1
00:00:14,014 --> 00:00:16,892
(indistinct conversations)

2
00:00:22,982 --> 00:00:24,984
WOW, SCARLETT JUST THROWS
THE BEST PARTIES.

3
00:00:25,024 --> 00:00:28,403
I'M GONNA GO FIND ASRA.
WHO I CAN FIND.
THEN I'LL SEE

4
00:00:28,445 --> 00:00:30,990
THERE'S VICTOR.

5
00:00:32,908 --> 00:00:36,203
(indistinct conversations)

6
00:00:36,244 --> 00:00:38,998
♪♪

7
00:00:39,039 --> 00:00:41,959
(coughing)

8
00:00:49,591 --> 00:00:51,010
AAH!

9
00:00:51,050 --> 00:00:52,887
(woman screams)
SCARLETT!

10
00:00:52,928 --> 00:00:54,221
(crowd gasps)

11
00:00:54,262 --> 00:00:57,098
SCARLETT!
(crowd shouting indistinctly)

12
00:00:57,140 --> 00:00:59,184
CALL AN AMBULANCE!

13
00:00:59,226 --> 00:01:01,603
MOM.

14
00:01:01,645 --> 00:01:04,773
NO, OSCAR, STAY UP THERE!

15
00:01:06,942 --> 00:01:09,028
LOOK AT IT, GEORGE.

16
00:01:09,069 --> 00:01:11,947
BEAUTIFUL, ISN'T IT?

17
00:01:11,989 --> 00:01:13,741
LOOK AT THAT.

18
00:01:16,035 --> 00:01:19,079
DON'T YOU FEEL HAPPY
AND RELAXED?

19
00:01:19,120 --> 00:01:21,081
YES.

20
00:01:21,122 --> 00:01:24,125
TELL ME HOW YOU FEEL.
SAY IT.

21
00:01:24,167 --> 00:01:26,503
HAPPY AND RELAXED.

22
00:01:26,545 --> 00:01:28,839
THAT'S GOOD.

23
00:01:28,881 --> 00:01:33,092
That's very good.

24
00:01:33,134 --> 00:01:36,597
WHAT'S YOUR DATE OF BIRTH?
SO TELL ME, GEORGE,

25
00:01:36,638 --> 00:01:40,017
ON THE 1st OF MARCH...
I WAS BORN

26
00:01:40,059 --> 00:01:41,476
1980.

27
00:01:41,518 --> 00:01:44,063
YOUR MOTHER'S NAME?
AND WHAT'S

28
00:01:44,103 --> 00:01:45,397
MELODY.

29
00:01:45,439 --> 00:01:47,733
THAT'S A VERY NICE NAME.
THAT'S--

30
00:01:47,775 --> 00:01:50,277
SHE WAS A GOOD WOMAN.

31
00:01:50,318 --> 00:01:53,196
SHE LIKED YOU TO TELL THE TRUTH,
DIDN'T SHE, GEORGE?

32
00:01:53,238 --> 00:01:55,156
YES.

33
00:01:55,198 --> 00:01:57,993
SO TELL ME, HOW DID YOU
MURDER DONOVAN HOBAR--
(footsteps approach)

34
00:01:58,035 --> 00:01:59,620
I'M SORRY TO INTERRUPT,
JANE,

35
00:01:59,661 --> 00:02:02,039
BUT WE JUST CAUGHT
A RED BALL.

36
00:02:02,081 --> 00:02:04,833
YOU GONNA BE MUCH LONGER
WITH THIS ONE?
UH...

37
00:02:04,875 --> 00:02:07,586
HE'S IN A TRANCE, ISN'T HE?
DAMN IT, JANE.

38
00:02:07,628 --> 00:02:10,005
WHA--I-I'D DESCRIBE IT

39
00:02:10,047 --> 00:02:13,801
MORE AS A-A DEEP RELAXATION.
YOU HYPNOTIZED HIM.
HYPNOTIZED.

40
00:02:13,842 --> 00:02:18,013
FOR THE ORGANIZED CRIME UNIT.
WELL, I WAS DOING A FAVOR
THOSE COWBOYS?

41
00:02:18,055 --> 00:02:21,182
TO GET THE TRUTH OUT OF HIM.
YOU KNOW, I WAS JUST ABOUT
<i>TIME TO GO, GUYS. </i>

42
00:02:21,224 --> 00:02:24,561
UH, HE KILLED TWO PEOPLE. IF YOU
WALK VERY QUIETLY TO THE DOOR,

43
00:02:24,603 --> 00:02:27,355
I STILL MIGHT--
TOLD YOU--NO HYPNOTISM?
HOW MANY TIMES HAVE I

44
00:02:27,397 --> 00:02:30,109
AND IT'S UNETHICAL,
IT'S ILLEGAL,

45
00:02:30,150 --> 00:02:34,195
JUST CALM YOURSELF, WOMAN.
IT'S NO BIG THING.
AND YOU CANNOT KEEP ON
DOING IT.

46
00:02:34,237 --> 00:02:37,198
OH, REALLY? THIS MAN'S LAWYER
IS RIGHT THIS MINUTE

47
00:02:37,240 --> 00:02:39,576
COMING DOWN THE HALLWAY,
WEARING A MEAN FACE.

48
00:02:39,618 --> 00:02:42,579
SOMETHING TELLS ME HE'LL ARGUE
THAT POINT WITH YOU. LET'S GO.

49
00:02:42,621 --> 00:02:45,582
WELL, LET ME GET HIM OUT
OF HIS TRANCE FIRST, HUH?
WELL, BE QUICK ABOUT IT.

50
00:02:45,624 --> 00:02:46,667
YES, MA'AM.

51
00:02:48,335 --> 00:02:50,129
(speaks indistinctly)

52
00:02:50,169 --> 00:02:52,714
TO MY CLIENT ALONE.
I'D LIKE TO SPEAK
OF COURSE.

53
00:02:52,756 --> 00:02:55,717
<i>NOW. </i>
GEORGE, NICE TO TALK TO YOU.

54
00:02:55,759 --> 00:02:58,261
YOUR FUTURE ENDEAVORS.
GOOD LUCK WITH ALL

55
00:03:01,389 --> 00:03:02,683
THAT'S MINE.

56
00:03:04,768 --> 00:03:06,561
SO, GEORGE...

57
00:03:06,603 --> 00:03:08,772
GEORGE?

58
00:03:08,814 --> 00:03:10,649
ARE YOU ALL RIGHT?

59
00:03:10,691 --> 00:03:12,734
IT IS A LITTLE.
IT'S NOT FUNNY.

60
00:03:12,776 --> 00:03:14,402
WHAT DO YOU GOT?

61
00:03:14,444 --> 00:03:17,031
DEVELOPMENT OUTSIDE OF TOWN,
UNINCORPORATED COUNTRY CLUB

62
00:03:17,072 --> 00:03:19,033
SCARLETT MARQUESA, 33,
FEMALE.

63
00:03:19,074 --> 00:03:21,702
(Rigsby) HOSTESS OF THE PARTY,
MARRIED, ONE KID.

64
00:03:21,743 --> 00:03:24,705
RIGHT ABOUT 10:20 THIS EVENING,
THE PARTY WAS IN FULL SWING.

65
00:03:24,746 --> 00:03:26,707
SCARLETT COMES RUNNING
OVER THE BALCONY,

66
00:03:26,748 --> 00:03:29,877
CLUTCHING HER THROAT
AND SCREAMING.

67
00:03:29,918 --> 00:03:32,796
WHERE'S THE HUSBAND
SHE FALLS DOWN TO HER DEATH.
AND THE KID?

68
00:03:32,838 --> 00:03:36,341
WE'LL WAIT TO TALK TO THEM
UNTIL TOMORROW MORNING.
THEY'RE WITH NEIGHBORS,
BADLY SHOOK UP.

69
00:03:36,383 --> 00:03:39,386
POISON, HUH?
MUST BE. FROTHING AT THE LIPS,
DISCOLORATION.

70
00:03:39,427 --> 00:03:41,388
THE MEDICAL EXAMINER
THINKS SO, TOO.

71
00:03:41,429 --> 00:03:42,973
BUT WE HAVEN'T FOUND
THE SOURCE YET.

72
00:03:43,015 --> 00:03:44,975
SHE INGESTED THE POISON.
WE DON'T KNOW WHERE

73
00:03:45,017 --> 00:03:46,476
BUT THE ACTUAL POISONING
SHE CAME FROM UP THERE,

74
00:03:46,518 --> 00:03:48,520
COULD'VE TAKEN PLACE ANYWHERE.
IT'S A BIG HOUSE.

75
00:03:50,522 --> 00:03:54,026
UH, JUST A MOMENT.
EXCUSE ME.

76
00:03:57,029 --> 00:03:59,239
THAT'S INTERESTING.

77
00:03:59,280 --> 00:04:01,158
LOOK. LOOK AT HER EYES.

78
00:04:01,200 --> 00:04:02,367
WHAT?

79
00:04:05,996 --> 00:04:09,124
HELLO? USE YOUR WORDS.

80
00:04:11,126 --> 00:04:13,045
(sighs)

81
00:04:14,838 --> 00:04:16,757
SHE HAD MORE MASCARA
ON HER RIGHT EYE

82
00:04:16,798 --> 00:04:18,341
THAN SHE DID ON HER LEFT,

83
00:04:18,383 --> 00:04:20,510
WHICH MEANS THAT SHE WAS HALFWAY
THROUGH REAPPLYING HER MAKEUP

84
00:04:20,552 --> 00:04:24,181
WHEN SHE WAS POISONED,
SO...

85
00:04:24,223 --> 00:04:26,016
SHE WAS IN THE...

86
00:04:26,058 --> 00:04:28,227
BATHROOM.

87
00:04:28,268 --> 00:04:29,978
HMM.

88
00:04:33,607 --> 00:04:36,443
AH.

89
00:04:36,484 --> 00:04:38,946
THE SOURCE OF THE POISON,
AH.

90
00:04:38,987 --> 00:04:42,032
I HAVE NO DOUBT.

91
00:04:47,746 --> 00:04:49,957
WHAT DO WE GOT HERE?

92
00:04:49,998 --> 00:04:51,875
(sighs)

93
00:04:57,297 --> 00:04:59,925
MOTIVE.

94
00:04:59,967 --> 00:05:06,431
♪♪

95
00:05:07,224 --> 00:05:08,725
(birds chirping)

96
00:05:08,767 --> 00:05:11,686
(gate whirring)

97
00:05:39,589 --> 00:05:41,508
(shuts off engine)

98
00:05:52,560 --> 00:05:55,563
I'M AGENT LISBON, CBI.
MR. MARQUESA,

99
00:05:55,605 --> 00:05:57,482
YES, THANKS FOR COMING.

100
00:05:57,524 --> 00:06:00,401
ASRA HADAMI AND MANDY RILJEK.
THESE ARE DEAR FRIENDS,

101
00:06:00,443 --> 00:06:03,362
THEY'VE BEEN LOOKING
AFTER ME AND OSCAR.

102
00:06:03,404 --> 00:06:06,533
VIC, I'LL MAKE SURE JIM
STOPS BY
ANYTHING WE CAN DO.

103
00:06:06,574 --> 00:06:09,870
AS SOON AS HE GETS BACK
INTO TOWN.
THANKS, MANDY.

104
00:06:09,911 --> 00:06:12,455
OKAY.
TAKE CARE, VICTOR.

105
00:06:17,460 --> 00:06:19,963
PLEASE. COME IN.

106
00:06:29,388 --> 00:06:31,808
SCARLETT KEPT EVERYTHING
IN HERE.

107
00:06:31,850 --> 00:06:33,434
VERY ORGANIZED.

108
00:06:33,476 --> 00:06:36,437
WE'LL GET IT BACK TO YOU
JUST AS SOON AS WE CAN.

109
00:06:36,479 --> 00:06:37,814
THANK YOU.

110
00:06:41,442 --> 00:06:44,403
YOUR WIFE'S DRINK WAS LACED
THE TOX SCREEN TELLS US

111
00:06:44,445 --> 00:06:46,365
WITH RAT POISON.

112
00:06:46,405 --> 00:06:48,491
RAT POISON.

113
00:06:48,533 --> 00:06:50,869
ARGH! ARGH!
OSCAR. OSCAR.

