M SAYING I DID IT.
I'M JUST ASKING.
692
00:39:06,886 --> 00:39:10,598
WHEN WE FIRST MET, YOU SAID YOU
DIDN'T KNOW WHO RED JOHN WAS,
693
00:39:10,640 --> 00:39:14,393
ON CRIMINAL PSYCHIATRY--THERE--
BUT YOU HAVE BOOKS
694
00:39:14,435 --> 00:39:16,729
THAT HAVE CHAPTERS ON HIM.
695
00:39:16,771 --> 00:39:18,731
YOU'RE THE RANDOLPH FAMILY
DOCTOR,
696
00:39:18,773 --> 00:39:22,652
GET A STRAND OF TAG'S HAIR,
SO YOU COULD EASILY
697
00:39:22,694 --> 00:39:24,445
AND, BEING A DOCTOR,
698
00:39:24,487 --> 00:39:29,242
YOU COULD HACK UP ANOTHER HUMAN
WITHOUT DIFFICULTY.
699
00:39:29,284 --> 00:39:31,577
IT'S OBVIOUS IT WAS YOU.
700
00:39:31,619 --> 00:39:35,290
(scoffs) THAT'S IT?
701
00:39:35,332 --> 00:39:37,500
YOU HAVE NOTHING.
702
00:39:37,542 --> 00:39:39,085
THAT'S JUST GUESSWORK.
703
00:39:39,127 --> 00:39:40,670
OH, I KNOW.
704
00:39:40,712 --> 00:39:45,342
I JUST WANTED TO BE SURE
I HAD THE RIGHT ANSWER.
705
00:39:45,383 --> 00:39:47,802
I GOTTA BE HONEST.
I WAS SURPRISED.
706
00:39:47,844 --> 00:39:51,597
YOU DON'T SEEM TO BE
A WICKED MAN.
707
00:39:51,639 --> 00:39:53,432
BUT YOU ARE.
708
00:39:53,474 --> 00:39:56,311
(chuckles)
709
00:39:56,353 --> 00:40:00,106
ABOUT THE LETTER.
YOU'RE ANGRY
710
00:40:00,148 --> 00:40:04,610
A BIT MEAN-SPIRITED.
YEAH, IT WAS
711
00:40:04,652 --> 00:40:07,239
I'M SORRY ABOUT YOUR FAMILY.
FOR THE RECORD,
712
00:40:07,280 --> 00:40:09,824
I CAN ONLY IMAGINE
YOUR PAIN.
713
00:40:09,866 --> 00:40:13,786
I'M NOT... A WICKED MAN.
714
00:40:13,828 --> 00:40:15,747
MY CONSCIENCE IS CLEAR.
715
00:40:15,788 --> 00:40:16,789
REALLY?
716
00:40:16,831 --> 00:40:18,624
RIGHT NOW IN AFRICA,
717
00:40:18,666 --> 00:40:22,503
THERE'S 3,000 BEAUTIFUL CHILDREN
ALIVE TODAY WHO SHOULD BE DEAD,
718
00:40:22,545 --> 00:40:26,591
BUT THEY AREN'T
BECAUSE OF ME.
719
00:40:26,632 --> 00:40:29,177
TANNEN WAS GONNA RUIN ME
720
00:40:29,219 --> 00:40:31,930
AND DESTROY ALL THAT WORK...
721
00:40:34,682 --> 00:40:35,725
OVER NOTHING.
722
00:40:35,767 --> 00:40:37,143
MONEY.
723
00:40:37,185 --> 00:40:40,730
"THEFT," HE CALLED IT.
724
00:40:40,772 --> 00:40:42,357
"EMBEZZLEMENT."
725
00:40:42,399 --> 00:40:45,860
SELF-RIGHTEOUS IDIOT.
726
00:40:45,902 --> 00:40:47,695
IT'S SIMPLE MATH.
727
00:40:47,737 --> 00:40:49,530
IF I GO TO JAIL,
728
00:40:49,572 --> 00:40:52,325
THOUSANDS OF KIDS WILL DIE.
729
00:40:52,367 --> 00:40:54,744
A RATIONAL, MORAL DECISION
SO I MADE
730
00:40:54,786 --> 00:40:57,663
TO KILL TANNEN...
(electricity crackles)
731
00:40:57,705 --> 00:40:59,332
FOR THE GREATER GOOD.
732
00:40:59,374 --> 00:41:02,294
WHAT DID SHE DO WRONG?
AND ALISON?
733
00:41:02,335 --> 00:41:03,378
MM.