114
00:06:50,911 --> 00:06:54,455
ARGH!
WHO WOULD DO SUCH A THING?

115
00:06:54,497 --> 00:06:56,875
SOMEBODY WHO WANTED
TO GET EVEN?
WHO'S YOUR GUESS?

116
00:06:56,917 --> 00:06:59,044
WHOSE NAME JUST POPPED
INTO YOUR HEAD?

117
00:06:59,086 --> 00:07:01,963
SCARLETT HAD NO ENEMIES.
EVERYONE LOVED SCARLETT.

118
00:07:02,005 --> 00:07:03,882
EVEN ASRA?

119
00:07:03,924 --> 00:07:06,467
ASRA? YES, THEY GOT ALONG FINE.
WHY ASK ABOUT HER?

120
00:07:06,509 --> 00:07:11,348
YOU'RE HAVING AN AFFAIR
WITH ASRA, AREN'T YOU?
WHAT? NO.

121
00:07:11,390 --> 00:07:13,433
NO? REALLY?
NO. REALLY.

122
00:07:13,474 --> 00:07:15,977
AND WHAT THE HECK KIND OF POLICE
ARE YOU, ANYHOW,

123
00:07:16,019 --> 00:07:17,979
ASKING ME A QUESTION
LIKE THAT?

124
00:07:18,021 --> 00:07:20,982
ARE YOU BUSINESS PARTNERS?
SORRY, MY MISTAKE.

125
00:07:21,024 --> 00:07:24,111
AH, OKAY. NOW I UNDERSTAND.
SHE'S MY ACCOUNTS MANAGER.

126
00:07:24,152 --> 00:07:27,114
DOESN'T MATTER. DO YOU KNOW
WHERE HER KEYS ARE?
UNDERSTAND WHAT?

127
00:07:27,155 --> 00:07:30,409
THEY'RE NOT IN HERE.
I CAN'T FIND 'EM.
I WANTED TO MOVE HER CAR.
I COULDN'T FIND THEM.

128
00:07:30,450 --> 00:07:33,245
I'M SURE THEY'LL SHOW UP.
NOT TO WORRY.

129
00:07:33,287 --> 00:07:35,830
FOR A LIVING, EXACTLY?
WHAT IS IT YOU DO

130
00:07:35,872 --> 00:07:38,125
IT'S A TOUGH MARKET.
I DEVELOP REAL ESTATE.

131
00:07:38,166 --> 00:07:39,834
TELL ME ABOUT IT.

132
00:07:39,876 --> 00:07:42,629
IT'LL TURN AROUND SOON.
BUT I'M CONFIDENT THAT

133
00:07:42,670 --> 00:07:46,091
AND DID SCARLETT WORK
WITH YOU?
THE ARTISTIC TYPE.
NO, SHE WAS

134
00:07:46,133 --> 00:07:48,468
THAT WAS HER THING.
SHE MADE JEWELRY.

135
00:07:48,509 --> 00:07:51,430
MADE A PRETTY GOOD BUSINESS
OUT OF IT, IN FACT...

136
00:07:51,471 --> 00:07:53,432
SELLING TO FRIENDS
AND NEIGHBORS.

137
00:07:53,473 --> 00:07:56,517
WAS IT? WAS IT EXPENSIVE STUFF?
WELL, WHAT KIND OF JEWELRY

138
00:07:56,559 --> 00:07:58,561
NO. JUST TRINKETS, REALLY--

139
00:07:58,603 --> 00:08:00,188
EARRINGS, BRACELETS...

140
00:08:00,230 --> 00:08:02,399
CAN WE SEE SOME?

141
00:08:02,441 --> 00:08:04,067
SURE.

142
00:08:06,361 --> 00:08:08,405
(mouths word)

143
00:08:08,447 --> 00:08:10,824
(whispers) HAVING FUN?

144
00:08:17,789 --> 00:08:18,915
HMM.

145
00:08:18,957 --> 00:08:20,625
THAT'S VERY NICE.

146
00:08:20,667 --> 00:08:23,544
WAS THERE ANY PARTICULAR REASON
FOR THE PARTY LAST NIGHT?

147
00:08:23,586 --> 00:08:25,546
SCARLETT'S IDEA.

148
00:08:25,588 --> 00:08:27,799
SHE, UM, THOUGHT
IT WAS NECESSARY

149
00:08:27,841 --> 00:08:30,551
TO LET PEOPLE KNOW
WE'RE DOING FINE.

150
00:08:30,593 --> 00:08:32,553
AND WE ARE...
DOING FINE.

151
00:08:32,595 --> 00:08:35,223
BEHAVE IN AN UNUSUAL MANNER?
DID ANYBODY AT THE PARTY

152
00:08:35,265 --> 00:08:38,393
ANY ODD INCIDENTS?
NO.

153
00:08:38,435 --> 00:08:41,855
AT THE PARTY PERSONALLY?
AND YOU KNEW EVERYBODY
YES, GOOD FRIENDS.

154
00:08:41,896 --> 00:08:44,441
OH, WE'RE GONNA NEED
A LIST.
SURE.

155
00:08:44,483 --> 00:08:46,651
FROM THE COUNTRY CLUB,
MOSTLY.

156
00:08:46,693 --> 00:08:50,405
OF HER WOMEN'S COMMITTEE THERE.
SCARLETT WAS ELECTED CHAIR

157
00:08:50,447 --> 00:08:52,407
IN THIS COMMUNITY,
IT'S A BIG DEAL

158
00:08:52,449 --> 00:08:53,325
VERY PRESTIGIOUS.

159
00:08:53,367 --> 00:08:55,452
I WAS SO PROUD OF HER,

160
00:08:55,494 --> 00:08:58,455
BUT IT MEANT SHE HAD TO SPEND
A LOT MORE TIME AT--

161
00:08:58,497 --> 00:09:01,082
(Oscar) ARGH!
AT THE CLUB.

162
00:09:01,124 --> 00:09:02,583
ARGH!
OSCAR.

163
00:09:02,625 --> 00:09:05,212
STOP. PLEASE.

164
00:09:05,253 --> 00:09:06,754
PARDON ME.

165
00:09:06,796 --> 00:09:09,924
NO, THAT'S ALL FOR NOW.
UM, ARE WE DONE HERE?

166
00:09:09,966 --> 00:09:13,261
IF WE NEED ANYTHING ELSE.
WE'LL BE IN TOUCH

167
00:09:13,303 --> 00:09:14,804
VERY NICE.

168
00:09:23,646 --> 00:09:27,359
WHAT'S YOUR DEAL
WITH ASRA HADAMI?
THE DINNER THEATER WAY
WELL, YOU SAW

169
00:09:27,401 --> 00:09:30,529
IN WHICH SHE HUGGED VICTOR.
SHE'S DECEIVING HIM.

170
00:09:30,570 --> 00:09:33,323
I THOUGHT IT WAS A LOVE AFFAIR
GONE AWRY, BUT IT ISN'T.

171
00:09:33,365 --> 00:09:35,950
PROBABLY STEALING FROM HIM.
IT'S SOMETHING ELSE. SHE'S

172
00:09:35,992 --> 00:09:37,952
I'LL HAVE VAN PELT PULL
HER FINANCIALS

173
00:09:37,994 --> 00:09:40,330
SHE PULLS THE MARQUESAS'.
AT THE SAME TIME

174
00:09:40,372 --> 00:09:42,999
A LOOK AT THIS COUNTRY CLUB.
YOU KNOW, WE SHOULD GO TAKE

175
00:09:43,041 --> 00:09:44,792
YEAH, TALK TO THE WOMEN'S
COMMITTEE SHE CHAIRS.

176
00:09:44,834 --> 00:09:46,253
BRING RIGSBY WITH YOU.

177
00:09:51,550 --> 00:09:54,386
(indistinct conversations)

178
00:09:54,428 --> 00:09:56,471
KNOWS THE TRUTH.
SOMEONE HERE

179
00:09:56,513 --> 00:09:58,515
OH? AND HOW SO?

180
00:09:58,557 --> 00:10:01,142
WELL, POISON AND A MESSAGE
IN LIPSTICK

181
00:10:01,184 --> 00:10:03,395
WAS DONE BY A WOMAN.
SAYS THIS MURDER

182
00:10:03,437 --> 00:10:06,022
AND WOMEN HAVE NO SECRETS
FROM OTHER WOMEN.

183
00:10:06,064 --> 00:10:10,110
WHAT, YOU THINK?
WELL, UNLESS IT WAS A CUNNING
MAN POSING AS A WOMAN.

184
00:10:10,151 --> 00:10:13,488
NO.

185
00:10:17,534 --> 00:10:19,160
(speaks indistinctly)

186
00:10:19,202 --> 00:10:22,330
(voice amplified) SEMIFINAL
PAIRS, PLAYERS 23 AND 45

187
00:10:22,372 --> 00:10:25,500
TO COURT ONE NOW, PLEASE.
23 AND 45 TO COURT ONE.

188
00:10:25,542 --> 00:10:27,794
GOOD MORNING, MA'AM. CALIFORNIA
BUREAU OF INVESTIGATION.

189
00:10:27,835 --> 00:10:30,255
HI, HEATHER.
I'M DETECTIVE RIGSBY.
THIS IS JANE.

190
00:10:30,297 --> 00:10:32,299
NICE TO MEET YOU.

191
00:10:32,340 --> 00:10:35,302
EVERYONE'S BEEN EXPECTING YOU.
POOR SCARLETT. IT'S TERRIBLE.

192
00:10:35,343 --> 00:10:37,678
WE'D LIKE TO START
BY TALKING
HOW CAN I HELP YOU?

193
00:10:37,720 --> 00:10:40,599
OF THE WOMEN'S COMMITTEE.
TO MEMBERS
SURE THING.

194
00:10:40,640 --> 00:10:44,644
GATHER THEM MORE DISCREETLY?
UH, PERHAPS WE'D, UH,
OH, EVERYONE WILL KNOW
IN MINUTES, ANYHOW.

195
00:10:44,685 --> 00:10:46,646
JACKIE, PATIENCE, MANDY,
(voice amplified)

196
00:10:46,687 --> 00:10:49,524
AND THEY WANT TO TALK TO US
THE POLICE ARE HERE,

197
00:10:49,566 --> 00:10:51,901
COME TO THE ROSE COURTYARD.
ABOUT SCARLETT'S MURDER.

198
00:10:51,943 --> 00:10:54,529
AND, EVERYBODY, THE SILENT
AUCTION CLOSES SHORTLY,

199
00:10:54,571 --> 00:10:57,449
SO GET THOSE BIDS IN NOW,
FOLKS.

200
00:10:57,491 --> 00:11:01,161
I LOVE A SILENT AUCTION.
I'LL SHOW YOU THE WAY.

201
00:11:01,202 --> 00:11:03,913
(Patrick) SO, UH, LET'S START
WITH SOME NAMES.

202
00:11:03,955 --> 00:11:05,457
UH, PATIENCE BROADBENT...

203
00:11:05,499 --> 00:11:07,292
(Patrick) MM-HMM.
(mouths word)

204
00:11:07,334 --> 00:11:10,211
MANDY RILJEK YOU'VE MET.
HI.

205
00:11:10,253 --> 00:11:12,464
JACKIE SHAPER.
(sighs) THANK GOD
YOU'RE HERE.

206
00:11:12,506 --> 00:11:14,882
THIS MANIAC, WON'T YOU?
YOU'RE GONNA FIND

207
00:11:14,924 --> 00:11:17,927
WE'LL TRY. UH, WERE YOU ALL
AT SCARLETT'S PARTY?

208
00:11:17,969 --> 00:11:21,431
TO THE CHAIRWOMAN'S PARTIES.
YES, WE ALL HAVE TO GO
YES.

209
00:11:21,473 --> 00:11:25,560
THE CHAIRWOMAN IS A PRESTIGIOUS
POSITION, ISN'T IT?
IT'S A RULE.

210
00:11:25,602 --> 00:11:28,938
SHE WOULD MAKE HER FAIR SHARE
(Mandy) OH, YES, IT IS.
OF ENEMIES, I'D EXPECT.

211
00:11:28,980 --> 00:11:32,192
YOU COULD SAY THAT.
(scoffs)

212
00:11:32,233 --> 00:11:34,152
IF YOU HAVE SOMETHING TO SAY,
SAY IT.

213
00:11:34,194 --> 00:11:38,573
SPEAK YOUR MIND, BITCH.
OH, OKAY. YOU WANT IT
ALL OUT THERE?

214
00:11:38,615 --> 00:11:41,493
(Patience scoffs)
AND THAT'S WHAT YOU WERE.
HE ASKED ABOUT ENEMIES,

215
00:11:41,535 --> 00:11:45,413
BECAUSE SHE WANTED TO BE CHAIR,
SHE HATED SCARLETT

216
00:11:45,455 --> 00:11:47,666
AND SCARLETT WHIPPED HER BUTT
IN THE ELECTION.

217
00:11:47,706 --> 00:11:51,211
SCHOOLED HER, RIGHT, MANDY?
OH, I'M NOT GETTING
INTO THIS ONE.

218
00:11:51,252 --> 00:11:54,255
ON SCORING THE PRIVATE OFFICE
RIGHT. I MISSED OUT

219
00:11:54,297 --> 00:11:57,258
WITH ALL THAT COOL STATIONERY
WITH MY NAME ON IT.

220
00:11:57,300 --> 00:12:01,929
ANY IDEA HOW IDIOTIC YOU SOUND?
SO I KILLED HER. HAVE YOU

221
00:12:01,971 --> 00:12:04,057
IT'S PROBABLY BEST
TELL YOU WHAT.
(Jackie) YOU'RE THE IDIOT.

222
00:12:04,098 --> 00:12:05,766
WITH EACH OF YOU SEPARATELY.
IF WE CONDUCT INTERVIEWS

223
00:12:05,808 --> 00:12:09,646
(Patience scoffs)
SO JEALOUS OF EVERYBODY.
(Jackie) YOU'RE ALWAYS

224
00:12:09,688 --> 00:12:11,356
DO YOU REMEMBER

225
00:12:11,398 --> 00:12:13,941
THE NIGHT OF THE PARTY?
ANYTHING ODD HAPPENING

226
00:12:13,983 --> 00:12:15,569
I DON'T KNOW.

227
00:12:15,610 --> 00:12:18,321
IT WAS JUST THE USUAL MOJITOS
AND CHITCHAT, BUT...

228
00:12:18,363 --> 00:12:19,780
BUT WHAT?

229
00:12:19,822 --> 00:12:22,492
IF I SHOULD TELL YOU THIS,
I DON'T KNOW

230
00:12:22,534 --> 00:12:25,286
BUT I-I SAW SCARLETT ARGUING
WITH ASRA HADAMI.

231
00:12:25,328 --> 00:12:27,997
IT LOOKED KIND OF ANGRY.
SOME SAY SOMETHING

232
00:12:28,039 --> 00:12:30,417
MORE THAN BUSINESS MIGHT BE
GOING ON BETWEEN ASRA HADAMI

233
00:12:30,458 --> 00:12:31,876
AND VICTOR MARQUESA.

234
00:12:31,918 --> 00:12:33,961
I DON'T KNOW IF THAT'S TRUE,

235
00:12:34,003 --> 00:12:37,048
AND I DON'T REALLY FOLLOW
THE GOSSIP.
HMM. WHO DOES?

236
00:12:37,090 --> 00:12:40,009
THE GOSSIP QUEEN AROUND HERE.
WE'RE TOLD YOU'RE

237
00:12:40,051 --> 00:12:41,928
PEOPLE TELL ME THINGS.

238
00:12:44,055 --> 00:12:45,599
SO...

239
00:12:45,640 --> 00:12:48,727
WHO'S HAVING AN AFFAIR
WITH VICTOR MARQUESA?

240
00:12:48,767 --> 00:12:51,521
I DON'T KNOW. WHO? TELL.

241
00:12:51,563 --> 00:12:53,231
ASRA HADAMI?

242
00:12:53,273 --> 00:12:55,483
(laughs)

243
00:12:55,525 --> 00:12:57,068
THAT'S A FUNNY IDEA?

244
00:12:57,110 --> 00:12:59,237
NO, IT'S JUST...

245
00:12:59,279 --> 00:13:02,699
GOOD FRIENDS, NOTHING MORE.
NO. VICTOR AND ASRA ARE

246
00:13:02,741 --> 00:13:05,285
ASRA HAD NOTHING TO DO
WITH THIS.

247
00:13:05,326 --> 00:13:07,621
THE GENERAL OPINION?
NO? WHAT'S

248
00:13:07,662 --> 00:13:09,623
WHO DID THIS?

249
00:13:09,664 --> 00:13:11,332
MY GUESS?
YEAH.

250
00:13:11,374 --> 00:13:12,333
VICTOR.

251
00:13:12,375 --> 00:13:15,044
WHAT MAKES YOU THINK THAT?

252
00:13:15,086 --> 00:13:17,422
I MEAN, VICTOR'S A NICE GUY,
NOTHING, REALLY.

253
00:13:17,464 --> 00:13:20,049
BUT THAT'S WHO KILLS WOMEN,
ISN'T IT?

254
00:13:20,091 --> 00:13:23,219
THEIR HUSBANDS, 90% OF THE TIME.
70%, I THINK.

255
00:13:23,261 --> 00:13:24,471
HMM. (chuckles)

256
00:13:24,512 --> 00:13:26,805
OH.
HE'S RIGHT.

257
00:13:26,847 --> 00:13:28,224
(grunts)

258
00:13:31,478 --> 00:13:34,397
(applause)

259
00:13:40,612 --> 00:13:42,572
THAT WAS SOME GREAT PLAY.
(liquid pours)

260
00:13:42,614 --> 00:13:45,575
YOU COULD MAYBE DO A LITTLE MORE
TOPSPIN ON YOUR RETURNS,

261
00:13:45,617 --> 00:13:49,454
YES, I DISLIKED HER,
THE ANSWERS ARE
BUT IT WAS A VERY NICE PLAY.

262
00:13:49,496 --> 00:13:52,290
NO, I DIDN'T KILL HER.
YOU HATE TO LOSE, DON'T YOU?

263
00:13:52,332 --> 00:13:56,252
MANY PEOPLE THAT LOVE IT.
YES, UNLIKE ALL THOSE

264
00:13:56,294 --> 00:13:58,921
I'M IN THE SEMIFINALS,
FOR GOD SAKE.

265
00:13:58,963 --> 00:14:02,133
YEAH.
GOOD LUCK WITH THAT.
OH, OF COURSE.

266
00:14:02,175 --> 00:14:05,595
ANOTHER MATCH IN HALF AN HOUR,
YEAH, I HAVE TO GO. I HAVE

267
00:14:05,637 --> 00:14:07,597
AND THAT TOXIC DWARF,
MANDY RILJEK,

268
00:14:07,639 --> 00:14:09,599
IS TRYING TO OUTBID ME
IN THE SILENT AUCTION.

269
00:14:09,641 --> 00:14:12,519
WHAT SHE NEEDS TWO ROMANTIC
NIGHTS FOR AT THE CLIFFSIDE?

270
00:14:12,560 --> 00:14:14,521
I DON'T KNOW.

271
00:14:14,562 --> 00:14:16,690
SO I'LL SAVE US ALL
SOME TIME

272
00:14:16,731 --> 00:14:18,692
AND TELL YOU WHO DID THIS,
IF YOU LIKE.

273
00:14:18,733 --> 00:14:21,319
I'D LIKE THAT VERY MUCH.

274
00:14:21,361 --> 00:14:22,779
ASRA HADAMI.

275
00:14:22,821 --> 00:14:24,656
REALLY? WHY?

276
00:14:24,698 --> 00:14:26,949
SHE'S HAVING AN AFFAIR
WITH VICTOR.

277
00:14:26,991 --> 00:14:28,951
HOW DO YOU KNOW THAT?

278
00:14:28,993 --> 00:14:30,787
I JUST HAVE AN EYE
FOR THAT STUFF.

279
00:14:30,829 --> 00:14:32,789
ASRA MUST HAVE
KILLED SCARLETT

280
00:14:32,831 --> 00:14:35,124
SO THAT SHE COULD HAVE VICTOR
FOR HERSELF.

281
00:14:35,166 --> 00:14:37,794
IF YOU ASK ME, HE'S A LOSER.
DON'T KNOW WHY.

282
00:14:37,836 --> 00:14:39,504
WELL, THANK YOU.

283
00:14:39,546 --> 00:14:42,507
OH, BY THE WAY, IF YOU DISLIKED
SCARLETT MARQUESA SO MUCH,

284
00:14:42,549 --> 00:14:44,967
EARRINGS THAT SHE MADE?
WHY ARE YOU WEARING

285
00:14:45,009 --> 00:14:48,012
SHE MAKES GOOD EARRINGS.
IT'S NICE TO MEET YOU.

286
00:14:52,642 --> 00:14:55,978
NICE MEETING YOU, TOO.

287
00:14:56,020 --> 00:14:58,565
(Rigsby) YOU TWO WERE CLOSE,
WEREN'T YOU?

288
00:14:58,606 --> 00:15:00,316
WE WERE VERY CLOSE.

289
00:15:00,358 --> 00:15:03,236
IN THE WOMEN'S COMMITTEE,
BEING HER DEPUTY

290
00:15:03,277 --> 00:15:06,364
UH, DID YOU NOTICE ANYTHING,
UH, DIFFERENT,
WE SPOKE EVERY DAY.

291
00:15:06,406 --> 00:15:10,451
YOUR CONVERSATIONS?
ABOUT, UH,
ABOUT MOVING AWAY.
SHE TALKED A LOT

292
00:15:10,493 --> 00:15:13,413
AT ALL COSTS?
OF KEEPING UP AT ALL COSTS.
SHE WAS SO TIRED

293
00:15:13,454 --> 00:15:16,249
DO YOU HAVE A KEY FOR THIS?
JUST WORKING SO HARD.

294
00:15:16,290 --> 00:15:18,626
ONLY SCARLETT HAS A KEY.
OH, NO.

295
00:15:18,668 --> 00:15:20,336
THE CHAIRWOMAN'S OFFICE,
THIS IS

296
00:15:20,378 --> 00:15:23,423
THE CHAIRWOMAN'S SAFE.
AND THAT'S

297
00:15:23,464 --> 00:15:25,007
THAT MAKES SENSE.

298
00:15:25,049 --> 00:15:27,635
I DON'T KNOW ANYTHING
ABOUT THAT.

299
00:15:27,677 --> 00:15:30,346
SCARLETT'S KEYS ARE MISSING.
THAT'S INTERESTING.

300
00:15:33,516 --> 00:15:36,477
WE NEED TO GET THAT SAFE OPEN.
A SEARCH WARRANT FOR THAT.
WE'RE GONNA NEED

301
00:15:36,519 --> 00:15:39,480
I'M ON IT.
FROM SCARLETT'S FRIENDS?
DID YOU GET ANYTHING

302
00:15:39,522 --> 00:15:41,482
WELL, EVERYBODY HAS
A DIFFERENT THEORY.

303
00:15:41,524 --> 00:15:44,277
THEY'RE ALL HIDING SOMETHING.
I DON'T KNOW WHAT.

304
00:15:44,318 --> 00:15:46,987
DID YOU HEAR ANYTHING
FROM FORENSICS

305
00:15:47,029 --> 00:15:50,408
ABOUT THE LIPSTICK
ON THE NAPKIN?
NOT YET. THEY'RE JAMMED UP,
AS USUAL. BUDGET CUTS.

306
00:15:50,450 --> 00:15:53,453
BOSS, I JUST NOW GOT ACCESS
TO ASRA HADAMI'S FINANCIALS.

307
00:15:53,494 --> 00:15:56,497
HER BANK ACCOUNTS THIS MORNING.
SHE CLEARED OUT

308
00:15:56,539 --> 00:15:59,459
TOOK OUT ABOUT $125,000 IN CASH.
GOING ON THE RUN MAYBE?
CHECKING, SAVINGS--

309
00:15:59,500 --> 00:16:03,296
RAT POISON RECENTLY, DID SHE?
SHE DIDN'T HAPPEN TO BUY ANY

310
00:16:03,337 --> 00:16:05,673
THAT WOULD BE NICE, BUT NO.
NO RECORD OF IT.