734
00:41:03,420 --> 00:41:04,921
(electricity crackles)
735
00:41:04,963 --> 00:41:07,173
THE MAGICIAN'S ASSISTANT,
AS YOU SAID, SHE WAS
736
00:41:07,215 --> 00:41:09,759
JUST A DISTRACTION.
OH.
737
00:41:09,801 --> 00:41:11,636
IF ONLY TANNEN DIED,
738
00:41:11,677 --> 00:41:13,679
THE POLICE WOULD'VE BEEN
ALL OVER THIS PLACE,
739
00:41:13,721 --> 00:41:15,640
WOULDN'T THEY?
740
00:41:15,681 --> 00:41:19,060
ANY WORSE THAN KILLING ONE,
TRULY, IS KILLING TWO
741
00:41:19,102 --> 00:41:22,230
WHEN SO MANY LIVES ARE AT STAKE?
I DON'T THINK SO.
742
00:41:22,272 --> 00:41:24,399
YOU POOR, SAD MAN.
743
00:41:24,441 --> 00:41:26,359
YOU'RE UNDER ARREST.
LET'S GO.
744
00:41:26,401 --> 00:41:28,861
I'M POINTING A GUN AT YOU.
745
00:41:28,903 --> 00:41:31,948
I WOULD SET YOU UP SO NICELY
YOU REALLY THINK
746
00:41:31,990 --> 00:41:34,742
A LOADED GUN ON ME?
AND LET YOU PULL
747
00:41:34,784 --> 00:41:36,995
(metal clinks)
I TOOK THE BULLETS OUT
EARLIER.
748
00:41:48,631 --> 00:41:50,008
YOU'RE LATE!
749
00:41:50,049 --> 00:41:51,217
WHAT?
750
00:41:51,259 --> 00:41:52,802
DRAW YOUR WEAPON!
HUH?
751
00:41:52,844 --> 00:41:54,595
DROP THE GUN!
752
00:41:54,637 --> 00:41:57,140
HANDS ON YOUR HEAD.
753
00:41:57,182 --> 00:42:00,477
GET DOWN ON YOUR KNEES.
DOWN.
754
00:42:02,395 --> 00:42:04,314
(gun slides across floor)
755
00:42:06,774 --> 00:42:08,693
(laughs)
(handcuffs click)
756
00:42:08,734 --> 00:42:11,654
(indistinct police chatter
over radio)
757
00:42:13,572 --> 00:42:15,574
(telephone rings in distance)
758
00:42:15,616 --> 00:42:17,535
CLOSED CASE DOUGHNUTS
ARE HERE.
759
00:42:27,670 --> 00:42:30,589
SLEEPING PILLS, I SWEAR TO GOD.
I JUST WENT TO GET
760
00:42:30,631 --> 00:42:33,218
YOU KNOW I DIDN'T WANT TO GO.
I-I DIDN'T EVEN WANNA GO.
761
00:42:33,259 --> 00:42:34,969
RIGHT.
762
00:42:35,011 --> 00:42:37,389
SET WAGNER UP... (sighs)
YEAH, YOU DIDN'T
763
00:42:37,430 --> 00:42:40,350
DIDN'T FIGURE IT WAS HIM
DAYS AGO.
764
00:42:40,392 --> 00:42:42,935
TEAR APART THE VICTIM'S FAMILY
YOU DIDN'T LET US
765
00:42:42,977 --> 00:42:46,523
YOUR CHILDISH NEED FOR DRAMA.
SIMPLY TO SATISFY
WAS SCREWED ANYWAY.
MEH, THAT FAMILY
766
00:42:46,564 --> 00:42:48,649
DON'T BLAME YOURSELVES,
GUYS.
767
00:42:58,493 --> 00:43:01,413
(siren wailing in distance)
768
00:43:07,460 --> 00:43:10,588
DON'T EVEN START.
I'M STILL ANGRY.
769
00:43:10,629 --> 00:43:13,049
I'M SORRY.
NO, YOU'RE NOT.
770
00:43:19,222 --> 00:43:21,682
A FROG?
771
00:43:21,724 --> 00:43:24,685
WELL, THIS MAKES EVERYTHING
BETTER, DOESN'T IT?
772
00:43:25,937 --> 00:43:28,565
(gasps)
773
00:43:43,329 --> 00:43:44,622
(keys drop on table)
774
00:44:05,643 --> 00:44:07,562
(grunts)
775
00:44:15,736 --> 00:44:17,696
(sighs)