311
00:16:05,715 --> 00:16:07,675
SECURITY PATROL CALLING.
THAT WAS THE MARSANTE

312
00:16:07,717 --> 00:16:09,677
THEY JUST FOUND HADAMI'S HOUSE
EMPTY. SHE'S GONE.

313
00:16:09,719 --> 00:16:13,765
GREAT. A FUGITIVE.
I-I KNOW WHERE SHE IS.
OH! OH! OH! OH! OH!

314
00:16:20,897 --> 00:16:23,357
(unlocks door)

315
00:16:23,399 --> 00:16:25,485
CBI!
(woman moans)

316
00:16:25,526 --> 00:16:28,529
OY.

317
00:16:37,831 --> 00:16:40,792
SIX MONTHS NOW, HALF A YEAR.
I'VE BEEN HERE NEARLY

318
00:16:40,834 --> 00:16:42,794
WHAT DO YOU WANT?
HALF A CAKE?

319
00:16:42,836 --> 00:16:45,338
I WANT TO TAKE LEAD
ON THIS INTERVIEW.

320
00:16:47,841 --> 00:16:49,801
OKAY.

321
00:16:49,843 --> 00:16:51,218
OKAY?

322
00:16:51,260 --> 00:16:52,887
YEAH. SURE.

323
00:16:52,929 --> 00:16:54,764
THANKS, BOSS.

324
00:16:58,852 --> 00:17:01,187
WHY WERE YOU RUNNING,
MISS HADAMI?

325
00:17:01,228 --> 00:17:02,772
NO REASON.

326
00:17:02,814 --> 00:17:04,649
STRESS. I NEEDED SPACE.

327
00:17:04,691 --> 00:17:07,694
NOTHING TO DO WITH THE ARGUMENT
YOU HAD WITH SCARLETT MARQUESA

328
00:17:07,735 --> 00:17:10,947
AN ARGUMENT WITH HER.
I DIDN'T HAVE
THE NIGHT SHE DIED?

329
00:17:10,989 --> 00:17:12,907
NO ARGUMENT.
WE HEAR DIFFERENTLY.

330
00:17:12,949 --> 00:17:15,743
I SWEAR, I DIDN'T KILL HER.
THIS IS ABSURD.

331
00:17:15,785 --> 00:17:18,371
YOU CLEARING OUT YOUR ACCOUNTS
NO MORE ABSURD THAN

332
00:17:18,412 --> 00:17:20,748
AND ABANDONING YOUR HOME
FOR NO REASON.

333
00:17:20,790 --> 00:17:22,792
MAYBE I NEED A LAWYER.

334
00:17:24,711 --> 00:17:27,046
SAY THE WORD.

335
00:17:27,087 --> 00:17:30,717
WHAT HE'LL TELL YOU--IF YOU'RE
NOT INVOLVED IN THE MURDER--

336
00:17:30,758 --> 00:17:33,970
BEST SPEAK UP.

337
00:17:34,012 --> 00:17:37,598
I RAN BECAUSE I KNEW THE MURDER
WOULD EXPOSE SOME ISSUES

338
00:17:37,640 --> 00:17:39,266
THAT I WOULD LIKE
TO KEEP PRIVATE.

339
00:17:39,308 --> 00:17:41,394
SUCH AS YOUR RELATIONSHIP
WITH MANDY RILJEK?

340
00:17:41,435 --> 00:17:43,938
EXACTLY. NEWS LIKE THAT
COULD BE RUINOUS.

341
00:17:43,980 --> 00:17:47,817
TRUE, BUT NOT THE KIND OF THING
YOU ABANDON YOUR HOUSE FOR.

342
00:17:47,859 --> 00:17:51,111
WHAT ARE THE OTHER ISSUES?
YOU SAID "ISSUES."

343
00:17:51,153 --> 00:17:54,824
TO LOOK VICTOR IN THE FACE
I DIDN'T WANNA HAVE

344
00:17:54,866 --> 00:17:56,617
AND TELL HIM I'D HELPED RUN

345
00:17:56,659 --> 00:17:58,912
EVERYTHING HE WORKED SO HARD FOR
INTO THE GROUND.

346
00:17:58,953 --> 00:18:03,165
FROM THE COMPANY'S CASH RESERVE.
HOW DID YOU HELP DO THAT?
I BORROWED MONEY

347
00:18:03,207 --> 00:18:04,792
HOW MUCH?

348
00:18:04,834 --> 00:18:07,545
HALF A MILLION.
A LITTLE OVER

349
00:18:07,587 --> 00:18:09,129
AND WHERE DID IT GO?

350
00:18:09,171 --> 00:18:11,131
SOME POOR INVESTMENT CHOICES
I MADE

351
00:18:11,173 --> 00:18:13,760
THAT I HAD TO COVER QUICKLY.
SO YOU STOLE---

352
00:18:13,801 --> 00:18:15,970
FROM THE RESERVE.
I<i> BORROWED </i>

353
00:18:16,012 --> 00:18:18,222
FROM EACH DEVELOPMENT DEAL
I SKIMMED THE MONEY

354
00:18:18,264 --> 00:18:19,849
THAT SHOULD HAVE GONE

355
00:18:19,891 --> 00:18:22,060
RESERVE ACCOUNT AS BACKUP.
INTO THE COMPANY'S

356
00:18:22,101 --> 00:18:24,687
WE WERE MAKING SO MANY DEALS.

357
00:18:24,729 --> 00:18:27,440
I KNEW I'D GET IT BACK
BEFORE IT WOULD MATTER.

358
00:18:27,481 --> 00:18:29,442
AND THE FUNDING DRIED UP,
BUT THEN THE DEALS

359
00:18:29,483 --> 00:18:32,028
AND SUDDENLY, THAT RESERVE
BECAME VERY IMPORTANT.

360
00:18:32,070 --> 00:18:36,699
MY HANDS ON TO COVER THE MONEY.
I SOLD ANYTHING I COULD GET

361
00:18:45,416 --> 00:18:47,251
MM. TAKE A SEAT.

362
00:18:47,293 --> 00:18:50,630
I'VE DONE NOTHING WRONG.
WHY AM I EVEN HERE?

363
00:18:50,671 --> 00:18:53,007
IN JUST ONE MOMENT.
BE WITH YOU

364
00:18:53,049 --> 00:18:54,508
(sighs)

365
00:18:54,550 --> 00:18:56,636
AH.

366
00:18:56,677 --> 00:18:59,346
PLEASE.

367
00:18:59,388 --> 00:19:02,266
(sighs)

368
00:19:02,308 --> 00:19:04,852
IN A COMPROMISING POSITION
WELL, YOU WERE FOUND

369
00:19:04,894 --> 00:19:06,562
WITH A MURDER SUSPECT.

370
00:19:06,604 --> 00:19:08,648
HOW TO FIND US ANYWAY?
HOW DID YOU KNOW

371
00:19:08,689 --> 00:19:11,609
YOU BEEN SPYING ON ME?
WELL, YOU OUTBID PATIENCE
FOR A ROMANTIC WEEKEND,

372
00:19:11,651 --> 00:19:14,403
AND YOUR HUSBAND JIM'S AWAY.

373
00:19:14,445 --> 00:19:17,406
OF VICTOR AND ASRA AS LOVERS.
AND YOU LAUGHED AT THE IDEA

374
00:19:17,448 --> 00:19:19,742
NOBODY KNOWS I'M HERE, RIGHT?

375
00:19:19,784 --> 00:19:22,120
IT'LL BE A HUGE SCANDAL.
IF THIS GETS OUT,

376
00:19:22,161 --> 00:19:23,746
NOBODY KNOWS YOU'RE HERE.

377
00:19:23,788 --> 00:19:26,206
AND YOU'RE GOOD TO GO.
SIGN THIS,

378
00:19:30,920 --> 00:19:33,047
WE WON'T GET A SEARCH WARRANT
JUDGE'S CLERK SAYS

379
00:19:33,089 --> 00:19:34,924
UNTIL TOMORROW MORNING.
FOR SCARLETT'S SAFE

380
00:19:34,966 --> 00:19:37,176
AND TEAR THE PLACE APART.
THEN WE'LL GO IN
J--

381
00:19:37,217 --> 00:19:42,098
(Cho) OH. SORRY.
YOU DIDN'T HEAR THAT.
IT'S CONFIDENTIAL.

382
00:19:42,140 --> 00:19:44,308
CONFIDENTIAL?
OH, OF COURSE.

383
00:19:44,350 --> 00:19:46,727
DON'T TELL ANYONE, OKAY?
NO, SERIOUSLY.

384
00:19:46,769 --> 00:19:50,148
MAY I LEAVE NOW?
I UNDERSTAND.
YEAH, PLEASE.

385
00:19:53,233 --> 00:19:54,902
(sighs)

386
00:19:54,944 --> 00:19:57,905
NOT BAD. YOUR DELIVERY
WAS A BIT WOODEN.

387
00:19:57,947 --> 00:19:59,365
WOODEN? ME?

388
00:19:59,406 --> 00:20:01,742
AND YOU'RE MARLON BRANDO.
YEAH,

389
00:20:04,453 --> 00:20:05,913
I CAN'T BELIEVE IT.

390
00:20:05,955 --> 00:20:08,332
ASRA'S BEEN WITH ME
FOR OVER FIVE YEARS.

391
00:20:08,374 --> 00:20:11,502
I MEAN, SHE WAS WITH ME
IN THE TRENCHES.

392
00:20:11,544 --> 00:20:13,629
I CAN'T BELIEVE THIS.

393
00:20:13,671 --> 00:20:16,716
AFTER GOING OVER YOUR ACCOUNTS,
WE HAD A COUPLE OF QUESTIONS.

394
00:20:16,757 --> 00:20:20,178
YOU'VE TALKED ABOUT CASH CRISES
IN YOUR BUSINESS,
SURE.

395
00:20:20,219 --> 00:20:23,514
BUT REGULAR CASH DEPOSITS WERE
MADE TO YOUR PERSONAL ACCOUNTS,

396
00:20:23,556 --> 00:20:25,224
SOMEWHERE UPWARDS OF $5,000.

397
00:20:25,265 --> 00:20:28,310
OSCAR, COME GET YOUR LUNCH.
SCARLETT'S DEPOSITS.

398
00:20:28,352 --> 00:20:30,229
SOME PRETTY HEFTY DEPOSITS
THOSE ARE

399
00:20:30,270 --> 00:20:33,232
FOR SOMEBODY NOT REALLY WORKING.
WHERE'D THE MONEY COME FROM?

400
00:20:33,273 --> 00:20:35,651
UH, HER JEWELRY BUSINESS.

401
00:20:35,693 --> 00:20:38,445
I THOUGHT YOU SAID IT WAS
A SMALL SIDE BUSINESS.

402
00:20:38,487 --> 00:20:40,447
BUT RECENTLY HER PIECES WERE
WELL, IT WAS,

403
00:20:40,489 --> 00:20:43,659
GETTING A LOT OF INTEREST,
AND APPARENTLY, UH,

404
00:20:43,701 --> 00:20:46,704
DO YOU KNOW WHICH ONES?
WITH A COUPLE OF BOUTIQUES.
SHE MADE A DEAL

405
00:20:46,746 --> 00:20:49,999
HAVE FALLEN BEHIND MONTHS AGO.
WITHOUT HER MONEY, YOU WOULD
I NEVER ASKED.

406
00:20:50,041 --> 00:20:52,001
I KNOW ALL TOO WELL

407
00:20:52,043 --> 00:20:55,004
TO SAVE OUR BUTTS RECENTLY.
IT WAS MY WIFE WHO HAD

408
00:20:55,046 --> 00:20:56,756
DAD?
WHAT'S THE MATTER?

409
00:20:56,797 --> 00:20:58,925
YOU MADE IT WRONG.

410
00:20:58,966 --> 00:21:01,928
ALL THIS STUFF IN IT.
MOMMY NEVER PUTS

411
00:21:01,969 --> 00:21:03,971
SHE KNOWS I LIKE IT PLAIN.

412
00:21:04,013 --> 00:21:06,807
CAN WE MAKE A COMPROMISE,
BUDDY?

413
00:21:06,849 --> 00:21:08,935
TO THESE NICE POLICE LADIES.
I-I NEED TO TALK

414
00:21:08,976 --> 00:21:11,562
NOW I'LL MAKE IT BETTER
NEXT TIME. I PROMISE.

415
00:21:11,604 --> 00:21:14,148
JUST EAT THE SANDWICH?
NOW WOULD YOU PLEASE

416
00:21:14,190 --> 00:21:16,650
SORRY ABOUT THAT.

417
00:21:16,692 --> 00:21:18,069
IT'S NOT A PROBLEM.

418
00:21:18,111 --> 00:21:20,071
TO YOUR WIFE'S PHONE RECORDS,
ACCORDING

419
00:21:20,113 --> 00:21:23,199
SHE TRADED A LOT OF CALLS WITH
SEVERAL DISPOSABLE CELL PHONES.

420
00:21:23,241 --> 00:21:26,202
IN HER DAY PLANNER,
SHE WOULD HAVE BEEN TALKING TO.
WELL, I DON'T KNOW WHO

421
00:21:26,244 --> 00:21:28,412
WEEKLY DATE NOTED DOWN
SHE HAD A REGULAR

422
00:21:28,454 --> 00:21:30,414
WITH AN ADDRESS
IN MARYSVILLE.

423
00:21:30,456 --> 00:21:32,792
SHE HAD ONE SCHEDULED
FOR LATER TODAY.

424
00:21:32,833 --> 00:21:34,794
DO YOU KNOW ANYTHING
ABOUT THAT?
WHAT THAT'S ABOUT,
NO, I DON'T KNOW

425
00:21:34,835 --> 00:21:36,796
BUT I KNOW SHE USED TO GO
TO MARYSVILLE A LOT

426
00:21:36,837 --> 00:21:39,799
FOR THE ANTIQUE JEWELRY MARKETS
(cell phone rings)
AND STUFF.

427
00:21:39,840 --> 00:21:41,884
EXCUSE ME.

428
00:21:41,926 --> 00:21:43,761
(ring)

429
00:21:43,803 --> 00:21:44,762
LISBON.

430
00:21:44,804 --> 00:21:46,222
Results on the lipstick.

431
00:21:46,264 --> 00:21:48,182
NO TRACES OF D.N.A.
WERE FOUND,

432
00:21:48,224 --> 00:21:50,184
"TONGUE IN CHEEK,"
BUT THE COLOR,

433
00:21:50,226 --> 00:21:52,937
IS A LIMITED EDITION, SOLD ONLY
IN A FEW HIGH-END STORES.

434
00:21:52,979 --> 00:21:54,772
TONGUE IN CHEEK--
THAT'S CUTE.

435
00:21:54,814 --> 00:21:57,441
OF THE STORES RECEIPT RECORDS
LOOK, SECURE ACCESS TO EACH

436
00:21:57,483 --> 00:21:59,443
so we can search
through them.

437
00:21:59,485 --> 00:22:01,654
Then I want you
to meet us at

438
00:22:01,695 --> 00:22:04,240
65434 EAST BOULEVARD.

439
00:22:04,282 --> 00:22:07,076
ON MY WAY.
It's in Marysville.

440
00:22:15,876 --> 00:22:17,837
I'LL CATCH UP TO YOU.
I'LL, UH,

441
00:22:17,878 --> 00:22:19,755
(speaks indistinctly)

442
00:22:19,797 --> 00:22:21,257
HEY.
HI.

443
00:22:21,299 --> 00:22:23,968
OH, I DON'T KNOW.
WHO'S WINNING?

444
00:22:24,010 --> 00:22:26,971
I DON'T FOLLOW THE PLAY,
TO BE HONEST.
YEAH, IT'S KIND OF SILLY,
ISN'T IT?

445
00:22:27,013 --> 00:22:30,016
EVERYBODY'S SO SERIOUS
OVER A GAME.

446
00:22:30,057 --> 00:22:32,643
EXACTLY. LIKE IT MATTERS
WHO WINS A STUPID TROPHY.

447
00:22:32,685 --> 00:22:35,229
THEY NEED A PURPOSE.
I GUESS PEOPLE FEEL

448
00:22:35,271 --> 00:22:38,816
YEAH, WELL, MY PURPOSE DIED
THIS YEAR AT THE AGE OF 16.

449
00:22:38,858 --> 00:22:41,485
OH. I'M SORRY.
BOY OR GIRL?

450
00:22:41,527 --> 00:22:44,155
WITH ONE OF HER FRIENDS.
GIRL. HIGH AS A KITE

451
00:22:44,197 --> 00:22:46,740
SHE WRAPPED HER CAR
AROUND A TREE.

452
00:22:46,782 --> 00:22:50,661
WITHOUT A SCRATCH, THANK GOD.
FRIEND GOT AWAY
WHAT WAS HER NAME?

453
00:22:50,703 --> 00:22:54,123
ONCE YOU LOSE A CHILD,
RACHEL.

454
00:22:54,165 --> 00:22:56,625
KINDA RIDICULOUS, YOU KNOW?
ALL THIS STRIVING SEEMS

455
00:22:56,667 --> 00:22:59,419
YEAH. UNFORTUNATELY, I DO.

456
00:23:00,880 --> 00:23:03,341
WHY NOT LEAVE IT ALL BEHIND?
JUST GO AWAY?

457
00:23:03,381 --> 00:23:05,926
I CAN'T AFFORD TO LEAVE.
(clicks tongue)

458
00:23:05,968 --> 00:23:09,680
I HAVE NEGATIVE EQUITY
ON MY HOUSE.

459
00:23:09,722 --> 00:23:12,725
OH, NICE PLAY, KAREN!

460
00:23:12,766 --> 00:23:14,727
THESE ARE MY FRIENDS.
BESIDES,

461
00:23:14,768 --> 00:23:16,603
THIS IS ALL I HAVE.

462
00:23:18,772 --> 00:23:20,900
(engines revving)

463
00:23:33,287 --> 00:23:35,748
ACCORDING TO SCARLETT'S PLANNER,
THE MEETING'S HERE.

464
00:23:35,789 --> 00:23:37,708
LET'S SEE IF WE CAN SPOT
THE CONTACT.

465
00:23:37,750 --> 00:23:39,919
MAYBE WE'LL GET LUCKY.
I DON'T KNOW.

466
00:23:43,421 --> 00:23:47,551
(engines continue revving
in distance)

467
00:23:54,141 --> 00:23:56,810
WHAT ARE YOU DOING?
HI, GUYS.

468
00:24:00,064 --> 00:24:01,607
AAH! (grunts)

469
00:24:10,448 --> 00:24:11,951
GET UP.
(grunts)

470
00:24:11,992 --> 00:24:14,536
THIS WAY.
ALL RIGHT, ALL RIGHT,
ALL RIGHT.

471
00:24:21,294 --> 00:24:22,460
(exhales deeply)

472
00:24:22,502 --> 00:24:24,922
I SHOULD HAVE BROUGHT
SOME SNACKS.

473
00:24:24,964 --> 00:24:28,259
AH, YOU SHOULDN'T
GO HUNGRY LONG.
WORKING IN A HURRY.
I DON'T SEE THIS

474
00:24:28,301 --> 00:24:31,220
WILL HAVE SPREAD QUICKLY.
MANDY'S NEWS

475
00:24:31,262 --> 00:24:33,055
EVERYONE KNOWS

476
00:24:33,097 --> 00:24:36,558
THE SAFE WILL BE OPENED.
THAT TOMORROW,

477
00:24:36,600 --> 00:24:40,646
IT'S NOW OR NEVER FOR WHOEVER
TOOK SCARLETT'S KEYS.

478
00:24:45,985 --> 00:24:47,820
HEY, EASY THERE.

479
00:24:47,861 --> 00:24:49,822
ANTIQUE MEXICAN SILVER.
THAT IS

480
00:24:49,863 --> 00:24:51,824
MAYBE NEXT TIME YOU'LL THINK

481
00:24:51,865 --> 00:24:53,575
BEFORE TRYING TO OUTRUN
AN OFFICER OF THE LAW.

482
00:24:53,617 --> 00:24:56,329
THIS ISN'T CANDY.
I'M ASSUMING

483
00:24:56,370 --> 00:24:59,497
WHY WERE YOU MEETING
SCARLETT MARQUESA?

484
00:24:59,539 --> 00:25:01,667
SO WE COULD EXCHANGE
BEAUTY SECRETS.

485
00:25:01,708 --> 00:25:04,253
YEAH, I DO.
YOU MIND IF I SMOKE?

486
00:25:04,295 --> 00:25:06,588
VAN PELT, WHAT DO YOU GOT?
OH.

487
00:25:06,630 --> 00:25:08,966
A.K.A. "DIGGER."
WARDELL SUGGS,

488
00:25:09,008 --> 00:25:11,427
HE'S BEEN ARRESTED FOR SEVERAL
COUNTS OF PETTY THEFT,

489
00:25:11,469 --> 00:25:14,472
FRAUD AND ASSAULT.
THAT'S VERY IMPRESSIVE.

490
00:25:14,512 --> 00:25:17,599
WHY WERE YOU MEETING SCARLETT?
IT COULD BE BETTER.

491
00:25:17,641 --> 00:25:19,726
WHAT'D SHE TELL YOU ABOUT ME?

492
00:25:19,768 --> 00:25:22,188
NOTHING. SHE'S DEAD.

493
00:25:22,229 --> 00:25:25,149
TO DO WITH THAT. (chuckles)
I-I DIDN'T HAVE ANYTHING

494
00:25:26,775 --> 00:25:28,819
HEY, BOSS, COME TAKE A LOOK.

495
00:25:28,861 --> 00:25:32,656
WOULD YOU LOOK AT THAT?
THE MOTHER LODE.

496
00:25:32,698 --> 00:25:34,825
LET'S TALK, HUH?

497
00:25:34,867 --> 00:25:36,827
I GOT A STRIKE TO GIVE.
THE HELL,

498
00:25:36,869 --> 00:25:38,829
OF MY BIGGEST CUSTOMERS.
SCARLETT WAS ONE

499
00:25:38,871 --> 00:25:41,207
PAINKILLERS, TRANQUILIZERS,
DIET PILLS--

500
00:25:41,248 --> 00:25:43,667
BY THE HUNDREDS.

501
00:25:43,709 --> 00:25:45,627
SCARLETT WAS DEALING
PRESCRIPTION DRUGS?

502
00:25:45,669 --> 00:25:48,005
YEP.

503
00:25:48,047 --> 00:25:50,174
WHERE DID YOU TWO MEET?
SWAP MEET.

504
00:25:50,216 --> 00:25:53,427
THAT GOD-AWFUL JEWELRY.
SHE WAS TRYING TO SELL

505
00:25:53,469 --> 00:25:55,513
SHE LOOKED DESPERATE,
SO I TOLD HER

506
00:25:55,553 --> 00:25:59,308
WERE YOU DOING A DEAL TONIGHT?
THERE'S EASIER WAYS
TO MAKE MONEY.

507
00:25:59,350 --> 00:26:01,310
I'VE BEEN HAVING TO LISTEN
SUPPOSED TO. LATELY,

508
00:26:01,352 --> 00:26:03,854
TO HER YAMMER ABOUT QUITTING.
THEN SHE'D BUY SOME BAG,

509
00:26:03,896 --> 00:26:06,190
SAYING THIS IS THE LAST TIME
SHE'S DOING IT.

510
00:26:06,232 --> 00:26:08,901
SHE WAS GONNA QUIT?
SHE'D ALWAYS COME BACK.
OF COURSE

511
00:26:08,942 --> 00:26:10,319
YEP.

512
00:26:10,361 --> 00:26:12,779
LAST COUPLE OF WEEKS,
A MATTER OF FACT,

513
00:26:12,821 --> 00:26:15,366
I'VE BEEN GETTING CALLS
FROM ANOTHER GIRL,

514
00:26:15,408 --> 00:26:17,326
GAVE HER MY INFO.
SAYING SCARLETT

515
00:26:17,368 --> 00:26:19,370
SAME PRISSY KIND OF VOICE.

516
00:26:19,412 --> 00:26:22,831
IN SETTING UP HER OWN SITUATION
CHICK SAID SHE'D BE INTERESTED

517
00:26:22,873 --> 00:26:25,042
DOES THIS<i> CHICK</i> HAVE A NAME?
WHEN SCARLETT QUIT.

518
00:26:25,084 --> 00:26:27,086
YOU KNOW, I'M NOT BIG
ON NAMES AT FIRST,

519
00:26:27,127 --> 00:26:29,880
BUT I DO HAVE HER NUMBER.

520
00:26:31,798 --> 00:26:34,634
WHY DON'T YOU GIVE HER
A CALL?

521
00:26:46,730 --> 00:26:48,399
(clank)

522
00:26:48,441 --> 00:26:50,650
(cell phone rings)

523
00:26:50,692 --> 00:26:53,404
OH.

524
00:26:53,446 --> 00:26:55,655
WHY ARE YOU CALLING ME NOW?
DIGGER,

525
00:26:58,075 --> 00:27:00,994
(sighs)

526
00:27:01,036 --> 00:27:03,497
(chuckles)

527
00:27:08,544 --> 00:27:10,421
(chuckles)

528
00:27:10,463 --> 00:27:15,342
IF YOU'D LIKE TO TAKE A SEAT.
UH, IN YOUR OWN TIME, MAN,

529
00:27:15,384 --> 00:27:16,385
(closes compact)

530
00:27:19,972 --> 00:27:23,100
<i>THANK YOU SO MUCH, MA'AM. </i>
MM-HMM.

531
00:27:23,142 --> 00:27:26,604
HOW DID YOU COME TO HAVE
SCARLETT MARQUESA'S KEYS?

532
00:27:26,644 --> 00:27:30,524
I TOOK THEM WHEN I WENT TO OFFER
MY CONDOLENCES TO VICTOR.

533
00:27:30,566 --> 00:27:32,692
BUT I COULDN'T WAIT.
NAUGHTY I KNOW,

534
00:27:32,734 --> 00:27:35,362
IT'S NOT NAUGHTY.
IT'S A FELONY.

535
00:27:35,404 --> 00:27:38,407
YOU WANTED TO GET YOUR HANDS
ON HER PILL SUPPLY.

536
00:27:38,449 --> 00:27:41,743
NONSENSE. I OPENED THAT SAFE
OUT OF IDLE CURIOSITY.

537
00:27:41,785 --> 00:27:44,497
I HAD NO IDEA THERE WERE
ANY PILLS IN THERE.

538
00:27:44,538 --> 00:27:48,542
THE WINDOWS FOR NEW DRAPES.
I SIMPLY WANTED TO MEASURE

539
00:27:48,584 --> 00:27:51,753
OH. THEN WHY NOT WAIT
TILL IT'S OFFICIAL?
I'LL BE THE NEXT CHAIR
OF THE COMMITTEE.

540
00:27:51,795 --> 00:27:54,423
AM I HERE BECAUSE OF KEYS?

541
00:27:54,465 --> 00:27:57,426
RELATIONSHIP WITH WARDELL SUGGS.
EXPLAIN THE NATURE OF YOUR

542
00:27:57,468 --> 00:27:58,885
WHO?

543
00:27:58,927 --> 00:28:00,346
DIGGER?

544
00:28:02,306 --> 00:28:04,558
I LIKED HIS JEWELRY.

545
00:28:04,600 --> 00:28:07,186
SCARLETT MARQUESA WAS SELLING
OKAY. WERE YOU AWARE THAT

546
00:28:07,227 --> 00:28:10,230
IN THE VILLA MARSANTE ESTATES?
ILLEGAL PRESCRIPTION DRUGS

547
00:28:10,272 --> 00:28:11,607
<i>WHO</i> DIDN'T<i> KNOW?</i>

548
00:28:11,649 --> 00:28:16,320
<i>WELL, EXCEPT FOR YOU ALL.</i>

549
00:28:16,362 --> 00:28:18,947
<i>IF EVERYONE KNEW, THEN WHY</i>
<i>DIDN'T ANYONE COME FORTH?</i>

550
00:28:18,989 --> 00:28:20,366
AND RISKED BEING OSTRACIZED

551
00:28:20,407 --> 00:28:23,452
IN THE VULGARITY OF IT ALL?
OR CAUGHT UP

552
00:28:23,494 --> 00:28:24,828
NOT LIKELY.

553
00:28:24,870 --> 00:28:26,830
A BOOMING BUSINESS,
SHE WAS DOING

554
00:28:26,872 --> 00:28:29,041
TO BE PART OF IT,
AND YOU WANTED

555
00:28:29,082 --> 00:28:31,335
MAYBE A LITTLE TOO MUCH.
SO I KILLED HER? PLEASE.

556
00:28:31,377 --> 00:28:33,337
HELLO. SHE WAS A DRUG DEALER.

557
00:28:33,379 --> 00:28:36,215
THE PEOPLE SHE DEALT WITH
MUST HAVE DONE HER IN--

558
00:28:36,256 --> 00:28:37,675
OTHER DEALERS.

559
00:28:37,715 --> 00:28:39,301
OR A HIGHLY CAPABLE RIVAL

560
00:28:39,343 --> 00:28:41,761
STRAIGHT IN THE MIDDLE
OF HER OWN COMMUNITY?

561
00:28:41,803 --> 00:28:46,392
OR POISON ON ME OR IN MY HOME.
YOU HAVE FOUND NO DRUGS

562
00:28:46,433 --> 00:28:48,477
<i>AFTER</i> SHE WAS KILLED,
THE KEYS WERE TAKEN

563
00:28:48,519 --> 00:28:52,064
AND I ONLY OPENED THAT SAFE
OUT OF IDLE CURIOSITY.

564
00:28:52,105 --> 00:28:54,066
YOU TAPED TOGETHER
YOUR WHOLE THEORY

565
00:28:54,107 --> 00:28:56,068
OF RANDOM CONVERSATIONS
WITH A COUPLE

566
00:28:56,109 --> 00:28:58,820
I'VE HAD WITH A DRUG DEALER.
DOES THAT ABOUT SUM IT UP?

567
00:28:58,862 --> 00:29:01,490
THAT, IT DOES SEEM PRETTY THIN.
WELL, WHEN SHE PUTS IT LIKE

568
00:29:01,532 --> 00:29:05,035
YEAH.
YEAH. SHE'S A PIECE OF WORK,
ISN'T SHE?

569
00:29:05,077 --> 00:29:06,953
WE'RE GONNA HAVE TO CUT HER
LOOSE FOR NOW, BUT I THINK

570
00:29:06,995 --> 00:29:10,165
SOME DISCREET SURVEILLANCE
MIGHT HELP OUR CAUSE.

571
00:29:13,377 --> 00:29:15,837
OF TRYING THAT ON, DON'T.
IF YOU WERE THINKING

572
00:29:15,879 --> 00:29:18,840
NOT YOUR SHADE.
ABOUT OLDER WOMEN?
WHAT DO YOU THINK

573
00:29:18,882 --> 00:29:21,843
I DON'T THINK ABOUT OLDER WOMEN.
WHERE IS THIS COMING FROM?

574
00:29:21,885 --> 00:29:25,389
MY MOTHER'S AN OLDER WOMAN.
JUST OLDER, YOU KNOW?
NOT OLD OLD,

575
00:29:25,431 --> 00:29:27,766
WHY YOU ASKING?
OLDER THAN YOU.

576
00:29:27,807 --> 00:29:30,018
YOU'RE NOT TRYING TO SET ME UP
WITH SOMEBODY, ARE YOU?

577
00:29:30,060 --> 00:29:31,729
IT TURNS OUT--IF YOU LOOK

578
00:29:31,770 --> 00:29:33,731
AT THE AVAILABLE SCIENTIFIC
EVIDENCE ON THE INTERNET--

579
00:29:33,772 --> 00:29:35,357
AND THEY'VE GOT
LESS HANG-UPS,

580
00:29:35,399 --> 00:29:37,317
THEY LIKE THEMSELVES WAY MORE
THAN YOUNGER WOMEN,

581
00:29:37,359 --> 00:29:39,319
AT THEIR SEXUAL PEAK.
AND THEY'RE

582
00:29:39,361 --> 00:29:41,447
WHAT THE RESEARCH SAYS ANYHOW.
I MEAN, THAT'S

583
00:29:41,488 --> 00:29:43,782
WHAT THE HELL HAPPENED TO YOU
AT THAT COUNTRY CLUB?

584
00:29:46,285 --> 00:29:48,704
NOTHING. I'M JUST SAYING THAT--
OH, NO. SHE SPOTTED US.

585
00:29:52,583 --> 00:29:54,084
AFTERNOON, BOYS.

586
00:29:54,126 --> 00:29:56,086
I WAS MAKING MYSELF
A PANINI

587
00:29:56,128 --> 00:29:59,089
OH. THANKS, MA'AM.
I'D BRING YOU SOME, TOO.
AND THOUGHT

588
00:29:59,131 --> 00:30:01,091
OH, AND JUST SO YOU KNOW,

589
00:30:01,133 --> 00:30:03,469
I AM HEADED TO THE CLUB
FOR A MASSAGE,

590
00:30:03,510 --> 00:30:05,971
TO FOLLOW TOO CLOSE.
SO YOU DON'T NEED

591
00:30:06,012 --> 00:30:09,266
YES, MA'AM. (chuckles)
RELAX. HAVE A BITE TO EAT
FIRST. I'LL SEE YOU THERE.

592
00:30:12,185 --> 00:30:14,480
"YES, MA'AM, THANK YOU, MA'AM."
WHAT IS WRONG WITH YOU?

593
00:30:14,521 --> 00:30:16,732
WELL, SHE SURPRISED ME.

594
00:30:16,774 --> 00:30:20,694
WHAT'S IN THE SANDWICHES?
WELL, IT'S A PANINI,
IF YOU DON'T MIND.

595
00:30:20,736 --> 00:30:22,696
IT'S, UH, HAM AND CHEESE.
(crunches)

596
00:30:22,738 --> 00:30:24,281
YEAH, WHO KNOWS WHAT ELSE?

597
00:30:32,790 --> 00:30:34,667
DRUGS?

598
00:30:34,708 --> 00:30:37,503
I CAN'T BELIEVE IT.

599
00:30:37,544 --> 00:30:39,505
USING JEWELRY SALES AS A COVER,

600
00:30:39,546 --> 00:30:41,674
YOUR WIFE WAS DEALING
PRESCRIPTION DRUGS--

601
00:30:41,715 --> 00:30:45,135
PAINKILLERS MOSTLY.
SPEED, DIET PILLS.

602
00:30:45,177 --> 00:30:47,554
SOME OF THEM WERE COMING IN
FROM MEXICO,

603
00:30:47,596 --> 00:30:50,724
OTHER ONES WERE STOLEN
FROM PHARMACIES.

604
00:30:50,766 --> 00:30:52,726
GENUINELY SURPRISED.
YOU SEEM

605
00:30:52,768 --> 00:30:55,228
A LOT OF PEOPLE AROUND HERE
KNEW ABOUT HER.

606
00:30:55,270 --> 00:30:57,397
I HAD NO IDEA.

607
00:30:57,439 --> 00:31:00,400
YOU DON'T THINK I HAD SOMETHING
TO DO WITH THIS?

608
00:31:00,442 --> 00:31:02,528
AN AWFUL LOT OF INVENTORY.
SHE WAS MOVING

609
00:31:02,569 --> 00:31:05,531
I HAD NOTHING TO DO
WITH THIS.

610
00:31:05,572 --> 00:31:07,533
HOW COULD YOU HAVE NOT KNOWN

611
00:31:07,574 --> 00:31:10,452
THE WOMEN IN THE NEIGHBORHOOD?
SHE WAS MEDICATING HALF

612
00:31:10,494 --> 00:31:12,287
SHE LIED TO ME.

613
00:31:14,206 --> 00:31:17,417
TO PROTECT ME FROM THE SHAME.
MAYBE SHE WAS JUST TRYING

614
00:31:17,459 --> 00:31:20,420
JUST TO TURN A BLIND EYE,
OR MAYBE IT WAS EASIER

615
00:31:20,462 --> 00:31:22,297
AS LONG AS THE MONEY
WAS COMING IN.

616
00:31:22,339 --> 00:31:23,507
(Victor) NO.

617
00:31:23,549 --> 00:31:26,009
SHE WAS DOING THIS,
IF I HAD KNOWN

618
00:31:26,051 --> 00:31:28,220
I WOULD HAVE TRIED
TO STOP HER.

619
00:31:30,138 --> 00:31:31,765
HI. I'M PATRICK.

620
00:31:31,807 --> 00:31:33,016
OSCAR.

621
00:31:33,058 --> 00:31:35,143
YOU WANT TO TALK, OSCAR?

622
00:31:50,743 --> 00:31:53,370
PRETTY HEAVY STUFF GOING ON,
RIGHT?

623
00:31:53,412 --> 00:31:54,496
YEAH.

624
00:31:56,498 --> 00:31:58,458
I'M SORRY ABOUT YOUR MOM.

625
00:31:58,500 --> 00:32:00,753
ME, TOO.

626
00:32:00,794 --> 00:32:05,340
MY DAD IS SAD BECAUSE YOU GUYS
CAN'T FIND WHO DID IT.

627
00:32:05,382 --> 00:32:07,467
BUT I DON'T MIND ABOUT THAT.

628
00:32:07,509 --> 00:32:09,720
I JUST WANT HER BACK.

629
00:32:11,430 --> 00:32:14,015
YOU KNOW THAT, DON'T YOU?
SHE CAN'T COME BACK.

630
00:32:14,057 --> 00:32:15,851
I KNOW THAT.

631
00:32:15,893 --> 00:32:18,520
I'M 9.

632
00:32:18,562 --> 00:32:21,774
I WILL NEVER SEE HER AGAIN
UNTIL I'M DEAD, TOO.

633
00:32:21,815 --> 00:32:24,651
THEN I'LL GO STAY WITH HER
IN HEAVEN.

634
00:32:24,693 --> 00:32:27,279
WELL, THAT SOUNDS GOOD.

635
00:32:27,320 --> 00:32:30,282
BUT YOU KNOW WHAT I NOTICED
YOU'RE REALLY GOOD AT

636
00:32:30,323 --> 00:32:32,284
THAT COULD HELP YOU
RIGHT NOW?

637
00:32:32,325 --> 00:32:33,827
WHAT?

638
00:32:33,869 --> 00:32:35,621
MAKE-BELIEVE.

639
00:32:35,662 --> 00:32:37,623
YEAH.

640
00:32:37,664 --> 00:32:38,916
I AM.

641
00:32:38,957 --> 00:32:41,042
YOU ARE VERY GOOD AT IT.

642
00:32:41,084 --> 00:32:43,462
YOU WANTED TO TALK TO YOUR MOM,
A MASTER LIKE YOU,

643
00:32:43,503 --> 00:32:46,506
YOU COULD MAKE-BELIEVE SHE WAS
HERE AND DO WHATEVER YOU LIKE.

644
00:32:46,548 --> 00:32:49,468
I DO IT ALL THE TIME.
YOU TALK TO MY MOM?

645
00:32:49,509 --> 00:32:51,553
NO, NOT YOUR MOM.
I TALK TO MY WIFE.

646
00:32:51,595 --> 00:32:53,430
YEAH. YEAH.
SHE'S DEAD?

647
00:32:53,472 --> 00:32:56,349
BUT I TALK TO HER ALL THE TIME.
YOU SHOULD TRY IT.

648
00:32:56,391 --> 00:32:58,518
IT'S VERY GOOD.
I GUESS.

649
00:32:58,560 --> 00:33:00,312
WELL, WHATEVER.

650
00:33:00,353 --> 00:33:03,523
THIS IS COOL.

651
00:33:03,565 --> 00:33:05,734
WITH THIS SWORD?
YOU ANY GOOD

652
00:33:05,776 --> 00:33:08,737
(unsheathes sword)
I'M OKAY.

653
00:33:08,779 --> 00:33:10,113
OH, REALLY?

654
00:33:10,155 --> 00:33:12,115
EN GARDE.

655
00:33:12,157 --> 00:33:13,867
(laughs)

656
00:33:13,909 --> 00:33:17,287
OH! OH! OH! OH!
I GOT YOU! (laughs)

657
00:33:17,329 --> 00:33:18,622
AHH!

658
00:33:18,664 --> 00:33:21,040
PLEASE. MERCY.

659
00:33:21,082 --> 00:33:22,375
MERCY.

660
00:33:23,961 --> 00:33:25,337
FAIR MAIDEN.

661
00:33:25,378 --> 00:33:27,881
D'ARTAGNAN, I HAVE TO GO.
GOOD-BYE.

662
00:33:35,305 --> 00:33:37,474
SPA STUFF TAKES FOREVER.
UGH,

663
00:33:37,516 --> 00:33:39,476
HOW LONG CAN A MASSAGE BE?

664
00:33:39,518 --> 00:33:42,479
NO, THEY DO ALL SORTS OF THINGS
TO YOU BESIDES A MASSAGE--

665
00:33:42,521 --> 00:33:44,731
HOW DO YOU KNOW SO MUCH?
FACIALS, WAXING, MUD.

666
00:33:44,773 --> 00:33:46,859
I BOUGHT A CERTIFICATE
FOR MY MOM.

667
00:33:48,443 --> 00:33:49,569
WAYNE.

668
00:33:49,611 --> 00:33:52,656
YOU'RE BACK AGAIN.
HOW NICE.

669
00:33:52,698 --> 00:33:54,616
HI, MRS. SHAPER.

670
00:33:54,658 --> 00:33:56,994
YOU MUST CALL ME JACKIE.
NOW YOU KNOW,

671
00:33:57,035 --> 00:34:00,497
AND IT'S "MS.," NOT "MRS."
DIVORCED.

672
00:34:00,539 --> 00:34:02,749
SORRY... JACKIE.

673
00:34:02,791 --> 00:34:05,961
BUT WEAK, ESSENTIALLY.
HE WAS A GOOD MAN,

674
00:34:06,003 --> 00:34:08,964
HE JUST COULDN'T SEE--
WAIT. WHAT ARE YOU WEARING
ON YOUR LIPS?

675
00:34:09,006 --> 00:34:11,842
WHAT--WHAT COLOR IS THIS?
EXCUSE ME?
THE COLOR.

676
00:34:11,884 --> 00:34:15,428
WHERE DID YOU GET IT?
TONGUE IN CHEEK. YOU LIKE IT?

677
00:34:15,470 --> 00:34:18,557
AT THE BOUTIQUE IN TOWN.
BEEN WEARING THIS SHADE?
I BOUGHT IT
HOW LONG HAVE YOU

678
00:34:18,598 --> 00:34:20,266
I JUST BOUGHT IT TODAY.

679
00:34:20,308 --> 00:34:22,561
I SAW IT ON PATIENCE BROADBENT
AT SCARLETT'S PARTY.

680
00:34:22,602 --> 00:34:24,646
I JUST HAD TO HAVE IT.
IT'S A CRAZY PRICE,

681
00:34:24,688 --> 00:34:27,357
THAT IT'S TONGUE IN CHEEK?
BUT WHAT THE HECK?
YOU'RE POSITIVE

682
00:34:27,399 --> 00:34:30,736
I HAVE IT RIGHT HERE.
PATIENCE WEARING IT FIRST
AND YOU DEFINITELY SAW

683
00:34:30,777 --> 00:34:33,572
AT SCARLETT MARQUESA'S PARTY?
IS THAT A PICKUP LINE?

684
00:34:33,613 --> 00:34:36,867
AAH! AAH! AAH! AAH!

685
00:34:36,909 --> 00:34:39,327
AAH! AAH!

686
00:34:42,455 --> 00:34:45,458
COMING THROUGH, PLEASE.
(Rigsby) CBI.

687
00:34:48,503 --> 00:34:51,757
(both panting)

688
00:35:00,223 --> 00:35:03,769
(Patrick) YEAH, LET'S QUESTION
THEM LATER, I THINK.

689
00:35:03,810 --> 00:35:05,520
NO DETECTABLE PRINTS
ON THE KNIFE.

690
00:35:05,562 --> 00:35:07,689
THE SPA DIDN'T BELIEVE IN THEM.
SURVEILLANCE TAPES?

691
00:35:07,731 --> 00:35:10,275
WITH DISTURBING THE CHI.
SOMETHING TO DO

692
00:35:10,316 --> 00:35:13,570
WHY KILL PATIENCE? WHY NOW?
I DON'T GET IT.

693
00:35:13,612 --> 00:35:16,615
PART OF THE PLAN ALL ALONG.
PERHAPS IT WAS

694
00:35:16,656 --> 00:35:18,951
PATIENCE BECAME THE NEW TARGET.
NO, THIS WAS HASTY.

695
00:35:18,992 --> 00:35:22,662
REVENGE FOR SCARLETT'S DEATH?
VICTOR WAS QUICK TO ANGER.

696
00:35:22,704 --> 00:35:24,706
RIGSBY, FIND OUT

697
00:35:24,748 --> 00:35:26,583
YES, BOSS.
RECENT WHEREABOUTS.
VICTOR MARQUESA'S

698
00:35:26,625 --> 00:35:28,543
IT COULD HAVE BEEN
SOMEONE ELSE.

699
00:35:28,585 --> 00:35:31,463
THE COMPETITION WIPING OUT
THE DEALER

700
00:35:31,504 --> 00:35:35,300
AND HER HEIR APPARENT OR...
OR WHAT?

701
00:35:35,341 --> 00:35:38,428
VICTOR DOES FIT NICELY,
DOESN'T HE?

702
00:35:38,470 --> 00:35:39,596
YEAH.

703
00:35:45,685 --> 00:35:48,730
THAT PATIENCE GOT STABBED?
CAN YOU BELIEVE
HERE WE ARE.

704
00:35:48,772 --> 00:35:50,607
IT'S LIKE A MAFIA HIT.

705
00:35:50,649 --> 00:35:53,610
I'M NEVER GOING IN THAT SPA
AGAIN, I WILL TELL YOU THAT.

706
00:35:53,652 --> 00:35:55,612
TRAGIC SET OF EVENTS.

707
00:35:55,654 --> 00:35:57,781
I DIDN'T SEE IT COMING.

708
00:35:57,823 --> 00:36:00,784
THIS IS SOME KIND OF DRUG WAR?
SO WHAT DO YOU THINK?

709
00:36:00,826 --> 00:36:04,496
COULD BE, BUT STABBINGS ARE
USUALLY CRIMES OF PASSION.

710
00:36:04,537 --> 00:36:06,915
THIS IS VERY PERSONAL.
THIS IS, UH,

711
00:36:06,957 --> 00:36:09,417
MM. MM. SO WHAT'S NEXT?

712
00:36:09,459 --> 00:36:12,545
PUTTING THE PIECES TOGETHER.
CBI ARE ALREADY

713
00:36:12,587 --> 00:36:15,048
IN FACT, UH...

714
00:36:15,090 --> 00:36:16,591
W--NEVER MIND.

715
00:36:17,216 --> 00:36:18,217
WHAT?

716
00:36:18,259 --> 00:36:20,553
NO, I-I-I SHOULDN'T
TALK ABOUT IT

717
00:36:20,595 --> 00:36:23,640
YOU KNOW, YOU CAN'T JUST LEAVE
SOMETHING LIKE THAT HANGING.
'CAUSE IT'S STILL
AN ONGOING CASE.

718
00:36:23,682 --> 00:36:25,642
WELL, I'M SORRY, YOU KNOW,

719
00:36:25,684 --> 00:36:28,645
BUT I WILL GET MYSELF
IN A LOT OF TROUBLE.

720
00:36:28,687 --> 00:36:30,981
OH, COME ON, GIRLS.

721
00:36:31,023 --> 00:36:33,025
ALL RIGHT, LISTEN.
CAN YOU PROMISE ME

722
00:36:33,066 --> 00:36:35,027
JUST STAY BETWEEN US?
THAT THIS WILL

723
00:36:35,068 --> 00:36:36,736
YES, OF COURSE.
YES.

724
00:36:36,778 --> 00:36:38,404
YOU PROMISE?
I PROMISE.

725
00:36:38,446 --> 00:36:40,657
VICTOR?
OKAY, WE'RE GOING AFTER
VICTOR MARQUESA.

726
00:36:40,699 --> 00:36:43,702
DOESN'T EVEN LOOK LIKE THE TYPE.
OH, I DON'T BELIEVE IT. HE

727
00:36:43,743 --> 00:36:47,413
THAT HE KILLED PATIENCE
WE THINK
ON WHAT GROUNDS?

728
00:36:47,455 --> 00:36:50,542
BUT YOU SAID THERE WAS NO PROOF
FOR THE MURDER OF HIS WIFE.
PATIENCE WAS GUILTY.
OUT OF REVENGE

729
00:36:50,583 --> 00:36:53,712
I GUESS VICTOR DIDN'T WANT
TO WAIT AROUND FOR PROOF.

730
00:36:53,753 --> 00:36:56,715
WHAT'S GONNA HAPPEN TO OSCAR?
NOW DAD'S A MURDERER.
MOTHER MURDERED,

731
00:36:56,756 --> 00:36:59,718
HE'LL BE PLACED IN FOSTER CARE.
ONCE THEY ARREST THE FATHER,

732
00:36:59,759 --> 00:37:01,553
(whispers) OH, HOW DREADFUL.
MM.

733
00:37:01,594 --> 00:37:04,723
IT IS.
THAT POOR CHILD.
(normal voice)

734
00:37:04,764 --> 00:37:06,725
MM.

735
00:37:09,728 --> 00:37:12,647
police radio chatter)
(indistinct

736
00:37:15,274 --> 00:37:17,610
I GUESS THEY COULDN'T KEEP
THE SECRET.

737
00:37:17,652 --> 00:37:19,362
(Lisbon) GUESS THEY CAN'T.

738
00:37:21,073 --> 00:37:23,783
LET'S DO IT.

739
00:37:23,825 --> 00:37:26,078
IT'S GONNA BE ALL RIGHT, SON.
(Victor)
(Oscar) DAD!

740
00:37:26,119 --> 00:37:27,871
I PROMISE.
NO!

741
00:37:27,913 --> 00:37:30,790
IT'S GONNA BE OKAY.
WHERE ARE YOU GOING?

742
00:37:30,832 --> 00:37:33,668
I'LL BE RIGHT BACK!
DON'T WORRY!
NO! DAD!

743
00:37:33,710 --> 00:37:38,006
(crying) COME BACK! NO!

744
00:37:38,048 --> 00:37:40,133
NO, NO, NO. WAIT. WAIT. NO.

745
00:37:40,175 --> 00:37:42,928
NO. NO, HEATHER. NO, WE CAN'T.
YOU HAVE TO STOP THIS.
STOP, STOP, STOP.

746
00:37:42,969 --> 00:37:45,889
THIS IS JUSTICE BEING SERVED.
DAD! DAD!

747
00:37:45,931 --> 00:37:48,725
YOU'RE PUTTING THAT BOY THROUGH.
HE'LL FORGET EVENTUALLY.
HOW CAN YOU SAY THAT? LOOK WHAT
IT'S FINE.

748
00:37:48,767 --> 00:37:50,727
IT'S FINE.
NO. NO, HE WON'T.

749
00:37:50,769 --> 00:37:52,562
WHY?
NO. NO, IT'S NOT.

750
00:37:52,604 --> 00:37:55,356
(voice breaks) I KILLED THEM.
BECAUSE I DID IT!

751
00:37:55,398 --> 00:37:57,609
(crying) I KILLED THEM BOTH.

752
00:37:57,650 --> 00:37:59,402
OH, GOD.

753
00:38:04,657 --> 00:38:06,243
OKAY.

754
00:38:06,284 --> 00:38:07,744
(sobbing)

755
00:38:11,581 --> 00:38:13,666
I FIRST SUSPECTED IT WAS YOU
BECAUSE IT SEEMED

756
00:38:13,708 --> 00:38:17,462
THAT EVERYBODY ELSE AT THE CLUB
WORE SOME OF SCARLETT'S JEWELRY,

757
00:38:17,503 --> 00:38:19,672
BUT NOT YOU.

758
00:38:19,714 --> 00:38:21,340
THAT'S IT?

759
00:38:21,382 --> 00:38:22,759
JEWELRY?

760
00:38:22,801 --> 00:38:24,136
THE MORE WE TALKED,

761
00:38:24,177 --> 00:38:28,681
THE MORE I FELT YOUR PAIN
AND ANGER.

762
00:38:28,723 --> 00:38:31,309
LOSING YOUR DAUGHTER
HAS UNHINGED YOU.

763
00:38:31,350 --> 00:38:34,520
(whispers) UNHINGED?

764
00:38:34,562 --> 00:38:38,275
YEAH, I SUPPOSE IT HAS.
(normal voice)

765
00:38:39,943 --> 00:38:43,029
(voice breaks) MY DAUGHTER...

766
00:38:43,071 --> 00:38:47,659
(sniffles) RACHEL.

767
00:38:47,700 --> 00:38:50,662
SHE LOVED TO DANCE.

768
00:38:50,703 --> 00:38:53,123
WHAT KIND OF MUSIC EITHER,
DIDN'T MATTER

769
00:38:53,165 --> 00:38:56,793
A TOE WOULD START TAPPING
AND...

770
00:38:56,835 --> 00:38:59,629
SO FULL OF LIFE.
SHE WAS JUST

771
00:39:02,507 --> 00:39:04,634
PAINKILLERS WITH ALCOHOL
SHE HAD TAKEN SEVERAL

772
00:39:04,676 --> 00:39:07,595
BEHIND THE WHEEL.
BEFORE SHE GOT

773
00:39:07,637 --> 00:39:10,598
ONE OF HER NEIGHBORHOOD FRIENDS
GOT THEM FROM HER MOTHER

774
00:39:10,640 --> 00:39:12,600
WHO GOT THEM FROM SCARLETT.

775
00:39:12,642 --> 00:39:15,270
I UNDERSTAND YOUR ANGER.

776
00:39:15,312 --> 00:39:18,815
IT WAS LIKE THEY RIPPED
MY SOUL OUT CLEAN.

777
00:39:18,857 --> 00:39:22,568
JUST KEPT MOVING RIGHT ALONG.
BUT THE REST OF THE WORLD

778
00:39:22,610 --> 00:39:27,240
IT WAS LIKE I WAS THE ONLY ONE
WHO REMEMBERED WHAT HAPPENED.

779
00:39:27,282 --> 00:39:29,659
<i>SO WHEN I...</i>

780
00:39:29,701 --> 00:39:32,787
<i>SAW HER FLITTING ABOUT TOWN,</i>

781
00:39:32,829 --> 00:39:35,874
<i>WITHOUT A CARE IN THE WORLD,</i>
<i>SELLING HER PILLS</i>

782
00:39:35,915 --> 00:39:39,085
<i>STILL HOSTING PARTIES</i>
<i>AT HER HOUSE,</i>

783
00:39:39,127 --> 00:39:41,046
HAPPILY DANCING AROUND

784
00:39:41,087 --> 00:39:45,466
<i>WITHOUT A STITCH OF THE MISERY</i>
<i>I WAS CARRYING, I SNAPPED.</i>

785
00:39:45,508 --> 00:39:47,635
(women speak indistinctly)

786
00:39:47,677 --> 00:39:49,637
(whispers) I KILLED HER.

787
00:39:56,769 --> 00:39:58,855
<i>ANY OTHER PERSON</i>
<i>I DIDN'T WANT</i>

788
00:39:58,897 --> 00:40:01,607
<i>TO HAVE TO EXPERIENCE</i>
<i>WHAT I DID.</i>

789
00:40:09,199 --> 00:40:13,703
(coughing)

790
00:40:17,207 --> 00:40:19,834
AND PATIENCE?

791
00:40:19,876 --> 00:40:23,129
SHE TOLD EVERYONE AT THE CLUB
NOT TO WORRY.

792
00:40:23,171 --> 00:40:25,131
SHE WAS GONNA TAKE OVER
SCARLETT'S BUSINESS

793
00:40:25,173 --> 00:40:27,217
AND KEEP THE PILLS COMING,

794
00:40:27,259 --> 00:40:30,178
<i>LIKE NOTHING HAD HAPPENED,</i>

795
00:40:30,220 --> 00:40:32,722
<i>HAD BEEN LEARNED.</i>
<i>LIKE NO LESSONS</i>

796
00:40:34,182 --> 00:40:36,726
I HAD TO FINISH
WHAT I STARTED.

797
00:40:38,103 --> 00:40:39,729
I HAD TO.

798
00:40:41,647 --> 00:40:43,608
(tape recorder stops, opens)

799
00:40:43,649 --> 00:40:47,404
I'LL GET THIS TRANSCRIBED
FOR YOU TO SIGN.

800
00:40:54,327 --> 00:40:57,372
NOW THAT IT'S DONE,
DOES IT FEEL BETTER?

801
00:41:01,167 --> 00:41:04,837
IT DOESN'T CHANGE A THING.

802
00:41:10,302 --> 00:41:13,721
(sniffles)

803
00:41:13,763 --> 00:41:15,390
AGENT LISBON.

804
00:41:15,432 --> 00:41:17,642
MR. MARQUESA, HI.

805
00:41:17,683 --> 00:41:20,770
I WANT TO THANK YOU
AND YOUR TEAM.

806
00:41:20,812 --> 00:41:22,730
ALTHOUGH, I MUST ADMIT,
THAT WHOLE SCENE

807
00:41:22,772 --> 00:41:24,857
IN FRONT OF THE HOUSE--
IT WAS MAKE-BELIEVE, DAD.

808
00:41:24,899 --> 00:41:28,903
SORRY. THE MAKE-BELIEVE WAS
A BIT UNORTHODOX

809
00:41:28,945 --> 00:41:31,072
AND UNPLEASANT,

810
00:41:31,114 --> 00:41:33,866
MOST OF THE TIME.
BUT I'M SURE YOU ALL KNOW
WHAT YOU'RE DOING.

811
00:41:33,908 --> 00:41:37,120
IF WE WERE TOUGH ON YOU.
I WANT TO APOLOGIZE

812
00:41:37,162 --> 00:41:40,415
NO, IT'S WHAT I NEEDED TO HEAR.

813
00:41:40,457 --> 00:41:43,126
OF VILLA MARSANTE
WE'RE MOVING OUT

814
00:41:43,168 --> 00:41:45,920
AND HEADED BACK TO MY HOMETOWN.

815
00:41:45,962 --> 00:41:49,507
A LOT OF CATCHING UP TO DO.
MY SON AND I HAVE

816
00:41:51,426 --> 00:41:52,551
TAKE CARE.

817
00:41:52,593 --> 00:41:54,262
THANKS.

818
00:41:55,638 --> 00:41:58,433
MR. JANE.

819
00:41:58,475 --> 00:42:00,559
THANK YOU.

820
00:42:00,601 --> 00:42:02,687
OH, IT'S NOTHING.
FORGET ABOUT IT.

821
00:42:02,728 --> 00:42:04,605
TAKE CARE.

822
00:42:04,647 --> 00:42:06,565
GOOD LUCK. BYE.

823
00:42:09,235 --> 00:42:12,030
AND I WOULD HAVE MISSED 'EM.
ANOTHER MINUTE,

824
00:42:12,071 --> 00:42:14,615
WHEN PEOPLE SAY THANK YOU.
I DO HATE IT
WHY?

825
00:42:14,657 --> 00:42:17,160
HE LIKES TO PLAY
THE LONE RANGER.

826
00:42:17,202 --> 00:42:19,037
"WHO WAS THAT MASKED MAN?

827
00:42:19,078 --> 00:42:21,373
I NEVER GOT A CHANCE
TO THANK HIM."

828
00:42:21,414 --> 00:42:24,750
EXACTLY.

829
00:42:24,792 --> 00:42:28,171
UH, I DON'T WANT TO ALARM YOU,

830
00:42:28,213 --> 00:42:31,757
BUT YOUR FRIEND JACKIE HAS
JUST WALKED IN BEHIND YOU,

831
00:42:31,799 --> 00:42:33,592
AND SHE IS LOOKING FIERCE.

832
00:42:33,634 --> 00:42:37,430
I ASKED HER OUT TO DINNER.
OH, I KNOW.

833
00:42:39,098 --> 00:42:40,725
(Rigsby) HEY.

